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Featured News Taping Recap

Sarah Jarosz comes home to ACL

Singer, songwriter and multi-instrumentalist Sarah Jarosz was only nineteen the first time she appeared on Austin City Limits in 2010, but we – staff and viewers – knew she was a major talent, and not just because she hailed from our neck of the woods. Time, critical acclaim and a shelf full of Grammys and Americana Music Awards have proven us correct. So we’re always thrilled to host her again, and especially so for a taping that got delayed from last year due to the pandemic. The pent-up energy was on full display in a performance that included every song from 2020’s Grammy Award-winning World on the Ground, and was live streamed around the world. 

“This is incredibly exciting,” noted Jarosz as she took the stage with her four-piece band (which included renowned World producer John Leventhal). The conservatory-trained songwriter started with World opener “Eve,” a song that sounds like it could be a century old, while still sounding like it had to have been written in the now. Jarosz exchanged her guitar for a mandolin and went into “Pay It No Mind,” another memorable, melodic World folker. “It’s a dream to do it once, let alone three times,” she noted about her third Austin City Limits appearance as she donned her signature octave mandolin. “This is a good way to re-emerge after the last year.” She then reached back to her 2016 album Undercurrent for the brooding “House of Mercy,” the Grammy-winning song ornamented by Leventhal’s supremely subtle Telecaster. Jarosz talked about how growing up in Austin and Wimberley inspired the songs on World, which capped a rough year by winning a Grammy. Leventhal then took to the piano as Jarosz sang the beautiful “Orange and Blue,” which the two of them wrote together. 

Jarosz introduced guitarist Mike Robinson, whose ringing guitar introduced “Green Lights,” another luminous folk rock tune from Undercurrent. Clearly by this point it was time for a ballad, and Jarosz obliged with the bittersweet “Hometown” a tune that led her to note how much of an emotional experience it was to sing these Texas-based songs in her home state. The next tune “Johnny” essayed more folk rock, anchored by the memorable line “An open heart looks a lot like the wilderness.” The hopeful “Maggie” was inspired by Jarosz attending her high school reunion – “I had a blast and I got some songs out of it.” No word on whether or not “What Do I Do” was one of those, but it still made an impression with its melancholy melody and steel guitar frosting. The energy kicked up a notch on the mock-apocalyptic “I’ll Be Gone,” a jolt of gallows humor surrounded by three acoustic guitars. The band then quit the stage, as Jarosz reached into her deep well of cover songs recorded and streamed over the course of the pandemic, and a special one it was: a gentle, soulful take on U2’s “I Still Haven’t Found What I’m Looking For” that turned the rock anthem into the folk song it always threatened to become. 

“The only way to follow U2 is with the banjo,” chuckled Jarosz as she strapped on said instrument for “Little Satchel,” a traditional folk tune that was one of the first songs she ever learned, back when she was participating in the Wimberly bluegrass jams at the age of nine. “This song was written about Kendall,” Jarosze said about “Empty Square,” in a nod to Succession fans – perhaps a bit cryptic for anyone who hasn’t seen that HBO show, but the song was strong regardless. She closed the main set with “one of my greatest Texas songwriting influences,” ACL two-timer James McMurtry and his stirring tune “Childish Things.” That earned the exiting Jarosz and the band wild applause, but it wasn’t over yet. She and the band encored with another key influence on the star’s writing: frequent ACL visitor Nanci Griffith and 

her lovely tune “You Can’t Go Home Again,” which fit in perfectly with the evening’s themes of coming home and was a perfect way to send the crowd gently out into the night. It was a truly special performance, and we can’t wait for you to see it when it airs this fall as part of our Season 47 on your local PBS station. 

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Featured Live Stream News

ACL to live stream Sarah Jarosz on 6/2

Austin City Limits is thrilled to announce we will live stream our third taping with multiple Grammy-winning singer/songwriter Sarah Jarosz on June 2 at 8 p.m. CT. ACL offers fans worldwide a unique opportunity to watch the ACL taping live in its entirety at this location

With World On the Ground, the 2021 Grammy Award-winner for Best Americana Album, and her first solo album in four years, Sarah Jarosz shares a collection of stories of her Central Texas hometown of Wimberley, each song lit up in her captivating voice and richly detailed songwriting. Produced by renowned producer/songwriter John Leventhal (who will be joining Jarosz for her taping), World on the Ground finds wisdom being passed down through song by a bird observing the world below: “When the world on the ground is gonna swallow you down, sometimes you’ve got to pay it no mind.” 

As the now four-time Grammy Award-winner inhabits characters both real and imagined, Jarosz reveals her remarkable gift for slipping into the interior lives of others and patiently uncovering so much indelible insight. In the making of World On the Ground, Jarosz – who already has two ACL appearances under her belt (in 2010 and 2014) – ultimately moved undeniably closer to one of her greatest ambitions as an artist: to create an emotionally honest body of work that continually reveals new meaning for the listener. “My favorite records are the ones I just want to play over and over again because of all the details that are there to discover,” she says. “As I was writing this record, it was the deepest I’d ever gone in terms of getting down to the very specific details in the way I told each story. The details are what make people feel something and connect the story to their own lives, and that’s really all I want for my music.” 

A prolific artist, this spring she released Blue Heron Suite, a song cycle inspired by the frequent trips Jarosz and her parents made to Port Aransas, a small town on the Gulf Coast of Texas that had been devastated by Hurricane Harvey in 2017. “I like to think of the song cycle as a quiet acknowledgment of life’s many uncertainties,” she says. “You never know what will be thrown your way, but you can always work to try to face the highs and the lows with grace and strength.” 

Join us here on June 2 at 8 p.m. CT for this performance by Sarah Jarosz. The broadcast episode will air early next year on PBS as part of our upcoming Season 47.

Categories
Featured News Taping Announcement

New tapings: Dayglow, Sarah Jarosz, Jade Bird and Billy Strings

Austin City Limits is excited to announce the dates for a stellar slate of new tapings: Austin indie sensation Dayglow on May 25, four-time Grammy Award-winning singer-songwriter Sarah Jarosz on June 2, rising singer-songwriter Jade Bird on June 14, and acclaimed Grammy Award-winning bluegrass musician Billy Strings on July 7. 

photo by Pooneh Ghana

21-year-old Sloan Struble, who records music as Dayglow, makes his ACL debut on the heels of the release of his forthcoming sophomore album Harmony House, out May 21. When Dayglow released his runaway debut album Fuzzybrain, featuring its Gold-certified single “Can I Call You Tonight,” from his UT dorm room back in 2018 he had one goal: to make music that made people happy. Now three years later, Dayglow has connected with fans around the world, creating a community that uplifts and makes people feel good. As he did on his debut, he writes, produces, records, and mixes all of his music himself—in his bedroom, no less. Dayglow launched 2021 with the breakout single “Close To You,” a song reminiscent of the iconic whimsy of 80’s pop anthems, drawing heavily on some unlikely influences such as Whitney Houston, Patti Labelle and Michael McDonald. The song has already been streamed almost 20 million times, alongside having a viral moment on TikTok and continues to steadily climb the radio charts. Struble reveals that Harmony House began life as an imaginary sitcom. He’d begun writing new music and found himself drawn to piano-driven soft rock from the late ‘70s and early ‘80s. He was also watching a lot of Cheers, the long-running sitcom that took the viewer to a place where, as the theme song goes, “everybody knows your name.” “At the very beginning, I was writing a soundtrack to a sitcom that doesn’t exist,” he says. The music would generate a kind of impossible nostalgia for something that had never been real.” “I tried to compose these songs in a way that you could just sit down at a piano and play them. That’s the sign of a good song, when it can live on its own musically.” That sort of sturdiness he strives for in his writing makes for timeless music, and with Harmony House he has created a finely calibrated, carefully fussed-over expression of encouragement for anyone who needs it. 

With World On the Ground, the 2021 Grammy Award-winner for Best Americana Album, and her first solo album in four years, Sarah Jarosz shares a collection of stories of her Central Texas hometown of Wimberley, each song lit up in her captivating voice and richly detailed songwriting. Produced by renowned producer/songwriter John Leventhal (who will be joining Jarosz for her taping), World on the Ground finds wisdom being passed down through song by a bird observing the world below: “When the world on the ground is gonna swallow you down, sometimes you’ve got to pay it no mind.” As the now four-time Grammy Award-winner inhabits characters both real and imagined, Jarosz reveals her remarkable gift for slipping into the interior lives of others and patiently uncovering so much indelible insight. In the making of World On the Ground, Jarosz – who already has two ACL appearances under her belt (in 2010 and 2014) – ultimately moved undeniably closer to one of her greatest ambitions as an artist: to create an emotionally honest body of work that continually reveals new meaning for the listener. “My favorite records are the ones I just want to play over and over again because of all the details that are there to discover,” she says. “As I was writing this record, it was the deepest I’d ever gone in terms of getting down to the very specific details in the way I told each story. The details are what make people feel something and connect the story to their own lives, and that’s really all I want for my music.” A prolific artist, this spring she released Blue Heron Suite, a song cycle inspired by the frequent trips Jarosz and her parents made to Port Aransas, a small town on the Gulf Coast of Texas that had been devastated by Hurricane Harvey in 2017. “I like to think of the song cycle as a quiet acknowledgment of life’s many uncertainties,” she says. “You never know what will be thrown your way, but you can always work to try to face the highs and the lows with grace and strength.” 

photo by Charlotte Patmore

British native and recent Austin transplant Jade Bird has been earning acclaim in the U.S. since 2018, winning SXSW’s coveted Grulke Prize for developing non-U.S. act and scoring a nomination for the Americana Awards emerging artist of the year. The 23-year-old singer-songwriter has been writing and performing live since her teens and released her self-titled full-length debut in 2019 to critical raves. Following a yearlong U.S. tour playing on bills with artists including Jason Isbell, Sheryl Crow and Bird’s friend and champion, Brandi Carlile, the young artist discovered kindred spirits and became part of a nurturing community of American songwriters and career artists. In 2020 she headed to Nashville’s RCA Studios to record with mega-producer Dave Cobb (Brandi Carlile, Chris Stapleton) for her highly-anticipated sophomore album, due this summer. Bird recently dropped her first new music in over a year, a trio of celebrated new singles, including “Headstart,” which the NY Times raves: “shows off the distinct, raspy twang of her vocals — which somehow find common ground between Lucinda Williams and Alanis Morissette” and Rolling Stone hailed as “electrifying.” 

photo by Jesse Faatz

Michigan-born and now Nashville-based, Billy Strings is a Grammy Award-winning singer, songwriter and musician, who arrived on the scene as “one of string music’s most dynamic young stars” (Rolling Stone). Strings is in the midst of a triumphant year after winning Best Bluegrass Album at the 2021 Grammy Awards for his critically acclaimed record, Home. Produced by Glenn Brown, the record also led Strings to top Billboard’s 2020 year-end charts in both Bluegrass categories—Top Bluegrass Artists and Top Bluegrass Albums—and continues to receive widespread critical acclaim. Of the release, Associated Press proclaims, “it is his creative musical storytelling, paired with solid vocals on Home that should seal the deal, pleasing fans of the genre and creating some new ones…the perfect blend of pure talent and pluck,” while The Wall Street Journal declares, “Billy Strings has clearly emerged as a premier guitar flatpicker of this era.” Since his debut, Strings has been awarded Guitar Player of the Year and New Artist of the Year at the 2019 International Bluegrass Music Awards, selected as one of Rolling Stone’s “New Country Artists to Know” and performed on Jimmy Kimmel Live! and PBS’ Bluegrass Underground. Known for his electric live shows, Strings has continued to perform throughout the past year—both virtually and in-person—and has raised over $100,000 for charity through a variety of livestream and socially distanced concerts.

Due to implemented safety measures and the ongoing uncertainty from COVID-19, there will be no giveaway for access to attend upcoming ACL tapings. With the safety of the artists, crew and guests top of mind, the limited studio audience will be prioritized to our donors who make Austin City Limits possible and who have continued to support the show during this challenging time and beyond. We will expand the audience as safety measures allow and will post giveaway opportunities on ACLTV.com as available. Thank you for your patience as we work to reopen safely. We can’t wait to get back to the music with our supporters and fans. We have more exciting tapings coming up this year, and nore information on those shows will be forthcoming.  

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 47th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Categories
Featured News

ACL salutes the 2021 Grammy winners

Austin City Limits extends our congratulations to our distinguished ACL alumni for their big wins at the 63rd annual Grammy Awards. 

For the second year in a row, Billie Eilish won the top prize Record of the Year, this year for her single “Everything I Wanted,” as well as picking up the Best Song Written For Visual Media trophy for “No Time to Die,” the title track for the upcoming James Bond film. H.E.R. collected wins for Song of the Year for her single “I Can’t Breathe” (featured on the Judas and the Black Messiah soundtrack) and Best R&B Song for “Better Than I Imagine,” her collaboration with Robert Glasper (also of August Greene) and Meshell Ndegeocello. Our beloved John Prine picked up two awards for his posthumous single “I Remember Everything,” including Best American Roots Performance and Best American Roots Song. 

Other ACL performers that need to make space on their trophy shelves this year include: James Taylor, Alabama Shakes’ Brittany Howard, John Legend, Vince Gill, Brandi Carlile (as part of the Highwomen), Miranda Lambert, Dolly Parton, Natalia Lafourcade, Sarah Jarosz, Gillian Welch & David Rawlings, and Beck

We’re thrilled to feature many of the recent Grammy-winners on ACL’s upcoming Season 47. Miranda Lambert launches the new season with an April taping showcasing her newest collaborative project and later this season we’ll be showcasing Brittany Howard in her solo ACL debut and looking forward to hosting Sarah Jarosz in her third ACL outing. Stay tuned for more. 

You can see the full list of winners here. Congratulations to all. 

Categories
Featured News Taping Announcement

ACL announces Season 47 tapings

Austin City Limits proudly announces Season 47 will return in spades this year with a stellar slate of artists onboard to record new appearances, including a number of 2021 Grammy Award nominees.

ACL is thrilled to announce the first taping of Season 47, on April 28, will feature Miranda Lambert, Jack Ingram and Jon Randall debuting their just-announced, highly-anticipated album The Marfa Tapes. The country superstar and her celebrated songwriting partners open the new season showcasing the new release, out May 7, a collection of beautifully intimate and raw songs written and recorded together in Marfa, Texas. 

Season 47 will feature five-time 2021 Grammy nominee and four-time Grammy Award-winner Brittany Howard making her solo ACL debut; and multiple 2021 double Grammy nominees including singer-songwriter Sarah Jarosz, in her third headlining appearance, and the ACL debuts of jazz/soul maverick (and recent Golden Globe award-winner) Jon Batiste and acclaimed country standout Brandy Clark. Music great Jackson Browne returns for his first taping in two decades (showcasing his first new album in six years); Grammy-winning (and four-time nominated) R&B phenom Leon Bridges makes a highly-anticipated return to the ACL stage; Austin indie sensation Dayglow makes his ACL debut, and a Texas icon, singer/songwriter Terry Allen returns for the first time in almost 25 years. Taping dates will be announced at a later date and may be subject to change as we navigate the new landscape.

“Austin City Limits is excited to bring live music back (with a live audience!),” says executive producer Terry Lickona. “Along with the rest of the world, we hope to slowly but surely (and safely) get back to normal this year, and it’s obvious many artists do, too. We have a diverse mix of headliners, up-and-comers, and groundbreaking singers, songwriters and musicians ready to take the stage.”

Jon Batiste. Courtesy UMG.

ACL is uniquely thrilled to launch the new season with a trio of Texas natives: Miranda Lambert (in her third ACL appearance) alongside her longtime songwriting partners Jack Ingram (who last appeared 25 years ago in Season 22) and Jon Randall (in his ACL debut), showcasing The Marfa Tapes, a stripped-down project conceived in the Texas high desert. A tiny, middle-of-nowhere town with an outsized grip on the American imagination, Marfa is an eccentric outpost in the midst of a vast expanse of nothingness, the perfect place to lose – or find – yourself. For Lambert, Randall, and Ingram, it’s both. Over the past several years, the desolate location has become a songwriting haven for the trio, yielding both massive hits and profound personal growth. When they returned for five days this past November though, they came not to write, but to record, capturing a captivating new album inspired by the stark beauty of west Texas and the deep, lasting bonds the three have forged there. Recorded raw and loose with just a pair of microphones and an acoustic guitar, The Marfa Tapes is a stunning work of audio verité; an intimate, unadorned snapshot of a moment in time fueled by love, trust, and friendship.

The trio recorded much of the album outdoors, inviting the ambient sounds of the desert to seep into their live, bare bones performances, and the atmosphere is utterly transportive. While a couple of the tracks may already be familiar to listeners – ACM Song of the Year “Tin Man” as well as fan favorite “Tequila Does” – the vast majority of these songs have never been heard outside of Marfa. The result is a rare glimpse inside the creative process of three of the genre’s most accomplished writers and performers; a candid, unvarnished look at Lambert, Randall, and Ingram’s undeniable chemistry in its purest, most honest form.

“There’s something singular that happens in that moment of collaboration and creation, something you can never really recreate in the studio,” says Ingram. “Our hope with this album was to share a little bit of that magic with people.”

ACL is excited to share the magic of our upcoming Season 47 with our loyal fans and viewers. Stay tuned to acltv for further details on upcoming tapings.

Categories
Episode Recap Featured New Broadcast News

ACL TV presents ACL Hall of Fame: The First 6 Years

Kick off the New Year with a good ‘un: Austin City Limits presents ACL Hall of Fame: The First 6 Years, a special broadcast featuring a victory lap of some of the finest performances from the first six years of the annual ACL Hall of Fame induction ceremonies, from the inaugural induction celebration in 2014 to 2019’s sixth annual ceremony. The Austin City Limits Hall of Fame was established in 2014 to honor beacons of American music who have played an instrumental role in making the iconic music series a music institution. The 14-song, all-star salute, recorded live in Austin, Texas, features bestin-class performances and collaborations, many never-before-broadcast, from the annual celebrations in a performance-packed hour with Hall of Fame honorees including Willie Nelson, Buddy Guy, Los Lobos, Bonnie Raitt, Rosanne Cash and Kris Kristofferson performing alongside special guests. ACL Hall of Fame: The First 6 Years premieres Saturday, January 2 at 8pm CT/9pm ET. Check local PBS listings for times. The special will be available to music fans everywhere to stream online beginning Sunday, January 3 @10am ET at pbs.org/austincitylimits

The Hall of Fame celebration captures one-of-a-kind performances and emotional moments as the hour kicks off with the very first inductee into ACL’s inaugural Hall of Fame in 2014:  Willie Nelson, who appeared on ACL’s pilot episode in 1974, and performs his classic “On the Road Again” joined by special guests Emmylou Harris and Lyle Lovett. Blues giant Buddy Guy, a 2019 inductee, performs an electrifying take on his gem “Damn Right, I’ve Got the Blues” joined by a longtime friend, bluesman Jimmie Vaughan. For her induction in 2017, Rosanne Cash shares the stage with friends Elvis Costello and Neko Case, trading verses on her early chart-topping anthem “Seven Year Ache,” joined by legendary guitarist Ry Cooder. A trio of music’s most expressive vocalists, Chris Isaak, Brandi Carlile and Raul Malo, join forces to celebrate the legendary Roy Orbison’s 2017 induction with a joyous rendition of the pioneering rocker’s signature “Oh, Pretty Woman.” Acclaimed singer-songwriter Jason Isbell performs a moving solo rendition of Texas singer-songwriter Guy Clark’s classic, “Desperados Waiting For A Train,” saluting the 2015 inductee. Bonnie Raitt celebrates her induction in 2016 teaming up with handpicked guests Mavis Staples and Taj Mahal on a blazing rendition of her smash “Thing Called Love.” Kris Kristofferson, a fellow 2016 inductee, lights up the stage with a moving, solo acoustic performance of his early 70s classic “Lovin’ Her Was Easier.” Celebrating her induction in 2019, Shawn Colvin delivers a captivating performance of her early gem “Diamond In the Rough,” from her 1989 debut Steady On, joined by a pair of Texas singer-songwriters, Sarah Jarosz and fellow inductee Lyle Lovett. The queen of country music, Loretta Lynn, who first appeared on the series in 1983, is celebrated during her 2015 induction by country singer Patty Loveless, with a stirring rendition of the living legend’s first number one country hit “Don’t Come Home A-Drinkin’”. 

Photo by Gary Miller

The “first family of funk,” The Neville Brothers, the first New Orleans act to appear on ACL in 1979, are saluted by Trombone Shorty and members of the next-generation Nevilles Band for a scorching NOLA-style tribute to the influential funk ‘n’ soul collective in honor of their 2017 induction. Legendary Texas singer-songwriter Townes Van Zandt is inducted in 2015 with an all-star tribute of his “White Freightliner Blues” with music greats Lyle Lovett, Ray Benson, Vince Gill, Gillian Welch, Dwight Yoakam and more trading verses on the classic. Blues-rock star Gary Clark Jr. puts down his guitar for the occasion and steps up to the mic to pay vocal tribute to 2018 inductee Ray Charles, delivering a radiant “Night Time Is the Right Time” while vocalists Ruthie Foster, Carolyn Wonderland and Shelley King do The Raelettes proud with show-stopping backing chorus. American originals Los Lobos join the fifth class of inductees in 2018 performing a classic from their celebrated four-decade career, “La Pistola Y El Corazon”. The broadcast comes to an epic close saluting blues-rock icon Stevie Ray Vaughan’s 2014 induction into the first class of inductees, as a murderers’ row of guitar greats, including Willie Nelson, Buddy Guy and Johnny Lang, perform a blistering “Texas Flood,” the Lone Star classic Vaughan made famous when he performed it on his now-classic 1983 ACL debut, in a performance for the ages.

Austin City Limits Hall of Fame: The First Six Years setlist:

Willie Nelson w/ Emmylou Harris, Lyle Lovett “On the Road Again”

Buddy Guy w/Jimmie Vaughan “Damn Right I’ve Got the Blues”

Rosanne Cash w/Elvis Costello, Neko Case, Ry Cooder “Seven Year Ache”

Chris Isaak w/Brandi Carlile, Raul Malo “Oh Pretty Woman”

Jason Isbell “Desperados Waiting For A Train”

Bonnie Raitt w/ Mavis Staples, Taj Mahal “Thing Called Love” 

Kris Kristofferson “Lovin’ Her Was Easier”

Shawn Colvin w/Lyle Lovett & Sarah Jarosz “Diamond in the Rough”

Patty Loveless “Don’t Come Home A-Drinkin’”

The Nevilles Band w/Trombone Shorty “Meet De Boys on De Battlefront”

All-Star Cast f. Lyle Lovett, Ray Benson, Vince Gill, Gillian Welch, Dwight Yoakam  “White Freightliner Blues” 

Gary Clark Jr. w/Ruthie Foster, Carolyn Wonderland, Shelley King “Night Time Is the Right Time”

Los Lobos “La Pistola Y El Corazon”

All-Star Finale f. Willie Nelson, Buddy Guy, Johnny Lang, Lukas Nelson, Doyle Bramhall II, Robert Randolph “Texas Flood”

Photo by Scott Newton

Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. 

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

ACL Hall of Fame: The First 6 Years is produced by Austin PBS, KLRU-TV and funding is provided in part by AXS, Dell Technologies, and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.