Sloan Struble, AKA Dayglow, may only be twenty-one, but as his brand new album Harmony House proves, he writes expert pop tunes like a pro. He’s also moved easily from solo auteur to confident bandleader, as his debut ACL taping (live streamed around the world) can attest.
After a typically rousing Terry Lickona introduction, the stage remained empty, as an electronic pulse teased the imminent arrival of the musicians. The band came on one by one, with Struble himself taking the stage last and bouncing around to the happy energy of album opener “Something.” Struble took a moment to introduce the band, before displaying the modern/nostalgic dichotomy that makes his music sound so fresh: “Medicine” opens with a noisy burst of electronica before settling into a warmly organic 70s pop groove. “This is actually our biggest show ever,” noted Struble. “I know it’s limited capacity, but this is the biggest crowd we’ve ever played for.” The band then revisited the first Dayglow album Fuzzybrain for the Latin-feeling “Nicknames,” complete with ending cowbell solo. Struble noted how cool it was that he first visited the original ACL studio as a University of Texas freshman, and now he found himself onstage at ACL Live recording his own episode. Powered by that giddy joy, there was no choice but to go into the bubbly, danceable “Hot Rod,” frosted with harmony leads from Struble and guitarist Colin Crawford. Saxophonist Marshall Lowry then joined the quintet onstage, adding some deliciously 80s pop saxophone to the melancholy “December.” Struble took to his even more-80s styled keyboard for the song’s coda, segueing directly into the upbeat “Moving Out.”
Donning an acoustic 12-string guitar, Struble explained how he makes his records in his bedroom and how he first got his music noticed through the music-sharing platform Tunecore. That music was from Fuzzybrain, the beautifully tuneful title track of which came next. Shouting out longtime ACL makeup artist Glenda Facemire, Struble, acting on a tip from her, good-naturedly patted away the perspiration while introducing the next acoustic guitar-driven song, Harmony House’s “Woah Man.” He went back to his Strat for the peppy, sweetly melodic “Listerine,” before going into the breakout song that launched his career: “Can I Call You Tonight?,” as perfect a pop song as has hit the airwaves in some time. Unless, of course, you count the next song, the groovy but melody-rich “Crying on the Dancefloor,” also from Fuzzybrain, and featuring Lowry on soprano sax. After two songs in a row from the first album, though, it was time to revisit the new one with the lovely, old-fashioned ballad “Into Blue.” “Thank you for being here – this is awesome!” Struble declared, whose frequent declarations of “Let’s rock” punctuated his enthusiasm. “Definitely a bucket list moment!” The band then closed the main set with the latest Dayglow pop sensation, the effortlessly effervescent “Close to You,” during which the smiling, dancing Struble nearly had more fun than is allowed by law.
Struble bounced happily off the stage, but it wasn’t over yet. The band returned with a delightful surprise: a faithful, heartfelt cover of Tears For Fears’ “Everybody Wants to Rule the World,” a song just right for them. Right as it ended, however, Dayglow kicked into an original, the first album-bopper “Run the World!!!!” “I want to run the world!” Struble asserted, and while he may not get his exact wish, as long as he keeps making music this catchy and fun, the music world may well be within his grasp. It was a great show, and we can’t wait for you to see it when it airs this fall as part of our Season 47 on your local PBS station.
Austin City Limits is excited to announce we will live stream the upcoming debut of Austin’s own fast-rising pop phenom Dayglow on May 25 at 8 p.m. CT. ACL offers fans worldwide a unique opportunity to watch the ACL taping live in its entirety at this location.
21-year-old Sloan Struble, who records music as Dayglow, makes his ACL debut on the heels of the release of his forthcoming sophomore album Harmony House, out this week on May 21. When Dayglow released his runaway debut album Fuzzybrain, featuring its Gold-certified single “Can I Call You Tonight,” from his UT dorm room back in 2018 he had one goal: to make music that made people happy. Now three years later, Dayglow has connected with fans around the world, creating a community that uplifts and makes people feel good. As he did on his debut, he writes, produces, records, and mixes all of his music himself—in his bedroom, no less.
Dayglow launched 2021 with the breakout single “Close To You,” a song reminiscent of the iconic whimsy of 80’s pop anthems, drawing heavily on some unlikely influences such as Whitney Houston, Patti Labelle and Michael McDonald. The song has already been streamed almost 20 million times, alongside having a viral moment on TikTok and continues to steadily climb the radio charts.
Struble reveals that Harmony House began life as an imaginary sitcom. He’d begun writing new music and found himself drawn to piano-driven soft rock from the late ‘70s and early ‘80s. He was also watching a lot of Cheers, the long-running sitcom that took the viewer to a place where, as the theme song goes, “everybody knows your name.” “At the very beginning, I was writing a soundtrack to a sitcom that doesn’t exist,” he says. “The music would generate a kind of impossible nostalgia for something that had never been real.” “I tried to compose these songs in a way that you could just sit down at a piano and play them. That’s the sign of a good song, when it can live on its own musically.” That sort of sturdiness he strives for in his writing makes for timeless music, and with Harmony House he has created a finely calibrated, carefully fussed-over expression of encouragement for anyone who needs it.
Join us here on May 25 at 8 p.m. CT for this performance by Dayglow. The broadcast episode will air early next year as part of our upcoming Season 47, on PBS.
Austin City Limits is excited to announce the dates for a stellar slate of new tapings: Austin indie sensation Dayglow on May 25, four-time Grammy Award-winning singer-songwriter Sarah Jarosz on June 2, rising singer-songwriter Jade Bird on June 14, and acclaimed Grammy Award-winning bluegrass musician Billy Strings on July 7.
21-year-old Sloan Struble, who records music as Dayglow, makes his ACL debut on the heels of the release of his forthcoming sophomore album Harmony House, out May 21. When Dayglow released his runaway debut album Fuzzybrain, featuring its Gold-certified single “Can I Call You Tonight,” from his UT dorm room back in 2018 he had one goal: to make music that made people happy. Now three years later, Dayglow has connected with fans around the world, creating a community that uplifts and makes people feel good. As he did on his debut, he writes, produces, records, and mixes all of his music himself—in his bedroom, no less. Dayglow launched 2021 with the breakout single “Close To You,” a song reminiscent of the iconic whimsy of 80’s pop anthems, drawing heavily on some unlikely influences such as Whitney Houston, Patti Labelle and Michael McDonald. The song has already been streamed almost 20 million times, alongside having a viral moment on TikTok and continues to steadily climb the radio charts. Struble reveals that Harmony House began life as an imaginary sitcom. He’d begun writing new music and found himself drawn to piano-driven soft rock from the late ‘70s and early ‘80s. He was also watching a lot of Cheers, the long-running sitcom that took the viewer to a place where, as the theme song goes, “everybody knows your name.” “At the very beginning, I was writing a soundtrack to a sitcom that doesn’t exist,” he says. The music would generate a kind of impossible nostalgia for something that had never been real.” “I tried to compose these songs in a way that you could just sit down at a piano and play them. That’s the sign of a good song, when it can live on its own musically.” That sort of sturdiness he strives for in his writing makes for timeless music, and with Harmony House he has created a finely calibrated, carefully fussed-over expression of encouragement for anyone who needs it.
With World On the Ground, the 2021 Grammy Award-winner for Best Americana Album, and her first solo album in four years, Sarah Jarosz shares a collection of stories of her Central Texas hometown of Wimberley, each song lit up in her captivating voice and richly detailed songwriting. Produced by renowned producer/songwriter John Leventhal (who will be joining Jarosz for her taping), World on the Ground finds wisdom being passed down through song by a bird observing the world below: “When the world on the ground is gonna swallow you down, sometimes you’ve got to pay it no mind.” As the now four-time Grammy Award-winner inhabits characters both real and imagined, Jarosz reveals her remarkable gift for slipping into the interior lives of others and patiently uncovering so much indelible insight. In the making of World On the Ground, Jarosz – who already has two ACL appearances under her belt (in 2010 and 2014) – ultimately moved undeniably closer to one of her greatest ambitions as an artist: to create an emotionally honest body of work that continually reveals new meaning for the listener. “My favorite records are the ones I just want to play over and over again because of all the details that are there to discover,” she says. “As I was writing this record, it was the deepest I’d ever gone in terms of getting down to the very specific details in the way I told each story. The details are what make people feel something and connect the story to their own lives, and that’s really all I want for my music.” A prolific artist, this spring she released Blue Heron Suite, a song cycle inspired by the frequent trips Jarosz and her parents made to Port Aransas, a small town on the Gulf Coast of Texas that had been devastated by Hurricane Harvey in 2017. “I like to think of the song cycle as a quiet acknowledgment of life’s many uncertainties,” she says. “You never know what will be thrown your way, but you can always work to try to face the highs and the lows with grace and strength.”
British native and recent Austin transplant Jade Bird has been earning acclaim in the U.S. since 2018, winning SXSW’s coveted Grulke Prize for developing non-U.S. act and scoring a nomination for the Americana Awards emerging artist of the year. The 23-year-old singer-songwriter has been writing and performing live since her teens and released her self-titled full-length debut in 2019 to critical raves. Following a yearlong U.S. tour playing on bills with artists including Jason Isbell, Sheryl Crow and Bird’s friend and champion, Brandi Carlile, the young artist discovered kindred spirits and became part of a nurturing community of American songwriters and career artists. In 2020 she headed to Nashville’s RCA Studios to record with mega-producer Dave Cobb (Brandi Carlile, Chris Stapleton) for her highly-anticipated sophomore album, due this summer. Bird recently dropped her first new music in over a year, a trio of celebrated new singles, including “Headstart,” which the NY Times raves: “shows off the distinct, raspy twang of her vocals — which somehow find common ground between Lucinda Williams and Alanis Morissette” and Rolling Stone hailed as “electrifying.”
Michigan-born and now Nashville-based, Billy Strings is a Grammy Award-winning singer, songwriter and musician, who arrived on the scene as “one of string music’s most dynamic young stars” (Rolling Stone). Strings is in the midst of a triumphant year after winning Best Bluegrass Album at the 2021 Grammy Awards for his critically acclaimed record, Home. Produced by Glenn Brown, the record also led Strings to top Billboard’s 2020 year-end charts in both Bluegrass categories—Top Bluegrass Artists and Top Bluegrass Albums—and continues to receive widespread critical acclaim. Of the release, Associated Press proclaims, “it is his creative musical storytelling, paired with solid vocals on Home that should seal the deal, pleasing fans of the genre and creating some new ones…the perfect blend of pure talent and pluck,” while The Wall Street Journal declares, “Billy Strings has clearly emerged as a premier guitar flatpicker of this era.” Since his debut, Strings has been awarded Guitar Player of the Year and New Artist of the Year at the 2019 International Bluegrass Music Awards, selected as one of Rolling Stone’s “New Country Artists to Know” and performed on Jimmy Kimmel Live! and PBS’ Bluegrass Underground. Known for his electric live shows, Strings has continued to perform throughout the past year—both virtually and in-person—and has raised over $100,000 for charity through a variety of livestream and socially distanced concerts.
Due to implemented safety measures and the ongoing uncertainty from COVID-19, there will be no giveaway for access to attend upcoming ACL tapings. With the safety of the artists, crew and guests top of mind, the limited studio audience will be prioritized to our donors who make Austin City Limits possible and who have continued to support the show during this challenging time and beyond. We will expand the audience as safety measures allow and will post giveaway opportunities on ACLTV.com as available. Thank you for your patience as we work to reopen safely. We can’t wait to get back to the music with our supporters and fans. We have more exciting tapings coming up this year, and nore information on those shows will be forthcoming.
About Austin City Limits
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 47th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.
Austin City Limits proudly announces Season 47 will return in spades this year with a stellar slate of artists onboard to record new appearances, including a number of 2021 Grammy Award nominees.
ACL is thrilled to announce the first taping of Season 47, on April 28, will feature Miranda Lambert, Jack Ingram and Jon Randall debuting their just-announced, highly-anticipated album The Marfa Tapes. The country superstar and her celebrated songwriting partners open the new season showcasing the new release, out May 7, a collection of beautifully intimate and raw songs written and recorded together in Marfa, Texas.
Season 47 will feature five-time 2021 Grammy nominee and four-time Grammy Award-winner Brittany Howard making her solo ACL debut; and multiple 2021 double Grammy nominees including singer-songwriter Sarah Jarosz, in her third headlining appearance, and the ACL debuts of jazz/soul maverick (and recent Golden Globe award-winner) Jon Batiste and acclaimed country standout Brandy Clark. Music great Jackson Browne returns for his first taping in two decades (showcasing his first new album in six years); Grammy-winning (and four-time nominated) R&B phenom Leon Bridges makes a highly-anticipated return to the ACL stage; Austin indie sensation Dayglow makes his ACL debut, and a Texas icon, singer/songwriter Terry Allen returns for the first time in almost 25 years. Taping dates will be announced at a later date and may be subject to change as we navigate the new landscape.
“Austin City Limits is excited to bring live music back (with a live audience!),” says executive producer Terry Lickona. “Along with the rest of the world, we hope to slowly but surely (and safely) get back to normal this year, and it’s obvious many artists do, too. We have a diverse mix of headliners, up-and-comers, and groundbreaking singers, songwriters and musicians ready to take the stage.”
ACL is uniquely thrilled to launch the new season with a trio of Texas natives: Miranda Lambert (in her third ACL appearance) alongside her longtime songwriting partners Jack Ingram (who last appeared 25 years ago in Season 22) and Jon Randall (in his ACL debut), showcasing The Marfa Tapes, a stripped-down project conceived in the Texas high desert. A tiny, middle-of-nowhere town with an outsized grip on the American imagination, Marfa is an eccentric outpost in the midst of a vast expanse of nothingness, the perfect place to lose – or find – yourself. For Lambert, Randall, and Ingram, it’s both. Over the past several years, the desolate location has become a songwriting haven for the trio, yielding both massive hits and profound personal growth. When they returned for five days this past November though, they came not to write, but to record, capturing a captivating new album inspired by the stark beauty of west Texas and the deep, lasting bonds the three have forged there. Recorded raw and loose with just a pair of microphones and an acoustic guitar, The Marfa Tapes is a stunning work of audio verité; an intimate, unadorned snapshot of a moment in time fueled by love, trust, and friendship.
The trio recorded much of the album outdoors, inviting the ambient sounds of the desert to seep into their live, bare bones performances, and the atmosphere is utterly transportive. While a couple of the tracks may already be familiar to listeners – ACM Song of the Year “Tin Man” as well as fan favorite “Tequila Does” – the vast majority of these songs have never been heard outside of Marfa. The result is a rare glimpse inside the creative process of three of the genre’s most accomplished writers and performers; a candid, unvarnished look at Lambert, Randall, and Ingram’s undeniable chemistry in its purest, most honest form.
“There’s something singular that happens in that moment of collaboration and creation, something you can never really recreate in the studio,” says Ingram. “Our hope with this album was to share a little bit of that magic with people.”
ACL is excited to share the magic of our upcoming Season 47 with our loyal fans and viewers. Stay tuned to acltv for further details on upcoming tapings.