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Encore: Nine Inch Nails

Austin City Limits presents a rare hour of television with legendary industrial rock titan Nine Inch Nails in a special encore broadcast  that originally previewed in April as a prelude to our 40th anniversary season. Recently nominated for induction into the Rock and Roll Hall of Fame, NIN give an arena-worthy performance in their ACL debut.

“We’ve waited a long time to do anything like this,” says Nine Inch Nails’ Trent Reznor from the ACL stage. The episode offers a fascinating look at the influential act’s artistry in a flawless performance of unparalleled intensity. NIN’s Reznor and the seven-piece band—Alessandro Cortini, Josh Eustis, Robin Finck, Lisa Fischer, Sharlotte Gibson, Pino Palladino and Ilan Rubin—deliver an electrifying hour-long set that is a masterpiece of tension and release. Opening with the sultry “All Time Low” from the critically-acclaimed Hesitation Marks—their first album in five years—the band performs tracks from its recent offering alongside earlier works, including 1999’s The Fragile. NIN segue into a revamped version of “Sanctified” from the 1989 debut Pretty Hate Machine, with the vocal duo of Fischer and Gibson adding depth and texture to the pummeling rhythms throughout the song as well as the entire riveting set. The cathartic performance comes to a close with a redemptive take on the NIN classic “Hurt”, as Reznor grips the microphone and howls the confessional lyrics while the Austin audience begs for more.

“We never thought we’d see the day when Nine Inch Nails would set foot on the ACL stage,” says Executive Producer Terry Lickona. “I mean, they never did television for 25 years. I came away from this show having the greatest respect for Trent Reznor. He’s one of the most focused, intense and creative artists I’ve ever worked with.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Los Lobos and Thao & the Get Down Stay Down.

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Encore Broadcast Episode Recap Featured News

Encore: Esperanza Spalding

Triple Grammy-winning artist Esperanza Spalding makes her return to Austin City Limits  this weekend with a mesmerizing performance that transcends jazz. In a touching tribute Spalding dedicates the episode to legendary guitarist Jef Lee Johnson, who passed away January 28, 2013. The appearance marks their final performance together.

Joined by a stellar 11-piece band, Spalding performs songs from her latest release Radio Music Society, which scored two 2013 Grammy Awards, including Best Jazz Vocal Album. The album represents a celebratory vision of the artists who helped cultivate and inspire Spalding’s career throughout the years. Radio Music Society has received high praise from critics, who hail the album’s “journey through soul, gospel, balladry and big-band swing” [The New York Times] and “torchy swaggers, world-jazzy guitar grooves propelling smoky saxes, and political songs with only a Hammond organ for company” [The Guardian].

Spalding made her ACL debut back in Season 35, performing tracks from her 2008 breakthrough Esperanza, and wowed an audience largely unfamiliar with her music. Her appearance continues to be one of ACL’s most popular encore episodes. She has since gone on to capture the attention of audiences around the globe, leading to her stunning 2011 Grammy win as the first jazz musician to win for Best New Artist. Spalding’s dynamic relationship with her acoustic double bass has cemented her presence in musical history as a modern jazz virtuoso with “a light, fizzy, optimistic drive that’s in her melodic bass playing and her elastic, small-voiced singing” [The Times].

photo by Scott Newton

“The first time Esperanza appeared on ACL, she was a best-kept secret,” admits ACL executive producer Terry Lickona. “But now the word is out, and the world is her stage. This time she also brings a stage full of incredible jazz musicians, and an hour full of new music. People will be writing about this show 50 years from now.”

Check out the episode page for more information. Don’t forget to keep up with ACL goings-on on our Facebook and Twitter pages, or via our newsletter. Next week: Nine Inch Nails.

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Encore Broadcast News

Encore: The Lumineers and Shovels & Rope

Austin City Limits celebrates the best in Americana music today, with The Lumineers and Shovels & Rope making their ACL debuts. Denver’s Lumineers perform their breakthrough hits including “Ho Hey” and “Stubborn Love,” while Charleston, South Carolina’s Shovels & Rope perform songs from their acclaimed debut O’ Be Joyful.

The broadcast offers a deeper look at two acts that have been receiving well-deserved attention for their recent releases.  Leading off the hour is The Lumineers, a folk-rock trio that play traditional but original heart-on-the-sleeve music.  Of the band The Austin Chronicle writes, “There’s nothing precious or affected here, just three dedicated artists opening their hearts.”  The group’s breakthrough hit “Ho Hey” was one of the most-played songs of 2012, earning them a performing slot on 2013’s Grammy Awards telecast, in addition to two Grammy nominations for Best New Artist and Best Americana Album.  The Lumineers’ uplifting ACL debut is filled with heart-swelling stomp-and-clap acoustic rock, classic pop and front-porch folk.  Their set includes an inspired take on a Dylan classic, while the tambourine driven beat of “Ho Hey” brings the crowd to its feet and the performance closes with a crowd sing-along on “Stubborn Love.”

“There’s more to The Lumineers than just the song that seemed to have the whole world singing along to this year,” notes executive producer Terry Lickona. “There aren’t many bands that can engage an audience the way they do, and watching their ACL performance is the next best thing to being there.

photo by Scott Newton

The second half of the episode introduces Shovels & Rope, the husband and wife roots duo of Michael Trent and Cary Ann Hearst.  The dynamic pair channel country, bluegrass and blues to create folk music with raw energy.  The NY Times raves, “While they are country, there is an edgy, punk, raucous side to go with their beautiful harmonies.”  NPR agrees, “Seeing Hearst and Trent perform live together—as they conjure images of country-singing couples like Johnny Cash and June Carter Cash—renders them almost impossible to resist.”  The first-time nominees were big winners at this year’s recent Americana Music Awards, taking home top honors for Emerging Artist of the Year and Song of the Year.  The couple’s creative chemistry is on display in their ACL debut, an irresistible performance that’s a potent mix of Southern gothic and country rock and deftly showcases their soulful harmonies.

“It doesn’t get more basic than Shovels & Rope,” says Lickona, “but they rock out more than a stage full of musicians, and there’s something refreshingly authentic about their live performance that just makes you feel good.”

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Encore Broadcast Episode Recap Featured News

Encore: B.B. King May 30th

Once again for the first time, welcome to the Austin City Limits stage: the King of the Blues, Mr. B.B. King.

B.B. King personified blues music for the whole world,” says ACL executive producer Terry Lickona, “but when he first appeared on Austin City Limits in 1983 it was rare for a blues artist to command a full hour on national television.” In honor of the late, undisputed King of the Blues, ACL is proud to bring that iconic hour out from the vault and back to television for the first time in 22 years.

The first of two legendary appearances on ACL, King’s debut episode was recorded in 1982 and originally broadcast in 1983 as part of Season 8. The 11-song set spans the length and breadth of his career to that point, from his then-new album Love Me Tender (including “Since I Met You, Baby” and the title track, a cover of the Elvis Presley classic) to his own standards “Everyday I Have the Blues” and “The Thrill is Gone.” In a powerhouse performance, King hits full-force with a voice that is neither harsh nor sweet, that bends, like his fingers, with each note.

“There was electricity in Studio 6A that night like no other,” says Lickona. “It was pure B.B. – just him, Lucille and one of the best road bands he ever toured with. He mixed up hardcore blues with Elvis ballads, and had the audience in the palm of his hand, following his every lead. It was historic!”

“He was larger than life, but a gentle man with a kind soul and big heart. His ACL performance ranks as one of my personal favorites, and I was never more proud than when he somehow slipped ‘Austin City Limits’ into the lyric of his classic rendition of Willie Nelson’s ‘Night Life.’  We’ve lost a giant.”

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: Bob Mould and Delta Spirit.

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Encore Broadcast Episode Recap Featured News

Encore: Bon Iver

In a few short years, the world watched Bon Iver’s progression from the “bare boned” yet profound debut For Emma, Forever Ago in 2007, to 2011’s lush self-titled LP. Justin Vernon came a long way from writing in total seclusion in a cabin in the mountains to collaborating with artists such as Kanye West and winning Grammys. When the group recorded this episode in April 2012, we were eager to see how this progression and critical acclaim would manifest in the performance. The result is a passionate, meticulously layered display of talent and musical tranquility.

In this episode, Bon Iver draws mostly from the eponymous album, starting with the opening track, “Perth,” and seamlessly leading into the next tune, “Minnesota, WI.” From there we get “Brackett, WI,” a beautifully-written track that appeared on the 2009 Dark Was the Night compilation album that raised funds and awareness about HIV and AIDS. Audience favorites included a more fleshed-out version of “Blood Bank,” complete with various horns, and of course the hits from For Emma, “Skinny Love” and “For Emma.”

photo by Scott Newton

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: The Lumineers and Shovels & Rope.

 

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Encore Broadcast Episode Recap Featured News

Encore: Bonnie Raitt and Mavis Staples

This weekend, ACL brings you Mavis Staples and Bonnie Raitt, two legends and soul sisters with the perfect combination of soul, R&B, blues, and gospel. “We come this evening to bring you some joy, some happiness, inspiration and some positive vibrations,” declared Miss Staples back in June 2012 during the taping, and boy, did they deliver! This was a night full of smoky voices, sassy guitar playing, audience hooplah and ardent exhibition.

This episode marks Bonnie Raitt’s third appearance on Austin City Limits. The audience greets the nine-time Grammy Award-winner and bestselling artist with much love and admiration. She predominantly plays off of her 2012 album Slipstream, including “Down to You,” “Used to Rule the World” and a bluesy take on the Bob Dylan song “One Million Miles.” She finally exclaims, “Awww man! I love John Hiatt!” before ending with her Nick of Time hit “Thing Called Love.”

photo by Scott Newton

Mavis Staples is a clearly a legend. This lady has seen it all from singing songs on the forefront of the Civil Rights movement to being inducted in the Rock and Roll Hall of Fame. Joined onstage with three backup singers and a backing band, Mavis’ energy and famous low register voice charm the audience like we’ve never seen on classics like “Creep Along Moses” and “Freedom Highway.” At the end of the set, Mavis invites her lovingly coined “baby sister” Bonnie Raitt onstage for a couple of songs. On the emotional duet “Losing You,” dedicated to their fathers, Mavis and Bonnie share a moment where they hold hands and look at each other – it’s one of the incredibly touching moments of the evening. They end the night with a rendition of “Will the Circle Be Unbroken” that had the entire audience clapping and dancing.

photo by Scott Newton

Don’t miss this inspiring and heartfelt episode – you won’t regret it. To find out when and where you can catch this episode check here for local listings. Also, don’t forget to “Like” us on Facebook or follow us on Twitter, or sign up for our newsletter, for more ACL news and info. Next week: Bon Iver.