Austin City Limits extends our congratulations to our distinguished ACL alumni for their big wins at the 63rd annual Grammy Awards.
For the second year in a row, Billie Eilish won the top prize Record of the Year, this year for her single “Everything I Wanted,” as well as picking up the Best Song Written For Visual Media trophy for “No Time to Die,” the title track for the upcoming James Bond film. H.E.R. collected wins for Song of the Year for her single “I Can’t Breathe” (featured on the Judas and the Black Messiah soundtrack) and Best R&B Song for “Better Than I Imagine,” her collaboration with Robert Glasper (also of August Greene) and Meshell Ndegeocello. Our beloved John Prine picked up two awards for his posthumous single “I Remember Everything,” including Best American Roots Performance and Best American Roots Song.
We’re thrilled to feature many of the recent Grammy-winners on ACL’s upcoming Season 47. Miranda Lambert launches the new season with an April taping showcasing her newest collaborative project and later this season we’ll be showcasing Brittany Howard in her solo ACL debut and looking forward to hosting Sarah Jarosz in her third ACL outing. Stay tuned for more.
You can see the full list of winners here. Congratulations to all.
Austin City Limits proudly announces Season 47 will return in spades this year with a stellar slate of artists onboard to record new appearances, including a number of 2021 Grammy Award nominees.
ACL is thrilled to announce the first taping of Season 47, on April 28, will feature Miranda Lambert, Jack Ingram and Jon Randall debuting their just-announced, highly-anticipated album The Marfa Tapes. The country superstar and her celebrated songwriting partners open the new season showcasing the new release, out May 7, a collection of beautifully intimate and raw songs written and recorded together in Marfa, Texas.
Season 47 will feature five-time 2021 Grammy nominee and four-time Grammy Award-winner Brittany Howard making her solo ACL debut; and multiple 2021 double Grammy nominees including singer-songwriter Sarah Jarosz, in her third headlining appearance, and the ACL debuts of jazz/soul maverick (and recent Golden Globe award-winner) Jon Batiste and acclaimed country standout Brandy Clark. Music great Jackson Browne returns for his first taping in two decades (showcasing his first new album in six years); Grammy-winning (and four-time nominated) R&B phenom Leon Bridges makes a highly-anticipated return to the ACL stage; Austin indie sensation Dayglow makes his ACL debut, and a Texas icon, singer/songwriter Terry Allen returns for the first time in almost 25 years. Taping dates will be announced at a later date and may be subject to change as we navigate the new landscape.
“Austin City Limits is excited to bring live music back (with a live audience!),” says executive producer Terry Lickona. “Along with the rest of the world, we hope to slowly but surely (and safely) get back to normal this year, and it’s obvious many artists do, too. We have a diverse mix of headliners, up-and-comers, and groundbreaking singers, songwriters and musicians ready to take the stage.”
ACL is uniquely thrilled to launch the new season with a trio of Texas natives: Miranda Lambert (in her third ACL appearance) alongside her longtime songwriting partners Jack Ingram (who last appeared 25 years ago in Season 22) and Jon Randall (in his ACL debut), showcasing The Marfa Tapes, a stripped-down project conceived in the Texas high desert. A tiny, middle-of-nowhere town with an outsized grip on the American imagination, Marfa is an eccentric outpost in the midst of a vast expanse of nothingness, the perfect place to lose – or find – yourself. For Lambert, Randall, and Ingram, it’s both. Over the past several years, the desolate location has become a songwriting haven for the trio, yielding both massive hits and profound personal growth. When they returned for five days this past November though, they came not to write, but to record, capturing a captivating new album inspired by the stark beauty of west Texas and the deep, lasting bonds the three have forged there. Recorded raw and loose with just a pair of microphones and an acoustic guitar, The Marfa Tapes is a stunning work of audio verité; an intimate, unadorned snapshot of a moment in time fueled by love, trust, and friendship.
The trio recorded much of the album outdoors, inviting the ambient sounds of the desert to seep into their live, bare bones performances, and the atmosphere is utterly transportive. While a couple of the tracks may already be familiar to listeners – ACM Song of the Year “Tin Man” as well as fan favorite “Tequila Does” – the vast majority of these songs have never been heard outside of Marfa. The result is a rare glimpse inside the creative process of three of the genre’s most accomplished writers and performers; a candid, unvarnished look at Lambert, Randall, and Ingram’s undeniable chemistry in its purest, most honest form.
“There’s something singular that happens in that moment of collaboration and creation, something you can never really recreate in the studio,” says Ingram. “Our hope with this album was to share a little bit of that magic with people.”
ACL is excited to share the magic of our upcoming Season 47 with our loyal fans and viewers. Stay tuned to acltv for further details on upcoming tapings.
The nominations for the 63rd annual Grammy Awards have been announced, and while we’re happy for all the nominees this year, we’re chuffed for our Austin City Limits alumni who made the list. The Grammy Awards telecast, co-produced by ACL’s own Terry Lickona, will broadcast on January 31, 2021, hosted for the first time by The Daily Show host, Emmy-winner and Grammy-nominated Trevor Noah.
We’re especially excited for our hometown heroes Black Pumas, who’ve scored nominations for Record of the Year and Best American Roots Performance for their hit “Colors,” as well as a nom for Album of the Year for the deluxe edition of their self-titled debut. We’re also thrilled that our own Ruthie Foster, whose episode airs on January 17, gained a Best Contemporary Blues Album nom, and Rufus Wainwright, whose sensational ACL debut aired back in October, earned a Best Traditional Pop Album nod. Mavis Staples, whose classic Season 38 performance encored two weeks ago, earned a Best American Roots Song nod for her duet with Norah Jones, while John Legend, whose magnificent Season 36 episode with the Roots encored in November, was nominated for Best R&B Album and Best R&B Performance. The late John Prine, whose memorable hour kicked off our 46th season, got two nods for Best American Roots Performance and Best American Roots Song.
We’d also like to give special shout-outs in the coveted Producer of the Year category: to nominee and ACL three-timer Dan Auerbach and Dave Cobb, who hasn’t performed on ACL but has producedaridiculousnumberofartistswhohave. It’s also a wonderful day in the PBS neighborhood as public television legend Fred Rogers is celebrated for Best Historical Album for It’s Such a Good Feeling: The Best of Mr. Rogers. Congratulations to all.