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Giveaway: Jelly Roll

Update: The giveaway is now closed. Austin City Limits will tape a performance by Jelly Roll on Tuesday, April 9th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin PBS is giving away a limited number of passes to this taping. Enter your name and email address on the below form by Friday, April 5th at 2pm. Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


2X Grammy nominated singer/songwriter Jelly Roll (Jason DeFord) debuted Top 3 on the Billboard 200 All Genre Chart and #2 on the Top Country Album charts with his debut Country Album, Whitsitt Chapel (released June 2nd, 2023) – earning the biggest Country debut album in Billboard Consumption Chart history and a Best New Artist Grammy nomination. Following his sweep at the 2023 CMT (Country Music Television) Music Awards where he earned 3 awards to become the most awarded artist of the night, the Billboard Country Power List Cover star and “country’s ‘most authentic’ new artist” (The New Yorker) recently received Billboard’s 2023 Breakthrough Award. “One of Nashville’s fastest rising stars” (The New York Times), Jelly won 4 People’s Choice Country Awards and Best Male Country Artist at the People’s Choice Awards, and was the most nominated male at the 2023 CMA Awards, with 5 total nominations, winning CMA Best New Artist. His hit #1 single “Save Me” — a confessional, vulnerable expression of self-doubt—broke radio airplay records and set the stage for his new season of life and took him to new heights and earned him his 3rd consecutive #1 single at Country radio. He spent a 28-week reign at No. 1 on Billboard’s Emerging Artists chart, and with his 3 #1s on Country radio, Jelly earned the most #1s of the year in the format alongside Morgan Wallen and Luke Combs, as well as several multi-genre #1s.

Jelly Roll continues to resonate with fans on a global scale and earn numerous industry milestones – from playing his sold-out hometown show for 18,000 fans at Nashville’s Bridgestone Arena to sold-out dates at the Ryman Auditorium to his 44 date sold out headlining arena tour to the release of his critically acclaimed Hulu documentary produced by ABC News, “Save Me.” Featured by Nightline, GMA, GMA3, The New York Times, The Tennessean, Billboard, Variety, American Songwriter, CMT and more, his self-built, unconventional industry rise and unique fan connection has garnered praise from numerous outlets, with Variety noting, “for everyone who’s facing the same struggles, Jelly Roll is their Springsteen,” and American Songwriter echoing, “with a string of accolades and an extremely dedicated following, Jelly Roll has emerged as a force to be reckoned with in the music industry.”

His current single, “Halfway To Hell” continues to dominate Country and Rock radio in the US as well as international charts including Canada, the UK, Europe, Japan, and more.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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News Ticket Giveaway Tickets Distributed

Giveaway: Gary Clark Jr.

UPDATE: The giveaway is over. Austin City Limits will tape a performance by Gary Clark Jr. on Tuesday, March 26th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Sunday, March 24th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


Anyone who has listened to a Gary Clark Jr. album or watched the four-time Grammy Award winner perform live knows that he’s a gifted multi-instrumentalist, songwriter and performer. And never more so than on his last album, 2019’s illuminating This Land. But while This Land signaled a breakthrough in displaying his musical versatility beyond the blues, his fourth studio album, JPEG RAW, represents a quantum leap. “Blues will always be my foundation,” says Clark. “But that’s just scratching the surface. I’m also a beat maker and an impressionist who likes to do different voices. I’ve always loved theater and being able to tell a story. At home when I play the trumpet, I think Lee Morgan, or John Coltrane when I play the sax. I’ve even got bagpipes just in case I need them. So while this is my most honest and vulnerable album about relating to the human condition, it’s also the most freeing.” The album’s title track—an acronym for Jealousy, Pride, Envy, Greed … Rules, Alter Ego, Worlds—examines the role cell-phone society plays in this chaos at the expense of real-life, one-on-one interaction. “I don’t love having a mobile device,” explains Clark of the song’s origin and the album’s overarching theme. “I miss being able to have more genuine interaction, looking someone in the eyes and learning something, getting a perspective. JPEG RAW is about showing the real and not the edit. We live in a world of edits, filters and redos. We only get one shot.” “When the album sequencing was finished, the band and I realized that we’d made an album into a movie,” he recalls. “That’s what I was going for sonically because that’s how the whole writing process played out. First, it’s about angst and confusion, the unknown. Next, it’s about looking at ourselves internally. And then it’s about what comes after: the hope and triumph.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Juanes

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Juanes on Monday, March 4th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Saturday, March 2nd at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


Last year, Colombian superstar Juanes experienced a moment of reckoning.

Even though his career as one of the quintessential Latin artists of the past 20 years – with sales of millions of records worldwide – was still enjoying critical and commercial acclaim, the singer/songwriter felt that something was amiss.

“I had made two albums – 2017’s Mis Planes Son Amarte and 2019’s Más Futuro Que Pasado – with young producers from Colombia,” Juanes explains sitting on the balcony of his mother’s house, a sweeping vista of Medellín in front of him. “It was a fascinating experience, because these producers were from a different generation than mine, and their soundscapes are seeped in the urbano genre. Creating music with a computer is great fun, but after a while I felt the need to record a new batch of songs played by a band made of actual people. Especially because that’s what my live shows are all about: a group with drums, guitars, keyboards, bass and percussion giving everything they have in real time.”

Juanes’ first step was to collaborate with legendary Los Angeles-based producer Sebastián Krys on 2021’s Grammy and Latin Grammy winning Origen, a smoldering collection of covers paying tribute to his kaleidoscopic musical influences. Invigorated by Krys’ empathetic feedback, Juanes soldiered on with the 11 songs that make up Vida Cotidiana – his first album of original material in four years.

“I think this is my best album as a musician, composer and performer,” he enthuses. “All my previous experiments were certainly valid – getting out of your safe zone and feeling uncomfortable can provide a transformative experience. But this new session returns to the places that are closely connected with my essence.”

From the somber power-rock chords of “Gris” and the funky accents of the politically charged “Canción Desaparecida” to the stately orchestral touches of “Mayo” and the infectious vibes of “Cecilia” – a duet with Dominican master Juan Luis Guerra informed by the spiraling grooves of Cuban son and Afrobeats – Vida Cotidiana confirms Juanes as one of the most soulful practitioners of quality Latin pop-rock.

“’Cecilia’ offers a direct link to the sounds of the Caribbean,” he says. “I sent Juan Luis a snippet of the song, and he chose to be part of it right away. My wife cried like a baby when she listened to the finished track. All these years, she’s been working out to Juan Luis’ music every day of her life. It’s a very special song for us.”

Lyrically, Juanes is not afraid to question and examine the human soul and its many contradictions.

“A song like ‘Gris’ stems from a very painful moment,” says Juanes, whose emotional honesty has defined his career even from his days with heavy metal outfit Ekhymosis. “At the time, my wife and I were experiencing a short-lived but serious crisis. When I wrote this song, it was the morning after an argument – a point where all hope was lost. I thought our relationship was over. I went to my home studio, started playing, and the song emerged like a miracle. It appeared fully formed, like life itself – those are the little moments that inspire you to try out lyrics, chords and melodies.”

The refined sophistication that defines the new songs is not coincidental. As it turns out, Juanes took advantage of the pandemic and went back to school. With social media as a launching pad, he enlisted a number of instructors and devised for himself a private education in advanced music making.

“You could say that I created my own university,” he laughs. “I wanted to expand my harmonic horizons and enlarge my language – both in terms of words and sonic possibilities.”

Juanes’ teachers covered a wide spectrum of disciplines: he studied guitar with Berklee College of Music instructor Tomo Fujita; music harmony with renowned teacher Guillermo Vadalá; singing with vocal coach Eric Vetro; and poetry with acclaimed Cuban author Alexis Díaz Pimienta.

“I’m very disciplined about my work,” he explains. “In the morning I exercise, take a shower and go right into the studio – every day of my life. And in the middle of the pandemic, when things looked bleak, I kept reassuring myself about the need to carry on with the hope of trying my best. The moment I stopped thinking about writing a hit, I felt liberated. Vida Cotidiana came to life only when I started to create music without trying to second guess myself.”

“I wanted to reconnect Juanes with his essence,” agrees producer Sebastián Krys. “I felt he had wandered away from his artistic identity. We talked about returning to his initial inspiration, when there wasn’t any pressure to write radio hits. I encouraged him to write about whatever was happening in his life.”

Once Krys and Juanes agreed on these parameters, the creativity flowed freely. The sessions yielded more than 40 songs, and the singer even considered releasing a double album. Selecting only the best of the best resulted in an emotionally charged collection that focuses on universal love as the healing force that informs every single aspect of his life. “It’s a very profound record, but also filled with freedom and joy,” says Juanes. “It’s exactly the kind of album that I wanted to make. I was desperate to return to the place where I can finally rediscover my true self.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Bonnie Raitt

UPDATE: The giveaway is now closed and tickets have been distributed. Austin City Limits will tape a performance by Bonnie Raitt on Sunday, October 15th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Thursday, October 12th at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


On the heels of a trio of 2023 Grammy wins, we welcome back an ACL Hall of Fame icon, the legendary Bonnie Raitt, for her first headlining appearance in over a decade, to showcase her triple Grammy-winning album Just Like That… Raitt will also be joined tonight by a special guest, Nashville-based singer-songwriter and guitar virtuoso Sunny War. An American original, Bonnie Raitt first appeared on Austin City Limits in Season 9 in 1984, returned in 2002 and 2012, and performed on the series’ 40th anniversary special in 2014. In 2016, Raitt was inducted into the ACL Hall of Fame by Mavis Staples, with musical salutes from Willie Nelson and Taj Mahal.

Raitt is a singer, songwriter, and guitarist whose unique style blends blues, R&B, rock, and pop. After 20 years as a cult favorite, Raitt broke through to the top in the early 90s with her GRAMMY Award-winning albums, Nick of Time and Luck of the Draw, which featured hits “Something To Talk About” and “I Can’t Make You Love Me,” among others. The thirteen-time GRAMMY winner was inducted into the Rock & Roll Hall of Fame in 2000 and Rolling Stone named the slide guitar ace one of the “100 Greatest Guitarists of All Time” and one of the “100 Greatest Singers of All Time.” 

2023 kicked off with Raitt earning three GRAMMY Awards at the 65th Annual ceremony: Song Of The Year and Best American Roots Song for “Just Like That,” the title track of her most recent album, and Best Americana Performance for “Made Up Mind.” Raitt was also honored with the Recording Academy’s Lifetime Achievement Award in 2022. She was awarded Song of the Year for “Just Like That” at the recent 2023 Americana Honors & Awards. Raitt has been on tour for most of 2023 with stops in the U.S., Australia, the UK, Ireland, and an upcoming coast-to-coast tour of Canada. 2022 was a banner year for Raitt with a 75-date headlining U.S. tour; the release of her critically acclaimed 21st album Just Like That… on her independent label, Redwing Records; receiving the Icon Award at the 2022 Billboard Women In Music Awards and seeing her breakthrough album, Nick of Time added to the Library of Congress’ National Recording Registry. Just Like That… went #1 on six Billboard charts the week of release and was perched at #1 on the Americana Radio Album Chart for ten consecutive weeks. The album’s first single, “Made Up Mind” remained in the top three spots on the Americana Radio Singles Chart for 17 weeks. 

As known for her lifelong commitment to social activism as she is for her music, Raitt has long been involved with the environmental movement, performing concerts around oil, nuclear power, mining, water, and forest protection since the mid-‘70s. She was a founding member of MUSE (Musicians United for Safe Energy), which produced the historic concerts, album, and movie NO NUKES, and continues to work on safe energy issues in addition to environmental protection, social justice, and human rights, as well as creator’s rights and music education.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Foo Fighters

UPDATE: Due to overwhelming interest, the public giveaway is now closed, and pass winners have been notified. Please note there will not be a standby line for this taping; if you have not been contacted as a winner, please do not line up in front of the venue on the evening of October 12th.


Since the 1995 release of their self-titled first album, no other band has carried the torch for rock & roll like Foo Fighters. Throughout the steady ascent to their indisputable status as the last great American rock band, they’ve raised stadiums, arenas and festival fields of voices in song with anthems like “This Is A Call,” “Everlong,” “Monkey Wrench,” “My Hero,” “Learn To Fly,” “All My Life,” “Times Like These,” “Best Of You,” “The Pretender,” “Walk,” “These Days,” “The Sky Is A Neighborhood,” “Shame Shame” and more. Foo Fighters’ 15-GRAMMY-Award-winning catalogue includes The Colour and the Shape, There Is Nothing Left To Lose, One By One, In Your Honor, Echoes, Silence, Patience and Grace, Wasting Light, Sonic Highways, Concrete and Gold and Medicine at Midnight. Following a year of staggering losses, personal introspection and bittersweet remembrances, the Rock & Roll Hall of Famers returned triumphantly with But Here We Are, released June 2, 2023 on Roswell Records/RCA Records. A brutally honest and emotionally raw response to everything Foo Fighters have endured in recent years, But Here We Are is a testament to the healing powers of music, friendship and family. Courageous, damaged, unflinchingly authentic and “driven by a fresh sense of pathos and urgency” (The New York Times), But Here We Are opens with the Alternative/Rock radio #1 “Rescued,” the first of 10 songs that run the emotional gamut from rage and sorrow to serenity and acceptance, and myriad points in between — including “a gruff, melodic rocker with bittersweet hooks” (Stereogum) in the form of “Under You,” the “totally unexpected foray into shoegaze and dream-pop territory” (Uproxx) that is “Show Me How,” the 10-minute epic “The Teacher,” and more. Produced by Greg Kurstin and Foo Fighters, But Here We Are is in nearly equal measure the 11th Foo Fighters album and the first chapter of the band’s new life. Sonically channeling the naiveté of Foo Fighters’ 1995 debut, informed by decades of maturity and depth, But Here We Are is the sound of brothers finding refuge in the music that brought them together in the first place 28 years ago, a process that was as therapeutic as it was about a continuation of life.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Alanis Morissette

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Alanis Morissette on Friday, October 6th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Tuesday, October 3rd at 5pm.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.


Since 1995, Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise and seven Grammy awards. Morissette’s 1995 debut, “JAGGED LITTLE PILL,” was followed by nine more eclectic and acclaimed albums. She has contributed musically to theatrical releases and has acted on the big and small screen. Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological and physical wellness. In 2001, Alanis was awarded the Global Tolerance Award by the Friends of the United Nations for her contributions to promoting tolerance through the arts. In 2016, Alanis launched Conversation with Alanis Morissette, a monthly podcast that features conversations with a variety of revered authors, doctors, educators, and therapists, covering a wide range of psychosocial topics extending from spirituality to developmentalism to art. On December 5, 2019, “JAGGED LITTLE PILL” the musical made its Broadway debut at the Broadhurst Theatre in New York City. The show was nominated for fifteen Tony Awards and won 2 Tony Awards at the 2021 ceremony. In July of 2020, Alanis released her ninth studio album, Such Pretty Forks In The Road, to rave reviews. In August of 2021, Alanis kicked off her sold out world tour celebrating 25 years of Jagged Little Pill. The tour became the #1 female-fronted tour and also one of the Top Worldwide Tours of 2021. Alanis also stars in Fox’s sitcom, “The Great North,” which just wrapped its third season, and has been picked up for a fourth season. Most recently, Alanis was inducted into the Canadian Songwriters Hall of Fame. For more information see www.alanis.com.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.