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Featured Live Stream News

ACL announces live streams for Wild Child and Anderson East

Austin City Limits is excited to announce that we will be live streaming our upcoming tapings with two captivating acts: rising young Austin indie rockers Wild Child on June 21 here and Nashville blue-eyed soul singer/songwriter Anderson East on June 22 here.

Austin’s Wild Child make their ACL debut in support of Expectations, the band’s most creative, colorful and intellectually engaging album to date.  The Austin-American Statesman raves, “Four albums in, the Austin indie-folk band-that-could has become increasingly confident without losing the sense of childlike wonder that’s so central to the spirit of their music.”  The septet’s new release rose out of a desire to take a multispectral approach to writing and recording that went beyond simply trying to engineer success. The band made a list of their favorite musicians who were also producers, choosing ones they thought would shine a new light on specific compositions, and then set about chasing their album from studio to studio all over the world. That route took them to Chris Walla’s (Death Cab For Cutie) studio in Tromsø, Norway, to a home-built warehouse studio in Philadelphia with Dr. Dog’s Scott McMicken, and back to Wimberley, Texas, as Matthew Logan Vasquez (Delta Spirit) set up a makeshift studio in Wild Child lead singer and violinist Kelsey Wilson’s childhood home. The group also tapped the talents of frequent tour mate Chris Boosahda (Shakey Graves), Atlantic Records recording artist Max Frost, and Grammy-winning producer Adrian Quesada (Black Pumas, Brownout). The result is a theater of possibilities, with arrangements that reflect the range of tastes of the producers, from scruffy lo-fi tape hiss to smoothed out precision-cut electronic pop sounds. “Without sacrificing Wild Child’s signature pop swell, Expectations emerges soulful and serious,” says the Austin Chronicle.

Called “an exciting singer-songwriter effortlessly able to blend elements of rock, blues, country and soul” by Associated Press, Anderson East steps on our stage for the first time with his latest album Encore, produced by longtime collaborator Dave Cobb.  The album’s title is derived from East’s steadfast belief: that every song on his new album must be worthy of closing out one of his notoriously epic live shows. The Athens, Alabama native broke onto the music scene with “Satisfy Me” from his 2015 major label debut Delilah, followed by a breakout series of years that included appearances on Cobb’s Southern Family compilation, Brandi Carlile’s Cover Stories benefit LP and the Fifty Shades Darker soundtrack, as well as spending much of 2017 on the road with Chris and Morgane Stapleton as part of their All-American Road Show.  The New York Times calls Encore “an often lustrous revisiting of raucous Southern soul, rousingly delivered and pinpoint precise,” with NPR Music claiming that it “draw[s] inspiration from the sophistication of Donny Hathaway’s compositions and arrangements, the grandness of Van Morrison’s Caledonia Soul Orchestra and the dashing song interpretation of Joe Cocker.” American Songwriter says, “This remains a sharp, soul-drenched, organically based set that solidifies the R&B roots at the heart of East’s talents,” adding that it’s “poised to push the talented singer-songwriter over the top and into the mainstream.”

Join us on June 21 for Wild Child’s full-set live stream here and June 22 for Anderson East’s set here on our ACLTV YouTube channel. The broadcast versions will air on PBS as part of our upcoming Season 44.

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Featured News Taping Announcement

New taping: Miguel

We here at Austin City Limits are excited to welcome one of the fastest-rising and most adventurous voices in R&B to our stage: Miguel. The singer, songwriter and creator of the acclaimed LP War & Leisure tapes his ACL debut on July 8.

Over the last decade, Miguel has established himself as one of R&B’s most sonic fabulists, a consummate artist unafraid to follow his impulses wherever they lead him. The Los Angeles native’s mix of funk, rock, hip-hop and electronica has garnered him frequent comparisons to Prince and Babyface. Miguel’s fourth studio full-length, War & Leisure, is his most ambitious and stunning project yet, a perfect blend of forward-thinking production and melodic delights that more than embody the duality hinted at in the album’s title. Miguel conceived these twelve pop gems as perfectly blending the skyward pop of 2012’s Kaleidoscope Dream (which netted him a Best R&B Song Grammy win in 2013 for its astounding single “Adorn”) and the restless, moody vibes of 2015’s Wildheart—reflecting the true Miguel experience for both listeners and the album’s creator. “On every project, I’m trying to paint a picture for my future self to go back, listen, and remember my experiences and how I was perceiving the world through music,” he states on the mercurial meeting point that War & Leisure reaches. “Kaleidoscope Dream and Wildheart are two sides of the same coin, and this is me taking those sounds and applying all the energy I’m feeling most from those two contrasts.” This is Miguel fusing the two halves of his creative id—the restless experimentalist and the crowd-pleasing hitmaker that millions of fans adore—to reach a new peak in artistic achievement.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast versions will air on PBS later this year as part of our Season 44.

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Encore Broadcast Episode Recap Featured News

Encore: Norah Jones and Angel Olsen

Austin City Limits showcases two of today’s most acclaimed singer-songwriters in a new installment. ACL veteran Norah Jones and indie breakout star Angel Olsen share the episode, with distinctive performances demonstrating the extraordinary range of the genre.

Norah Jones made her first appearance on Austin City Limits in 2002, just prior to the release of her landmark debut Come Away With Me, which propelled her to the world stage. Since then, Jones has sold 50 million albums worldwide and is a nine-time Grammy-winner. She returns for her fourth appearance on the series performing new songs from her sixth album Day Breaks, a kindred spirit to Come Away…and a return to her piano and jazz roots. Seated at her grand piano, the native Texan delivers a stately performance featuring new gems, including the stunning originals “Flipside” and “Carry On,” and gorgeous renditions of Neil Young’s “Don’t Be Denied” and Horace Silver’s jazz standard “Peace.” Jones closes out the set on acoustic guitar surrounded by her bandmates as they gather around a single microphone for an inspired cover of the Grateful Dead’s “Ripple,” reimagined as a folk classic.

A unique voice in indie music, Angel Olsen shares songs from her widely-acclaimed release My Woman in a compelling, confident ACL debut. “I have a couple things I’d like to share with you tonight. A couple of feelings and a couple of songs,” says the dynamic singer-songwriter-guitarist. Her powerful vocals anchor her longing, demanding love songs as the Austin crowd sing along rapturously. Olsen’s five-piece band, sharp in matching powder blue suits, join in soaring harmonies to breathtaking effect. The indie stunner has the crowd in her pocket as she closes with a highlight, the reverb-shrouded poetic swoon of “Shut Up Kiss Me,” an anthem for the ages.

Angel Olsen ©️KLRU photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. This episode is also featured on American Airlines’ in-flight entertainment channel in June. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode featuring indie rockers The Head and The Heart and blues/soul/rock & roller Benjamin Booker.

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Encore Broadcast Episode Recap Featured News

Encore: The Pretenders

Austin City Limits rocks on with a hit-filled hour starring the great Pretenders in their first-ever appearance on the ACL stage. The legendary rock band sends a message of love to viewers with an eleven-song hit parade.

Influential punk new-wave veterans the Pretenders are in fighting form as they kick off an electrifying hour with new classic “Alone,” a swagger-fueled gem that fits right into the band’s canon, and the title track from their first album in almost a decade. Iconic bandleader Chrissie Hynde informs the crowd, “You don’t have to be polite, because we don’t plan to be.” The defiant frontwoman commands the stage, showcasing her still-radiant voice in a career-spanning performance featuring fan-favorites including “Back On The Chain Gang,” “My City Was Gone,” “Mystery Achievement,” and “Middle of the Road.” Pretenders’ trademark tough and tender lyrics resonate as they did when the band arrived on the London scene in 1978. Hynde fondly introduces original member Martin Chambers as “the world’s greatest rock drummer,” as he plays the stirring intro of “Message Of Love.” The band caps the powerhouse set with their signature hit “Brass In Pocket,” as Hynde pulls a spellbound fan onstage to join her on the timeless tune.

“One thing that hasn’t changed in almost 40 years,” says ACL executive producer Terry Lickona, “Chrissie Hynde is still a badass! There’s no doubt about who’s in charge, and musically her voice still rings as clear and strong as ever. Whether you’re an old fan or a newbie, this is a show for the ages.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode of expert songwriting and soulful singing with Norah Jones and Angel Olsen.

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Encore Broadcast Episode Recap Featured News

Encore: Sturgill Simpson and Asleep at the Wheel

stin City Limits welcomes breakout country artist Sturgill Simpson sharing the bill with legendary Western swing institution Asleep at the Wheel.  Two acts steeped in old-school tradition but beamed through a contemporary prism, the must-see episode features rising star Simpson making his full set ACL debut while Texas swing veterans Asleep at the Wheel return for their 11th appearance. ACL Hall of Fame members AATW are joined by guest stars The Avett Brothers, Amos Lee and the Quebe Sisters in a special tribute to musical forebear Bob Wills, the King of Western Swing.   

Forty years after Willie Nelson made his iconic debut on ACL on October 14, 1974, country rebel Sturgill Simpson arrives at the top of his game in a standout ACL debut.  With his acclaimed breakthrough Metamodern Sounds In Country Music topping Best of 2014 Album lists and a stack of accolades to call his own—including a Grammy nomination, top honors at this year’s Americana Awards, slots at the year’s biggest music festivals, including Bonnaroo, Coachella and ACL Fest—ACL captures Simpson on the verge of full-blown stardom.  Playing an acoustic guitar, the Kentucky native and his ace four-piece band launch into a scorching seven-song set that makes a believer out of everyone. He pays tribute to the outlaw country scene that inspired him, acknowledging his debt to Willie, and to Austin cosmic cowboy Steve Fromholz, with an impassioned rendition of “I’d Have to Be Crazy,” a Fromholz song Nelson made famous in the ‘70s, and a perfect showcase for Simpson’s rich baritone.  The full span of Simpson’s influences is evident with the inspired set-closer, a brilliant crossbreed of the Osborne Brothers’ bluegrass classic “Listening to the Rain” to glam-rock band T-Rex’s “The Motivator.”

A national as well as Texan treasure, the nine-time Grammy Award-winning Austin supergroup Asleep at the Wheel has kept the Western swing flame burning for forty-five years.  Still led by larger-than-life founder Ray Benson, AATW appeared in the first official episode of Austin City Limits in 1976, and returns for a remarkable eleventh appearance to perform selections from their recent Bob Wills tribute album Still the King: Celebrating the Music of Bob Wills and His Texas Playboys, a salute to the great bandleader.  Wills’ music, born in the 1920s and ‘30s, continues to inspire younger generations, and AATW is joined on the ACL stage by some very special guests, including soul singer Amos Lee, fiddle trio the Quebe Sisters and Americana sensations The Avett Brothers, who put their own spin on Western swing classics.  A highlight of the set comes when two former Texas Playboys—singer Leon Rausch, 88, and 92-year old saxophonist Billy Briggs—take the stage.  The entire ensemble returns for a crowd sing-along of the signature “Texas Playboys Theme,” winding “Happy Trails” into the old chestnut for a perfect close.  

Asleep at the Wheel with special guests ©KLRU photo by Scott Newton

“This show goes back deep to the roots of where Austin City Limits began,” says ACL executive producer Terry Lickona.  “Sturgill would’ve fit perfectly into the Austin music scene of the ‘70s, and it speaks volumes that his own progressive country sound resonates so strongly and stands in contrast to much of the country pop today.  Asleep at the Wheel appeared on the very first episode of our very first season, and they’re still kicking it 41 years later – just like ACL!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another encore episode, featuring rock icons The Pretenders.

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Featured News Taping Announcement

New tapings: Lukas Nelson & Promise of the Real and Sam Smith

Austin City Limits has a pair of highlights coming up this summer: new tapings featuring roots rocker Lukas Nelson in his ACL debut on July 2 and the second appearance of international pop superstar Sam Smith on July 23.

After more than a decade on the road barnstorming across the U.S and around the world, Lukas Nelson & Promise of the Real have developed into one of America’s most dazzling live acts, attracting a dedicated, ever expanding following.  Still, with a bounty of invaluable experience under their belts, nothing foretold the artistic leap of their latest album, the self-titled Lukas Nelson & Promise of the Real, a mesmerizing, emotionally genuine, endlessly rewarding slice of cosmic country soul.  Released via Fantasy Records last summer, the widely acclaimed album draws on many of Lukas’ country and rock influences including literate Texas songsmiths like his dad, Willie Nelson, ‘uncles’ Kris Kristofferson and Waylon Jennings, and iconoclasts such as J.J. Cale, The Band, Clapton-era Delaney & Bonnie and of course, the band’s mentor Neil Young, for whom the young devotees have toured and recorded with the past few years. 

Lukas Nelson & Promise of the Real features Lukas Nelson (guitar, vocals), Tato Melgar (percussion), Anthony LoGerfo (drums), Corey McCormick (bass, vocals) and Jesse Siebenberg (steel guitars, Farfisa organ, vocals) along with back-up vocalists Jess Wolfe and Holly Lessig of the indie-pop group Lucius, and Lady Gaga who added stirring vocals to two of the album’s 12 tracks.  The album’s lilting, Glen Campbell inspired gem, “Just Outside of Austin” also features a classic Willie Nelson guitar solo, and piano from Lukas’ 86-year-old Aunt Bobbi. “Their latest displays a newfound confidence, brokering country-soul, Southern rock and R&B with some panache,” proclaimed Uncut.  “The band’s best work, the record is a huge leap forward for Nelson,” raved Entertainment Weekly, and American Songwriter declared, “Ultimately, Lukas is carrying on Willie’s tradition, pushing the outlaw boundaries his famous father established in the ’70s and proving that the musical apple truly does not fall far from the tree.”  Lukas Nelson & Promise of the Real were recently honored with a 2018 Americana Music Awards nomination for Group of the Year.

Multi-platinum GRAMMY ® award winning artist Sam Smith wowed ACL audiences with his 2014 debut during our milestone Season 40 and now, he returns with his chart topping, acclaimed sophomore album The Thrill Of It All.  Rolling Stone awarded it four stars and hailed Smith as “one of the mightiest, most expressive singers of his generation.”  The album includes the hits “Pray” and “Too Good At Goodbyes,” which debuted at No. 1 on Billboard’s Digital Song Sales chart and is certified Platinum by the RIAA.  The British native’s breakout 2014 album, In The Lonely Hour was the biggest selling U.K. male debut in the SoundScan era and went on to sell 13 million albums worldwide. In 2015, Smith set a GRAMMY® record, winning a total of four awards – the most ever received by a U.K. artist following the release of a debut album. He was named Best New Artist, In The Lonely Hour took Best Pop Vocal Album honors and his single “Stay With Me” won awards for both Record and Song of the Year. Smith has also earned an Oscar, a Golden Globe, three Billboard Music Awards and three BRIT Awards.  He’s currently on his global headline The Thrill Of It All world tour.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS this fall as part of our Season 44.