This weekend we are excited to present a special episode featuring Coldplay. Recorded in September 2012, the performance features the band debuting several new songs off their most recent release Mylo Xyloto, including “Paradise,” “Every Teardrop is a Waterfall” and “Hurts Like Heaven,” as well as old favorites like “Viva La Vida.” Originally presented as a New Year’s Eve special to ring in 2012, this show has become a new favorite. The band gave us an extra-special performance, and we’re thrilled to bring it back to the airwaves.
You can see for yourself this Saturday – check the listings for your local PBS station. You can also go here for biographical info, pictures and the setlist. Don’t forget to visit our Facebook and Twitter pages or sign up for our newsletter for more ACL goodies. Next week: our 40th season premiere, featuring Beck!
Own a Piece of Austin City Limits 40th Anniversary history with a signed Fender Stratocaster from the 40th Austin City Limits Anniversary Celebration taped this June.
The guitar is signed by the evening’s performers including Sheryl Crow, Jeff Bridges, Bonnie Raitt, Gary Clark Jr, Kris Kristofferson, Robert Earl Keen, Joe Ely, Jimmie Vaughn, Brittany Howard, Doyle Bramhall II, Peter Stroud and more.
We love to present new music and show off current artists hitting their prime. But we’re happy to honor the veterans and the lifers – the folks whose work has stood the test of time. In that light, we present Steve Miller Band and Preservation Hall Jazz Band on the ACL stage this weekend.
Steve Miller Band need no introduction – lauded rock guitarist Steve Miller and his various partners-in-crime have been knocking around since the late 60s, leaving a string of indelible hits in their wake. Remember “Abracadabra?” “Fly Like An Eagle?” “Space Cowboy?” Of course you do, and you’ll hear them all on Saturday in front of an enthusiastic crowd in what was the very first taping of ACL at the Moody Theater.
The Preservation Hall Jazz Band has been around even longer than Miller – the group’s genesis coincides with the founding of the Hall itself back in 1961, and the style of New Orleans jazz the band plays goes back even further than that. History lives on in PHJB’s performances. But don’t think that means that the group is preserved in amber. Joining the band onstage are Jim James from My Morning Jacket, James Petralli from White Denim and the ever-elegant Del McCoury Band to add their inimitable contemporary mojo. Once you hear “St. James Infirmary” sung by a high-voiced indie rock front dude, you’ll realize it’s what you’ve always wanted.
Tune in this Saturday for your classic rock ‘n’ jazz fix – as always, check your local PBS listings for the broadcast time in your area. Toggle over to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Coldplay.
Ryan Adams is no stranger to ACL, having appeared on the show in various phases of his career as far back as the late ‘90s and as recently as 2006. The multiple-Grammy-nominated singer / songwriter from Jacksonville, NC has released such critically acclaimed and commercially successful LPs as Heartbreaker (2000), Gold (2001), Love Is Hell (2004), Cold Roses (2005), Easy Tiger (2007), Ashes & Fire (2011) and his self-produced, self-titled 14th album, recently released on his own Pax Am label in cooperation with Blue Note. Adams returns to ACL in support of that eponymous disc, which has been generating arguably the best critical notices of his prolific career. Featuring the singles “Gimme Something Good” and “My Wrecking Ball,” Ryan Adams has moved Entertainment Weekly to hail its namesake as “one of the truly great roots-rock troubadours left.” On Oct. 22, the ACL TV audience will see why.
Austin City Limits is pleased to announce that we will be streaming our taping with Eric Church live on Tuesday, Sept. 23, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.
North Carolina native Church got his start playing Jimmy Buffett covers in hometown bars, but quickly transitioned to original material. After graduating from college with a marketing degree, Church moved to Nashville, recording demos and placing songs with other singers before releasing his debut Sinners Like Me in 2006. His second release Carolina included “Love to Love You the Most” and “Hell On the Heart,” his first top 10 country hits. That set the stage for the platinum-selling Chief, which debuted at No. 1 on the Billboard album chart and boasted the massive hits “Drink in My Hand” and “Springsteen,” his first single to cross over to the pop chart. This year’s follow-up The Outsiders also debuted at No. 1, throwing “Give Me Back My Hometown” and the title track up the charts. Church’s distinctively hard-rocking brand of country, influenced as much by AC/DC and Metallica as Merle Haggard and Waylon Jennings, has earned him a huge audience outside the confines of country radio, prompting him to tell CMT, “I think genres are dead. There’s good music. There’s bad music.” Eric Church does not play bad music, as you’ll find out at his debut ACL taping on 9/23.
The broadcast version of this show will air this fall on PBS as part of ACL’s 40th anniversary season. Join us for this live webcast of the Austin City Limits debut of Eric Church.
Austin City Limits is excited to announce new tapings for our landmark Season 40: Jenny Lewis on October 1, Sam Smith on October 2, The Avett Brothers on October 6 and Spoon on October 9th.
Jenny Lewis last appeared on our stage in 2005 as part of the now-defunct Rilo Kiley. Prior to her success with that band, she had been an actress from a young age, appearing in films and TV shows until 1998. That year she and Blake Sennett started indie rockers Rilo Kiley, who went on to success with four LPs, the last of which was 2007’s acclaimed Under the Blacklight. Lewis had already begun her solo career by that time, starting with 2006’s Rabbit Fur Coat, which found her working in a rootsier vein. The classy pop of Acid Tongue arrived in 2008, followed by 2010’s I’m Having Fun Now, a duet album with singer/songwriter Johnathan Rice under the name Jenny & Jonny. This year she released The Voyager, a Ryan Adams-produced LP about which Drowned in Sound remarked, “[The] balance of frothiness and fearless introspection make it something pretty special.” Join us Oct.1 as Lewis preps for her ACL Festival appearance with her solo ACL debut.
This year Sam Smith came seeming out of nowhere with his massive hit single “Stay With Me.” The London native is an alumnus of the program Youth Music Theatre UK, having studied under British jazz musician Joanna Eden. He made his musical and chart debut singing lead on electronic group Disclosure’s U.K. hit single “Latch,” following up with a featured appearance on English DJ/producer Naughty Boy’s “La La La,” which hit #1 on the British charts. In between those hits Smith launched his solo career with “Lay Me Down,” but it was his post-”La La La” followup “Money On My Mind” that pushed him to the #1 slot on his own. In the Lonely Hour, his debut LP of danceable pop/soul, arrived in the spring, along with his third single. “Stay With Me” broke Smith wide open on an international scale, earning him a third charttopper in the U.K. and a No. 2 on the Billboard Hot 200. Now, in anticipation of his debut at ACL Fest, Smith makes his debut Oct. 2 on our show as well.
The Avett Brothers last joined us in 2010, appearing in support of their breakthrough album I and Love and You. The North Carolina roots rockers haven’t been idle in the five years between slots, however. In 2012 the quartet released its Rick Rubin-produced The Carpenter, which peaked at No. 4 on the Billboard Hot 100. The LP found the Avetts expanding their sound beyond their folk and bluegrass roots, with Rolling Stone calling it the “sound of a band pushing past an old identity and toward something bigger.” The band quickly followed The Carpenter with 2013’s Magpie and the Dandelion, a record made mostly of songs recorded during the previous LP’s sessions that hit No. 5 on the Billboard charts. Under the Radar wrote that the band “have filled Magpie and the Dandelion with taut, unaffected verses that dredge the past, weigh damage against possibility, and seek emergence through selflessness and emotional responsibility,” while American Songwriter remarked, “The Avett Brothers are (very wisely) growing their sound, while remaining true to their core principles and what listeners like about them to begin with.” Join us on Oct. 6 as we welcome back The Avett Brothers.
The Austin band Spoon is certainly no unknown quantity for Austin City Limits – the modern rock act has been on the show three times, in 2003, 2005 and 2010. The last time they were here was in support of their hit album Ga Ga Ga Ga Ga and its hit single “The Underdog.” The band followed up with the equally popular Transference, after which Spoon took an extended break, allowing leader Britt Daniel to work with the group Divine Fits and drummer Jim Eno to produce albums for the Heartless Bastards, Black Joe Lewis & the Honeybears and Phosphorescent. But now Spoon is back with They Want My Soul, a record that proves the extended time off did nothing to diminish their power. Rolling Stone described it as “an immediate grabber on par with the group’s best work to date,” while Exclaim called it “a bold and swaggering declaration that Spoon have undoubtedly still got it – in spades.” We’re thrilled to welcome Spoon back to the ACL stage Oct. 9.
Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.