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Episode Recap Featured New Broadcast News

Cyndi Lauper shines in ACL’s 42nd season

Austin City Limits presents an irresistible hour with the ever-entertaining Cyndi Lauper, as she performs her mega-hits alongside classic country covers from her recently released Detour, her acclaimed eleventh studio album.

The pink-haired Lauper charms one and all in a sparkling hour featuring some of her best-known songs and the story behind her current country-flavored Detour. “I know a lot of you are thinking: what does Queens, New York have to do with anything country?” says the native East Coaster as she explores her love of vintage country & western, putting her unique spin on Wanda Jackson’s “Funnel of Love,” Skeeter Davis’ “The End of the World,” Patsy Montana’s “I Want To Be A Cowboy’s Sweetheart,” and Bob Montgomery’s “Misty Blue”.  Lauper knocks out numbers from her own back catalog including a fevered version of “Money Changes Everything,” from her 1983 breakthrough She’s So Unusual, with the energetic hitmaker bopping across the stage, fueled by the enthusiastic Austin crowd. She delivers a gorgeous take on the 1984 ballad “Time After Time,” her first No. 1 hit.  Her signature anthem, the buoyant “Girls Just Want to Have Fun,” turns into a riotous audience sing-a-long as the dancing Lauper proclaims from the stage, “We’re all entitled to a joyful life!”  The colorful star closes out the masterful set with a breathtaking a cappella version of her enduring—and timely—anthem, “True Colors,” extolling the virtues of diversity, with Lauper imploring the crowd to “be brave and kind—we need each other.”

photo by Scott Newton

“With Cyndi Lauper, what you see is what you get,” said longtime ACL executive producer Terry Lickona. “And what you get is a totally unabashed, uninhibited, full-throated performance by one of the most unique artists in show business. Who knew she had such a perfect voice for such great country music classics? My only regret is there wasn’t time to include more of her side-splitting sense of humor.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode featuring the ACL debut of rising star Margo Price and the return of Texas favorite Hayes Carll.

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Featured Taping Recap

Crowd goes wild for Alabama Shakes

We love introducing you to your next favorite band. And we’re pretty sure Alabama Shakes is going to become that for you once you see their smoking hot soul.

While we had a few guests in the audience last night from out of town thanks to SXSW, it was a primarily Austin crowd – many getting to experience the Shakes for the first time.

The evening started off with “Going to the Party,” which flowed directly into “Hold On.” The power of “Hold On” was hard for the audience to resist,  as evidenced by Brittany Howard’s broken guitar string. “I think I was playing it too hard” she said as she switched to another guitar for “Hang Loose.”

The band continued with “I Found You” and “Always Alright,” which led  SoundcheckMag  to write, “You know a band is truly great when you feel like you’ve heard every song one thousand times before.”

Howard spent time introducing “Boys & Girls” to explain it was about a time in her childhood when she was told she could no longer be friends with a boy because they were too old. This touching song brought the energy in the room to a whole new level and sparked an amazing rendition of “Be Mine,” which will have people talking for years to come. ATXSocial said “Damn, Alabama Shakes just rocked it!”

They followed with “Rise to the Sun,” “You Ain’t Alone” and “I Ain’t the Same,” each one building off the last for a soulful storm of emotion. Once the crowd was in a frenzy, Alabama Shakes slipped into “Making Me Itch,” adding a little sexual tension to the set. They carried that over into the next song – just before “Heavy Chevy,” Howard demanded, “I want to see some shakers and some movers!”  And our ACL audience delivered.

The band returned to the stage for an encore, including “On Your Way.” And in just about an hour, the Alabama Shakes had won hundreds of new fans.

‏ @MatthewLillard “Watching the birth of a legend right now. @Alabama_Shakes. Buy stock early. A legend is born in Austin. No shit. Divine genius.”

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Taping Recap

Courtney Barnett’s infectious energy

Courtney Barnett came to her livestreamed debut Austin City Limits taping after a couple of years of relentless hard work. “This is a lady that has paid her dues in the local Melbourne music scene and fully deserves to be where she is right now,” noted Darin Brown in the YouTube comments. “She and the other two guys are only going in one direction and that is up!!!” The Australian singer/songwriter/guitarist broke out of her country on the strength of a pair of EPs, collected as the album A Sea of Split Peas, hitting the States via festival shows, including noteworthy sets at 2014’s Fun Fun Fun Fest and Coachella. This year Barnett not only released the critically-acclaimed, Billboard Top 20 LP Sometimes I Sit and Think, and Sometimes I Just Sit, but was a ubiquitous presence at SXSW. She arrived at the Moody during a U.S. tour that’s seen sellouts, and with infectious, unpretentious energy.

Opener “Elevator Operator,” from Sometimes, was a good introduction to her basic style: straightforward, unfancy guitar rock, vibrant but not aggressive, with conversational vocals and an observational lyrical style. Aided by her tight band featuring bassist Bones Sloane and drummer Dave Mudie, she stretched out within her framework, adding variety to her performance while remaining consistent in sound. The trio ranged from the garage-rocking “Canned Tomatoes” and  melancholy balladry of “An Illustration of Loneliness” to the lovely folk rocking “Depreston” and the power popping “Dead Fox.” She earned special kudos from the eager audience with “Small Poppies” and “Avant Gardener,” both featuring rambling lyrics that move from mundane observation to philosophical contemplation – a Barnett specialty. She brought the main set to a crashing close with the single “Pedestrian at Best,” to the audience’s delight.

Barnett returned to the stage solo for a ragged but right cover of “Heavy Heart,” from the catalog of Australian rock stars You Am I. Her rhythm section rejoined her for “History Eraser,” a bashing fan favorite that (d)evolved into a perfectly sloppy Big Rawk Ending. “It’s nice catching her at these small venues now,” commented themadbatter, “because she’s blowing up.” We’re happy to help her with that explosion, and we can’t wait for you to see this episode when it airs as part of our 41st season this fall on PBS.

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Live Stream News

Courtney Barnett taping livestreams on June 4

Austin City Limits is pleased to announce that we will be streaming our highly-anticipated debut taping with indie rock breakout star Courtney Barnett live on Thursday, June 4, 8pm CT/9pm ET. The taping will be live streamed worldwide directly from ACL’s stage via our YouTube channel.  Fans can watch the event as it happens live from ACL’s studio home, ACL Live at The Moody Theater, powered by Dell.  The broadcast episode of this show will air this fall on PBS during our upcoming Season 41.

The Aussie singer/songwriter and guitarist has made one of the most arresting music debuts in years, and is receiving critical acclaim across-the-board: Rolling Stone hails Barnett “one of rock’s most beguiling young stars and deftest lyricists,” calling her debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, “2015’s sharpest debut”.  Paste says she’s “one of the most charming, whipsmart performers currently touring the world,” and NPR raves “the new album will thrill any fan of smart, biting guitar driven rock,” calling her “the best lyricist in rock music today.”  Spin calls it “one of the most thrilling albums you’ll hear this year,” and hails the garage rocker a “goddamn rock star.”

Courtney Barnett captured the attention of the music world with the 2013 release of The Double EP: A Sea of Split Peas (which combined her first two self-released EPs).  The Melbourne-based musician embarked on a nonstop worldwide tour, amassing a cult-like following along the way, stopping barely long enough to record her first true album.  Mixing witty, often hilarious, occasionally even heartbreaking observations with unflinching self-assessment, Barnett’s debut, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling new voices in indie rock.

We’re thrilled to host this outstanding talent.  Join us for this live webcast of the Austin City Limits debut of Courtney Barnett.

 

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News

Courtney Barnett 6/4

UPDATE: Giveaway is now over. If you did not receive an email about passes you can watch the live stream of the taping on our Youtube Channel

Austin City Limits will be taping a performance by Courtney Barnett on Thursday, June 4th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on June 2nd. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.

Categories
Featured News

Congratulations to the 2021 Grammy nominees

photo by Scott Newton

The nominations for the 63rd annual Grammy Awards have been announced, and while we’re happy for all the nominees this year, we’re chuffed for our Austin City Limits alumni who made the list. The Grammy Awards telecast, co-produced by ACL’s own Terry Lickona, will broadcast on January 31, 2021, hosted for the first time by The Daily Show host, Emmy-winner and Grammy-nominated Trevor Noah. 

We’re especially excited for our hometown heroes Black Pumas, who’ve scored nominations for Record of the Year and Best American Roots Performance for their hit “Colors,” as well as a nom for Album of the Year for the deluxe edition of their self-titled debut. We’re also thrilled that our own Ruthie Foster, whose episode airs on January 17, gained a Best Contemporary Blues Album nom, and Rufus Wainwright, whose sensational ACL debut aired back in October, earned a Best Traditional Pop Album nod. Mavis Staples, whose classic Season 38 performance encored two weeks ago, earned a Best American Roots Song nod for her duet with Norah Jones, while John Legend, whose magnificent Season 36 episode with the Roots encored in November, was nominated for Best R&B Album and Best R&B Performance. The late John Prine, whose memorable hour kicked off our 46th season, got two nods for Best American Roots Performance and Best American Roots Song.  

Brittany Howard, ACL two-timer with her band Alabama Shakes, cleaned up with half a dozen nominations. Pop princess Billie Eilish received four, while country queen Miranda Lambert took three. Beck, Sarah Jarosz, Lucinda Williams and Brandi Carlile each got two nods. Dolly Parton, the late Leonard Cohen, Coldplay, Sturgill Simpson, H.E.R., Eric Church, David Byrne, Wilco, James Taylor, Gillian Welch and David Rawlings, Vince Gill, Natalia Lafourcade, Bettye LaVette, the Robert Cray Band, Bela Fleck, Michael Kiwanuka and the Steep Canyon Rangers scored one apiece. 

We’d also like to give special shout-outs in the coveted Producer of the Year category: to nominee and ACL three-timer Dan Auerbach and Dave Cobb, who hasn’t performed on ACL but has produced a ridiculous number of artists who have. It’s also a wonderful day in the PBS neighborhood as public television legend Fred Rogers is celebrated for Best Historical Album for It’s Such a Good Feeling: The Best of Mr. Rogers. Congratulations to all.