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Featured News Taping Recap

Taping recap: Foo Fighters

Rock superstars Foo Fighters returned to the ACL stage for their third headlining appearance with a powerhouse, unforgettable, near 20-song set. The iconic band have captured the hearts of audiences worldwide with their soul-baring rock and roll. 

Fearless leader Dave Grohl led the band through a mellow version of their classic “Times Like These,” opening a nearly two and a half hour performance—a musical sermon that celebrated the Foos legendary near three-decade career. Fans were undoubtedly welcomed to the church of rock and roll. A collection of the Foos’ signature blend of melody-driven alternative rock, roughened around the edges by Dave Grohl’s punk-influenced screams, were delivered masterfully. The rockers became intimate storytellers amongst speedy drum fills and rock and roll riff-mania, as they delivered tracks from their 2023 release But Here We Are and hard-hitting classics from throughout their catalog. The rock veterans proved their rightful place as the rock heroes of the ACL stage – a monumental music moment that fans will remember, everlong. 

Grohl’s candid stage charisma and heartwarmingly charming commentary lead the way for audience interactions sprinkled in between tracks. “What’s up, people!” Grohl shouted ahead of playing “Nothing At All.” “We’ve been here hanging out all week – this is good shit! I like playing new stuff with an audience like this.” After Grohl introduced esteemed guitarists Pat Smear and Chris Shiflett, bassist Nate Mendel banged out the instantly recognizable riff to the Beastie Boys classic “Sabotage.” Grohl then turned the spotlight to  keyboardist Rami Jaffee and new addition drummer Josh Freese (The Germs, Nine Inch Nails). “I wish this was the biggest band he’s ever been in,” Grohl noted about Freese. “He was in Devo, you guys!” Cue Freese energetically launching into the intro for their classic “Whip It.” 

Following the band’s powerfully moving performance of “The Glass”, a musical memorial to Grohl’s late mother, the Foos propelled forward with a change of pace, as Grohl asked “Anyone have any happy requests? Who wants to hear what? Let’s do a big, happy sing-along!” The uplifting anthem “My Hero”emerged  to gracefully lead the audience into an all-consuming emotional recovery,  with the raising of heart-shaped hands in a momentous gospel-like sing-along. 

As the heartfelt fan-lead choir filled the studio walls, the Foos’ raw lyricism returned to center stage with “The Teacher.” The song, off the 2023 release, But Here We Are, is a ten minute-long ode to grief’s tumultuous nature, one that pulls us to yearn for fond memories while tugging us to grapple with the abruptness of goodbyes. Grohl’s double decker ruby red Gibson SG played through to the final song, as the singer fondly recalled past ACL performances, and added “Let’s hear it for Terry and everyone at ACL!” before seamlessly pumping the breaks into Groho’s solo rendition of the signature tune “Everlong.” 

Encoring with their powerful anthem “The Best of You,” Foo Fighters exemplified an unparalleled realness that never shied away from raw musicality. Invigorated by a rock and roll type of sincere sensitivity that is exclusively Foo-like, Foo fans are simply left to watch their heroes as they go. 

Setlist

Times Like These

No Son of Mine

Rescued

La Dee Da

Under You

These Days

Generator

Nothing At All

The Sky is a Neighborhood

Shame Shame

The Glass

All My Life

My Hero

This is a Call

Aurora

White Limo

The Teacher

Everlong

Encore:

The Best of You

Musicians:

Dave Grohl – vocals, guitar

Pat Smear – guitar

Chris Shiflett – guitar, vocals

Nate Mendel – bass, vocals

Rami Jafee – keyboards

Josh Freese – drums

Categories
Featured News Taping Announcement

New tapings: Pat Benatar & Neil Giraldo, Brittney Spencer, Alanis Morissette, Foo Fighters, and Bonnie Raitt with Sunny War

Austin City Limits is proud to announce a stellar slate of fall tapings to complete our Season 49, featuring multiple Grammy-winning icons and Rock & Roll Hall of Fame legends. On September 24, recent Rock Hall inductees Pat Benatar and Neil Giraldo make their ACL debut performing rock gems and highlights from across their near five-decade career. We’re thrilled to welcome a pair of ACL Fest headliners and a highly-anticipated act featured on our namesake festival this October: we present country breakout Brittney Spencer on October 5 in her ACL debut; October 6 brings the first-ever appearance of superstar Alanis Morissette; and on October 12 we’re thrilled to welcome beloved rock giants Foo Fighters back to rock the ACL stage. And finally, on October 15, on the heels of a trio of 2023 Grammy wins, we welcome back an ACL Hall of Fame icon, the legendary Bonnie Raitt, for her first headlining appearance in over a decade, to showcase her triple Grammy-winning album Just Like That… Raitt will also be joined by a special guest, Nashville-based singer-songwriter and guitar virtuoso Sunny War.

Photo by Travis Shinn.

In a pop culture world defined by its perpetual changes, the partnership of singer songwriter Pat Benatar and producer-musician Neil Giraldo has been a potent, steadfast union that has soared to the top of the charts and into fans’ hearts on their own terms. Her staggering vocals and take-no-prisoners attitude, along with his trailblazing artistry as a guitarist, producer and songwriter, forged the undeniable chemistry and unique sound that created eternal rock hits including “We Belong,” “Invincible,” “Love Is A Battlefield,” “Promises In The Dark,” “We Live For Love,” “Heartbreaker” and “Hell Is For Children.” Their stunning achievements are a testament to their vision. Together, Benatar and Giraldo have created two multi-platinum, five platinum and three gold albums, as well as 19 Top 40 hits. They have sold over 36 million records worldwide and have won an unprecedented four consecutive GRAMMY® awards. They have also been feted with three American Music Awards, a People’s Choice Award, a 2008 induction into the Long Island Music Hall of Fame, and capped off 2022 with a Rock & Roll Hall of Fame induction. 

Photo by Jimmy Fontaine.

Recently named one of Rolling Stone’s “Future 25,” and the only country artist to make the list, Brittney Spencer is known for her free spirit and standout ability to mold life, truth, and wild imagination into songs. “Her unerring honesty and empathy are a big part of what makes her music so appealing,” raves Rolling Stone. With her debut album forthcoming from Elektra Records, the Baltimore native has earned praise from The New York Times and Vanity Fair to name a few, and she’s appeared on CBS Mornings with Anthony Mason, as well as performed on NBC’s Today Show, The Late Show (After Dark), the CMA Awards, ACM Awards and more. Spencer was featured as part of Victoria’s Secret Global “UNDEFINABLE” campaign, and she appeared in Amazon’s “For Love & Country” Documentary. Deemed a “one to watch” by PEOPLE Magazine, Spencer has shared stages with Jason Isbell, The Highwomen, Willie Nelson, Reba McEntire, Bobby Weir, and Maren Morris to name a few. She’s also performed the National Anthem at The 148th Kentucky Derby, the Preakness in 2022 alongside Megan Thee Stallion and Lauryn Hill, and the 2023 NFL Draft. As an outspoken advocate for her community and the planet, Brittney is an active supporter of many causes, including Habitat for Humanity, the Women’s March, CARE, and more. Spencer first-appeared on the ACL stage in 2022, at the 8th Annual ACL Hall of Fame Celebration, performing a sparkling rendition of Sheryl Crow’s “My Favorite Mistake,” to salute the music great’s ACL Hall of Fame induction. We’re thrilled to welcome her back for her headlining debut.

Photo by Dennys Ilic.

Since 1995, Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise and seven Grammy awards. Morissette’s landmark 1995 debut, Jagged Little Pill was followed by nine more eclectic and acclaimed albums. She has contributed musically to theatrical releases and has acted on the big and small screen. Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological and physical wellness. In 2001, Alanis was awarded the Global Tolerance Award by the Friends of the United Nations for her contributions to promoting tolerance through the arts. In 2016, Alanis launched Conversation with Alanis Morissette, a monthly podcast that features conversations with a variety of revered authors, doctors, educators, and therapists, covering a wide range of psychosocial topics extending from spirituality to developmentalism to art. On December 5, 2019, “JAGGED LITTLE PILL” the musical made its Broadway debut at the Broadhurst Theatre in New York City. The show was nominated for fifteen Tony Awards and won two Tony Awards at the 2021 ceremony. In July of 2020, Alanis released her ninth studio album, Such Pretty Forks In The Road, to rave reviews. In August of 2021, Alanis kicked off her sold out world tour celebrating 25 years of Jagged Little Pill. The tour became the #1 female-fronted tour and also one of the Top Worldwide Tours of 2021. Alanis also stars in the Fox sitcom, “The Great North,” which just wrapped its third season, and has been picked up for a fourth season. Most recently, Alanis was inducted into the Canadian Songwriters Hall of Fame.

Since the 1995 release of their self-titled first album, no other band has carried the torch for rock & roll like Foo Fighters. Throughout the steady ascent to their indisputable status as the last great American rock band, they’ve raised stadiums, arenas and festival fields of voices in song with anthems like “This Is A Call,” “Everlong,” “Monkey Wrench,” “My Hero,” “Learn To Fly,” “All My Life,” “Times Like These,” “Best Of You,” “The Pretender,” “Walk,” “These Days,” “The Sky Is A Neighborhood,” “Shame Shame” and more. Foo Fighters’ 15-GRAMMY-Award-winning catalogue includes The Colour and the Shape, There Is Nothing Left To Lose, One By One, In Your Honor, Echoes, Silence, Patience and Grace, Wasting Light, Sonic Highways, Concrete and Gold and Medicine at Midnight. Following a year of staggering losses, personal introspection and bittersweet remembrances, the Rock & Roll Hall of Famers returned triumphantly with But Here We Are, released June 2, 2023 on Roswell Records/RCA Records. A brutally honest and emotionally raw response to everything Foo Fighters have endured in recent years, But Here We Are is a testament to the healing powers of music, friendship and family. Courageous, damaged, unflinchingly authentic and “driven by a fresh sense of pathos and urgency” (The New York Times), But Here We Are opens with the Alternative/Rock radio #1 “Rescued,” the first of 10 songs that run the emotional gamut from rage and sorrow to serenity and acceptance, and myriad points in between — including “a gruff, melodic rocker with bittersweet hooks” (Stereogum) in the form of “Under You,” the “totally unexpected foray into shoegaze and dream-pop territory” (Uproxx) that is “Show Me How,” the 10-minute epic “The Teacher,” and more. Produced by Greg Kurstin and Foo Fighters, But Here We Are is in nearly equal measure the 11th Foo Fighters album and the first chapter of the band’s new life. Sonically channelling the naiveté of Foo Fighters’ 1995 debut, informed by decades of maturity and depth, But Here We Are is the sound of brothers finding refuge in the music that brought them together in the first place 28 years ago, a process that was as therapeutic as it was about a continuation of life.

Photo by Shervin Lainez.

Bonnie Raitt returns for her fourth headlining appearance on the ACL stage. The American original first-appeared in Season 9 in 1984, returned in 2002 and 2012, and performed on the series’ 40th anniversary special in 2014. In 2016, Raitt was inducted into the ACL Hall of Fame by Mavis Staples, with musical salutes from Willie Nelson and Taj Mahal. Raitt is a singer, songwriter, and guitarist whose unique style blends blues, R&B, rock, and pop. After 20 years as a cult favorite, she broke through to the top in the early 90s with her GRAMMY-award-winning albums, Nick of Time and Luck of the Draw, which featured hits, “Something To Talk About” and “I Can’t Make You Love Me” among others. The thirteen-time GRAMMY winner was inducted into the Rock & Roll Hall of Fame in 2000 and Rolling Stone named the slide guitar ace one of the “100 Greatest Guitarists of All Time” and one of the “100 Greatest Singers of All Time.” 

2023 kicked off with Raitt earning three GRAMMY™ Awards at the 65th Annual ceremony;  Song Of The Year and Best American Roots Song for the title track of her most recent album “Just Like That…”, and Best Americana Performance for “Made Up Mind.” Raitt was as well acknowledged for the Recording Academy Lifetime Achievement Award she was honored with the year prior.  Raitt has been on tour for most of 2023 with stops in the U.S., Australia, the UK, Ireland, and an upcoming coast-to-coast tour of Canada. View all concert dates here. 2022 was an incredible year for Raitt with a 75-date headlining U.S. tour; the release of her critically acclaimed 21st album ‘Just Like That…,’ on her independent label, Redwing Records; receiving the Icon Award at the 2022 Billboard Women In Music Awards and seeing her breakthrough album, ‘Nick of Time’ added to the Library of Congress’ National Recording Registry. ‘Just Like That…’ was #1 on six Billboard charts the week of release and was perched at #1 on the Americana Radio Album Chart for ten consecutive weeks. The album’s first single, “Made Up Mind” remained in the top three spots on the Americana Radio Singles Chart for 17 weeks. 

As known for her lifelong commitment to social activism as she is for her music, Raitt has long been involved with the environmental movement, performing concerts around oil, nuclear power, mining, water, and forest protection since the mid-‘70s. She was a founding member of MUSE (Musicians United for Safe Energy), which produced the historic concerts, album, and movie NO NUKES, and continues to work on safe energy issues in addition to environmental protection, social justice, and human rights, as well as creator’s rights and music education.

We’re thrilled to welcome these music greats to the ACL stage. Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS as part of our upcoming Season 49.

Categories
Featured New Broadcast News

ACL announces first half of Season 49 broadcast schedule

Venerable television music series Austin City Limits (ACL) announces the fall return of the program and the initial Season 49 broadcast line-up with seven all-new installments to begin airing October 7 at 7pm CT/8pm ET as part of the broadcast’s fourteen episode season. ACL brings fans a new season, packed with a stellar slate of ACL legends and highly-anticipated debuts from some of today’s most talked-about live acts. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. 

The program, recorded live at ACL’s studio home ACL Live in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 49 years as the music institution nears a remarkable half-century milestone. Austin City Limits celebrates 50 years as a live music beacon in 2024: on October 17, 1974, Willie Nelson taped the pilot episode and the trailblazing series premiered in 1975. Stay tuned for news on special concerts, fan events and activations as Austin City Limits salutes an incredible legacy of 50 golden years of American musical history and iconic performances. 

Austin City Limits returns this fall with a singular highlight as the season opener: Grammy-winning guitar virtuoso duo Rodrigo y Gabriela joined by the Austin Symphony Orchestra. The Mexico City natives are joined by an ensemble of over 30 musicians from the esteemed Austin Symphony Orchestra in an exhilarating hour; the unprecedented performance marks the first time ACL has collaborated with the world class orchestra, one of Austin’s leading arts institutions.

A season highlight is the return of Foo Fighters for their third appearance. The Rock & Roll Hall of Famers previously rocked the ACL stage twice before, with unforgettable performances in 2009 (in ACL’s original Studio 6A) and 2015. ACL saluted the rock superstars’ 25th Anniversary in 2021 with a fan-favorite hourlong special featuring beloved classics from both appearances, now one of the most requested episodes in the ACL archives. ACL is thrilled to feature the iconic band back on the ACL stage in an epic new hour.

The new season continues with a number of highly-anticipated appearances from a diverse slate of artists. Acclaimed singer-songwriter Jenny Lewis returns for the first time in nearly a decade, making her third appearance on the iconic ACL stage with highlights from her latest album Joy’All alongside career favorites; sharing the hour is breakout indie-pop band MUNA in a thrilling debut. ACL spotlights a pair of innovators making ACL debuts in a captivating double-bill: rap star Lil Yachty showcases his genre-bending album Let’s Start Here joined by special guests; violin savant and singer-songwriter Sudan Archives performs songs from her Natural Brown Prom Queen. Two American originals are paired in a revelatory new hour: country standout Margo Price returns for her second headlining appearance with her latest album Strays as the centerpiece; and next-generation bluegrass musician Molly Tuttle and her band Golden Highway dazzle in their first ACL appearance with gems from their 2023 Grammy-winning Best Bluegrass Album Crooked Tree and latest City of Gold. Global music powerhouse Jorge Drexler, who swept the 2022 Latin Grammy Awards with a record seven awards, makes his first appearance on the ACL stage with a sparkling hour of lush soundscapes and irresistible Spanish-language songs from his landmark Tinta y Tiempo. Celebrated singer-songwriter and four-time Grammy winner Jason Isbell and his band the 400 Unit, who made their initial debut a decade ago in Season 39, return for their third headlining appearance in a highly-anticipated hour featuring fan-favorites and new gems from his recent Weathervanes

“There’s no doubt in my mind that this is the most diverse mix of music and talent ACL has ever presented in a new season – and it’s only the beginning!’ says longtime ACL executive producer Terry Lickona. “We strive to live up to the axiom that ‘anything goes’ on ACL as long as it’s authentic, original or groundbreaking – or all three! There’s so much great music being made today from all genres and all corners of the world, and we try to showcase it all.”

Season 49 Broadcast Line-up (second half of season to be announced separately)

Oct. 7 Rodrigo y Gabriela featuring the Austin Symphony Orchestra

Oct. 14 Jenny Lewis / MUNA

Oct. 21 Lil Yachty / Sudan Archives

Oct. 28 Margo Price / Molly Tuttle & Golden Highway

Nov. 4 Jorge Drexler

Nov. 11 Jason Isbell and the 400 Unit

Nov. 18 Foo Fighters

Watch new episodes live, stream online, or download the PBS App. The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter, IG and TikTok. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 49th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Categories
Featured News

ACL salutes our GRAMMY winners

Austin City Limits sends our congratulations to the winners of last night’s 64th annual GRAMMY Awards, co-produced by ACL executive producer Terry Lickona. Season 47 standouts Jon Batiste and Olivia Rodrigo both won big. New Orleans native and Stephen Colbert bandleader Batiste won Album of the Year for his 2021 LP We Are, as well as Best American Roots Song, Best American Roots Performance, Best Music Video and Best Score Soundtrack for Visual Media (for his contributions to the Pixar film Soul). We’ll be encoring his extraordinary Season 47 hour this coming weekend, to remind everyone what a special artist he is. Chart-topping singer-songwriter Rodrigo, who, like Batiste, made her ACL debut last season, scored a trio of honors, including the coveted Best New Artist award, as well as Best Pop Solo Performance and Best Pop Vocal Album. ACL three-timer St. Vincent, who showcased her latest Daddy’s Home in our Season 47, took home Best Alternative Album for the record.

Though still reeling, as are we all, from the heartbreaking passing of beloved drummer Taylor Hawkins, our friends Foo Fighters swept the categories in which they were nominated for their recent Medicine At Midnight: Best Rock Album, Best Rock Song and Best Rock Performance. Other threepeater ACL performers included country superstar Chris Stapleton (Best Country Album, Best Country Song and Best Country Solo Performance) and gospel great CeCe Winans (Best Gospel Album, Best Gospel Performance/Song, Best Contemporary Christian Music Performance/Song). Other alumni who took home statuettes include H.E.R., Los Lobos, Juanes, Esperanza Spalding, Rhiannon Giddens, Andra Day, Angelique Kidjo, Bela Fleck, Kendrick Lamar (as guest of Best Rap Performance winner Baby Keem) and late Pat Metheny Group keyboardist Lyle Mays. Special shout out to fun. guitarist Jack Antonoff, who’s gone from his Season 39 performance to win Producer of the Year for his work on several acclaimed and bestselling albums, including St. Vincent’s Grammy-winning Daddy’s Home

A complete list of winners and nominees can be found here. ACL congratulates everyone for their hard work. 

Categories
Featured News

RIP Foo Fighters’ Taylor Hawkins

Being a rock star is about more than just fame or charisma or importance – it’s even about more than talent. The real rock stars, the ones that last, that stay in the hearts and minds of fans for life, are also good human beings. There’s something to be said for cockiness and swagger, sure, especially when it’s married to genuine musical power – but it’s the nice guys that stick with us, that will always be remembered with respect and love. 

Taylor Hawkins drumming for Foo Fighters on ACL, 2008. Photo by Scott Newton.

Foo Fighters drummer Taylor Hawkins was one of those folks. We don’t just say this because of our interactions with him during the two ACL tapings we did with him and the rest of the Foos in 2008 and 2014. His wide smile in photographs, his good cheer onstage and in interviews, and the countless stories from fans and peers about the rays of sunshine he brought with him to any situation attest to that. His talent was, of course, undeniable – his skill on the drums (and other instruments) was matched only by his voracious appetite for all kinds of music. That made him versatile not only as a skinsbeater, but as a songwriter and performer in his own right, as anyone who’s heard his wideranging side projects Birds of Satan, Chevy Metal and Taylor Hawkins & the Coattail Riders can attest. And let’s not forget the Foos single “Cold Day in the Sun” and Concrete and Gold track “Sunday Rain”  – both songs on which he took the lead. 

Taylor Hawkins singing with the Foo Fighters on ACL, 2014.

Like everyone else who cares about music, we’re reeling from the news of his sudden death yesterday. We’re proud to have two incredible Foo Fighters shows in our catalog on which he kept time like an expert and radiated enthusiasm and pure rock & roll energy like the rock star he was. We were looking forward to seeing him again when the band returned for their next taping. But mostly we’re sending our thoughts and love out to his family and his bandmates, and we’re mourning our friend. May he rest in peace. 

Dave Grohl and Taylor Hawkins of Foo Fighters on ACL, 2014. Photo by Scott Newton.

Austin fans can watch Foo Fighters Rock ACL, the Season 46 compilation episode, this coming Thursday on Austin PBS. That episode can also be streamed here.

Categories
Featured News Taping Announcement

New tapings: Arlo Parks, Japanese Breakfast, Foo Fighters and Cimafunk

Austin City Limits is thrilled to announce the first round of tapings for Season 48, featuring a stellar slate of performers. The taping season kicks off with a pair of 2022 GRAMMY Best New Artist nominees, British singer/songwriter Arlo Parks on April 11, and acclaimed Japanese Breakfast on April 20. Newly minted Rock & Roll Hall of Famers and 2022 GRAMMY triple nominees Foo Fighters return to rock ACL for the third time on April 27, while Afro-Cuban Latin funk sensation Cimafunk brings the funk on May 3.

Arlo Parks. Photo by Lillie Eiger.

Arlo Parks had a major 2021 wherein she released her highly-praised debut album Collapsed in Sunbeams, won the BRIT Award for Best New Artist, received the Mercury Prize for album of the year, and won the BBC Introducing Artist Of The Year Award. She also scored a pair of 2022 GRAMMY nominations for Best New Artist and Best Alternative Album. Along with the towering awards, Collapsed in Sunbeams was included on almost every ‘Best Albums of 2021’ list and received critical acclaim from the likes of The New York Times, Rolling Stone, The FADER and many more. This year she shared a new single “Softly” and is currently on a North American tour with Clairo, which will conclude with a performance at this year’s Coachella Festival. Arlo also recently announced high-profile summer stadium dates with Billie Eilish and Harry Styles. Born Anaïs Oluwatoyin Estelle Marinho, the 21-year-old from West London – who burst onto the scene with 2018’s “Cola” — uses poetry as her songwriting compass, weaving vivid imagery and sensory touches throughout the stirring, honest stories that make up her already-rich body of work. In Arlo’s world, words are as useful as photographs. Luscious, expressive vignettes pepper the poetic lyrics in her sweet, ruminative indie pop songs. “I was really interested in the idea of delving into a hyper-specific moment and making it feel universal, making it something that people could connect to,” she says about drawing from poetry in her approach. Arlo recalls a childhood record collection that included classics from Sade, Earth Wind & Fire, and Bob Dylan and choir practice as fundamentals to her musical side. When she was 14, Arlo downloaded Garageband and started making beats to rhyme her poetry to, which over time naturally morphed into singing and the dulce soprano that sets her apart in today’s music climate. In 2017, she took a chance and submitted her recordings to BBC Introducing, which led to her first interview, management and recording contract. Following performances at Glastonbury and Latitude Festivals and a pair of EPs released when she was still a teenager, Arlo released her debut album Collapsed in Sunbeams to critical raves in 2021. Her songwriting has seen her gain new fans in Billie Eilish, Florence Welch, Michelle Obama, Angel Olsen, Phoebe Bridgers, Massive Attack and renowned writer Zadie Smith, amongst many others.

Japanese Breakfast. Photo by Tonje Thilesen.

2021 was a big year for Michelle Zauner. She released Jubilee, her album with her pop-alternative band Japanese Breakfast, which quickly became one of the most praised releases of 2021, landing her two 2022 GRAMMY nominations for Best New Artist and Best Alternative Album, as well as placement on Best Of 2021 lists from Rolling Stone, People, Pitchfork, Entertainment Weekly, Billboard, NPR, Spin, Wall Street Journal and more. The album was also voted the #1 album of the year on NPR’s Listeners’ Poll, and its lead single “Be Sweet” was voted the #1 song of the year on Pitchfork’s Readers’ Poll. From the moment she began writing her new album, she knew that she wanted to call it Jubilee. After all, a jubilee is a celebration of the passage of time—a festival to usher in the hope of a new era in brilliant technicolor. Zauner’s first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother‘s death and used it as a conduit to explore the cosmos.  Jubilee is an album about processing life and love in the quest for happiness, and how that process sometimes requires us to step outside of ourselves. In addition to Jubilee, 2021 saw Zauner release her New York Times best-selling memoir Crying in H Mart, which she’s currently adapting for the screen for MGM’s Orion Pictures. Crying in H Mart is an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity. The book has been on the New York Times Best Sellers’ list for 30 weeks. She also released the original soundtrack to the anticipated video game Sable, which Entertainment Weekly compared to David Bowie’s 1977 masterwork Low and Pitchfork said is “a streamlined glimpse into her versatility as a narrative artist.” Michelle Zauner first appeared on our stage at the 2021 ACL Hall of Fame celebration to salute honorees Wilco and we’re thrilled to have her return with Japanese Breakfast.

Rock & Roll Hall of Fame inductees and 2022 GRAMMY triple nominees for their much heralded Medicine at Midnight, the mighty, mighty Foo Fighters return for their third appearance on the ACL stage. Produced by Greg Kurstin and the band, and featuring “Shame Shame,” “Waiting On a War” and the bludgeoning “No Son of Mine,” Medicine at Midnight, Foo Fighters’ 10th studio album was released in early 2021 to overwhelming acclaim: Rolling Stone hailed the album as “brighter and more optimistic than anything they’ve ever done,” while The Wall Street Journal quite simply called it “One of Foo Fighters’ best albums of this century.” More recently, Medicine at Midnight earned the sextet a trio of GRAMMY nominations: Best Rock Performance for “Making A Fire,” Best Rock Song for “Waiting On A War,” and Best Rock Album, bringing Foo Fighters’ career total nominations to 32. Foo Fighters—who celebrated their 25th anniversary in 2020—have won 12 GRAMMY Awards, including a record four wins for Best Rock Album, two Best Rock Songs and a Best Rock Performance. On February 25th Foo Fighters will make their feature film acting debut, playing themselves in the horror comedy Studio 666, filmed in the same Encino, California house in which they recorded Medicine at Midnight. Foo Fighters were fortunately able to fit in a visit to ACL in between sold out dates on their North American stadium tour, and we couldn’t be more thrilled to welcome Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear and Rami Jaffee back to our stage.

Cimafunk. Photo by Michael Alford.

Cimafunk is an Afro-Cuban rock star whose name refers to his heritage as a “cimarrón,” Cubans of African descent who resisted and escaped slavery, as well as to the essence of his music that aims to subvert conventional sounds with rhythmic innovation. As innovative funk forefather George Clinton of Parliament-Funkadelic fame says, “he is the one, the next one.” By bringing out the best in Cuban rhythms and traditions and infusing sounds and styles from Africa and the U.S., Cimafunk has created something unique and special, both in terms of music and the values he stands for. His monumental second album El Alimento, released in October 2021, received overwhelming praise: Rolling Stone ranked it #3 of the Best Spanish-Language and Bilingual Albums of 2021 and #23 of the 50 Best Albums of 2021. El Alimento was also among NPR’s Best Latin Music of 2021 and #1 of Le Monde’s Latin Music favorites. Singles also made their way through 2021 lists: “Rómpelo” ft. Lupe Fiasco was among NPR Alt.Latino’s best singles of 2021, and “Funk Aspirin” ft. George Clinton in Remezcla’s 10 Best Indie Pop, Rock, & Chill Songs of 2021. Co-produced by Cimafunk and Grammy-award winning producer Jack Splash (CeeLo Green, Kendrick Lamar, Alicia Keys), the sonically dynamic collection masterfully blends Afro-Cuban sounds and rhythms with global funk, hip hop and soul, resulting in a progressive, head-bopping celebration of black music’s power to eclipse borders and cross-pollinate across cultures. Written and recorded over 2020, the album served as an alimento for the soul, a motivation to persevere through the pandemic, as Cimafunk spent countless hours studying decades of musical influences to help understand who he is musically and culturally, and thus, where he wanted this album to take him. According to The New York Times, Cimafunk is on “Quest to Create One Nation Under a Groove.” Cimafunk became a household name in Cuba with his 2018 hit “Me Voy,” which generated a frenzy, creating a movement in Havana and throughout the island, selling out venues with thousands of fans excited to dance to the groove of Afro-Cuban Funk and millennials replicating his style and appearance, one that draws heavily on his African roots and the black showmen of the 20th century. Named by Billboard as a “Top 10 Latin Artist to watch,” Cimafunk stole the show at the 2019 South by Southwest Music Festival and has toured aggressively in the U.S. and Europe, making a name for himself as one of today’s great showmen, performing an electric live show with his nine-piece band from Havana.

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