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Featured News Taping Announcement

Taping announcements: Delta Spirit, Gary Clark, Jr. and Esperanza Spalding

As leaves turn brown and the weather grows cooler, we have more exciting tapings to announce: an ACL debut with Delta Spirit and return visits from Gary Clark, Jr. and Esperanza Spalding.

Formed in San Diego and based in Brooklyn, modern rock quintet Delta Spirit have steadily built a loyal live following over the course of seven years and three records. Originally self-released before being picked up by Rounder Records, the band’s debut Ode to Sunshine gave its earnest, spiritually-inclined guitar pop enough attention to earn it spots on Late Night With Conan O’Brien and Last Call With Carson Daly. The group’s second record History From Below hit the Billboard album chart at #174, while its current self-titled LP entered at #103 and earned the #1 slot on BB’s Heatseekers chart. As likely to include beats hammered out on trashcan lids as sprightly melodies played on the usual rock instruments, Delta Spirit has brought its sound into the light the old-fashioned way: with good records, hard work and steady touring. Come find out on November 2 why the buzz is growing.

photo by Frank Maddocks

Gary Clark, Jr. has been tearing up Austin stages since he was a teenager, and has lately made a name for himself across the country as well. Though known for his driving blues-rock guitar style, there’s more to his music than just twelve bars and guitar solos. As Rolling Stone notes, Blak and Blu, his major label debut, “[owes] as much to Kurt Cobain and the Ramones as Buddy Guy and John Lee Hooker, indebted to hip-hop and psychedelia…grounded in tradition while standing on the brink of change.” Clark has appeared on ACL before, as part of the Tribute to Bluesman Jimmy Reed with Jimmie Vaughan and Omar Dykes, impressing his fellow musicians and our viewers. On November 30, he’s coming to show Austin City Limits what his own music can do.

photo by Carlos Pericas

With one foot in jazz, the other in soul and both hands on her bass, Esperanza Spalding has become a rising star in both critical and commercial circles. A restless creative spirit, the young musician/singer/composer has absorbed everything from jazz to Brazilian pop to R&B to classical music in her creative evolution. Her most recent album Radio Music Society leans most heavily in a soul direction, with a set of original tunes, plus covers of Michael Jackson’s Stevie Wonder-penned “I Can’t Help It” and Wayne Shorter’s “Endangered Species,” featuring lyrics by Spalding herself. The former Berklee School of Music professor first appeared on ACL three years ago, where she wowed an audience unfamiliar with her music, and she continues to do so every time her show is rebroadcast. On December 2, Esperanza Spalding is back, with a whole new program, and we couldn’t be happier.

The usual lottery for taping passes will be announced on our Tapings page as we get closer to the dates. We have more exciting announcements coming soon!

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Featured Gear Blog News

Gear Blog: Arcade Fire

“…That’s a lot of stuff.”

It’s quite gratifying for a band at the peak of commercial success to accept an invitation to tape a performance for us – doubly so to have them to comeback and tape with us again. The producers and crew take it as a compliment that visiting artists had such a great time that they are willing to do it again, especially, since they will only be paid scale.

Acrade Fire was winding down its tour supporting the supremely successful The Suburbs. Not only did it sell, an increasingly rare feat these days, but it also garnered a BRIT, a Juno, and a Grammy.

This post will be big on eye candy and small on the proper nouns since:
1.) There is a lot of gear.
2.) There are a lot of Arcade Fires on stage.
3.) Arcade arsonists change instruments with great
frequency (like between every song frequency).
4.) These pictures were taken a year ago and I really can’t
remember who did what, where.

photo by Kevin Cochran

One of two violin positions. You’ll be seeing a lot of Moog moogerfooger delays and Radial JDI’s on the floor this week.

photo by Kevin Cochra
photo by Kevin Cochran

Especially Regine Chassagne’s hurdy-gurdy.

photo by Kevin Cochran

Win Butler’s pedal board including a Moog MP-201 Multi Pedal, a Diamond Memory Lane 2, and a Roger Mayer Voodoo Vibe.

photo by Kevin Cochran

Arcade Fire used a several vintage Music Man amps for this tour. Also, notice the mic stand on the kick drum. It has a rubber base that helps isolate the stand from vibrations in the floor.

photo by Kevin Cochran
photo by Kevin Cochran
photo by Kevin Cochran

Win Butler’s mic might look ancient, but only the housing is vintage. Actually, its a quite contemporary Shure SM 58 on the inside.

photo by Kevin Cochran

Bass duty was distributed between several band members. This Mosrite bass was plugged into Ashdown rig and miced with a Rode Procaster.

photo by Kevin Cochran
photo by Kevin Cochran

Far stage left was synth world including a Korg MS-20, a Dave Smith Prophet ’08, and a Moog Rogue

photo by Kevin Cochran

…and a Moog Taurus 2.

photo by Kevin Cochran
photo by Kevin Cochran

I have no idea what this is, but I want one.

photo by Kevin Cochran

Lots of wireless in-ear monitoring, which is kind of a necessity with so many people on stage. Also, lots of wireless mics for instruments that come and go during the show.

photo by Kevin Cochran

Like this drum.

photo by Kevin Cochran

Guitar world. My favorite is the Gibson 12-string 335.

photo by Kevin Cochran

Though I also like the metal bodied mandola.

photo by Kevin Cochran

Monitors were mixed with a Digico SD7.

photo by Kevin Cochran

Front of House was mixed by Jim Warren. This is his very own Avid Venue running through Lake EQ. Again, the near field monitors are also seated on top of rubber-based platforms to minimize vibration and give a truer reproduction of sound.

photo by Kevin Cochran
photo by Kevin Cochran

It was a real treat to work with Jim. He found a better way for us to set up our sub-woofers at the Moody Theater and had the rare skill of taking a loud band and making them sound not that loud. Mr. Warren’s expertise also tamed a room that others sometimes find difficulty mixing in.

Even though I can’t prove it, I have a sneaking suspicion the that it was Jim who gave a nod of approval about ACL to another band he mixes. The one that would be our Season 38 opener.

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Encore Broadcast News

Encore: Arcade Fire

Join us this weekend for a special Austin City Limits Encore episode featuring Grammy winner and indie favorite Arcade Fire. This episode displays their growth as musicians as well as their expanding catalog of albums from their very first appearance nearly four years ago. Drawing extensively from their Grammy winning album, The Suburbs, Arcade Fire also includes a handful of singles from their first album, Funeral. However, one highlight worth mentioning is the when the group performs “Keep the Car Running” a catchy and infectious tune from the band’s second album, Neon Bible.

You won’t want to miss this weekend’s episode! Be sure to check your local PBS listings here for times. Also, don’t forget to check our Facebook, Twitter, and Tumblr pages for goodies and info on all things Austin City Limits. Next week we premiere the amazing Season 38 with the one and only Radiohead!

Categories
Featured News

The ACL Season 37 commemorative book is here!

Mumford & Sons, Florence + The Machine, Coldplay, Arcade Fire, Randy Newman, Lykke Li, Wilco. Maybe you were there for the tapings, or maybe you watched their performances on TV?  Either way, we want to let you know about the Austin City Limits: Season 37 Commemorative Photo Book. Every artist who appeared on Austin City Limits Season 37 is here in this commemorative book packed full of incredible photographs, set lists, limited-edition poster art, taping programs and one-of-a-kind autographed art boards from the band members themselves. Published by Soundcheck Magazine, with photos by Scott Newton and Soundcheck’s Randy Cremean and Gary Miller and forewords by Newton and ACL Executive Producer Terry Lickona, the book is an exceptionally cool way to look back on a truly fantastic season.

Check out a preview of the 116 page book. You can find information on ordering here. Proceeds benefit KLRU-TV, Austin PBS – the longtime home of Austin City Limits.

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Encore Broadcast News

Encore: Coldplay

This weekend we are excited to present a special episode featuring Coldplay.  Recorded last September, the performance features the band debuting several new songs off their most recent release Mylo Xyloto, including “Paradise,” “Every Teardrop is a Waterfall” and “Hurts Like Heaven,” as well as old favorites like  “Viva La Vida.” Originally presented as a New Year’s Eve special to ring in 2012, this show has become a new favorite. The band gave us an extra-special performance, and we’re thrilled to bring it back to the airwaves.

You can see for yourself this Saturday – check the listings for your local  PBS station. You can also go here for biographical info, pictures and the setlist. Don’t forget to visit our Facebook, Twitter and Tumblr pages for more ACL goodies. Next week: the ever-amazing Arcade Fire.

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ACL @ the Alamo News

ACL @ the Alamo: Lyle Lovett

ACL @ the Alamo returns this Monday, September 24, with a special program featuring the one and only Lyle Lovett. We’ll be presenting the 60-minute Season 15 episode featuring the iconoclastic Texan troubadour in support of his now-classic LP Lyle Lovett & His Large Band, including Lovett staples like “Here I Am,” “Good Intentions,” “If I Had a Boat” and “The Wedding Song.” Following the episode will be a collection of performances from Lovett’s many appearances on ACL, including what is likely the first public broadcast of “That’s Right, You’re Not From Texas.”

You can find more details and ticket information here. As always, proceeds go to benefit the Health Alliance for Austin Musicians. If you’re in Austin this Monday, come join us!