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Giveaway: Lucius 7/17

UPDATE giveaway is now over. Austin City Limits will be taping a performance by Lucius on Sunday, July 17th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by Thursday, July 14th 2 pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Featured News Taping Announcement

New taping: Lyle Lovett and His Large Band 8/24

Austin City Limits is thrilled to announce the long-awaited return of a favorite Texas son on August 24th—singer, songwriter and ACL Hall of Fame legend Lyle Lovett—appearing with his iconic Large band to showcase 12th of June, his first new album in ten years.  

Lovett first appeared on ACL in 1985, and has notably appeared on the series more times than any act with the exception of Willie Nelson. He returns for his ninth headlining appearance on the ACL stage, after having been memorably inducted into the ACL Hall of Fame in 2019 by actor Sean Penn. The highly-anticipated 12th of June, produced by Chuck Ainlay and Lovett, is his first for new label Verve Records and features a mix of new originals, including the singles “12th of June” and “Pants Is Overrated,” standards by Nat King Cole and Dave Frishberg, and a Horace Silver instrumental, representing Lovett’s dynamic live performances with his Large Band. Coupled with his gift for storytelling, the new album continues to highlight Lovett’s ability to fuse elements of jazz, country, western swing, folk, gospel and blues in a convention-defying manner that breaks down barriers.

When Lyle Lovett introduces his band, he makes a point to cite the place each artist calls home. Home—both a physical space and a metaphorical concept that includes people, space and time—plays formidably into Lovett’s new album 12th of June. His first new recording in a decade tells the stories of specific people in specific places, some operating on a different plane. And while he’s sung about cowboys and creeps, bird-snarfing preachers and the guy who reads a newspaper over your shoulder, a sense of place is as important as the people who populate his songs. “My songs are rarely fiction,” he says. “That’s how I approach my work. My songs are from my life. I am the character in these songs. I get to spend my life for the most part doing a job where I get to be myself.” That has been a guiding principle for Lovett even before he announced his arrival with Lyle Lovett more than 35 years ago. Having studied journalism in college, he sharply draws his who and where. A sense of home and place have proven the base of operations for him to imagine a set of characters to operate. Lovett’s discography isn’t like a Robert Altman film. It’s like an Altman filmography, a collection of true fictions, akin to the happenings in the Yoknapatawpha of Faulkner or the Dublin of Joyce. Like a paper boat set loose in the San Jacinto, 12th of June—the album—cuts a smooth and distinctive path, bobbing through life and death and food, contemplation and humor – signatures that have informed Lovett’s songbook since he started writing songs in his native Klein, Texas, and in College Station, where he attended Texas A&M in the 1970s. He learned from writers who appreciated character, setting, and economy of language. They did it all with ample melody, too.  “This album reflects the music I grew up around,” he says. “My music is like me: I live on land that belonged to my grandfather. I live next door to my mother. I think the music reflects where I’m from and who I am.”

Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Whether touring with his Acoustic Group or his Large Band, Lovett’s live performances show not only the breadth of this Texas legend’s deep talents, but also the diversity of his influences, making him one of the most compelling and captivating musicians in popular music. Since his self-titled debut in 1986, Lovett has evolved into one of music’s most vibrant and iconic performers. Among his many accolades, including four Grammy Awards, he was given the Americana Music Association’s inaugural Trailblazer Award, was named Texas State Musician and is a member of both the Texas Heritage Songwriters’ Association Hall of Fame and the Texas Cowboy Hall of Fame.

Lovett made his ACL debut in 1985 as a member of Nanci Griffith’s backing band and he’s made eight headlining appearances: 1987, 1990, 1993, 1995, 1997, 2000, 2004 and the final taping in ACL’s original Studio 6A in 2011.  He’s appeared on two Songwriters Specials in 1994 and 2008, and in tributes to Walter Hyatt in 1997 and Townes Van Zandt in 1998, and as a featured guest of Leo Kottke in 1988, Delbert McClinton in 1997 and Shawn Colvin in 2001.  Lovett was handpicked by his longtime friend Willie Nelson to perform at his own induction into the inaugural ACL Hall of Fame in 2014. Lovett was inducted into the ACL Hall of Fame in 2019. We’re thrilled to welcome him back to our stage.

Want to be part of our audience? We will post information on how to get free passes as we get a week out from each date. Follow us on Facebook and Twitter for notice of postings. The broadcast episode will air this fall on PBS as part of our upcoming Season 48.

Please look for safety updates regarding entry to Austin City Limits tapings. Austin PBS will continue to monitor local COVID-19 trends and will meet or exceed protocols mandated by local governments.

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Featured Live Stream News

Live stream: Lucius

Austin City Limits is happy to announce we will be live streaming the debut appearance of beloved indie pop stars Lucius on July 17 at 8 pm CT. ACL offers fans worldwide the unique opportunity to watch this taping here in its entirety on our ACLTV YouTube Channel. The broadcast episode will air this fall on PBS as part of our upcoming Season 48.  

Acclaimed indie pop band Lucius are in the midst of a landmark year with the release of their widely acclaimed new album, Second Nature, out now via Mom + Pop. Produced by Dave Cobb and Brandi Carlile, the record is a portrait of singer and songwriters Holly Laessig and Jess Wolfe’s shared reflection, chronicling each other’s seismic life shifts—motherhood, divorce, unplanned career pauses—and setting it to music. “It is a record that begs you not to sit in the difficult moments, but to dance through them,” Wolfe says. “It touches upon all these stages of grief—and some of that is breakthrough, by the way. Being able to have the full spectrum of the experience that we have had, or that I’ve had in my divorce, or that we had in lockdown, having our careers come to a halt, so to speak. I think you can really hear and feel the spectrum of emotion and hopefully find the joy in the darkness. It does exist. That’s why we made Second Nature and why we wanted it to sound the way it did: our focus was on dancing our way through the darkness.” Released earlier this spring to critical praise, the Los Angeles Times raves, “dazzling…Second Nature mines an ’80s-pop sound with lush synths and sleek disco grooves under the women’s laser-guided vocals,” while Variety declares, “with Second Nature…they’re no longer 20 feet or even a couple of yards from stardom, but re-claiming the spotlight for themselves” and Relix proclaims, “stunning…a 10-song, smart-pop masterpiece.” Known for their perfectly harmonized vocals and electric live shows, Lucius is in the midst of an international headline tour and will join Brandi Carlile for several marquee concerts this summer. In addition to their work as a band, power vocalists Laessig and Wolfe are in-demand collaborators and have also recorded with Sheryl Crow, Harry Styles, The War on Drugs, Ozzy Osborne and John Legend and toured extensively alongside Roger Waters.

Lucius has also announced a flyaway contest to win a chance to see the band’s ACL taping in person. Enter here to win, and the official contest rules can be found here. The prize package includes: 

  • 2 passes to the Lucius Austin City Limits taping on Sunday, July 17
  • 2 night hotel stay at the Carpenter Hotel, July 16-18
  • 2 roundtrip American Airlines flights from anywhere in the continental United States to Austin, Texas on Saturday, July 16 and return flight Monday, July 18

Join us July 17 at 8 p.m. CT for Lucius, and this fall on PBS for the broadcast premiere of Austin City Limits’ upcoming Season 48. 

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Featured Live Stream News

Live stream: Brandi Carlile

Austin City Limits is thrilled to announce we will be live streaming our highly-anticipated show with acclaimed singer/songwriter Brandi Carlile on July 13 at 8 pm CT. ACL offers fans worldwide the unique opportunity to watch this taping live here in its entirety on our ACLTV YouTube Channel. The broadcast episode will air this fall on PBS as part of our upcoming Season 48.  

For her third taping, Brandi Carlile returns as a six-time GRAMMY Award-winning singer, songwriter, performer, producer, #1 New York Times Bestselling author and activist, who is known as one of music’s most respected voices. Her latest album, In These Silent Days, debuted at #1 on Billboard’s Americana/Folk Albums chart, Top Rock Albums chart and Tastemaker Albums chart and continues to receive overwhelming acclaim. Produced by Dave Cobb and Shooter Jennings, In These Silent Days was inspired by the mining of Carlile’s own history while writing last year’s #1 New York Times Best Selling memoir, Broken Horses (Crown), and conceived of while she was quarantined at home with longtime collaborators and bandmates Tim and Phil Hanseroth. The ten songs chronicle acceptance, faith, loss and love and channel icons like David Bowie, Freddie Mercury, Elton John and Joni Mitchell—the latter two who, by some sort of cosmic alignment of the stars, have turned out to be close friends in addition to being her biggest heroes and inspirations. Of the album, Variety praises, “Carlile effortlessly glides between octaves while, somehow, still sounding completely conversational—the everyday diva we didn’t know we needed until she showed up at our door…a vocal tour de force,” while Billboard asserts, “the emotion that Carlile projects is unbridled, unfettered joy in the face of hard times—and it’s the exact boost of positivity that will make you want to listen again and again.” The New York Times writes, “Larger than life and achingly human…she empathizes, apologizes and lays out accusations. She’s righteous and she’s self-doubting. She proffers fond lullabies and she unleashes full-throated screams,” while NPR Music declares, “absolutely breathtaking, across the whole album Brandi Carlile pulls out all the stops. It’s just extraordinary…she’s just claiming rock god status.” In addition to her six GRAMMY Awards, Carlile has also been recognized with Billboard’s Women In Music “Trailblazer Award,” CMT’s Next Women of Country “Impact Award” and received multiple recognitions from the Americana Music Association Honors & Awards including Artist of the Year for the past two years. 

Join us here on July 13 at 8 p.m. CT for Brandi Carlile, and this fall on PBS for the broadcast premiere of Austin City Limits’ upcoming Season 48.  

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News Tickets Distributed

Giveaway: Brandi Carlile 7/13

UPDATE giveaway is now over. Austin City Limits will be taping a performance by Brandi Carlile on Wednesday, July 13th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by Friday, July 8 at 2:00 p.m.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Featured News Taping Recap

Taping recap: The Weather Station

We’ve always celebrated songs and songwriting here at Austin City Limits. So we’re always happy to host a songsmith as special as Tamara Lindeman, AKA The Weather Station. The Toronto musician has long impressed critics and audiences not only with her thoughtful, soulful songcraft, but also with her willingness to push her artistry beyond anyone’s expectations, including her own. Her latest album How Is It I Should Look At the Stars denotes a musical shift from last year’s much-acclaimed Ignorance, which itself changed course from 2017’s self-titled breakthrough. She and her five-piece band brought that breadth and depth to the Moody Theater stage for her debut ACL performance. 

With a percolating drum groove, a kneeling Lindeman and the band began the set with “Wear,” a silky midtempo soul-pop tune from Ignorance. The tempo and urgency increased with “Loss,” an emotionally charged rock song that perfectly showcased the band’s distinctive sound: guitar, keys, bass and drums, enhanced by contributions from Karen Ng on clarinet and alto sax. “It’s such an honor,” Lindeman noted. “I’m overwhelmed.” Then “Separated,” a song about the futility of internet arguments, added some carefully doled drama to the performance, with a false ending and some well-placed clave clicks. Lindeman then picked up her guitar to revisit the self-titled record for the gorgeous and rocking “You and I (On the Other Side of the World),” before the band reached even further back for the soulful folk rock of “Way It Is, Way It Could,” from 2015’s Loyalty. She dipped into the latest record for “Stars,” a sparse, heartfelt ballad that sounded as if it could just as easily have come from the Great American Songbook as from the world of Canadian indie rock. 

The final notes had barely finished fading out when guitarist Will Kidman started chunking away to lead into “Look,” a song “about trying to talk to politicians” from Ignorance, followed by the same LP’s driving pop rocker “Tried to Tell You.” Next tune “Better Now” began as an ethereal ballad, but drummer Kieran Adams brought the rest of the band crashing in on the chorus for another slice of well-crafted rock. Adams’ rumbling drums, Johnny Spence’s stately piano and Ben Whiteley’s nimble bass jumpstarted the soaring “Heart,” joined by Ng’s clarinet and Kidman and Lindeman’s guitars. The band essayed an atmospheric, improvised intro that led into “Robber,” the attention-grabbing first single from Ignorance, the unique, jazzy dynamics (especially with Ng’s stratospheric free jazz sax) of which made it a standout even in a setlist of standouts. “Atlantic” went for a smoother melody and groove, allowing Lindeman to really concentrate on her singing, before upping the pop quotient even further for the euphonic “Parking Lot.” 

After Lindeman introduced the players, The Weather Station ended the set with the elegant ballad “Subdivisions” – a lovely original, and not a cover of the eponymous  anthem by Lindeman’s fellow Toronto residents Rush, that showed off what a fine singer she is. Though the band left the stage, they returned to play the masterful “Thirty,” a brisk folk rocker Lindeman described as joyful, as attested by the dust kicked up and Kidman’s spiraling guitar solo. A killer bonus, capping off an excellent evening that we can’t wait for you to see when it airs this fall on your local PBS station.