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Sam Smith: soulful singer/songwriter

Soulful singer/songwriter Sam Smith exploded seemingly out of nowhere this year with the hugely successful single “Stay With Me.” Fans in his native U.K. have known about his sensitive songs and amazing voice for a couple of years and now fans stateside are catching up in a big way.   Last night we were happy to welcome them and their hero to his first Austin City Limits taping.

In the tradition of the soul singers of yore, Smith took the stage as his eight-piece band was already a minute into “Nirvana,” the title track of his early EP. The song began as a ballad, but moved into anthem territory, a method with which Smith fans are intimately familiar. A funkier backbeat ruled “Together” from the same EP, pumping up the energy, not that the eager audience needed it. Smith then took us on a tour through the unrequited love that drives his debut album In the Lonely Hour, from the midtempo “Good Thing” and the jazzy “I’m Not the Only One” to the dramatic ballads “Lay Me Down” (which garnered tears and cuddling couples in the audience) and “Leave Your Lovers” (“one of my favorites on the album,” he noted). He also took time out to pay tribute to a key influence by covering Whitney Houston’s “How Will I Know” as a piano ballad and teaching the audience to dance with his new single “Restart.” He ended the main set with a mashup of a pair of his tunes, the anthemic ballad “Money On My Mind” and the discofied “Finally.” “I don’t care if you can’t sing at all,” Smith insisted to the crowd, “please sing as loud as you can.”

Smith and band returned with “Latch,” his U.K. hit with the electronic act Disclosure, done here as a midtempo pop tune, before going into “Make It to Me,” a song he described as a “massive mating call.” But it was the final song that truly raised the roof. The opening chords of “Stay With Me” drew a roar, and Smith exhorted the crowd to clap along. Audience comfortably instilled in the palm of his hand, Smith then released them by dropping the band out, letting the fans take a chorus by themselves, sounding like a church choir. It was an explosive end to a strong ACL debut, and we can’t wait for you to see this show for yourselves when it airs on PBS early next year.

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Episode Recap Featured New Broadcast News

Sam Smith and Future Islands’ soulful sounds in ACL’s 40th season

Austin City Limits presents an hour of soulful music from breakout sensations Sam Smith and Future Islands.

Chart-topping British soul singer and songwriter Sam Smith topped off a whirlwind 2014 with an astonishing six major Grammy nominations. There is virtually no contemporary vocalist as stylish and elegant as Smith, a throwback to an elite crew of singers from an earlier generation. A beautifully soulful singer, the 22-year old London native makes a stunning ACL debut performing the songs of unrequited love and heartbreak that drive his landmark platinum album In the Lonely Hour. Like soul singers of yore, Smith takes to the ACL stage as his eight-piece band is already a minute into the show-opener “Nirvana,” the title track of his early EP. The vocal stunner pays tribute to one of his idols with an aching piano rendition of Whitney Houston’s “How Will I Know”. Smith demonstrates his considerable range with an inspired mashup of his “Money On My Mind” fused with 90’s club anthem “Finally”. Bringing the gorgeous set to a rapturous close with his signature song, the double-platinum “Stay With Me”, Smith bares his soul with the Austin audience in the palm of his hand.

“Sam told me after the show that it was probably the best performance he’s given in America so far,” said ACL executive producer Terry Lickona. “This show deserves to be seen and heard by fans of great music and great singers everywhere!”

Baltimore’s Future Islands share the episode, also making an epic ACL debut. Having steadily built a fan base since their first album in 2006, the synth-pop trio became a breakthrough smash in 2014 with the critically acclaimed Singles, landing on top of many year-end best lists including Pitchfork, Stereogum, Spin, Rolling Stone and NPR. Dynamic live shows featuring charismatic frontman Samuel T. Herring’s hip-swiveling swagger and dramatic chest-beating have inspired their own internet memes. Spin raves “Calling on his Sam Cooke-meets-Tom Jones growl, Herring charges into every song, roaring with impassioned heart and soul.” As the band bound into their six-song set, Herring commands the ACL stage, delivering song after song of glistening pop while creating an emotional narrative of love, loss and inspiration. It’s a transfixing debut, highlighted by a performance of their dazzling hit “Seasons (Waiting On You)”, crowned Song of the Year in the influential year-end Village Voice Pazz + Jop critics poll.

photo by Scott Newton

“I was mesmerized the first time I saw Sam Herring onstage, and booked him on the spot!” ACL executive producer Terry Lickona exclaimed. “In fact, I’ve never seen anybody put so much of himself into a performance. He’s like a man possessed!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for a brand new episode with Ryan Adams and Jenny Lewis.

 

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Episode Recap Featured New Broadcast News

Sam Smith and Anderson East sing blue-eyed soul on ACL’s 44th season

Austin City Limits has all the feels in a soulful new installment showcasing two gifted vocalists: worldwide superstar Sam Smith and emerging singer-songwriter Anderson East.  

The multi-platinum, four-time GRAMMY ® award-winning Sam Smith wowed ACL audiences with his 2014 debut during the program’s milestone Season 40, and the British native returns with songs from his chart-topping, acclaimed sophomore album The Thrill Of It All.  Smith turns his songs about heartbreak into anthems of strength in a sparkling performance, backed by gospel-style vocalists. Smith proudly tells the Austin crowd he wrote “HIM,” the powerful same-sex anthem, “as a message that love is love,” inspiring the crowd to join on the soaring chorus. He performs a thrilling version of his smash “Pray” and delivers the stirring “Palace” as a passionate duet joined by his backing singer, displaying the full range of his vocal prowess.  The magnetic star closes out the set with the mega-hit “Too Good At Goodbyes,” with Smith gamely instructing the Austin crowd to “sing this to your ex.”

Alabama rock-and-soul singer Anderson East dazzles with his staggering vocal power and a firestorm of songs blending rock, blues, country and soul for a mighty ACL debut.  The singer-songwriter performs songs from his acclaimed Encore, produced by longtime collaborator, Nashville it-producer Dave Cobb.  The album’s title is derived from East’s steadfast belief that every song on his new album must be worthy of closing out one of his notoriously epic live shows.  East brings the fireworks for set-opener “Surrender” with his hard-charging eight-piece band, complete with joyous horns and backup singers, laying down the driving beat.  He introduces the tender charmer “King For A Day” saying “here’s a song about how I’m feeling.” The swaggering “Girlfriend” segues directly into the sultry declaration of desire “All On My Mind” for a one-two gut-punch.  Vintage Southern soul-burner “Satisfy Me,” a Stax-worthy R&B gem from his 2015 debut Delilah, has the crowd on their feet and East saves the finest moment for last—bringing the house down with the powerhouse vocal climax of rousing set-closer “House Is A Building.”

photo by Scott Newton

“Sam Smith and Anderson East bare their souls in totally different ways,” says ACL executive producer Terry Lickona, “Sam starts with a whisper, then soars; Anderson starts with fireworks. What they have in common is their unabashed honesty and ability to make a powerful emotional connection with their audience.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode featuring rocking singer/songwriter Brandi Carlile.

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Taping Recap

Rodrigo y Gabriela rock ACL

Austin City Limits has had its eye on guitarists Rodrigo y Gabriela for a few years, and we’re happy that the stars finally aligned just right for us to invite them to our house. Backed by the  Cuban fusion band C.U.B.A., the duo conquered The Moody Theater with passion, groove and oft-stunning technique.

The pair makes the most of the contrast between their styles – Rodrigo rips out flatpicked licks that betray his metal roots while Gabriela flails at her ax with flamenco-based rhythms, often using a wah-wah pedal to send her riffs into outer space. Backed by the stellar C.U.B.A. the pair enthusiastically mixed Afro-Cuban grooves, jazz fusion harmonies, Latin melodies and the occasional rock flourish into a blazing storm of tuneful technique. “Hanuman,” “Ixtapa” and “Diablo Rojo” filled the Moody with hot licks and cool grooves, bringing the crowd to their feet. Even midway during the show, when the band left the stage so Rodrigo y Gabriela could really show off their skills on “Savriti,” Hora Zero” and “Buster Voodoo,” the energy stayed at a level that could power a small city.

Rodrigo y Gabriela are a joy to watch –  jumping across the stage, making eye contact with their fans and encouraging the audience to provide rhythms through applause. The crowd responded in kind, lavishing love on a gang of musicians working hard and having fun doing it. That energy will inevitably translate to the small screen, and we can’t wait for y’all to see this stunning show. No doubt about it – Rodrigo y Gabriela rule.

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Episode Recap Featured News

Ryan Adams and Jenny Lewis continue ACL Season 40

Austin City Limits continues its milestone Season 40 with an exceptional double bill: Ryan Adams paired with Jenny Lewis in a new installment showcasing the acclaimed singer-songwriters, both returning to the ACL stage for the first time in a decade for our 40th anniversary season.  Frequent collaborators and recent tour mates, the LA-based artists perform separate sets and deliver knockout performances.

A prolific songwriter with a 25-year body of work, Ryan Adams makes a memorable ACL return performing songs from his 2014 self-titled solo release.  The album has generated critical accolades across the board and earned three 2015 Grammy Award nominations, including Best Rock Album. Hailed “one of the few truly great roots-rock troubadours left” by Entertainment Weekly, the North Carolina native tells the Austin crowd, ”We came here to play you really depressing music, but really loud.” Adams and his band the Shining launch into a career-spanning six-song ACL set with the bluesy rocker “Stay With Me,” on a stage outfitted with a vintage arcade video game, a stuffed tiger, an oversized fake amp and an American Flag customized with a peace sign. Adams moves seamlessly back and forth between new songs and long-time favorites in a must-see appearance, representing the impressive range of his storied career.

Indie-pop treasure Jenny Lewis returns for her solo ACL debut, nearly ten years since her debut on the program as frontwoman for the band Rilo Kiley. Lewis performs songs from her new album The Voyager, largely produced by Ryan Adams and widely regarded as one of 2014’s best releases by Spin, Rolling Stone, TIME and many more. Rolling Stone raves, “Blending Laurel Canyon sensibilities with modern wit, The Voyager shows she’s stronger and wiser – and can still draw blood.”  Decked out head-to-toe in her distinctive rainbow and stars suit (complete with matching guitar), she opens with the Rilo Kiley classic “Silver Lining” and continues with pop gems from her solo career including the recent singles “Just One of the Guys” and “She’s Not Me.” Lewis closes out a sparkling set with her bandmates surrounding a single mic for the beautiful, hymn-like “Acid Tongue,” “going full Joni Mitchell as she [sings] plaintively of liars, cobblers and sweethearts with the softest of hands” (Austin American-Statesman). After blowing a kiss to the audience, Lewis exits to wild applause, having captured the hearts of the Austin audience.

photo by Scott Newton

“The best songs are best sung by those who wrote them,” notes ACL executive producer Terry Lickona. “There aren’t many contemporary songwriters who are better than Ryan and Jenny, or singers who can bring their songs to life as well as they can. Theirs are the kinds of songs that will stay with you long after you hear them for the first time.”

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News Taping Recap

Ryan Adams’ triumphant return to ACL

Ryan Adams made a triumphant return to the Austin City Limits stage last night playing a quiet, soulful acoustic set followed by a rocking electric set keeping fans on their feet for over two hours. Tonight’s taping was two shows for the price of one.

In perfect contrast to the nature of the first set, Adams hit the stage in a Dag Nasty T-shirt and a blue jean jacket adorned by punk rock patches before essaying a series of his patented melancholy ballads. He opened with “Oh My Sweet Carolina” from his debut solo album Heartbreaker; while it was originally a duet with Emmylou Harris, it worked just fine solo. Adams alternated between older tunes (“Desire,” “Please Do Not Let Me Go,” “My Winding Wheel”) and songs from his new self-titled LP (“My Wrecking Ball,” “Am I Safe,” “Gimme Something Good”), peppering his tales of disappointment and heartbreak with enough snappy patter to make Spider-Man proud. He ended the solo set with a particularly affecting “If I Was a Stranger” and a ramshackle romp through Bryan Adams’ “Run To You,” leaving the audience in both tears and stitches.

With a stage festooned with a fake giant amp, a golden skull, an American flag with a peace symbol, a stuffed tiger and a video game console loaded with 80s classics, Adams and his new band the Shining arrived and launched into a fully-amplified version of “Gimme Something Good,” making the title a demand instead of a plea. Expertly backed by his quartet (which included Mike Viola, the voice of “That Thing You Do”), Adams followed the same pattern as the acoustic set, moving back and forth between new tunes and old favorites. Recent songs like the Stonesy rocker “Stay With Me,” the dramatic rock ballads “Do I Wait” and “Dirty Rain” and the atmospheric noisemaker “Shadows” were greeted with the same enthusiasm as older set pieces like the pretty folk popper “La Cienega Just Smiled,” the sad country lament “Dear Chicago” and the rousing anthem “New York New York.”

The show came to a head near the end, with a medley of “Rats in the Walls” and “When the Summer Ends,” a pair of brief tunes from his recent 1984 EP, and the mood-swinging dynamics of the charged “I See Monsters” from Love is Hell. Adams ended the show where he began, revisiting his solo debut Heartbreaker for the profane country kiss off “Come Pick Me Up,” at which the audience cheered as soon as he played its opening harmonica lick. It was a sprawling, wide-ranging trip through Adams’ musical mind, and we can’t wait for you to see it when it broadcasts on PBS early next year. Stay tuned.