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Featured New Broadcast News

ACL announces Season 48 lineup

Iconic television series Austin City Limits proudly announces the fall return of the program and the initial Season 48 broadcast line-up with seven all-new installments to begin airing October 1 at 8pm CT/9pm ET as part of the esteemed broadcast’s fourteen episode season. ACL brings fans a new season, packed with a stellar slate of ACL legends and highly-anticipated debuts from some of today’s most talked-about live acts. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.

Austin City Limits returns this fall with a season opener featuring celebrated singer-songwriter and six-time Grammy Award recipient Brandi Carlile in her third appearance on the ACL stage. The acclaimed Americana artist is at the top of her game in a sterling hour, and delivers a career-spanning performance alongside selections from her latest In These Silent Days, backed by a nine-piece band. 

The new season continues with a number of highly-anticipated debut appearances from a diverse slate of artists. ACL spotlights a pair of 2022 Grammy Best New Artist nominees: Japanese Breakfast, featuring acclaimed indie singer-songwriter Michelle Zauner, perform songs from their breakthrough Jubilee; sharing the hour with 21-year old British singer-songwriter Arlo Parks in a soaring set filled with numbers from her Mercury Prize-winning Collapsed in Sunbeams. A pair of indie sensations shine in a captivating double-bill with synth-pop duo Sylvan Esso performing songs from Free Love, a 2022 Grammy nominee for dance/electronic album, as well as the forthcoming No Rules Sandy; and indie-pop duo Lucius debut songs from their latest Second Nature, stunning with spellbinding harmonies. ACL showcases a pair of standout Canadian singer-songwriters: Montreal native Allison Russell makes her ACL debut with a radiant set featuring songs from her 2022 triple Grammy-nominated solo debut album Outside Child, backed by an all-female band; sharing the hour is The Weather Station, the performance name of Toronto indie-folk singer-songwriter Tamara Lindeman, in a mesmerizing set featuring selections from Ignorance, which topped many 2021 year-end-best-of album lists. Two Texas originals are paired in a highly-anticipated hour: Fast-rising country star Parker McCollum makes his ACL debut with songs from his major label debut Gold Chain Cowboy and in a special appearance, ACL veteran and Americana great Robert Earl Keen, who announced his retirement from touring this year, returns for a poignant final bow featuring beloved classics from across his over four-decade career.

A season highlight is the long-awaited return of ACL Hall of Famer Lyle Lovett, joined by his iconic Large Band, making his first appearance in a decade with songs from his first new album in 10 years, 12th of June. Cuban funk sensations Cimafunk and The Tribe round out the first half of Season 48 with an ecstatic hour; the nine-piece powerhouse band make a thrilling ACL debut with standouts from their soulful album El Alimento in a must-see installment.

“We’re especially proud of what is truly a historic line-up for our new season, and we’re only half-way there,” said longtime ACL executive producer Terry Lickona. “Never before have we showcased such an amazing mix of such diverse and eclectic female artists, each making their mark on contemporary music with their own unique talents. We continue our musical journey from Country to Funk, plus the return of a tried-and-true favorite.”

Season 48 Broadcast Line-up (second half of season to be announced separately)

October 1 Brandi Carlile

October 8 Japanese Breakfast/Arlo Parks

October 15 Sylvan Esso/Lucius

October 22 Allison Russell/The Weather Station

October 29 Parker McCollum/Robert Earl Keen

November 5 Lyle Lovett and His Large Band

November 12 Cimafunk and The Tribe

Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Categories
Featured Live Stream News

Live stream announcement: Sylvan Esso

Austin City Limits is thrilled to announce we will live stream the debut taping with acclaimed indie pop duo Sylvan Esso on May 9 at 8 p.m. CT. ACL offers fans worldwide the unique opportunity to watch the taping live in its entirety on our ACLTV YouTube Channel. The broadcast episode will air this fall on PBS as part of our upcoming Season 48.  

Sitting in a Wisconsin deli in 2012, Amelia Meath told her new friend Nick Sanborn she wanted to start a pop band. She proposed a simple division of labor: She’d write and sing their emotionally multivalent songs, wrapped around seemingly effortless hooks. And he’d make the beats that drove them, slightly slippery instrumentals that winked at his abstract electronic inclinations. For a time, that was the premise of Sylvan Esso. But during the last decade, those responsibilities have morphed. Meath and Sanborn’s roles have become so intertwined that every moment of any new Sylvan Esso song feels rigorously conceptual but completely rapturous, their compelling central paradox. “Making music now looks like both of us sitting in a room together and having small arguments,” Meath quips. That dynamic thumps at the heart of Free Love, Sylvan Esso’s instantly endearing third album and a charming but provocative testament to the duo’s long-term tension. “We’re trying to make pop songs that aren’t on the radio, because they’re too weird,” says Meath. You could frame Free Love in a dozen different ways. You could, for instance, declare it their undeniable pop triumph, thanks to the summertime incandescence of “Ferris Wheel” or the handclap kinetics of “Train.” You might, on the other hand, call it their most delicate work yet, owing to Meath’s triptych of gently subversive anthems—“What If,” “Free,” and “Make It Easy”—that begin, end, and split the record into sides. You could label Free Love their modular synthesis album, since Sanborn’s explorations of those infinite systems shape so many of these daring songs. You might even call it their marriage record, as it’s the first LP Meath and Sanborn have made since trading vows. Instead, the thread that binds together every scintillating moment of Free Love may seem surprising for a duo that has already netted a 2022 Grammy nomination for Best Dance/Electronic Album for the record , made some of their generation’s sharpest pop daggers, and generally approached their work with an anything-goes esprit: Finding confidence. An album that implores us to consider that our assumptions about our world might be wrong, Free Love asks major questions about self-image, self-righteousness, friendship, romance, and environmental calamity with enough warmth, playfulness, and magnetism to make you consider an alternate reality. These are Sylvan Esso’s most nuanced and undeniable songs—bold enough to say how they feel, big enough to make you join in that feeling. The Durham, NC-based duo is currently on a U.S. headline tour with high-profile upcoming summer dates at Wilco’s Solid Sound and Rothbury’s Electric Forest Festival.

Join us here on May 9 at 8 p.m. CT for this exciting performance by Sylvan Esso. Join us this fall on PBS for the broadcast premiere of Austin City Limits’ upcoming Season 48. 

Categories
Featured News Taping Announcement Uncategorized

New tapings: Robert Earl Keen, Sylvan Esso and Allison Russell

Austin City Limits is proud to announce new tapings for Season 48, showcasing a trio of originals. Renowned singer/songwriter and Texas icon Robert Earl Keen caps his remarkable musical journey with one last taping on April 27 before his planned retirement from live performance later this year. We’re also thrilled to showcase debut tapings by a pair of 2022 Grammy-nominated acts whose individuality and artistic reach create songs thrilling in their distinctive flavors. On May 9, we welcome North Carolina-bred electronic duo Sylvan Esso. On May 25, Nashville-based singer and songwriter Allison Russell takes the ACL stage as we reach a major milestone: our 1000th taping. 

Robert Earl Keen debuted on Austin City Limits in 1989 as part of a Texas Showcase and has made four headlining appearances in addition to appearing as a guest of Lyle Lovett in 2000, returning for ACL’s milestone 40th Anniversary special in 2014 and hosting the ACL Hall of Fame in 2019. One of the most beloved songwriters and performers in Texas, the Houston native has lived his signature anthem “The Road Goes On Forever” as a road warrior performing over 180 dates in any given year, playing to his legions of fans at roadhouses, dance halls, theaters, and festival grounds. The legendary entertainer made the surprise announcement in March that he’ll wrap up a remarkable four decades of touring with one last tour in 2022 as his swan song: I’m Comin’ Home: 41 Years On The Road. “I’ve been blessed with a lifetime of brilliant, talented, colorful, electrical, magical folks throughout my life,” says Keen. “This chorus of joy, this parade of passion, this bull rush of creativity, this colony of kindness and generosity are foremost in my thoughts…It’s with a mysterious concoction of joy and sadness that I want to tell you that as of September 4, 2022, I will no longer tour or perform publicly.” With a catalog of 21 albums, a band of stellar musicians, and many thousands of live shows under his belt, POLLSTAR ranked Keen in its Top 20 Global Concert Tours in 2021. Since releasing his debut album, No Kinda Dancer, in 1984, Keen has blazed a peer, critic, and fan-lauded trail that’s earned him living-legend status in the Americana music world. He’s received many accolades along the way, including 2015’s inaugural BMI Troubadour Award, celebrating songwriters who have made a lasting impact.  His songs have been recorded by George Strait, Joe Ely, Nancy Griffith, Gillian Welch, The Highwaymen and more. Keen has been inducted into the Texas Heritage Songwriters Hall of Fame (alongside his longtime friend and Texas A&M classmate Lyle Lovett), the Texas Cowboy Hall of Fame, and the Distinguished Alumni Award from Texas A&M University. Keen was weaned on classic rock and Willie records and steered clear of the country mainstream, always taking the road less traveled throughout his storied career. His literate songcraft, razor wit and killer band stirred up a grassroots sensation not seen since the ’70s heyday of outlaw country. While Keen will be hanging up his hat on live shows, he’ll continue to write music and create, host his popular Americana Podcast, support young artists, and follow his artistic muse wherever it takes him. We’re thrilled to welcome Robert Earl Keen back to our stage for this very special performance.

Created with RNI Films app by Shervin Lainez.

Sitting in a Wisconsin deli in 2012, Amelia Meath told her new friend Nick Sanborn she wanted to start a pop band. She proposed a simple division of labor: She’d write and sing their emotionally multivalent songs, wrapped around seemingly effortless hooks. And he’d make the beats that drove them, slightly slippery instrumentals that winked at his abstract electronic inclinations. For a time, that was the premise of Sylvan Esso. But during the last decade, those responsibilities have morphed. Meath and Sanborn’s roles have become so intertwined that every moment of any new Sylvan Esso song feels rigorously conceptual but completely rapturous, their compelling central paradox. “Making music now looks like both of us sitting in a room together and having small arguments,” Meath quips. That dynamic thumps at the heart of Free Love, Sylvan Esso’s instantly endearing third album and a charming but provocative testament to the duo’s long-term tension. “We’re trying to make pop songs that aren’t on the radio, because they’re too weird,” says Meath. You could frame Free Love in a dozen different ways. You could, for instance, declare it their undeniable pop triumph, thanks to the summertime incandescence of “Ferris Wheel” or the handclap kinetics of “Train.” You might, on the other hand, call it their most delicate work yet, owing to Meath’s triptych of gently subversive anthems—“What If,” “Free,” and “Make It Easy”—that begin, end, and split the record into sides. You could label Free Love their modular synthesis album, since Sanborn’s explorations of those infinite systems shape so many of these daring songs. You might even call it their marriage record, as it’s the first LP Meath and Sanborn have made since trading vows. Instead, the thread that binds together every scintillating moment of Free Love may seem surprising for a duo that has already netted a 2022 Grammy nomination for Best Dance/Electronic Album for the record , made some of their generation’s sharpest pop daggers, and generally approached their work with an anything-goes esprit: Finding confidence. An album that implores us to consider that our assumptions about our world might be wrong, Free Love asks major questions about self-image, self-righteousness, friendship, romance, and environmental calamity with enough warmth, playfulness, and magnetism to make you consider an alternate reality. These are Sylvan Esso’s most nuanced and undeniable songs—bold enough to say how they feel, big enough to make you join in that feeling. The Durham, NC-based duo is currently on a U.S. headline tour with high-profile upcoming summer dates at Wilco’s Solid Sound and Rothbury’s Electric Forest Festival.

Photo by Marc Baptiste.

After years of collaborations with like-minded artists, Allison Russell’s first-ever solo project, Outside Child was released in 2021 to critical acclaim and earned a trio of 2022 Grammy nominations, including Best Americana Album. Russell, a self-taught singer, songwriter, multi-instrumentalist, and co-founder of folk collective Our Native Daughters and duo Birds of Chicago, unpacks her youth in searing detail. Rolling Stone raves, “Russell turned her brutally tough childhood into stunning art.” Raised in Montreal, Russell imbues her music with the colors of her city – the light, the landscape, the language – but also the trauma that she suffered there. It is a heartbreaking reflection on a childhood no one should have to endure, and at the same time a powerful reclamation – asserted from a place of healing, of motherhood, of partnership – and from a new home made in Nashville. The record features many of the artistic family members she has found there including Yola, Erin Rae, The McCrary Sisters, Ruth Moody, Jamie Dick, Dan Knobler and her partner JT Nero. Outside Child, says Russell “is about resilience, survival, transcendence, the redemptive power of art, community, connection, and chosen family.” Singing about this on the double Grammy-nominated “Nightflyer,” Russell ponders the healing power of motherhood, using the track’s wide-open expanse to convey the strength she didn’t know she had. Here, the line “I am the mother of the evening star / I am the love that conquers all” is “the most defiantly triumphant, hopeful line I’ve ever written,” says Russell. “That’s about the birth of my daughter and how that transformed me.” Though she endured a fraught relationship with her own mother, Russell remembers how she’d crawl underneath the piano and listen to her mother play. “I would hum along with her,” Russell recalls. “She said I was humming before I could talk. I was able to feel some kind of comfort or love or connection in a way that she couldn’t verbally or physically express – but I could feel in her music that there was love in her.” Ultimately, Outside Child is not only a radical reclamation of a traumatic childhood and lost home, it is a lantern light for survivors of all stripes – a fervent reminder of the eleventh hour, resuscitative power of art. Fellow songwriter and poet Joe Henry raves, “Outside Child draws water from the dark well of a violent past. The songs themselves ––though iron-hard in their concerns–– are exultant: exercising haunted dream-like clean bedsheets snapped and hung out into broad daylight, and with the romantic poet’s lust for living and audacity of endurance.” We’re thrilled to bring Russell to the ACL stage as we celebrate a landmark occasion with our milestone 1K taping moment.

Want to be part of our audience? We will post information on how to get free passes as we get a week out from each date. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air in late 2022 on PBS as part of our upcoming Season 48.

Please look for safety updates regarding entry to Austin City Limits tapings. Austin PBS will continue to monitor local COVID-19 trends and will meet or exceed protocols mandated by local governments.