Categories
Episode Recap New Broadcast News

Season 38 continues with the Shins and Dr. Dog

After a magnificent celebration of soul with Bonnie Raitt and Mavis Staples, we’re shifting gears this week to give you some of the best the indie rock world has to offer. In this all-new episode, the Shins return for their second ACL episode, while Dr. Dog makes its debut appearance on our stage.

The last time Albuquerque-to-Portland band the Shins appeared on ACL was in 2004 (Season 30). Eight years later, singer/songwriter James Mercer brings a brand new crew in support of the group’s acclaimed fourth LP Port of Morrow. The quintet samples the latest record with “September,” “It’s Only LIfe,” “The Rifle’s Spiral” and the appropriately catchy single “Simple Song,” hitting a real sweet spot between rich, melodic hooks and Mercer’s clever, literate lyrics. But the band also digs deep into the Shins catalog, bouncing through “So Says I,” from breakthrough record Chutes Too Narrow, and reaching all the way back to its debut by closing the set with “New Slang.” It’s a masterful performance by a band hitting the peak of its powers.

For its first appearance on ACL, Dr. Dog proves why it’s a favorite on the live circuit. Adding a dash of jam band spice to its psychedelic indie rock batter, the Philadelphia sextet knows how to have a good time playing, while still keeping its songs catchy and concise. The band opens this episode with “Lonesome,” the tune that begins its much-heralded seventh LP Be the Void, kicking off the show to rollicking effect. “Jackie Wants a Black Eye” and “Vampire” keep the party going, and by the time the Dog hits a trio of tunes from its fan-favorite LP Fate, ending with “The Rabbit, the Bat and the Reindeer,” Dr. Dog lets us know just why it’s been such a popular concert draw in its decade of existence. As executive producer Terry Lickona says at the beginning of the show, “Great songs and live energy make for a winning combination.”

photo by Scott Newton

To get info on when and where to tune in to this excellent episode, check here for local listings. Also, don’t forget to “Like” us on Facebook or follow us on Twitter or Tumblr for more updates about tapings, giveaways, and sneak peeks. Tune in next week for another Season 38 debut with the Civil Wars and Punch Brothers.

Categories
News

Ticket Giveaway: Edward Sharpe and the Magnetic Zeros 11/5

Austin City Limits will be taping a performance by Edward Sharpe and the Magnetic Zeros on Monday, November 5th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). The band is in Austin as part of Fun Fun Fun Fest.

We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am Thursday, November 1st. Passes are not transferable and cannot be sold. Standing may be required.

Categories
News

Ticket Giveaway: Bob Mould 11/1

Austin City Limits will be taping a performance by Bob Mould on Thursday, November 1st, at 7 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  Mould is in Austin as part of Fun Fun Fun Fest.

We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am Tuesday, October 30th. Passes are not transferable and cannot be sold. Standing may be required

Categories
News

Ticket Giveaway: Delta Spirit 11/2

Austin City Limits will be taping a performance by Delta Spirit on Friday, November 2nd, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am Wednesday, October 31st. Passes are not transferable and cannot be sold. Standing may be required

Categories
Episode Recap New Broadcast News

Bonnie Raitt and Mavis Staples keep ACL’s new season rolling

So far this season we’ve brought you two groups (Radiohead & Bon Iver) that we’ve looked forward to having on our stage for years, this weekend is no exception. For the first time ever we bring you both Mavis Staples and Bonnie Raitt, two legends and soul sisters for the perfect combination of soul, R&B, blues, and gospel.  “We come this evening to bring you some joy, some happiness, inspiration and some positive vibrations,” declared Miss Staples back in June for our soul sister duel, and boy, did they deliver! This was a night full of smoky voices, sassy guitar playing, audience hooplah, and ardent exhibition.

This is Bonnie’s third appearance on Austin City Limits and although it’s been ten years since we’ve seen her last, she couldn’t have been welcomed more warmly. The audience greets the nine-time Grammy Award winner and bestselling artist with much love and admiration. She predominantly plays off of her 2012 album Slipstream, including “Down to You,” “Used to Rule the World” and a bluesy take on the Bob Dylan song “One Million Miles.” She finally exclaims, “Awww man! I love John Hiatt!” before ending with her Nick of Time hit “Thing Called Love.”

Mavis Staples is a clearly a legend. This lady has seen it all from singing songs on the forefront of the Civil Rights movement to being inducted in the Rock and Roll Hall of Fame. Joined onstage with her three backup singers and backing band, Mavis’ energy and famous low register voice charm the audience like we’ve never seen on classics like “Creep Along Moses” and “Freedom Highway.” At the end of the set, Mavis invites her lovingly coined “baby sister” Bonnie Raitt onstage for a couple of songs. On the emotional duet “Losing You,” dedicated to their fathers, Mavis and Bonnie share a moment where they hold hands and look at each othe – it’s one of the incredibly touching moments of the evening. They end the night with a rendition of “Will the Circle Be Unbroken” a version that had the entire audience clapping and dancing.

Don’t miss this inspiring and heartfelt episode – you won’t regret it. To find out when and where you can catch this episode check here for local listings. Also, don’t forget to “Like” us on Facebook or follow us on Twitter or Tumblr for more updates about tapings, giveaways, and sneak peeks! Tune in next week for the The Shins and Dr. Dog!

Categories
News Taping Recap

Norah Jones dazzles with groove and soul

Norah Jones has been on Austin City Limits twice before, including recording a show before the release of her gazillion-selling debut Come Away With Me. But tonight’s taping was different than what she’s done before. Armed with a gamechanging new record and more self-confident stage presence than ever before, the Texas-born singer/songwriter dazzled the Moody Theater with a performance full of texture, groove and soul.

It’s no secret that Little Broken Hearts, her latest LP produced and co-written by acclaimed polymath Danger Mouse, was inspired by a relationship gone down the tubes. But while failed romance may be bad for Jones’ personal life, it’s great for her music. The acid-tinged pop of “Happy Pills” and assertive rock of “Say Goodbye” well support the kiss-off lyrics. Indeed, psychedelia seems to be a new touchstone for Jones, as it is for Danger Mouse – the moody atmospheres of “All A Dream” (on which she took the first guitar solo) and “Little Broken Hearts” and the distorted rock of “Take It Back,” aided and abetted by Jason Roberts on extra spacey guitar, put her music on a new plane, onto which the audience was happy to follow her.

This new sound is no radical break from her past, however. Jones blended it with songs in her more familiar style and nothing sounded out of place. She performed the whimsical “Man of the Hour,” a tribute to the superior companionship of a dog over a boyfriend, solo at the piano, while “She’s 22” was just as subdued, even as the lyrics wavered between bitter and dismissive. She combine her new and old approaches on “Miriam,” a brilliant song whose pretty melody and arrangement belie the lyrics’ depiction of a murder in progress.

Jones closed the show with “Lonestar,” “an old Texas song from my first album,” as the crowd went wild. But she had a special treat for the encore. She and her band returned to the stage with unplugged acoustic instruments, giving the unreleased Hank Williams song “How Many Times Have You Broken My Heart” a gorgeous read around a single microphone. She closed the evening with “Come Away With Me” in the same style, reinventing her standard to the delight of her loyal ACL fans.

The Norah Jones episode will air in early winter – details forthcoming. Don’t miss it!