Austin City Limits will be taping a performance by The War on Drugs on Monday, April 6th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on April 3rd. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.
No photography, recording or cell phone use in the studio. No cameras allowed in venue.
The psychedelic folk troupe Edward Sharpe and the Magnetic Zeros bring their shared spirit to the ACL stage in their debut appearance on the show. Equipped with infectious melodies, catchy sing-a-longs and a free-spirited frontman, the 12-piece ensemble have gained fans all over the world. With two critically-acclaimed albums and a widespread reputation for energetic performances, the down-home outfit create what NPR calls a “gloriously uplifting ruckus.” The Los Angeles-based group draws inspiration from the communal musical communities that peppered Southern California with positive vibrations during the ’60s and early ’70s. The gang of animated musicians perform their bright music and homespun harmonies on ACL complete with spontaneous dancing, bare feet and bared souls.
“This is a band that loves to make music, pure and simple,” says ACL Executive Producer Terry Lickona. “They may look and sound like they came straight out of the 60’s, but there is a joy to their music that is infectious – onstage or off. In fact, frontman Alex Ebert had a hard time staying ON our stage during the show, and to everyone’s delight he plunged into the crowd more than once.”
Next up is the bold, uncompromising music of tUnE-yArDs, performing tracks from the critically-acclaimed opus whokill. The brainchild of indie singer-songwriter Merrill Garbus, tUnE-yArDs have fashioned an expansive sound incorporating layered ukulele, voice, electric bass and drum loops into an eclectic DIY aesthetic. Technology meets primal in the music of Garbus, who The New York Times describes as “somewhere between Aretha Franklin and Yoko Ono.” She showcases her striking sound for her first appearance on the ACL stage. With a bassist and two sax players joining Garbus’ frontline of drums, amplified ukelele and looping technology, tUnE-yArDs put on a show unlike any other.
photo by Scott Newton
“I don’t think we’ve ever had an act quite like Merrill Garbus and tUnE-yArDs on ACL,” says Lickona. “But don’t be fooled…just when her music seems to veer off in a strange direction, Merrill brings it all back home with the raw power of her voice and those loopy rhythms.”
Austin City Limits is pleased to announce that we will be streaming our debut taping with Sturgill Simpson live on Wednesday, April 1, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel and powered by Dell.
The Kentucky native released his first album High Top Mountain in 2013, establishing his philosophical brand of outlaw country. He broke out with his second LP Metamodern Sounds in Country Music, which earned Simpson national press coverage and the Emerging Artist of the Year Award at the 2014 Americana Music Awards & Honors. We’re proud to welcome Simpson for his ACL debut.
The broadcast version of this show will air this fall on PBS. Join us for this live webcast of the Austin City Limits debut of Sturgill Simpson.
Be a part of the audience for the 2015 Austin City Limits Hall of Fame ceremony on June 18th! Hosted by 21-time nominated, multiple GRAMMY Award-winning country star Dwight Yoakam, this musical celebration will take place at 7 pm at ACL Live at The Moody Theater. The ceremony inducts five trailblazing artists who have contributed to the iconic series legacy as a music institution — Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jimenez and Townes Van Zandt — and will feature music performances and tributes from a star-studded line-up of special guests to be announced.
Tickets for the second Austin City Limits Hall of Fame Induction Ceremony and concert will go on sale April 2nd at 10 am. Prices start at $75 and all proceeds benefit KLRU-TV, Austin PBS. Tickets can be purchased at acltv.com/hall-of-fame
*** UPDATE: Giveaway is now over. If you did not receive an email about passes, you can watch the taping live as it happens on our Youtube channel.
Austin City Limits will be taping a performance by Sturgill Simpson on Wednesday, April 1st, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on March 30th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.
No photography, recording or cell phone use in the studio. No cameras allowed in venue.
“This is a special night for us. We’re very excited!” ” proclaims Tim McGraw during his debut ACL performance. So are we to welcome one of contemporary country’s biggest stars.
In a dynamic performance, McGraw takes the ACL stage armed with both his greatest hits and brand new songs. Performing tracks from his 2013 record Two Lanes of Freedom, McGraw blazes through an hour-long set of his distinctive brand of rockin’ country music.
Launching into a set that has the audience on its feet from the first note, the country kingpin has his engines revving and thrills the crowd in a visceral, moving performance. From his hard-driving new single “One of Those Nights” to the feel-good hangover of “Mexicoma,” the energy level is at 11 when McGraw sings his massive career-defining anthem “Live Like You Were Dying.” He brings the show to a close and a smile to every face with the good-natured hillbilly humor of his recent huge hit “Truck Yeah,” a singalong anthem if there ever was one.
“Country Music has plenty of superstars to go around, but Tim has that special ability to make an emotional connection with his audience that is rare in any genre,” says ACL Executive Producer Terry Lickona. “His first ACL appearance meant a lot to him – he told me it made him feel ‘like a real musician – not just sort of smoke and mirrors.’”
