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Taping Recap

Fun. creates a unique experience

For some artists, a performance is about self-expression, a way to reveal themselves in a creative fashion. Nothing wrong with that – that approach has given us great art. But for some musicians, a show is all about that distinctive bond with the audience, the magnificent meld of action and reaction that creates a unique experience for band and crowd.

Fun. reveled in that bond during their debut Austin City Limits taping. The band enjoyed a devoted fanbase even before they scored Grammys and number one hits with their LP Some Nights, and their widespread success meant a bigger, more enthusiastic crowd than ever before. The trio and their backing musicians used the marching “One Foot” and the piano popping “All Alone” to prime the pump, so when singer Nate Ruess engaged the audience in some call-and-response lessons before the very Queen-like “At Least I’m Not As Sad (As I Used to Be),” they were ready. But the group teased a bit more with the rocking “All the Pretty Girls,” before bringing the crowd in for “Barlights,” Ruess exhorting the people to join in on the song’s cathartic chorus of “I feel alive!”

“Carry On” brought the audience completely into the fold, as it sang along without prompting to one of fun.’s best-known anthems. “The Gambler,” Ruess’s tender ode to his parents’ relationship, provided a brief respite, but with “We Are Young,” fun.’s Grammy-winning number one hit, the place exploded. Crowd and band became one, as the former sang along with every word, sometimes louder than the band itself. A cover of the Rolling Stones’ “You Can’t Always Get What You Want” kept the energy level high, and the encore of “Some Nights” revived the audience singalong, as they provided the massed choral vocals from the recording with the energy of Ruess himself. “Stars” concluded the show with more singing during the bridge, providing a gentle comedown like a cup of coffee after an amazing dessert.

The exuberance came as much from the band’s excitement at being with us as from its rapport with the crowd. “We’re on a stage right now that means the most for us to be here,” remarked guitarist Jack Antonoff. “This is a special, special evening for us,” enthused Ruess. “This is a dream come true – thank you so much for being with us.” We feel it’s safe to say it was a special night for Austin City Limits as well. We can’t wait for everybody to see this episode – check your local listings this fall!

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Encore Broadcast Featured News

Encore: Sonic Youth and The Black Keys

This weekend Austin City Limits presents one of our most electrifying encore episodes featuring Sonic Youth and the Black Keys. Guitar heaven!

After sixteen studio albums and receiving critical acclaim in both the indie and mainstream worlds over the course of more than a quarter century, Sonic Youth really needs no introduction. The NYC quartet’s distinctive blend of avant garde experimentation and punk rock fires on all cylinders in one of its final TV appearances before its recent hiatus. With songs predominantly from what may have its final album, The Eternal, the band takes no prisoners in this episode taped in 2010. Ending with a molten take on “‘Cross the Breeze,” from its landmark LP Daydream Nation, Sonic Youth proves why it’s one of the most exciting and influential bands in alternative rock.

Although not sharing in the same expansive catalog (yet), the Black Keys – with seven studio albums under their belts – are most certainly on their way to the same immortality. The Akron duo revitalized blues rock with youthful energy and a command of classic riffs beyond most of its peers. Playing in support of their 2010 album, Brothers, the band plays most of the hits off this record, including the swampy “Howlin For You” and the amazingly catchy “Tighten Up.” But the Keys also dig deep into their bag of tunes, resurrecting “I’ll Be Your Man” from their first album and ending with their traditional closer, the incendiary “I Got Mine.”

photo by Scott Newton

While differing in genres and style, both Sonic Youth and the Black Keys have redefined the traditional sound of the guitar and have earned special places in rock history. Be sure to check your local listings for showtimes to see this special episode and be sure to follow us on Facebook, Twitter, orour newsletter to keep up with Austin City Limits happenings. Next week: Gary Clark Jr. and Alabama Shakes.

 

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Featured Live Stream News

Live stream with fun. has been cancelled

UPDATE:

We regret that due to unforeseen circumstances, the live stream of the fun. Austin City Limits taping will not be available.

We’re pleased to announce that Austin City Limits will be live streaming our upcoming taping with fun. around the world! Tune in to the ACL YouTube channel at 8 pm CT on Sept. 13 for to see and hear the radio-conquering, Grammy Award-winning trio blast out the hits and a whole lot more. See you there!

 

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News

Ticket Giveaway: fun. 9/13

* Giveaway is now over.

Austin City Limits will be taping a performance by fun. on Friday, September 13th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am Monday, September 9th.

Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio.

Categories
Featured News

New tapings: Queens of the Stone Age, Neko Case and Local Natives

The new tapings just keep on coming, and we’re thrilled to announce three more. Making their ACL debut on October 3 are Queens of the Stone Age. Founded in 1996 by guitarist/songwriter Josh Homme, QOTSA arose from the ashes of influential underground heavy rock act Kyuss, debuting with a self-titled album two years later. Working with a loose confederation of like-minded friends and guests, Homme and Queens have released a steady stream of LPs since, including the bestselling Rated R and Songs For the Deaf, and radio hits like “Feel Good Hit of the Summer,” “The Lost Art of Keeping a Secret” and the Grammy-nominated “No One Knows.” Now QOTSA comes to us on the heels of its much-acclaimed new record …Like Clockwork, which debuted at #1 on the Billboard 200 and is their most diverse and varied collection yet. While Homme appeared on the show back in 2009 as part of the supergroup Them Crooked Vultures, he has never been on with the band he’s led for 17 years, and we’re excited to have them.

Called by NPR “one of the most memorable and seductive voices in music,” Neko Case returns to Austin City Limits on October 8. The Virginia-born, Washington-bred Case is, of course, no stranger to us, having first appeared on our stage in 2003 for a memorable performance that was eventually released on DVD. Since then, she’s released two more critically-lauded solo albums that demonstrate her mastery of “country noir” — Fox Confessor Brings the Flood and the Grammy-nominated Middle Cyclone (both on Anti-). She’s also continued recording and occasionally touring with Canadian power pop group the New Pornographers. Now Case is coming back to our fair town to both appear at the ACL Music Festival and to tape her second ACL episode, both in celebration of her latest LP on Anti- The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You. We welcome her back.

photo by Neko Case

Finally, we’re happy to bring ACL fans up-and-coming indie rock band Local Natives on October 10. After making a splash at SXSW, the Silverlake, California combo turned heads in 2010 with the shimmering, groovy folk-pop of its self-funded first record Gorilla Manor, which the BBC referred to as “a strong, striking debut that exceeds expectations” and Drowned in Sound called “a stirring album.” After touring with Arcade Fire and the National, the band became tight with National guitarist Aaron Dessner, with whom the Natives produced their second LP Hummingbird. Inspired by the death of keyboardist Kelcey Ayer’s mother and the departure of bassist Andy Hamm, the record contains, according to All Music Guide, “a more atmospheric and introspective collection of songs,” making up what Pitchfork calls “a thoughtful, lovely album with small gestures that provide great rewards.” We’re thrilled to showcase this acclaimed young band.

photo by Bryan Sheffield

Information on passes to these great shows will appear here a week before each taping. We hope to see you there!

 

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Encore Broadcast Featured News

Encore: Mumford & Sons and Flogging Molly

Mumford & Sons are featured in this weekend’s encore presentation of  Austin City Limits, airing November 17 on PBS. The British folk band with a huge stateside following are riding high with the bestselling Babel, one of the biggest releases of 2012. The episode, which originally aired in October 2011, finds Mumford & Sons making their ACL debut and is a must-see for fans and a primer for those new to the band’s cathartic live shows. Highlights include a performance of their current single “Lover of the Light,” which at the time had not been recorded. Viewers are treated to a high-octane night of contemporary music’s best folk rock practitioners, including a set by Celtic folk-punkers Flogging Molly.

Blending acoustic instrumentation, vocal harmonies and a tireless work ethic, Mumford & Sons have earned an international reputation as one of the best live bands, winning over audiences with their masterful, melancholy voices and musical skills. Mumford & Sons’ inspired set features tracks from their career-making debut Sigh No More, and the blockbuster follow-up Babel. The energy on the night of the taping vibrated the walls at The Moody Theater, and it translates directly to the screen. The band perform fan favorites “The Cave” and “Roll Away Your Stone” and poignant ballads “Timshel” and “Awake My Soul.” A highlight is an early televised performance of “Lover of the Light,” previously unrecorded, and now featured on Babel.

“The first time this show aired, Mumford & Sons did not have the biggest-selling record in the world (like they do now),” says ACL Executive Producer Terry Lickona. “But today they still capture the hearts and souls of young music fans better than anybody else around – and this amazing performance shows why. They do it the old-fashioned way, with authentic songs that speak to real life, and they play their asses off!”

Speaking of energy, Flogging Molly doesn’t disappoint in their ACL debut. The band storms the stage with tuneful melodies and puts on a magnificent show with their unique brand of Celtic folk/punk.  Tune in for lively renditions of “Requiem For A Dying Song,” “Tobacco Island,” and “Devil’s Dance Floor.”  Bandleader Dave King called their ACL taping “the most important live performance they’ve ever done.”

“A live Flogging Molly show is an experience as much as it is a show,” hints ACL’s Terry Lickona.  “When you’re watching, crank up the volume and buckle up for the ride!”

Check the episode page for more info, photos and clips. Click over to our Facebook and Twitter pages or sign up for our newsletter for up-to-date news on all things Austin City Limits. Next week: jazz bassist/singer/composer Esperanza Spalding.