Tweedy keeps ACL Season 40 in motion

Austin City Limits presents a Season 40 highlight—the return of ACL veteran Jeff Tweedy for a very special hour of music. The Wilco leader showcases his new solo project Tweedy, joined by son Spencer and their special guests, as they perform a mix of new songs and Wilco classics.

As a longtime favorite son of ACL, it’s only fitting that Jeff Tweedy returns to the ACL stage with his own son for the show’s milestone 40th anniversary season. The esteemed singer-songwriter has appeared on ACL four times previously with his main outfit Wilco, starting back in Season 25.  This new installment marks his first-ever solo outing for ACL, accompanied by his 18-year-old son Spencer Tweedy on drums, with lush harmonies from Holly Laessig and Jess Wolfe of the band Lucius.

“It took me 18 years to have a solo record because I had to grow a drummer,” jokes Tweedy to the ACL audience, as the father-son team begin the strikingly intimate hour with songs from the critically-acclaimed 2014 release Sukierae. In a recent four-star review, Rolling Stone hails the debut as “another tour de force from a guy who’s made a few.” Closing the five-song band set of new material with the new folk-rocker “Nobody Dies Anymore”, the Grammy-winning frontman treats the Austin crowd to a solo acoustic set of fan favorites from Wilco’s vast catalog including “Via Chicago” and “I Am Trying to Break Your Heart”.  Tweedy also performs a spirited version of Austin songwriter Doug Sahm’s classic “Give Back the Key to My Heart”, a song he recorded more than twenty years ago as a member of the legendary Uncle Tupelo. The episode comes to a captivating close with Jeff Tweedy taking the stage solo for a powerful rendition of Wilco’s “Misunderstood.”

photo by Scott Newton

“This show has special meaning for all of us at ACL,” says ACL executive producer Terry Lickona. “A few years ago I introduced Wilco from the stage as the band that best sums up everything that Austin City Limits is all about. Jeff Tweedy continues to be one of the most creative voices in modern music, and together with his son they continue to build on two incredible legacies – his and ours!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Next week: Nick Cave & the Bad Seeds.

 

Ryan Adams’ triumphant return to ACL

Ryan Adams made a triumphant return to the Austin City Limits stage last night playing a quiet, soulful acoustic set followed by a rocking electric set keeping fans on their feet for over two hours. Tonight’s taping was two shows for the price of one.

In perfect contrast to the nature of the first set, Adams hit the stage in a Dag Nasty T-shirt and a blue jean jacket adorned by punk rock patches before essaying a series of his patented melancholy ballads. He opened with “Oh My Sweet Carolina” from his debut solo album Heartbreaker; while it was originally a duet with Emmylou Harris, it worked just fine solo. Adams alternated between older tunes (“Desire,” “Please Do Not Let Me Go,” “My Winding Wheel”) and songs from his new self-titled LP (“My Wrecking Ball,” “Am I Safe,” “Gimme Something Good”), peppering his tales of disappointment and heartbreak with enough snappy patter to make Spider-Man proud. He ended the solo set with a particularly affecting “If I Was a Stranger” and a ramshackle romp through Bryan Adams’ “Run To You,” leaving the audience in both tears and stitches.

With a stage festooned with a fake giant amp, a golden skull, an American flag with a peace symbol, a stuffed tiger and a video game console loaded with 80s classics, Adams and his new band the Shining arrived and launched into a fully-amplified version of “Gimme Something Good,” making the title a demand instead of a plea. Expertly backed by his quartet (which included Mike Viola, the voice of “That Thing You Do”), Adams followed the same pattern as the acoustic set, moving back and forth between new tunes and old favorites. Recent songs like the Stonesy rocker “Stay With Me,” the dramatic rock ballads “Do I Wait” and “Dirty Rain” and the atmospheric noisemaker “Shadows” were greeted with the same enthusiasm as older set pieces like the pretty folk popper “La Cienega Just Smiled,” the sad country lament “Dear Chicago” and the rousing anthem “New York New York.”

The show came to a head near the end, with a medley of “Rats in the Walls” and “When the Summer Ends,” a pair of brief tunes from his recent 1984 EP, and the mood-swinging dynamics of the charged “I See Monsters” from Love is Hell. Adams ended the show where he began, revisiting his solo debut Heartbreaker for the profane country kiss off “Come Pick Me Up,” at which the audience cheered as soon as he played its opening harmonica lick. It was a sprawling, wide-ranging trip through Adams’ musical mind, and we can’t wait for you to see it when it broadcasts on PBS early next year. Stay tuned.

 

Nine Inch Nails continues ACL Season 40

Austin City Limits presents a rare hour of television with legendary industrial rock titan Nine Inch Nails in a special encore broadcast  that originally previewed in April as a prelude to our 40th anniversary season. Recently nominated for induction into the Rock and Roll Hall of Fame, NIN give an arena-worthy performance in their ACL debut.

“We’ve waited a long time to do anything like this,” says Nine Inch Nails’ Trent Reznor from the ACL stage. The episode offers a fascinating look at the influential act’s artistry in a flawless performance of unparalleled intensity. NIN’s Reznor and the seven-piece band—Alessandro Cortini, Josh Eustis, Robin Finck, Lisa Fischer, Sharlotte Gibson, Pino Palladino and Ilan Rubin—deliver an electrifying hour-long set that is a masterpiece of tension and release. Opening with the sultry “All Time Low” from the critically-acclaimed Hesitation Marks—their first album in five years—the band performs tracks from its recent offering alongside earlier works, including 1999′s The Fragile. NIN segue into a revamped version of “Sanctified” from the 1989 debut Pretty Hate Machine, with the vocal duo of Fischer and Gibson adding depth and texture to the pummeling rhythms throughout the song as well as the entire riveting set. The cathartic performance comes to a close with a redemptive take on the NIN classic “Hurt”, as Reznor grips the microphone and howls the confessional lyrics while the Austin audience begs for more.

photo by Scott Newton

“We never thought we’d see the day when Nine Inch Nails would set foot on the ACL stage,” says Executive Producer Terry Lickona. “I mean, they never did television for 25 years. I came away from this show having the greatest respect for Trent Reznor. He’s one of the most focused, intense and creative artists I’ve ever worked with.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Tweedy.

 

Giveaway: Ryan Adams 10/22

UPDATE: Giveaway is now over

Austin City Limits will be taping a performance by Ryan Adams on Wednesday, October 22nd, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on October 21st. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio.

Spoon returns to rock ACL

We love having hometown heroes on Austin City Limits. So we’re thrilled to welcome ACL vets Spoon back for our 40th anniversary season. Masterful songwriter and singer Britt Daniel had led his crew to our stage on three other occasions: in 2002, 2005 and 2010. Now riding high on their rapturously received new record They Want My Soul, Spoon returned for their fourth taping to rock ACL once again.

The quintet opened the show with the new album’s “Knock Knock Knock,” a moody rock tune punctuated by Alex Fischel’s noisy guitar solos. The band then swung directly into “Rent I Pay,” another They Want My Soul tune that proved that Spoon has only gotten tighter, hookier and more melodic as they’ve matured. The band drew mostly from its three most recent albums thereafter, banging out tasty, tension-filled pop rockers like “Who Makes Your Money,” “Do You” and “Rainy Taxi” and groovier, more atmospheric numbers a la “Way We Get By” (which found Fischel joining the audience with his tambourine), “The Ghost of You Lingers” (on which Jim Eno abandoned his drum kit to take up one of our handheld cameras) and “Don’t You Evah.” They split the difference with “Don’t Make Me a Target,” which started out stacatto and moved into limber by the end, thanks in part to Eric Harvey’s clavinet. Much to the fans’ delight, Spoon dipped into their two decades’ of catalog as well, with the piano-driven “Way We Get By,” winsome “The Beast and Dragon, Adored” and gloriously choppy “I Turn My Camera On.” Preferring a no-frills approach, Spoon makes a virtue of straightforward, gimmick-free performances, contrasting Daniel’s vibrant, barely contained cool with Fischel’s spastic thrashing.

Spoon ended the main set with the postpunk slash of “Got Nuffin” and the more jangling “Black Like Me,” but the evening wasn’t over yet. The band returned with a pair of gems from They Want My Soul, the nearly funky “Outlier” and the snappy title cut. But it was the ending that brought down the house, as the band blazed through a dynamic version of its radio hit “The Underdog,” giving it as close to a big rawk finish as they’ll ever come. It was a bravura performance, and we can’t wait for you to see it when it airs on PBS early next year.

ACL Season 40 continues with Ed Sheeran and Valerie June

Austin City Limits continues its milestone 40th season with two innovative singer-songwriters: UK sensation Ed Sheeran and rising star Valerie June. Ed Sheeran makes his ACL debut in a must-see episode that features the breakout star performing his entire set solo. Sheeran exudes the raw talent that has made him a worldwide superstar, with charged versions of hits from his landmark debut and new songs from the chart-topping follow-up release. Acclaimed Southern singer-songwriter Valerie June shares the bill, making a captivating ACL debut with her starry-eyed roots music.

Ed Sheeran brings his A-game in his ACL debut, with a remarkable one-man solo performance that demonstrates why he’s one of music’s most popular live performers.  Clad in an ACL t-shirt, the 23 year-old three-time Grammy nominee performs his  breakthrough hits “The A Team,” “Lego House” and songs from his new release x.  With an acoustic guitar and a loop pedal as his only accompaniment, Sheeran creates a perfectly balanced mix of hip-hop and acoustic balladry. He showcases the honest songwriting and vocals that have earned him legions of fans across the globe.  Closing out the crowd-pleasing set, Sheeran leads the rapturous audience in an epic sing-along of his hit “Sing,” with the Austin crowd still chanting as Sheeran leaves the stage.

Striking Southern singer-songwriter Valerie June makes her first appearance on the ACL stage performing songs from her luminous debut Pushin’ Against a Stone. The Washington Post raves of the release: “Shades of Nina Simone, Dolly Parton and blueswomen of decades past flicker throughout; you can easily picture it crackling out from a timeworn record player.” The Tennessee native’s heartfelt sound and beautifully timeless voice have earned her critical raves and a 2014 Americana Awards nomination for emerging artist. With one foot in country blues, the other in mountain folk music and her head in the stars, June and her band conjure a distinctive brand of genre-blending that she calls “organic moonshine roots music” for a memorable ACL debut.

photo by Scott Newton

“In some ways, Ed Sheeran and Valerie June are as different as night and day,” says ACL Executive Producer Terry Lickona, “but they are both distinctly original in their music. Through their intimately personal songs and unique onstage personas, they represent everything that Austin City Limits is all about.”

Tune in this Saturday for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Nine Inch Nails.