Category: Encore Broadcast

WARNING:  This Saturday’s encore episode may induce the following behavior: dancing/booty shaking, laughter, uncontrollable smiling, clapping, soulful singing, and bass throwing (if you have one nearby).

What are we talking about? This week’s episode featuring multi-instrumentalist and R&B veteran Raphael Saadiq and Austin’s own Black Joe Lewis & the Honeybears, of course.

Referring to journalists as “lazy” when they try to fit his musical style under genre specific labels (such as neo-soul), it’s clear from this performance and his albums that Raphael Saadiq draws inspiration from a wide array of artists. Featuring special guest Kim Wilson of the Fabulous Thunderbirds, Saadiq covers hits from his 2011 album Stone Rollin’. Watch when Saadiq performs the title track, a song he initially wrote when he was 11 about a “full-figured, bluesy woman,” as his background vocalists show as much energy as Saadiq himself.

Black Joe Lewis & the Honeybears have been such an Austin favorite and “must-see” over the years that it wasn’t a shock when the group starting gaining national attention. In this performance you see the group at its finest, performing a mix of songs from its 2009 debut Tell ‘Em What Your Name Is! and their 2011 release Scandalous. This performance is brimming with energy, soul and flying instruments, and hits its peak at the end, when the group is joined by Dallas gospel group the Relatives for the fervid hit and crowd favorite “You Been Lyin’.”

Check your local listings for showtimes to see this episode and be sure to follow us on Facebook and Twitter, or hook up with our newsletter to keep up with updates on tapings and airings! Oh, and please watch out for the bass. Austin City Limits does not condone anyone throwing instruments in the living room, but if you do, let us know because that would be an awesome story worth sharing. Next week: Wilco with special guest Nick Lowe.

“This is a special night for us. We’re very excited!” ” proclaims Tim McGraw during his debut ACL performance. So are we to welcome one of contemporary country’s biggest stars. In a dynamic performance, McGraw takes the ACL stage armed with both his greatest hits and brand new songs. Performing tracks from his record Two Lanes of Freedom, McGraw blazes through an hour-long set of his distinctive brand of rockin’ country music.

Launching into a set that has the audience on its feet from the first note, the country kingpin has his engines revving and thrills the crowd in a visceral, moving performance. From his hard-driving new single “One of Those Nights” to the feel-good hangover of “Mexicoma,” the energy level is at 11 when McGraw sings his massive career-defining anthem “Live Like You Were Dying.” He brings the show to a close and a smile to every face with the good-natured hillbilly humor of his recent huge hit “Truck Yeah,” a singalong anthem if there ever was one.

“Country Music has plenty of superstars to go around, but Tim has that special ability to make an emotional connection with his audience that is rare in any genre,” says ACL Executive Producer Terry Lickona. “His first ACL appearance meant a lot to him – he told me it made him feel ‘like a real musician – not just sort of smoke and mirrors.’”

Check out the episode page for more info on this exciting show. Keep up with other ACL goings-on through our Facebook and Twitter pages and our newsletter. Next week: The Lumineers and Shovels & Rope.

This weekend Austin City Limits is bringing you some southern twang, pink guitars, shotgun mic stands and serious country with this encore episode featuring Miranda Lambert and Jeff Bridges.

Miranda Lambert has become a household name since her appearance on Nashville Star back in 2003 and is now, undoubtedly, one of country music’s biggest names. Miranda, whose father is a singer/songwriter, admits that she wasn’t always keen on singing growing up, but once she turned 17 she realized that music was the most natural way for her to express herself. Since then Miranda has released five studio albums, won a Grammy for her song “The House That Built Me” and now has a side project with Ashley Monroe and Angaleena Presley called Pistol Annies, who join Lambert to sing “Hell On Heels,”  their biggest hit of their album by the same name.

The highly acclaimed actor/singer Jeff Bridges also appears in this episode, singing hits from the Grammy-winning Crazy Heart soundtrack as well as songs from his 2011 self-titled debut. Known for his prolific acting career, the Oscar-winning Bridges shows fans a different side, displaying his singing and songwriting ability. While shooting Crazy Heart, Bridges realized that he was a bit tired of the “acting thing” and wanted to go back to his original interest: music. Highlights of the performance include the songs, “Somebody Else” and “What a Little Bit of Love Can Do,” written by beloved Austin musician Stephen Bruton.

So sit back and relax this Saturday with two of country music’s most famous and talented names. Be sure to check your local listings for showtimes to see this episode and be sure to follow us on Facebook, Twitter, or through our newsletter to keep up with updates on tapings and airings. Next week: Tim McGraw.

Mumford & Sons are This weekend’s encore presentation of Austin City Limits features a high-octane night of contemporary music’s best folk rock practitioners, including sets by British superstars Mumford & Sons and Celtic folk-punkers Flogging Molly.

The episode, which originally aired in October 2011, finds Mumford & Sons making their ACL debut and is a must-see for fans and a primer for those new to the band’s cathartic live shows. Blending acoustic instrumentation, vocal harmonies and a tireless work ethic, Mumford & Sons have earned an international reputation as one of the best live bands, winning over audiences with their masterful, melancholy voices and musical skills. Mumford & Sons’ inspired set features tracks from their career-making debut Sigh No More, and the blockbuster follow-up Babel. The energy on the night of the taping vibrated the walls at The Moody Theater, and it translates directly to the screen. The band perform fan favorites “The Cave” and “Roll Away Your Stone” and poignant ballads “Timshel” and “Awake My Soul.” A highlight is an early televised performance of “Lover of the Light,” previously unrecorded, and now featured on Babel.

“The first time this show aired, Mumford & Sons did not have the biggest-selling record in the world,” says ACL Executive Producer Terry Lickona. “But today they still capture the hearts and souls of young music fans better than anybody else around – and this amazing performance shows why. They do it the old-fashioned way, with authentic songs that speak to real life, and they play their asses off!”

Speaking of energy, Flogging Molly doesn’t disappoint in their ACL debut. The band storms the stage with tuneful melodies and puts on a magnificent show with their unique brand of Celtic folk/punk.  Tune in for lively renditions of “Requiem For A Dying Song,” “Tobacco Island,” and “Devil’s Dance Floor.”  Bandleader Dave King called their ACL taping “the most important live performance they’ve ever done.”

“A live Flogging Molly show is an experience as much as it is a show,” hints ACL’s Terry Lickona.  “When you’re watching, crank up the volume and buckle up for the ride!”

Check the episode page for more info, photos and clips. Click over to our Facebook and Twitter pages or sign up for our newsletter for up-to-date news on all things Austin City Limits. Next week: Miranda Lambert and Jeff Bridges.

This weekend, Austin City Limits shines the spotlight on two of indie rock’s most innovative bands, with the ACL debuts of Vampire Weekend and Grizzly Bear.

Vampire Weekend kicks off an exuberant performance with “Diane Young” from their latest album, Modern Vampires of the City.  The band formed in 2006 at NY’s Columbia University and “quickly became one of the most important New York bands of this millennium” (NY Times). Vampire Weekend’s dynamic, high-energy performance offers a window into their unique sound. The group perform tracks from their three albums, including the massive hit “Cousins,” from their 2010 sophomore release Contra, which earned the band a Grammy Award nomination for Best Alternative Album.  Displaying their impressive musicianship by playing the tricky polyrhythms and intricate melodies that are a hallmark of their sound, the four-piece band keeps their well-crafted choruses and melodies flowing throughout for a memorable debut.

“Vampire Weekend are festival favorites for good reason – everybody loves their music!” says ACL executive producer Terry Lickona. “They have an easy-going approach that almost makes it feel like they’re playing in somebody’s backyard instead of to thousands (or in this case, on national TV). Their songs are intoxicating.”

With their sweeping, psychedelic indie rock in full effect, Grizzly Bear turns in a stellar set as well. Grizzly Bear has been steadily ascending throughout their decade-long career, garnering raves for their special blend of visceral, majestic indie rock. Pitchfork says, “the Brooklyn four-piece make pop music for the ambient, asking us to notice the importance in detail, the beauty of texture, and the foregrounds that exist all across our spectrum of perception.” The band takes the ACL stage performing songs primarily from their acclaimed recent album Shields, which Rolling Stone named one of the year’s best. Grizzly Bear features two singers, Ed Droste and Daniel Rossen, who are also the main songwriters, and the band’s emphasis on collaboration is front and center as they trade off vocals, delivering gorgeous, elaborate, haunting compositions.

“There’s almost something spiritual, or at least ethereal, about Grizzly Bear’s music,” says ACL’s Lickona. “Their sweet harmonies can be hypnotic, and overall there’s this low-key kind of excitement about them that just leaves you wanting more!”

Check out the episode page here and tune in this Saturday to see the show for yourself. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: Mumford & Sons and Flogging Molly.

As a bandleader, Jack White has visited the Austin City Limits studio before, ripping it up with the Raconteurs back in 2006. Now Jack White returns to our stage as a solo artist to demonstrate exactly why he’s one of today’s most exciting musicians.

Ever the risk-taker, White hits the stage bathed in blue light and accompanied by not one but two bands comprised of Nashville’s best musicians. Working without a net, White eschews a set list and draws from nearly every project of his prolific career. So this episode treats you to some White Stripes (“I’m Slowly Turning Into You,” “We’re Going to Be Friends,” “Dead Leaves and the Dirty Ground”), a little Raconteurs (“Top Yourself”), a pinch of Dead Weather (“Blue Blood Blues”), a blues cover (Blind Willie Johnson’s “John the Revelator”) and White’s contribution (“You Know That I Know”) to The Lost Notebooks of Hank Williams, a collection of Williams lyrics set to music by contemporary songwriters.

Of course, much of the show is dedicated to songs from Blunderbuss, White’s much-acclaimed solo debut. Watch him burn through “Freedom at 21” and “Missing Pieces” with his all-male group the Buzzards, then blaze through “Hypocritical Kiss” and “Love Interruption” with his all-female band the Peacocks. The mostly acoustic title tune serves as the transition point, as Buzzards give way to Peacocks before the guitars finish feeding back and “Love Interruption” begins.

See more about the show here, then check your local PBS listings to find out when to tune in to see for yourself. Keep up with ACL news and happenings on our Facebook and Twitter feeds, as well as our news page. Next week: Vampire Weekend and Grizzly Bear.