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Featured News Taping Announcement

New tapings: Dayglow, Sarah Jarosz, Jade Bird and Billy Strings

Austin City Limits is excited to announce the dates for a stellar slate of new tapings: Austin indie sensation Dayglow on May 25, four-time Grammy Award-winning singer-songwriter Sarah Jarosz on June 2, rising singer-songwriter Jade Bird on June 14, and acclaimed Grammy Award-winning bluegrass musician Billy Strings on July 7. 

photo by Pooneh Ghana

21-year-old Sloan Struble, who records music as Dayglow, makes his ACL debut on the heels of the release of his forthcoming sophomore album Harmony House, out May 21. When Dayglow released his runaway debut album Fuzzybrain, featuring its Gold-certified single “Can I Call You Tonight,” from his UT dorm room back in 2018 he had one goal: to make music that made people happy. Now three years later, Dayglow has connected with fans around the world, creating a community that uplifts and makes people feel good. As he did on his debut, he writes, produces, records, and mixes all of his music himself—in his bedroom, no less. Dayglow launched 2021 with the breakout single “Close To You,” a song reminiscent of the iconic whimsy of 80’s pop anthems, drawing heavily on some unlikely influences such as Whitney Houston, Patti Labelle and Michael McDonald. The song has already been streamed almost 20 million times, alongside having a viral moment on TikTok and continues to steadily climb the radio charts. Struble reveals that Harmony House began life as an imaginary sitcom. He’d begun writing new music and found himself drawn to piano-driven soft rock from the late ‘70s and early ‘80s. He was also watching a lot of Cheers, the long-running sitcom that took the viewer to a place where, as the theme song goes, “everybody knows your name.” “At the very beginning, I was writing a soundtrack to a sitcom that doesn’t exist,” he says. The music would generate a kind of impossible nostalgia for something that had never been real.” “I tried to compose these songs in a way that you could just sit down at a piano and play them. That’s the sign of a good song, when it can live on its own musically.” That sort of sturdiness he strives for in his writing makes for timeless music, and with Harmony House he has created a finely calibrated, carefully fussed-over expression of encouragement for anyone who needs it. 

With World On the Ground, the 2021 Grammy Award-winner for Best Americana Album, and her first solo album in four years, Sarah Jarosz shares a collection of stories of her Central Texas hometown of Wimberley, each song lit up in her captivating voice and richly detailed songwriting. Produced by renowned producer/songwriter John Leventhal (who will be joining Jarosz for her taping), World on the Ground finds wisdom being passed down through song by a bird observing the world below: “When the world on the ground is gonna swallow you down, sometimes you’ve got to pay it no mind.” As the now four-time Grammy Award-winner inhabits characters both real and imagined, Jarosz reveals her remarkable gift for slipping into the interior lives of others and patiently uncovering so much indelible insight. In the making of World On the Ground, Jarosz – who already has two ACL appearances under her belt (in 2010 and 2014) – ultimately moved undeniably closer to one of her greatest ambitions as an artist: to create an emotionally honest body of work that continually reveals new meaning for the listener. “My favorite records are the ones I just want to play over and over again because of all the details that are there to discover,” she says. “As I was writing this record, it was the deepest I’d ever gone in terms of getting down to the very specific details in the way I told each story. The details are what make people feel something and connect the story to their own lives, and that’s really all I want for my music.” A prolific artist, this spring she released Blue Heron Suite, a song cycle inspired by the frequent trips Jarosz and her parents made to Port Aransas, a small town on the Gulf Coast of Texas that had been devastated by Hurricane Harvey in 2017. “I like to think of the song cycle as a quiet acknowledgment of life’s many uncertainties,” she says. “You never know what will be thrown your way, but you can always work to try to face the highs and the lows with grace and strength.” 

photo by Charlotte Patmore

British native and recent Austin transplant Jade Bird has been earning acclaim in the U.S. since 2018, winning SXSW’s coveted Grulke Prize for developing non-U.S. act and scoring a nomination for the Americana Awards emerging artist of the year. The 23-year-old singer-songwriter has been writing and performing live since her teens and released her self-titled full-length debut in 2019 to critical raves. Following a yearlong U.S. tour playing on bills with artists including Jason Isbell, Sheryl Crow and Bird’s friend and champion, Brandi Carlile, the young artist discovered kindred spirits and became part of a nurturing community of American songwriters and career artists. In 2020 she headed to Nashville’s RCA Studios to record with mega-producer Dave Cobb (Brandi Carlile, Chris Stapleton) for her highly-anticipated sophomore album, due this summer. Bird recently dropped her first new music in over a year, a trio of celebrated new singles, including “Headstart,” which the NY Times raves: “shows off the distinct, raspy twang of her vocals — which somehow find common ground between Lucinda Williams and Alanis Morissette” and Rolling Stone hailed as “electrifying.” 

photo by Jesse Faatz

Michigan-born and now Nashville-based, Billy Strings is a Grammy Award-winning singer, songwriter and musician, who arrived on the scene as “one of string music’s most dynamic young stars” (Rolling Stone). Strings is in the midst of a triumphant year after winning Best Bluegrass Album at the 2021 Grammy Awards for his critically acclaimed record, Home. Produced by Glenn Brown, the record also led Strings to top Billboard’s 2020 year-end charts in both Bluegrass categories—Top Bluegrass Artists and Top Bluegrass Albums—and continues to receive widespread critical acclaim. Of the release, Associated Press proclaims, “it is his creative musical storytelling, paired with solid vocals on Home that should seal the deal, pleasing fans of the genre and creating some new ones…the perfect blend of pure talent and pluck,” while The Wall Street Journal declares, “Billy Strings has clearly emerged as a premier guitar flatpicker of this era.” Since his debut, Strings has been awarded Guitar Player of the Year and New Artist of the Year at the 2019 International Bluegrass Music Awards, selected as one of Rolling Stone’s “New Country Artists to Know” and performed on Jimmy Kimmel Live! and PBS’ Bluegrass Underground. Known for his electric live shows, Strings has continued to perform throughout the past year—both virtually and in-person—and has raised over $100,000 for charity through a variety of livestream and socially distanced concerts.

Due to implemented safety measures and the ongoing uncertainty from COVID-19, there will be no giveaway for access to attend upcoming ACL tapings. With the safety of the artists, crew and guests top of mind, the limited studio audience will be prioritized to our donors who make Austin City Limits possible and who have continued to support the show during this challenging time and beyond. We will expand the audience as safety measures allow and will post giveaway opportunities on ACLTV.com as available. Thank you for your patience as we work to reopen safely. We can’t wait to get back to the music with our supporters and fans. We have more exciting tapings coming up this year, and nore information on those shows will be forthcoming.  

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 47th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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TAPING: Jack Ingram, Miranda Lambert and Jon Randall’s The Marfa Tapes on 4/28 – limited audience

Austin City Limits welcomes Jack Ingram, Miranda Lambert and Jon Randall as they present their upcoming album The Marfa Tapes on April 28 at ACL Live at the Moody Theater.

Deep in the heart of the Trans-Pecos lies a little town with an outsized grip on the American imagination: Marfa, Texas. For decades Marfa has attracted artists and wanderers, visionaries and misfits, loners and oddballs. The desolate meeting of high desert and rugged mountains is a filmmaker’s dream (see No Country For Old Men or There Will Be Blood, both of which were filmed here), and the infinite, empty sky leaves you with little doubt as to your place in the universe. Marfa is the perfect place to lose—or find—yourself. For singer/songwriters Miranda Lambert (who has visited the ACL stage three times),  Jack Ingram (who last appeared 25 years ago in Season 22) and Jon Randall (who makes his ACL debut), it was both. 

Writing retreats to Marfa became a regular tradition for Lambert, Randall, and Ingram, one that yielded both massive hits and profound personal growth. When the trio returned for five days this past November though, they came not to write, but to record, capturing a captivating new album inspired by the stark beauty of west Texas and the deep, lasting bonds the three have forged there. Recorded raw and loose with just a pair of microphones and an acoustic guitar, The Marfa Tapes is a work of audio verité, an intimate, unadorned snapshot of a moment in time fueled by love, trust, and friendship. The trio recorded much of the album outdoors, inviting the ambient sounds of the desert to seep into their live, bare bones performances, and the atmosphere is utterly transportive. While a few of the tracks here may already be familiar to country listeners—ACM Song of the Year “Tin Man” turns up in its original, stripped-down state, as does fan favorite “Tequila Does”—the vast majority of the material has never been heard outside of Marfa, and the result is a rare glimpse inside the creative process of three of the genre’s most accomplished writers and performers, a candid, unvarnished look at Lambert, Randall, and Ingram’s undeniable chemistry in its purest, most honest form.

The songs on this album would sound great anywhere, but there’s something about these recordings, about the rustling of the wind and the crackling of the fire, that brings the music to life in a way no band arrangement or studio production ever could. The spaciousness here leaves plenty of room for the imagination to roam, and the desert, mountains, and sky are all just as integral to the sound as Lambert, Randall, and Ingram themselves. In the end, Marfa isn’t just the setting for this album; it’s the soul. 

Due to implemented safety measures and the ongoing uncertainty from COVID-19, there will be no giveaway for access to attend upcoming ACL tapings. With the safety of the artists, crew and guests top of mind, the limited studio audience will be prioritized to our donors who make Austin City Limits possible and who have continued to support the show during this challenging time and beyond. We will expand the audience as safety measures allow and will post giveaway opportunities on ACLTV.com as available. Thank you for your patience as we work to reopen safely. We can’t wait to get back to the music with our supporters and fans. 

Unfortunately, there will not be a public live stream of this taping. As always, the performances captured in our current tapings will broadcast this fall in ACL’s 47th season, and we encourage you to catch our encore episodes on your local PBS station. 

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Featured News Taping Announcement

ACL announces Season 47 tapings

Austin City Limits proudly announces Season 47 will return in spades this year with a stellar slate of artists onboard to record new appearances, including a number of 2021 Grammy Award nominees.

ACL is thrilled to announce the first taping of Season 47, on April 28, will feature Miranda Lambert, Jack Ingram and Jon Randall debuting their just-announced, highly-anticipated album The Marfa Tapes. The country superstar and her celebrated songwriting partners open the new season showcasing the new release, out May 7, a collection of beautifully intimate and raw songs written and recorded together in Marfa, Texas. 

Season 47 will feature five-time 2021 Grammy nominee and four-time Grammy Award-winner Brittany Howard making her solo ACL debut; and multiple 2021 double Grammy nominees including singer-songwriter Sarah Jarosz, in her third headlining appearance, and the ACL debuts of jazz/soul maverick (and recent Golden Globe award-winner) Jon Batiste and acclaimed country standout Brandy Clark. Music great Jackson Browne returns for his first taping in two decades (showcasing his first new album in six years); Grammy-winning (and four-time nominated) R&B phenom Leon Bridges makes a highly-anticipated return to the ACL stage; Austin indie sensation Dayglow makes his ACL debut, and a Texas icon, singer/songwriter Terry Allen returns for the first time in almost 25 years. Taping dates will be announced at a later date and may be subject to change as we navigate the new landscape.

“Austin City Limits is excited to bring live music back (with a live audience!),” says executive producer Terry Lickona. “Along with the rest of the world, we hope to slowly but surely (and safely) get back to normal this year, and it’s obvious many artists do, too. We have a diverse mix of headliners, up-and-comers, and groundbreaking singers, songwriters and musicians ready to take the stage.”

Jon Batiste. Courtesy UMG.

ACL is uniquely thrilled to launch the new season with a trio of Texas natives: Miranda Lambert (in her third ACL appearance) alongside her longtime songwriting partners Jack Ingram (who last appeared 25 years ago in Season 22) and Jon Randall (in his ACL debut), showcasing The Marfa Tapes, a stripped-down project conceived in the Texas high desert. A tiny, middle-of-nowhere town with an outsized grip on the American imagination, Marfa is an eccentric outpost in the midst of a vast expanse of nothingness, the perfect place to lose – or find – yourself. For Lambert, Randall, and Ingram, it’s both. Over the past several years, the desolate location has become a songwriting haven for the trio, yielding both massive hits and profound personal growth. When they returned for five days this past November though, they came not to write, but to record, capturing a captivating new album inspired by the stark beauty of west Texas and the deep, lasting bonds the three have forged there. Recorded raw and loose with just a pair of microphones and an acoustic guitar, The Marfa Tapes is a stunning work of audio verité; an intimate, unadorned snapshot of a moment in time fueled by love, trust, and friendship.

The trio recorded much of the album outdoors, inviting the ambient sounds of the desert to seep into their live, bare bones performances, and the atmosphere is utterly transportive. While a couple of the tracks may already be familiar to listeners – ACM Song of the Year “Tin Man” as well as fan favorite “Tequila Does” – the vast majority of these songs have never been heard outside of Marfa. The result is a rare glimpse inside the creative process of three of the genre’s most accomplished writers and performers; a candid, unvarnished look at Lambert, Randall, and Ingram’s undeniable chemistry in its purest, most honest form.

“There’s something singular that happens in that moment of collaboration and creation, something you can never really recreate in the studio,” says Ingram. “Our hope with this album was to share a little bit of that magic with people.”

ACL is excited to share the magic of our upcoming Season 47 with our loyal fans and viewers. Stay tuned to acltv for further details on upcoming tapings.

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Featured News Taping Announcement

New tapings: Sarah Jarosz and Sturgill Simpson

To wrap up our Season 46 taping schedule, Austin City Limits is proud to announce the highly-anticipated return of a pair of American originals: Sarah Jarosz on November 24 and Sturgill Simpson on December 8. 

With World On the Ground, the follow-up to 2016’s two-time Grammy Award-winning Undercurrent, and her first solo album in four years, Sarah Jarosz shares a collection of stories of her Texas hometown of Wimberley, each song lit up in her captivating voice and richly detailed songwriting. World on the Ground takes its title from the album cut “Pay It No Mind,” which finds wisdom being passed down through song by a bird observing the world below: “When the world on the ground is gonna swallow you down, sometimes you’ve got to pay it no mind.” Throughout the album, the triple Grammy Award-winner explores the tension and inertia of small-town living, the desire for escape and the ease of staying put. As she inhabits characters both real and imagined, Jarosz reveals her remarkable gift for slipping into the interior lives of others and patiently uncovering so much indelible insight. 

Producer/songwriter John Leventhal (Elvis Costello, Lucinda Williams, his wife Rosanne Cash) played a vital part in Jarosz’s decision to center the album on her intricate storytelling. “The first time we met to talk about the record, John said he wanted me to try to take a step back and look out at the world, rather than inward,” says Jarosz. “It completely opened the gates for me, and I started thinking a lot about growing up in Texas and diving into those memories in a way I’d never really done before. I think it has something to do with being in my late 20s, and starting to enter the phase where I’m looking back at what got me to where I am now—as opposed to constantly looking forward, as you do when you’re younger. It felt like the right time for me to return full circle to my roots and my home.” 

In the making of World On the Ground, Jarosz – who already has two ACL appearances under her belt (in 2010 and 2014) – ultimately moved undeniably closer to one of her greatest ambitions as an artist: to create an emotionally honest body of work that continually reveals new meaning for the listener. “My favorite records are the ones I just want to play over and over again because of all the details that are there to discover,” she says. “As I was writing this record, it was the deepest I’d ever gone in terms of getting down to the very specific details in the way I told each story. The details are what make people feel something and connect the story to their own lives, and that’s really all I want for my music.” 

photo by Semi Song

Since breaking through in 2014 with his Grammy-nominated Metamodern Sounds in Country Music, shapeshifter Sturgill Simpson made his ACL debut in 2016 and has established himself as one of the most daring and acclaimed artists of our time. His music stretches across genres and styles, from the psychedelic soul of 2016’s A Sailor’s Guide To Earth (Grammy nominated for Album of the Year and winner for Best Country Album) to the fuzzed-out rock attack of 2019’s Sound & Fury. Now Simpson returns to the music of his native Kentucky with his first bluegrass project, Cuttin’ Grass Vol. 1 – The Butcher Shoppe Sessions. The surprise double album, which he calls “a mixtape for the fans,” was dreamed up while he was recovering at home after being hospitalized with Coronavirus earlier this year, and sees him reimagining songs from across his catalog backed by some of Nashville’s finest acoustic virtuosos. “This album started when I was in the third grade,” Simpson explains. “My paternal grandfather was sort of a bluegrass freak. He just lived and ate and breathed it, and every time he’d come to visit, he’d try to shove it down my throat. My palette wasn’t ready to absorb it at the time—I was probably still into the Monkees and, thanks to an older cousin, discovering bands like Cream and Led Zeppelin far too young. One night in my room, when he could sense my rejection of what I was hearing, he looked at me directly and said, ‘One day it’s gonna get in ya, and it’ll never get out.’”

“Many years later, after returning home to Kentucky from the military and living for some time out on the West coast, I was driving down the road one day and the public radio station played an old Monroe Brothers song and it absolutely floored me,” he explains. “A wave of emotion slammed me in the chest and I had to pull over on the side of the road. I was pretty much drifting at the time—completely lost, I guess you could say—and hearing that music brought everything to the surface. It sounded like home. Bluegrass music is healing. I truly believe this to be true. It is made from ancient, organic tones and, as with most all forms of music, the vibrations and the pulse can be extremely therapeutic.” After using social media to crowdfund a charity drive, Simpson had the idea to take songs from his back catalog and record them in a bluegrass style. “I had it in my mind for a long time that someday I want to cut as many of these songs as possible in this fashion, just organic and stripped down to the raw bones of the composition. If you can’t sit down and play a song like that, it’s probably a pretty shitty song. I called up my engineer/co-producer/partner in crime David Ferguson and said, ‘Get all the best players in town,’ and we went in and banged this record out in about three days, with no planning or preparation. 

“The thing I’ve realized about the ride I’ve been on these past seven years is that to me, despite what others may call and label them, all my records are simply ‘American music,’” Simpson states. “My head and my heart go different directions all the time, and when you put out a record, it becomes this definitive thing, like ‘this is who you are now’ because people need to define things for the cycle of that album. This album for me was always just supposed to be a sort of simple mixtape for my fans, so it’s somewhat funny to me to think we might play TV shows and whatnot to promote it, and for a time I’ll be considered a bluegrass musician. In all honesty, though, I guess that’s probably the closest thing to the truth that could ever be put in print about me.”

For this appearance, Simpson will be “cuttin’ grass” with the line-up of bluegrass all-stars that recorded the album, including Stuart Duncan, Sierra Hull, Tim O’Brien, Scott Vestal, Mike Bub, Mark Howard and longtime drummer Miles Miller. 

We’re proud to welcome Sarah Jarosz and Sturgill Simpson back to the ACL stage.

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Featured Live Stream News Taping Announcement

ACL announces live stream and date change for The War And Treaty

Austin City Limits is delighted to remind fans that we will be streaming the highly-anticipated debut taping with Nashville’s The War And Treaty live. This show has also moved from its original date to November 10 at 8 p.m. The taping will stream here

Since forming in 2014, dynamic duo The War And Treaty have won critical acclaim and amassed a following as eclectic as their sound itself, a bluesy but joyful fusion of Southern soul, gospel, country, and rock-and-roll. Known for a live show nearly revival-like in intensity, the husband-and-wife team of Michael Trotter Jr. and Tanya Blount-Trotter endlessly create an exhilarating exchange of energy with their audience, a dynamic they’ve brought to the stage in opening for the legendary Al Green, touring with the likes of Brandi Carlile and Jason Isbell and taking the stage at the 2020 Grammy Awards earlier this year, performing alongside icons like Cyndi Lauper, John Legend, Gary Clark Jr., and Common.

So when it came time to choose a title for their recently released sophomore album, The War And Treaty quickly landed on Hearts Town—the couple’s affectionate nickname for their ardently devoted fanbase. “Hearts Town is a neighborhood strictly made up of people who all share the same kind of heart: hearts that love, hearts that heal, hearts that don’t see division,” says Michael. “There’s all different types of people within that neighborhood, but they’re still somehow all working together—which is exactly the kind of town we want to live in.” Their full-length debut for Rounder Records, Hearts Town arrives as the follow-up to 2018’s Healing Tide, a widely acclaimed effort that saw The War And Treaty named 2019’s Emerging Act of the Year by the Americana Music Association. 

While the new album unfailingly harnesses the thrilling vitality of their live set, each song spotlights The War And Treaty’s heart-on-sleeve storytelling and poetic simplicity with greater impact than ever before. The War And Treaty drive home their impassioned plea for unity in times of division. “We were seeing so much anger in the world as we were making this album, so we wanted to give people something that told them, ‘Stop looking for the next Dr. King or Malcolm or Mother Teresa, and start looking for the first you,’” says Michael. “Right now a lot of people are feeling so deeply engulfed in pain and surrounded by negativity, and sometimes you just need to hear that you’re good,” says Tanya. “That’s the whole idea behind Hearts Town: no one’s trying to change what you think or how you talk or anything else about you. You’re just fine the way you are.” We’re proud to welcome The War and Treaty to the ACL stage.

Join us here on November 10 at 8 p.m. CT for this debut taping by The War And Treaty. The broadcast episode will air early next year as part of our upcoming Season 46, on PBS.

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Featured Live Stream News Taping Announcement

ACL to live stream Ruthie Foster on 11/1/2020

Austin City Limits is excited to announce we will live stream the upcoming taping of Austin’s own powerhouse singer and songwriter Ruthie Foster on Nov. 1 at 7 p.m. CT. ACL offers fans a unique opportunity to watch Foster’s ACL taping live in its entirety from the safety of their homes and screens at this location. ACL has taped before a live audience for its entire 45-year history, but recently resumed tapings with the first-ever no audience tapings in the history of the program; Foster’s performance will also be taped without an audience. 

In the tight-knit musical community of Austin, Texas, it’s tough to get away with posturing. You either bring it, or you don’t. If you do, word gets around. And one day, you find yourself duetting with Bonnie Raitt, or standing onstage with the Allman Brothers at New York’s Beacon Theater and trading verses with Susan Tedeschi. You might even wind up getting nominated for a Best Blues Album Grammy — three times in a row. And those nominations would be in addition to your seven Blues Music Awards, three Austin Music Awards, the Grand Prix du Disque award from the Académie Charles-Cros in France, a Living Blues Critics’ Award for Female Blues Artist of the Year, and the title of an “inspiring American Artist” as a 2018 United States Artists Fellow.

There’s only one Austinite with that résumé: Ruthie Foster. Drawing influence from legendary acts like Mavis Staples and Aretha Franklin, Foster developed a unique sound unable to be contained within a single genre. That uniqueness echoes a common theme in Ruthie’s life and career – marching to the beat of her own drum. Ruthie’s latest album Live at the Paramount, swings back to the days (and nights) when Lady Ella sang Ellington and Sinatra blasted off with Count Basie and Quincy Jones. Ruthie refers to her live shows as “hallelujah time,” and we are thrilled to welcome her back to the ACL stage for her first headlining appearance since her 2003 debut. 

Join us here on Nov. 1 at 7 p.m. CT for this performance by Ruthie Foster. The broadcast episode will air early next year as part of our upcoming Season 46, on PBS.