Categories
Featured News

Fats Domino 1928-2017

We here at Austin City Limits were saddened to learn of the death of rock & roll pioneer Fats Domino on October 24 at the age of 89. The ivory-tickling New Orleans icon appeared in a hour-long, hits-packed 1987 episode of ACL.

Antoine “Fats” Domino was born in 1928 in the Big Easy to a French Creole family – Louisiana Creole French was his first language. He learned to play piano from his jazz musician brother-in-law, joining bandleader Billy Diamond’s group in 1947. (Diamond bestowed the nickname “Fats” on the young musician in tribute to Fats Waller.) Fats released “The Fat Man,” his first single, in 1949 – a million-selling song that pioneered rock & roll before the term even existed. Fats went on to score 37 top 40 singles, including such immortal classics as “Blue Monday,” “I’m Walkin’,” “Ain’t That a Shame,” “I Hear You Knockin’,” “Walkin’ to New Orleans” and his version of the Gene Autry/Louis Armstrong standard “Blueberry Hill,” his bestselling and highest-charting song. As with many of the original rockers, his chart career waned after the British Invasion, but he continued to record and tour into the 1980s. By the end of that decade, he decided that he would no longer leave his hometown, claiming he couldn’t find any food he liked on the road – not even induction into the Rock & Roll Hall of Fame or an invitation to perform at the White House could change his mind. Like far too many others, he was forced to leave New Orleans after Katrina flooded his home, but he returned as soon as he could, remaining a fixture until Father Time did what Mother Nature could not.

Here is Fats doing “Blue Monday” on ACL in 1987.  

And “Blueberry Hill,” possibly his signature song in a catalog full of candidates, from the same show.

Categories
Featured News Taping Announcement

New taping: Dan Auerbach

Austin City Limits is happy to announce a new taping with The Black Keys/Arcs singer/guitarist Dan Auerbach in support of his acclaimed new solo album Waiting On a Song. The eight-time Grammy winning artist, a two-time ACL veteran with superstars The Black Keys, makes his highly-anticipated solo debut on Monday, November 27.

NPR calls Waiting On A Song “a batch of sparkling pop songs that’s sweet, breezy, and primed for summer. The album is Auerbach’s follow-up to 2009’s Keep It Hid and is his love letter to Nashville. As such, he recruited some of Na­shville’s most respected players to write and record his latest, including John Prine, Duane Eddy, Jerry Douglas, Russ Pahl, Pat McLaughlin as well as Bobby Wood and Gene Chrisman of the Memphis Boys. Auerbach said about working with his musical heroes: “Living in Nashville has definitely changed the way I think about music and the way that I record it. I didn’t have all of these resources before. I am working with some of the greatest musicians that ever lived.”

“Sometimes I feel I created my own Field of Dreams. I built the studio to accommodate live musicians playing, and then all of a sudden the best musicians in Nashville show up, and it’s happening.” The always-understated musician is happy to have his own version of the Wrecking Crew at his Easy Eye Studio in south Nashville. “This is the sound I was looking for, and now there really is an Easy Eye sound. It’s a factory—but in the way that Motown or Stax or American Studios was a factory. Anything can happen, any day.” He pauses a long minute, as if to let it all sink in. The dream realized. “Even with the success I’ve had, it’s only just now that I’m finally finding myself,” Auerbach says. “I called the album Waiting On A Song because I’ve been waiting my whole life to be able to do this. And now I have. And none of us ever want it to stop.”

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings.

Categories
Episode Recap Featured News

ACL’s Season 43 welcomes superstars Zac Brown Band

Austin City Limits presents a heartwarming hour with Southern country-rock act Zac Brown Band. The multi-platinum, three-time Grammy Award-winning group make their series debut with a career-spanning performance.

The acclaimed Atlanta octet showcase career highlights alongside new songs in a spirited, 11-song triumph. The country-rockers claimed Best New Artist at the 2010 Grammy Awards with their breakthrough release, The Foundation (now five-times platinum) and today are one of music’s biggest live acts. “We’re super-proud to be on the ACL stage,” says bandleader Zac Brown as he welcomes the crowd to pull up a seat at the “Family Table,” a gem from the band’s latest release Welcome Home. Brown shares the heartfelt stories behind many of their songs including the chart-topping ballad “Colder Weather” and the power-of-music testament “Day That I Die,” from 2012’s Uncaged, the Grammy Award-winning Best Country Album. The band cap the soaring set with a masterful hat-trick showcasing the musical range that has made them a fan-favorite; starting with “The Muse,” originally recorded with the Foo Fighters’ ubiquitous Dave Grohl, followed by their stirring cover of songwriting legend John Prine’s “All the Best,” and ending in tribute to their Southern-rock roots with a roof-raising finale of the Allman Brothers’ classic “Whipping Post.”

“To call them ‘Country’ or ‘Southern Rock’ doesn’t begin to describe the breadth and depth of what Zac Brown Band is really all about,” says ACL executive producer Terry Lickona. “Singing songs that tell great stories and playing music that just plain makes you feel better is definitely a big part of who they are and where they’re from.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode, featuring the return of our old pal Norah Jones and the debut of new friend Angel Olsen.

 

Categories
Featured Live Stream News

ACL to livestream debut taping of Austin’s Shinyribs

Austin City Limits is excited to announce that we will be streaming the debut taping of Austin favorite Shinyribs on Sunday, October 29 directly from the ACL stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

Led by Beaumont, Texas native Kevin Russell, who last appeared on ACL in 2007 with the Gourds, Austin’s Shinyribs began as a side project before becoming Russell’s full-time concern following the Gourds’ dissolution in 2013. This year, the now eight-person Shinyribs dosed fans with the exuberant swamp-pop soul-funk of their fourth release, I Got Your Medicine. Tracked at Houston’s legendary Sugar Hill Recording Studios, it carries a New Orleans R&B vibe — with extra gris-gris added by Russell’s co-producer, Jimbo Mathus, late of the Squirrel Nut Zippers. AllMusic calls the album “funny, heartfelt, and dirty, a retro-soul album that never feels stuck in the past,” while the Austin American Statesman names it as one of 2017’s best albums so far. The band puts a gospel groove on “Don’t Leave It a Lie,” and throw several retro influences into Ted Hawkins’ “I Gave Up All I Had.” The syncopated sexiness of “A Certain Girl,” an Allen Toussaint cover, a gorgeous rendering of the Toussaint McCall/Patrick Robinson ballad “Nothing Takes the Place of You” and the bluesy “I Knew It All Along,” Russell’s very-successful attempt to write “just a real good done-me-wrong soul song,” are equally captivating. “Tub Gut Stomp and Red-eyed Soul” gets its title from Russell’s definition of his musical style; an energetic N’awlins romper, it’s filled with “freak-out juice.” Gospel rave-up “The Cross Is Boss” puts a clever, slightly satirical finish on the affair; Russell says the song — like the album — is meant as a reminder that not every issue has to be taken so seriously. “A lot of people are so tightly wound, they can’t let themselves go,” he says. “I can demonstrate to them that you can shake your hips, roll around on the floor, scream and shout, and it’s OK: people will still accept you. It’s just music; relax and have some fun.”

Join the party October 29 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS early next year as part of our Season 43.

Categories
Featured Live Stream News

Austin City Limits to livestream debut taping from country star Chris Stapleton

Austin City Limits is excited to announce that we will be streaming the debut taping of acclaimed, bestselling country artist Chris Stapleton on Monday, October 23 directly from the ACL stage at 8pm CT/9 pm ET on ACLTV’s YouTube channel.  

Kentucky-born Chris Stapleton is one of Nashville’s most respected and beloved musicians. Since releasing his now double Platinum debut solo album Traveller in 2015, Stapleton has received multiple Grammy, CMA and ACM Awards and remains one of the most critically praised musicians of his time. His sophomore follow up, From A Room: Volume 1, debuted at No. 1 on the Billboard Country Albums chart upon its release and, with it’s Gold certification, remains the strongest-selling country album of 2017. Rolling Stone calls the album “strikingly focused, sonically and thematically” while The New York Times praises, “Like Traveller, From A Room is earthen, rich with tradition, has a tactile intensity and is carefully measured.” A second album, From A Room: Volume 2, will be released December 1 and is now available for pre-order. In celebration of the music, “Chris Stapleton’s All-American Road Show,” which Rolling Stone calls, “one of the most ambitious country tours ever,” is currently underway and will span throughout 2017. Of a recent performance, the Seattle Times declared, “Stapleton dazzled the sold-out crowd with a barrage of songs that defy easy categorization while receiving the kind of deafening cheers reserved for superstars.”

Please join us October 23 for this full-set livestream on our ACLTV YouTube channel. The broadcast version will air on PBS early next year as part of our Season 43.

Categories
Episode Recap Featured News

ACL’s Season 43 welcomes legendary rock band The Pretenders

Austin City Limits Season 43 rocks on with a hit-filled hour starring the great Pretenders in their first-ever appearance on the ACL stage. The legendary rock band sends a message of love to viewers with an eleven-song hit parade.

Influential punk new-wave veterans the Pretenders are in fighting form as they kick off an electrifying hour with new classic “Alone,” a swagger-fueled gem that fits right into the band’s canon, and the title track from their first album in almost a decade. Iconic bandleader Chrissie Hynde informs the crowd, “You don’t have to be polite, because we don’t plan to be.” The defiant frontwoman commands the stage, showcasing her still-radiant voice in a career-spanning performance featuring fan-favorites including “Back On The Chain Gang,” “My City Was Gone,” “Mystery Achievement,” and “Middle of the Road.” Pretenders’ trademark tough and tender lyrics resonate as they did when the band arrived on the London scene in 1978. Hynde fondly introduces original member Martin Chambers as “the world’s greatest rock drummer,” as he plays the stirring intro of “Message Of Love.” The band caps the powerhouse set with their signature hit “Brass In Pocket,” as Hynde pulls a spellbound fan onstage to join her on the timeless tune.

“One thing that hasn’t changed in almost 40 years,” says ACL executive producer Terry Lickona, “Chrissie Hynde is still a badass! There’s no doubt about who’s in charge, and musically her voice still rings as clear and strong as ever. Whether you’re an old fan or a newbie, this is a show for the ages.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode, featuring a full hour with multi-platinum superstars Zac Brown Band.