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Featured News Taping Announcement

New tapings: Juanes and Emeli Sande

On June 4, we welcome Juanes back to the ACL stage. The Colombian superstar last appeared on the ACL stage in 2005, when he packed 6A – the original ACL studio – at 11:00 in the morning. Now the awards-laden singer and songwriter is back in support of his Grammy-winning album Juanes: MTV Unplugged and new memoir Chasing the Sun for what is sure to be another memorable episode.

We’re also pleased to announce the ACL debut of Emeli Sandé. Of Zambian and English descent, the Scotland-based singer/songwriter’s debut album Our Version of Events was the bestselling LP in the U.K. for 2012, as well as the new record-holder for the most consecutive weeks in the top 10 of the U.K. charts, and she performed at both the opening and closing ceremonies for the 2012 Olympics. Having already garnered critical acclaim and appeared on late-night TV, Sandé now hits the ACL stage on July 7.

Information about passes is forthcoming. Stay tuned!

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Featured News

George Jones R.I.P.

We here at ACL were shocked and saddened to learn of the death of George Jones this morning at the age of 81. Few country singers had as big an impact on the genre as Texas native Jones, whose career includes such iconic hits as “White Lightnin’,” “She Thinks I Still Care,” “The Race is On” and, of course, the immortal “He Stopped Loving Her Today.” He had a big impact on us as well, appearing on the show in 1981, 1986 and 1990.

“George Jones ranks right up there with Hank Williams in my book as one of the all time greatest country singers,” says ACL executive producer Terry Lickona. “He was the first major country star I booked in my third year as ACL producer, when he and his voice were in their prime. It was an uplifting, breathtaking performance.”

May he rest in peace.

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Featured News Taping Announcement

New tapings: Emmylou Harris & Rodney Crowell and Jesse & Joy

We’re excited to announce a pair of new tapings for June, both from duos – one featuring music veterans and the other by fast-rising newcomers.

Back in the mid-70s, Emmylou Harris was a rising star in country music and Rodney Crowell was a up-and-coming young songwriter who played rhythm guitar in Harris’ Hot Band. Nearly four decades later, each has become an Americana icon, and the pair reunites for the acclaimed duet album Old Yellow Moon. ACL vets both, the duo brings their tour in support of the record to our stage on June 14 for what is sure to be a landmark taping.

On June 17, we welcome, for the first time, Jesse & Joy.  The award-winning brother and sister duo from Mexico was a hit with Latin audiences practically right from the start, climbing up the Mexican and U.S. charts starting in 2006 and culminating in the triple platinum LP ¿Con Quién Se Queda El Perro?. The twosome also boasts five Latin Grammy awards, including Song and Record of the Year for the hit “¡Corre!” We’re excited to host these international rising superstars.

photo by Francis Bertrand

We’ll be announcing the ticket giveaways for these incredible shows as we get closer to the taping dates. Keep up with the latest by following us on Facebook and Twitter. More to come – stay tuned!

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Encore Broadcast Featured News

Encore: Bonnie Raitt and Mavis Staples

This weekend, ACL brings you Mavis Staples and Bonnie Raitt, two legends and soul sisters with the perfect combination of soul, R&B, blues, and gospel.  “We come this evening to bring you some joy, some happiness, inspiration and some positive vibrations,” declared Miss Staples back in June 2012 during the taping, and boy, did they deliver! This was a night full of smoky voices, sassy guitar playing, audience hooplah and ardent exhibition.

This is Bonnie Raitt’s third appearance on Austin City Limits and although it’s been ten years since we’ve seen her last, she couldn’t have been welcomed more warmly. The audience greets the nine-time Grammy Award winner and bestselling artist with much love and admiration. She predominantly plays off of her 2012 album Slipstream, including “Down to You,” “Used to Rule the World” and a bluesy take on the Bob Dylan song “One Million Miles.” She finally exclaims, “Awww man! I love John Hiatt!” before ending with her Nick of Time hit “Thing Called Love.”

Mavis Staples is a clearly a legend. This lady has seen it all from singing songs on the forefront of the Civil Rights movement to being inducted in the Rock and Roll Hall of Fame. Joined onstage with her three backup singers and backing band, Mavis’ energy and famous low register voice charm the audience like we’ve never seen on classics like “Creep Along Moses” and “Freedom Highway.” At the end of the set, Mavis invites her lovingly coined “baby sister” Bonnie Raitt onstage for a couple of songs. On the emotional duet “Losing You,” dedicated to their fathers, Mavis and Bonnie share a moment where they hold hands and look at each other – it’s one of the incredibly touching moments of the evening. They end the night with a rendition of “Will the Circle Be Unbroken” that had the entire audience clapping and dancing.

Don’t miss this inspiring and heartfelt episode – you won’t regret it. To find out when and where you can catch this episode check here for local listings. Also, don’t forget to “Like” us on Facebook or follow us on Twitter, or sign up for our newsletter, for more ACL news and info. Next week: Bon Iver.

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Encore Broadcast Featured News

Encore: The Civil Wars and Punch Brothers

Join us this weekend for a night of intimate and supremely talented performances from The Civil Wars and Punch Brothers. With zero percussion assistance for each performance, one acquires a clear picture of the depth of musicianship and delicately crafted songs that both of these artists brought to our stage. What you’ll find from both artists is nothing short of moving, inspiring, and wildly intriguing.

With open arms and a bare stage, we welcomed The Civil Wars back in February 2012 as the first taping that year. The Grammy Award-winners proved to be a perfect start to the newest season on so many levels. Their minimalist set with the ever-so perpetual Austin skyline in the background highlighted the voices of Joy Williams and John Paul White as they played hits off their 2011 release Barton Hollow. Included in this performance are two very intense, but true to the original spirit, renditions of Michael Jackson’s “Billie Jean,” and Smashing Pumpkins’ “Disarm.” At one moment you realize that Williams and White had the entire audience in their hand when Williams remarked about how quiet and attentive the audience was reacting. It’s true – at many points during this episode you become so captivated by Joy’s sashaying and John’s guitar playing that you forget where you are and immediately realize why these two have garnered their much-deserved praise.

“When you start a band, this is all you ever really want to do – play Austin City Limits,” mentioned Chris Thile in the middle of Punch Brothers’ set. Thile, who is no stranger to ACL (this is his third appearance), brings his all-star band that formed back in 2006 to the show. Again there is no percussion, but unlike the simple quietness that we get from The Civil Wars earlier, we get an influx of sound from the mandolin, fiddle, banjo, guitar, and bass. The progressive rock stars of the bluegrass world take us through their 2012 release of Who’s Feeling Young Now? with a few sprinkles of the 2010 album Antifogmatic. This group’s genre-jumping and incredible musicianship will have you tapping your toes and wishing you had taken up banjo back in 10th grade.

This is something you will not want to miss, but don’t take our word for it – see it for yourself! You can preview the episode and get more information here; check here for local listings and times in your area. Also, be sure to check out our Facebook and Twitter pages for all things Austin City Limits, and sign up for our newsletter for further info. Next week: Bonnie Raitt and Mavis Staples.

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Featured News Taping Recap

Vampire Weekend keeps melodies and rhythms flowing

South By Southwest brings thousands of bands to Austin, but only one of them made it to the ACL stage this year. Vampire Weekend is a band we’ve been talking about having on the show for some time, and thanks to SXSW the time was right. The NYC band has been receiving accolades since it first emerged several years ago. Arriving at the ACL stage for its debut taping on the final night of the festival, Vampire Weekend did not disappoint.

One of the things for which the band has become known is its penchant for blending Afropop with British/American jangle pop, and its ability to do that was in full flower tonight. “White Sky,” “Cape Cod Kwassa Kwassa” and the hit “Holiday” displayed impressive musicianship in playing the tricky polyrhythms and intricate melodies, while not stinting on the irrepressible melodies. Afropop is only one arrow in the band’s quiver, however. The quartet mixed in ska rhythms for “M79,” jangled forthrightly in the more straightforward “Oxford Comma” and worked a less genre-specific tropical groove on “Cousins” and the monster hit “A-Punk,” the latter of which brought on the crowd’s biggest roar. The group got even more diverse in the songs it previewed from its upcoming LP Modern Vampires of the City: “Unbelievers” eschewed worldbeat for upbeat pop played on Farfisa organ and nylon-string guitar, “Ya Hey” soaked itself in electro rhythms and otherworldly atmosphere and “Diane Young” simply rocked out.

With sixteen songs in 70 minutes, Vampire Weekend kept its melodies and rhythms flowing with tight efficiency and maximum fun. We can’t wait for you to see this episode when it airs in the fall as part of our 39th Season. Stay tuned.