Categories
Featured News

Presenting the Austin City Limits App

We’re excited to give our fans more access to Austin City Limits through the new ACL Archive app. The app features some of the best ACL performances, including influential artists like Pearl Jam, Coldplay, Willie Nelson and more.

The free app gives you access to three full episodes for your enjoyment. Additionally, for $2.99 per month (or $29.99 per year), users can subscribe to Austin City Limits and unlock access to unlimited HD-streaming of new videos (including full episodes and individual songs), high-res photos, and full-length interviews released each month.

We think this is a must have for any music lover and hope you do too!

Categories
News

Ticket giveaway: tUnE-yArDs 5/29

Austin City Limits will be taping a performance by tUnE-yArDs on Tuesday, May 29, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon Wednesday, May 23. Passes are not transferable and cannot be sold. Please note, standing may be required.

Categories
Encore Broadcast News

Encore: The Avett Brothers/Heartless Bastards

Be sure to tune in this Saturday to see two of the music industry’s hardest-working bands: The Avett Brothers and Heartless Bastards.

Deeply influenced by grunge bands while growing up in North Carolina, The Avett Brothers had experimented in other bands before solidifying their bluegrass, country, and rock ‘n’ roll blend and harmonies. In this episode we hear a mix of songs from their various albums/EPs, including their biggest hit, “I And Love And You.” With six studio albums under their belt and four EPs, The Avett Brothers have proven that they are as dedicated as they are eclectic in their sound.

Ohio-to-Austin transplants Heartless Bastards have made waves in the indie world since their 2005 debut Stairs and Elevators. Though often described as blues rock or country grunge, this group cannot be pigeonholed as simply hype. With Erika Wennerstrom’s haunting voice and the band’s carefully-crafted yet simple hooks, Heartless Bastards create something that lasts and evolves. For this performance the group plays hits from their 2009 album, The Mountain.

photo by Scott Newton

If you’re a fan, please be sure to take a listen to Heartless Bastards’ latest album Arrow, that came out earlier this year. The Avett Brothers are also slated for a new album this year, but the release date is still to be announced.

Check your local listings for showtimes to see this episode and be sure to follow us on Facebook, Twitter, or Tumblr to keep up with updates on tapings and airings.

Categories
Encore Broadcast News

Encore: The Decemberists and Gillian Welch

Most music aficionados categorize themselves as lyrics versus music types. Both are essential to creating one-of-kind songs, but people seem to always identify most with one or the other. Fortunately for both types, this weekend Austin City Limits is bringing you an encore episode that features two artists that are known for their eloquent lyrics as well as their beautifully crafted harmonies: The Decemberists and Gillian Welch.

Portland natives The Decemberists have graced Austin City Limits twice and each time is as memorable and heartfelt as the other with their crowd participation and musically eclectic performance. In this episode we hear mostly from the group’s 2011 album The King is Dead with special accompaniment from Gillian Welch on “Down By The Water,” and Welch and David Rawlings on the final song, “All Arise!” There’s also the appearance of “The Rake’s Song,” from 2009’s Hazards of Love,  that serves as a crowd favorite and frontman Colin Meloy’s personal favorite recording.

Going with the “less is more” approach in their music, Gillian Welch and longtime partner David Rawlings have been creating their known sparse yet haunting music for two decades. Welch is also no stranger to the Austin City Limits stage – her appearance with us in Season 37 marked her third recording. Welch and Rawling perform predominantly from their 2011 album The Harrow & The Harvest, and also perform a classic rendition of “I’ll Fly Away.”

Whether you’re all about connecting with music on a lyrical level or a purely musicianship standpoint, you won’t be disappointed this weekend with this encore episode.

Be sure to check your local listings for showtimes to see this episode and be sure to follow us on Facebook, Twitter, or Tumblr to keep up with updates on tapings and airings. Next week: the Avett Brothers and the Heartless Bastards.

Categories
News Taping Announcement

tUnE-yArDs Tapes Austin City Limits on 5/29

When it comes to describing tUnE-yArDs, words often fail. The brainchild of songwriter/musician Merrill Garbus, the band offers a seamless blend of indie pop, electronica and worldbeat that sounds like no one else. BiRd-BrAiNs, Garbus’ first project as tUnE-yArDs, was produced on a handheld voice recorder and originally self-released digitally and on cassette in 2009. BiRd-BrAiNs caught the ear of renowned indie label 4AD, who released the record on CD and extensive touring followed. But it was Garbus’ second LP w h o k i l l that really put tUnE-yArDs on the map. Recorded in a studio with members of Garbus’ road band and released in April 2011, w h o k i l l covers a dizzying array of ground and includes standouts tracks “Bizness” and “Gangsta,” the latter of which appears on episodes of The Good Wife and Weeds. w h o k i l l earned tUnE-yArDs accolades around the world, topping the Village Voice’s annual Pazz & Jop music poll. Now Garbus brings her distinctive vision to the Austin City Limits stage at The Moody Theater for a performance on May 29.

We’ll have the ticket giveaway up on acltv.com about a week before the taping. We’ll post it on our Facebook and Twitter pages too. We hope to see you there!

Categories
Taping Recap

Rodrigo y Gabriela rock ACL

Austin City Limits has had its eye on guitarists Rodrigo y Gabriela for a few years, and we’re happy that the stars finally aligned just right for us to invite them to our house. Backed by the  Cuban fusion band C.U.B.A., the duo conquered The Moody Theater with passion, groove and oft-stunning technique.

The pair makes the most of the contrast between their styles – Rodrigo rips out flatpicked licks that betray his metal roots while Gabriela flails at her ax with flamenco-based rhythms, often using a wah-wah pedal to send her riffs into outer space. Backed by the stellar C.U.B.A. the pair enthusiastically mixed Afro-Cuban grooves, jazz fusion harmonies, Latin melodies and the occasional rock flourish into a blazing storm of tuneful technique. “Hanuman,” “Ixtapa” and “Diablo Rojo” filled the Moody with hot licks and cool grooves, bringing the crowd to their feet. Even midway during the show, when the band left the stage so Rodrigo y Gabriela could really show off their skills on “Savriti,” Hora Zero” and “Buster Voodoo,” the energy stayed at a level that could power a small city.

Rodrigo y Gabriela are a joy to watch –  jumping across the stage, making eye contact with their fans and encouraging the audience to provide rhythms through applause. The crowd responded in kind, lavishing love on a gang of musicians working hard and having fun doing it. That energy will inevitably translate to the small screen, and we can’t wait for y’all to see this stunning show. No doubt about it – Rodrigo y Gabriela rule.