Encore: Edward Sharpe and the Magnetic Zeros/tUnE-yArDs

Austin City Limits is proud to present the encore of an inspired double-bill featuring the experimental sounds of Edward Sharpe and the Magnetic Zeros and tUnE-yArDs.

The psychedelic folk troupe Edward Sharpe and the Magnetic Zeros bring their shared spirit to the ACL stage in their debut appearance on the show. Equipped with infectious melodies, catchy sing-a-longs and a free-spirited frontman, the 12-piece ensemble have gained fans all over the world. With two critically-acclaimed albums and a widespread reputation for energetic performances, the down-home outfit create what NPR calls a “gloriously uplifting ruckus.” The Los Angeles-based group draws inspiration from the communal musical communities that peppered Southern California with positive vibrations during the ’60s and early ’70s. The gang of animated musicians perform their bright music and homespun harmonies on ACL complete with spontaneous dancing, bare feet and bared souls.

“This is a band that loves to make music, pure and simple,” says ACL Executive Producer Terry Lickona. “They may look and sound like they came straight out of the 60’s, but there is a joy to their music that is infectious – onstage or off. In fact, frontman Alex Ebert had a hard time staying ON our stage during the show, and to everyone’s delight he plunged into the crowd more than once.”

Next up is the bold, uncompromising music of tUnE-yArDs, performing tracks from the critically-acclaimed opus whokill. The brainchild of indie singer-songwriter Merrill Garbus, tUnE-yArDs have fashioned an expansive sound incorporating layered ukulele, voice, electric bass and drum loops into an eclectic DIY aesthetic. Technology meets primal in the music of Garbus, who The New York Times describes as “somewhere between Aretha Franklin and Yoko Ono.” She showcases her striking sound for her first appearance on the ACL stage. With a bassist and two sax players joining Garbus’ frontline of drums, amplified ukelele and looping technology, tUnE-yArDs put on a show unlike any other.

photo by Scott Newton

“I don’t think we’ve ever had an act quite like Merrill Garbus and tUnE-yArDs on ACL,” says Lickona. “But don’t be fooled…just when her music seems to veer off in a strange direction, Merrill brings it all back home with the raw power of her voice and those loopy rhythms.”

Check out the episode page for more details on this remarkable show. We also hope you’ll visit us on Facebook and Twitter, or sign up for our newsletter. Next week: Ed Sheeran and Valerie June.

 

Stream our taping with Sturgill Simpson live on Apr. 1

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Austin City Limits is pleased to announce that we will be streaming our debut taping with Sturgill Simpson live on Wednesday, April 1, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel and powered by Dell.

The Kentucky native released his first album High Top Mountain in 2013, establishing his philosophical brand of outlaw country. He broke out with his second LP Metamodern Sounds in Country Music, which earned Simpson national press coverage and the Emerging Artist of the Year Award at the 2014 Americana Music Awards & Honors. We’re proud to welcome Simpson for his ACL debut.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of Sturgill Simpson.

 

Austin City Limits Hall of Fame ceremony 6/18

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Be a part of the audience for the 2015 Austin City Limits Hall of Fame ceremony on June 18th!  Hosted by 21-time nominated, multiple GRAMMY Award-winning country star Dwight Yoakam, this musical celebration will take place at 7 pm at ACL Live at The Moody Theater. The ceremony inducts five trailblazing artists who have contributed to the iconic series legacy as a music institution — Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jimenez and Townes Van Zandt — and will feature music performances and tributes from a star-studded line-up of special guests to be announced.

Tickets for the second Austin City Limits Hall of Fame Induction Ceremony and concert will go on sale April 2nd at 10 am. Prices start at $75 and all proceeds benefit KLRU-TV, Austin PBS. Tickets can be purchased at acltv.com/hall-of-fame

Giveaway: Sturgill Simpson

Austin City Limits will be taping a performance by Sturgill Simpson on Wednesday, April 1st, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on March 30th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.

Encore: Tim McGraw

“This is a special night for us. We’re very excited!” ” proclaims Tim McGraw during his debut ACL performance. So are we to welcome one of contemporary country’s biggest stars.

In a dynamic performance, McGraw takes the ACL stage armed with both his greatest hits and brand new songs. Performing tracks from his 2013 record Two Lanes of Freedom, McGraw blazes through an hour-long set of his distinctive brand of rockin’ country music.

Launching into a set that has the audience on its feet from the first note, the country kingpin has his engines revving and thrills the crowd in a visceral, moving performance. From his hard-driving new single “One of Those Nights” to the feel-good hangover of “Mexicoma,” the energy level is at 11 when McGraw sings his massive career-defining anthem “Live Like You Were Dying.” He brings the show to a close and a smile to every face with the good-natured hillbilly humor of his recent huge hit “Truck Yeah,” a singalong anthem if there ever was one.

“Country Music has plenty of superstars to go around, but Tim has that special ability to make an emotional connection with his audience that is rare in any genre,” says ACL Executive Producer Terry Lickona. “His first ACL appearance meant a lot to him – he told me it made him feel ‘like a real musician – not just sort of smoke and mirrors.’”

photo by Scott Newton

Check out the episode page for more info on this exciting show. Keep up with other ACL goings-on through our Facebook and Twitter pages and our newsletter. Next week: Edward Sharpe & the Magnetic Zeros and tUnE-yArDs.

 

TV on the Radio conquers ACL

When TV on the Radio hit our studio for its livestreamed Austin City Limits debut, the Brooklyn combo proved exactly why it’s one of the most acclaimed bands in the land. The quartet’s ingenious mashup of rock, soul and electronica makes it a favorite of both critics and audiences, and gives it a unique style and flavor that conquered onstage.

A slow, psychedelic intro signaled the atmospheric “Young Liars,” the title track from the band’s 2003 EP that introduced it to the world. But the mood didn’t stay dreamy for long, as the foursome (plus two auxiliary musicians) launched into the punk-rocking “Lazerray,” an aggressive track from TVOTR’s latest album Seeds. That record, described as “ a perfect distillation of what the band does best” by Exclaim, provided the backbone of the set. Stripping down its often elaborate production schemes to simply get down to business, the band hit hard on “Winter,” the synth-spiked “Happy Idiot” and the trombone-frosted “New Cannonball Blues” (from the group’s previous LP Nine Types of Light). “Could You,” the 6/8 “Love Dog” and the crushing “Wolf Like Me” (from breakthrough Return to Cookie Mountain) represented TVOTR’s lighter-waving anthem side, while the dreamy “Seeds” and silky “Careful You” embodied its skill with psychedelic balladry.

Following the nearly rapped demi-punk smasher “Dancing Choose,” from the record Dear Science, TVOTR closed its main set with the emotional anthem “Trouble,” which directly addresses the loss the band felt at the sudden death of member Gerard Smith with the repeated plea “Everything’s gonna be okay!”. “This song is dedicated to anyone seriously going through something right now,” noted singer Tunde Adebimpe, and the crowd responded with a standing ovation after the song’s gentle close. Though no encore was planned, the band couldn’t just leave us in such an overwhelmed state, and came back with “DLZ,” a loud, wordy groover from Dear Science that gave us the catharsis we needed. A stunning show, and one we can’t wait for you to see once the final edit hits the PBS airwaves this fall.

 

Encore: The Civil Wars and Punch Brothers

Join us this weekend for a night of intimate and supremely talented performances from The Civil Wars and Punch Brothers. With zero percussion assistance for each performance, one acquires a clear picture of the depth of musicianship and delicately crafted songs that both of these artists brought to our stage. What you’ll find from both artists is nothing short of moving, inspiring, and wildly intriguing.

With open arms and a bare stage, we welcomed The Civil Wars back in February 2012 as the first taping that year. The Grammy Award-winners proved to be a perfect start to the newest season on so many levels. Their minimalist set with the ever-so perpetual Austin skyline in the background highlighted the voices of Joy Williams and John Paul White as they played hits off their 2011 release Barton Hollow. Included in this performance are two very intense, but true to the original spirit, renditions of Michael Jackson’s “Billie Jean,” and Smashing Pumpkins’ “Disarm.” At one moment you realize that Williams and White had the entire audience in their hand when Williams remarked about how quiet and attentive the audience was reacting. It’s true – at many points during this episode you become so captivated by Joy’s sashaying and John’s guitar playing that you forget where you are and immediately realize why these two have garnered their much-deserved praise.

“When you start a band, this is all you ever really want to do – play Austin City Limits,” mentioned Chris Thile in the middle of Punch Brothers’ set. Thile, who is no stranger to ACL (this is his third appearance), brings his all-star band that formed back in 2006 to the show. Again there is no percussion, but unlike the simple quietness that we get from The Civil Wars earlier, we get an influx of sound from the mandolin, fiddle, banjo, guitar, and bass. The progressive rock stars of the bluegrass world take us through their 2012 release of Who’s Feeling Young Now? with a few sprinkles of the 2010 album Antifogmatic. This group’s genre-jumping and incredible musicianship will have you tapping your toes and wishing you had taken up banjo back in 10th grade.

photo by Scott Newton

This is something you will not want to miss, but don’t take our word for it – see it for yourself! You can preview the episode and get more information here; check here for local listings and times in your area. Also, be sure to check out our Facebook and Twitter pages for all things Austin City Limits, and sign up for our newsletter for further info. Next week: Tim McGraw.

 

Live stream our taping with TV on the Radio Mar. 16

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Austin City Limits is pleased to announce that we will be streaming our debut taping with TV on the Radio live on Monday, Mar. 16, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

The Brooklyn-based quartet has been called  ”one of the most compelling American rock and roll stories of the modern age” by the BBC, “the most innovative band on the planet” by AV Club and “the most vital, current band in America” by the Associated Press. Their critically-acclaimed latest release Seeds topped 2014 Year-End Best lists including capturing the top spot on respected critic Jon Pareles’ New York Times’ Best Albums of 2014 list. The influential band stole the hearts of fans and critics with its 2004 LP Desperate Hearts, Blood Thirsty Babes. By the time 2006’s Return to Cookie Mountain took Spin’s album of the year honors, the band’s eclectic musical spirit – encompassing rock, soul, psychedelia and electronica –  had made it one of the most esteemed acts in the world, with collaborations featuring David Bowie, Nine Inch Nails’ Trent Reznor and the Yeah Yeah Yeahs on its resumé. With a live show described as  ”sexy nerdiness letting go in a controlled blast of unleashed energy” (The Boston Globe), TV On the Radio will give Austin City Limits a stunning show.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of TV on the Radio.