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Join us this weekend for a night of intimate and supremely talented performances from The Civil Wars and Punch Brothers. With zero percussion assistance for each performance, one acquires a clear picture of the depth of musicianship and delicately crafted songs that both of these artists brought to our stage earlier this year. What you’ll find from both artists is nothing short of moving, inspiring, and wildly intriguing.

With open arms and a bare stage, we welcomed the Civil Wars back in February to open Season 38. The Grammy Award-winners proved to be a perfect start to the newest season on so many levels. Their minimalist set with the ever-so perpetual Austin skyline in the background highlighted the voices of Joy Williams and John Paul White as they played hits off their Grammy-winning 2011 release Barton Hollow. Included in this performance are two very intense, but true to the original spirit, renditions of Michael Jackson’s “Billie Jean,” and Smashing Pumpkins’ “Disarm.” At one moment you realize that Williams and White had the entire audience in their hand when Williams remarked about how quiet and attentive the audience was reacting. It’s true – at many points during this episode you become so captivated by Joy’s sashaying and John’s guitar playing that you forget where you are and immediately realize why these two are garnering the much deserved appraisal they’ve gotten in the last year.

“When you start a band this is all you ever really want to do…play Austin City Limits.” mentioned Chris Thile in the middle of their set. Thile, who is no stranger to the ACL stage (this is his third appearance on the show), debuts his all-star band that formed back in 2006 in this episode. Again there is no percussion, but unlike the simple quietness that we get from The Civil Wars earlier, we get an influx of sound from the mandolin, fiddle, banjo, guitar, and bass. The progressive rock stars of the bluegrass world take us through their 2012 release of Who’s Feeling Young Now? with a few sprinkles of the 2010 album Antifogmatic. This group’s genre jumping and incredible musicianship will have you tapping your toes and wishing you had taken up banjo back in 10th grade.

For those of you in Austin that are attending Fun Fun Fun Fest this weekend, this episode will be an alternative to the chaotic excitement on the Black, Orange, and Blue stages. For those in other parts of the country, this is something you will not want to miss, but don’t take our word for it – see it for yourself! You can check here for local listings and times in your area. Also, be sure to check out our Facebook, Twitter, and Tumblr for all things Austin City Limits.

After a magnificent celebration of soul with Bonnie Raitt and Mavis Staples, we’re shifting gears this week to give you some of the best the indie rock world has to offer. In this all-new episode, the Shins return for their second ACL episode, while Dr. Dog makes its debut appearance on our stage.

The last time Albuquerque-to-Portland band the Shins appeared on ACL was in 2004 (Season 30). Eight years later, singer/songwriter James Mercer brings a brand new crew in support of the group’s acclaimed fourth LP Port of Morrow. The quintet samples the latest record with “September,” “It’s Only LIfe,” “The Rifle’s Spiral” and the appropriately catchy single “Simple Song,” hitting a real sweet spot between rich, melodic hooks and Mercer’s clever, literate lyrics. But the band also digs deep into the Shins catalog, bouncing through “So Says I,” from breakthrough record Chutes Too Narrow, and reaching all the way back to its debut by closing the set with “New Slang.” It’s a masterful performance by a band hitting the peak of its powers.

For its first appearance on ACL, Dr. Dog proves why it’s a favorite on the live circuit. Adding a dash of jam band spice to its psychedelic indie rock batter, the Philadelphia sextet knows how to have a good time playing, while still keeping its songs catchy and concise. The band opens this episode with “Lonesome,” the tune that begins its much-heralded seventh LP Be the Void, kicking off the show to rollicking effect. “Jackie Wants a Black Eye” and “Vampire” keep the party going, and by the time the Dog hits a trio of tunes from its fan-favorite LP Fate, ending with “The Rabbit, the Bat and the Reindeer,” Dr. Dog lets us know just why it’s been such a popular concert draw in its decade of existence. As executive producer Terry Lickona says at the beginning of the show, “Great songs and live energy make for a winning combination.”

To get info on when and where to tune in to this excellent episode, check here for local listings. Also, don’t forget to “Like” us on Facebook or follow us on Twitter or Tumblr for more updates about tapings, giveaways, and sneak peeks. Tune in next week for another Season 38 debut with the Civil Wars and Punch Brothers.

So far this season we’ve brought you two groups (Radiohead & Bon Iver) that we’ve looked forward to having on our stage for years, this weekend is no exception. For the first time ever we bring you both Mavis Staples and Bonnie Raitt, two legends and soul sisters for the perfect combination of soul, R&B, blues, and gospel.  “We come this evening to bring you some joy, some happiness, inspiration and some positive vibrations,” declared Miss Staples back in June for our soul sister duel, and boy, did they deliver! This was a night full of smoky voices, sassy guitar playing, audience hooplah, and ardent exhibition.

This is Bonnie’s third appearance on Austin City Limits and although it’s been ten years since we’ve seen her last, she couldn’t have been welcomed more warmly. The audience greets the nine-time Grammy Award winner and bestselling artist with much love and admiration. She predominantly plays off of her 2012 album Slipstream, including “Down to You,” “Used to Rule the World” and a bluesy take on the Bob Dylan song “One Million Miles.” She finally exclaims, “Awww man! I love John Hiatt!” before ending with her Nick of Time hit “Thing Called Love.”

Mavis Staples is a clearly a legend. This lady has seen it all from singing songs on the forefront of the Civil Rights movement to being inducted in the Rock and Roll Hall of Fame. Joined onstage with her three backup singers and backing band, Mavis’ energy and famous low register voice charm the audience like we’ve never seen on classics like “Creep Along Moses” and “Freedom Highway.” At the end of the set, Mavis invites her lovingly coined “baby sister” Bonnie Raitt onstage for a couple of songs. On the emotional duet “Losing You,” dedicated to their fathers, Mavis and Bonnie share a moment where they hold hands and look at each othe – it’s one of the incredibly touching moments of the evening. They end the night with a rendition of “Will the Circle Be Unbroken” a version that had the entire audience clapping and dancing.

Don’t miss this inspiring and heartfelt episode – you won’t regret it. To find out when and where you can catch this episode check here for local listings. Also, don’t forget to “Like” us on Facebook or follow us on Twitter or Tumblr for more updates about tapings, giveaways, and sneak peeks! Tune in next week for the The Shins and Dr. Dog!