Featured New Broadcast News

ACL announces Season 48 lineup

Iconic television series Austin City Limits proudly announces the fall return of the program and the initial Season 48 broadcast line-up with seven all-new installments to begin airing October 1 at 8pm CT/9pm ET as part of the esteemed broadcast’s fourteen episode season. ACL brings fans a new season, packed with a stellar slate of ACL legends and highly-anticipated debuts from some of today’s most talked-about live acts. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at immediately following the initial broadcast.

Austin City Limits returns this fall with a season opener featuring celebrated singer-songwriter and six-time Grammy Award recipient Brandi Carlile in her third appearance on the ACL stage. The acclaimed Americana artist is at the top of her game in a sterling hour, and delivers a career-spanning performance alongside selections from her latest In These Silent Days, backed by a nine-piece band. 

The new season continues with a number of highly-anticipated debut appearances from a diverse slate of artists. ACL spotlights a pair of 2022 Grammy Best New Artist nominees: Japanese Breakfast, featuring acclaimed indie singer-songwriter Michelle Zauner, perform songs from their breakthrough Jubilee; sharing the hour with 21-year old British singer-songwriter Arlo Parks in a soaring set filled with numbers from her Mercury Prize-winning Collapsed in Sunbeams. A pair of indie sensations shine in a captivating double-bill with synth-pop duo Sylvan Esso performing songs from Free Love, a 2022 Grammy nominee for dance/electronic album, as well as the forthcoming No Rules Sandy; and indie-pop duo Lucius debut songs from their latest Second Nature, stunning with spellbinding harmonies. ACL showcases a pair of standout Canadian singer-songwriters: Montreal native Allison Russell makes her ACL debut with a radiant set featuring songs from her 2022 triple Grammy-nominated solo debut album Outside Child, backed by an all-female band; sharing the hour is The Weather Station, the performance name of Toronto indie-folk singer-songwriter Tamara Lindeman, in a mesmerizing set featuring selections from Ignorance, which topped many 2021 year-end-best-of album lists. Two Texas originals are paired in a highly-anticipated hour: Fast-rising country star Parker McCollum makes his ACL debut with songs from his major label debut Gold Chain Cowboy and in a special appearance, ACL veteran and Americana great Robert Earl Keen, who announced his retirement from touring this year, returns for a poignant final bow featuring beloved classics from across his over four-decade career.

A season highlight is the long-awaited return of ACL Hall of Famer Lyle Lovett, joined by his iconic Large Band, making his first appearance in a decade with songs from his first new album in 10 years, 12th of June. Cuban funk sensations Cimafunk and The Tribe round out the first half of Season 48 with an ecstatic hour; the nine-piece powerhouse band make a thrilling ACL debut with standouts from their soulful album El Alimento in a must-see installment.

“We’re especially proud of what is truly a historic line-up for our new season, and we’re only half-way there,” said longtime ACL executive producer Terry Lickona. “Never before have we showcased such an amazing mix of such diverse and eclectic female artists, each making their mark on contemporary music with their own unique talents. We continue our musical journey from Country to Funk, plus the return of a tried-and-true favorite.”

Season 48 Broadcast Line-up (second half of season to be announced separately)

October 1 Brandi Carlile

October 8 Japanese Breakfast/Arlo Parks

October 15 Sylvan Esso/Lucius

October 22 Allison Russell/The Weather Station

October 29 Parker McCollum/Robert Earl Keen

November 5 Lyle Lovett and His Large Band

November 12 Cimafunk and The Tribe

Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at

Featured News Taping Recap

Taping recap: Arlo Parks

One of the coolest experiences we can have at Austin City Limits is to open a brand new season with new talent. The 21-year-old from West London, singer/songwriter Arlo Parks, took her own country by storm with her album Collapsed in Sunbeams, which earned her two 2022 Grammy nominations in the States and won the Mercury Prize at home for Best British Album of 2021. With major dates opening for Harry Styles and Billie Eilish, and a stateside tour with Clairo under her belt, the singer of radio hits “Hurt” and “Softly” capped the first half of 2022 off with her debut taping for Austin City Limits

Parks’ eight-piece band came out first, singers and horn players on either side of the usual guitar/bass/drums/keys lineup, and started a warmly funky groove. Arriving in shorts, lime-green sneakers and a Dizzy Gillespie T-shirt, Park went immediately into the smooth R&B of “Green Eyes” to great applause. After introducing herself to the audience, Parks and the band kept the soulful vibe going with “Portra 400,” a gem from Collapsed in Sunbeams that began in her bedroom home studio. She followed with the moodier, more atmospheric “Caroline,” encouraging the crowd to sing along to the chorus, before going into “Cola,” her very first single from her attention-getting EP Super Sad Generation, made while she was in high school. She then announced “Eugene,” which she called “my favorite” – a sentiment to which her fans apparently agreed, as they cheered the soul-pop take on unrequited love before it even began. 

Parks then did something that’s never happened on the ACL stage before: she read an original poem. Besides giving her a chance to catch her breath, it also took the audience back to her beginnings, when she wrote poetry and fiction before incorporating music. She followed that ACL milestone with the lovely ballad “Angel’s Song,” which truly sounded like an extension of her roots in written verse. The song has barely finished before a cymbal wash and electric piano chords heralded “Romantic Garbage,” an emotional but witty ballad from Super Sad Generation that was the song which led her manager to her and started her career. “I love playing that song,” she noted. Parks shifted the mood for the next song, the darker “Black Dog,” though it was less dwelling on depression than insisting it can be overcome. Then the groove pumped back up, the horns started to soar, and Parks led the band in “Hurt,” another song determined to pull its main character from the brink. 

Parks took a break to introduce the band, before launching into the soul tune “Too Good,” dismissing an emotionally detached ex with hooks and a groove and proving to be an immediate crowd favorite. She followed with “Softy,” a catchy electropop tune released as a single only a couple of months ago and destined for greatness, if the audience hand-waving is any indication. “It’s been very magical,” proclaimed Parks as the last song of the set loomed. “Sophie” ended the main set on a slinky, luscious soul groove and an epic guitar solo. Of course, Parks and her band returned for one more song, accepting flowers from an audience member before sending the crowd home with the affirmational, gospel-tinged “Hope.” “You’re not alone!” Parks declared, and everyone was with her as she left the stage. It was a strong showing by a relative newcomer, and we can’t wait for you to see Parks and her band when her episode airs this fall on your local PBS station as part of our Season 48.

Featured News Taping Announcement

New tapings: Arlo Parks, Japanese Breakfast, Foo Fighters and Cimafunk

Austin City Limits is thrilled to announce the first round of tapings for Season 48, featuring a stellar slate of performers. The taping season kicks off with a pair of 2022 GRAMMY Best New Artist nominees, British singer/songwriter Arlo Parks on April 11, and acclaimed Japanese Breakfast on April 20. Newly minted Rock & Roll Hall of Famers and 2022 GRAMMY triple nominees Foo Fighters return to rock ACL for the third time on April 27, while Afro-Cuban Latin funk sensation Cimafunk brings the funk on May 3.

Arlo Parks. Photo by Lillie Eiger.

Arlo Parks had a major 2021 wherein she released her highly-praised debut album Collapsed in Sunbeams, won the BRIT Award for Best New Artist, received the Mercury Prize for album of the year, and won the BBC Introducing Artist Of The Year Award. She also scored a pair of 2022 GRAMMY nominations for Best New Artist and Best Alternative Album. Along with the towering awards, Collapsed in Sunbeams was included on almost every ‘Best Albums of 2021’ list and received critical acclaim from the likes of The New York Times, Rolling Stone, The FADER and many more. This year she shared a new single “Softly” and is currently on a North American tour with Clairo, which will conclude with a performance at this year’s Coachella Festival. Arlo also recently announced high-profile summer stadium dates with Billie Eilish and Harry Styles. Born Anaïs Oluwatoyin Estelle Marinho, the 21-year-old from West London – who burst onto the scene with 2018’s “Cola” — uses poetry as her songwriting compass, weaving vivid imagery and sensory touches throughout the stirring, honest stories that make up her already-rich body of work. In Arlo’s world, words are as useful as photographs. Luscious, expressive vignettes pepper the poetic lyrics in her sweet, ruminative indie pop songs. “I was really interested in the idea of delving into a hyper-specific moment and making it feel universal, making it something that people could connect to,” she says about drawing from poetry in her approach. Arlo recalls a childhood record collection that included classics from Sade, Earth Wind & Fire, and Bob Dylan and choir practice as fundamentals to her musical side. When she was 14, Arlo downloaded Garageband and started making beats to rhyme her poetry to, which over time naturally morphed into singing and the dulce soprano that sets her apart in today’s music climate. In 2017, she took a chance and submitted her recordings to BBC Introducing, which led to her first interview, management and recording contract. Following performances at Glastonbury and Latitude Festivals and a pair of EPs released when she was still a teenager, Arlo released her debut album Collapsed in Sunbeams to critical raves in 2021. Her songwriting has seen her gain new fans in Billie Eilish, Florence Welch, Michelle Obama, Angel Olsen, Phoebe Bridgers, Massive Attack and renowned writer Zadie Smith, amongst many others.

Japanese Breakfast. Photo by Tonje Thilesen.

2021 was a big year for Michelle Zauner. She released Jubilee, her album with her pop-alternative band Japanese Breakfast, which quickly became one of the most praised releases of 2021, landing her two 2022 GRAMMY nominations for Best New Artist and Best Alternative Album, as well as placement on Best Of 2021 lists from Rolling Stone, People, Pitchfork, Entertainment Weekly, Billboard, NPR, Spin, Wall Street Journal and more. The album was also voted the #1 album of the year on NPR’s Listeners’ Poll, and its lead single “Be Sweet” was voted the #1 song of the year on Pitchfork’s Readers’ Poll. From the moment she began writing her new album, she knew that she wanted to call it Jubilee. After all, a jubilee is a celebration of the passage of time—a festival to usher in the hope of a new era in brilliant technicolor. Zauner’s first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother‘s death and used it as a conduit to explore the cosmos.  Jubilee is an album about processing life and love in the quest for happiness, and how that process sometimes requires us to step outside of ourselves. In addition to Jubilee, 2021 saw Zauner release her New York Times best-selling memoir Crying in H Mart, which she’s currently adapting for the screen for MGM’s Orion Pictures. Crying in H Mart is an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity. The book has been on the New York Times Best Sellers’ list for 30 weeks. She also released the original soundtrack to the anticipated video game Sable, which Entertainment Weekly compared to David Bowie’s 1977 masterwork Low and Pitchfork said is “a streamlined glimpse into her versatility as a narrative artist.” Michelle Zauner first appeared on our stage at the 2021 ACL Hall of Fame celebration to salute honorees Wilco and we’re thrilled to have her return with Japanese Breakfast.

Rock & Roll Hall of Fame inductees and 2022 GRAMMY triple nominees for their much heralded Medicine at Midnight, the mighty, mighty Foo Fighters return for their third appearance on the ACL stage. Produced by Greg Kurstin and the band, and featuring “Shame Shame,” “Waiting On a War” and the bludgeoning “No Son of Mine,” Medicine at Midnight, Foo Fighters’ 10th studio album was released in early 2021 to overwhelming acclaim: Rolling Stone hailed the album as “brighter and more optimistic than anything they’ve ever done,” while The Wall Street Journal quite simply called it “One of Foo Fighters’ best albums of this century.” More recently, Medicine at Midnight earned the sextet a trio of GRAMMY nominations: Best Rock Performance for “Making A Fire,” Best Rock Song for “Waiting On A War,” and Best Rock Album, bringing Foo Fighters’ career total nominations to 32. Foo Fighters—who celebrated their 25th anniversary in 2020—have won 12 GRAMMY Awards, including a record four wins for Best Rock Album, two Best Rock Songs and a Best Rock Performance. On February 25th Foo Fighters will make their feature film acting debut, playing themselves in the horror comedy Studio 666, filmed in the same Encino, California house in which they recorded Medicine at Midnight. Foo Fighters were fortunately able to fit in a visit to ACL in between sold out dates on their North American stadium tour, and we couldn’t be more thrilled to welcome Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear and Rami Jaffee back to our stage.

Cimafunk. Photo by Michael Alford.

Cimafunk is an Afro-Cuban rock star whose name refers to his heritage as a “cimarrón,” Cubans of African descent who resisted and escaped slavery, as well as to the essence of his music that aims to subvert conventional sounds with rhythmic innovation. As innovative funk forefather George Clinton of Parliament-Funkadelic fame says, “he is the one, the next one.” By bringing out the best in Cuban rhythms and traditions and infusing sounds and styles from Africa and the U.S., Cimafunk has created something unique and special, both in terms of music and the values he stands for. His monumental second album El Alimento, released in October 2021, received overwhelming praise: Rolling Stone ranked it #3 of the Best Spanish-Language and Bilingual Albums of 2021 and #23 of the 50 Best Albums of 2021. El Alimento was also among NPR’s Best Latin Music of 2021 and #1 of Le Monde’s Latin Music favorites. Singles also made their way through 2021 lists: “Rómpelo” ft. Lupe Fiasco was among NPR Alt.Latino’s best singles of 2021, and “Funk Aspirin” ft. George Clinton in Remezcla’s 10 Best Indie Pop, Rock, & Chill Songs of 2021. Co-produced by Cimafunk and Grammy-award winning producer Jack Splash (CeeLo Green, Kendrick Lamar, Alicia Keys), the sonically dynamic collection masterfully blends Afro-Cuban sounds and rhythms with global funk, hip hop and soul, resulting in a progressive, head-bopping celebration of black music’s power to eclipse borders and cross-pollinate across cultures. Written and recorded over 2020, the album served as an alimento for the soul, a motivation to persevere through the pandemic, as Cimafunk spent countless hours studying decades of musical influences to help understand who he is musically and culturally, and thus, where he wanted this album to take him. According to The New York Times, Cimafunk is on “Quest to Create One Nation Under a Groove.” Cimafunk became a household name in Cuba with his 2018 hit “Me Voy,” which generated a frenzy, creating a movement in Havana and throughout the island, selling out venues with thousands of fans excited to dance to the groove of Afro-Cuban Funk and millennials replicating his style and appearance, one that draws heavily on his African roots and the black showmen of the 20th century. Named by Billboard as a “Top 10 Latin Artist to watch,” Cimafunk stole the show at the 2019 South by Southwest Music Festival and has toured aggressively in the U.S. and Europe, making a name for himself as one of today’s great showmen, performing an electric live show with his nine-piece band from Havana.

Want to be part of our audience? We will post information on how to get free passes as we get a week out from each date. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air in late 2022 on PBS as part of our upcoming Season 48.

Please look for safety updates regarding entry to Austin City Limits Tapings. Austin PBS will continue to monitor local COVID-19 trends and will meet or exceed protocols mandated by local governments.