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Episode Recap Featured New Broadcast News Uncategorized

Episode recap: Jade Bird/Dayglow

Austin City Limits returns with a radiant hour showcasing a pair of next-generation singer-songwriters: UK native Jade Bird and Austin’s own Dayglow. The new installment premieres October 9 at 9pm ET/ 8pm CT as part of the series new Season 47. Despite the challenges facing live music during the past year, ACL is proud to deliver a new season of performances for viewers, all recorded at ACL’s studio home in Austin, Texas in 2021, in front of limited live audiences. The program continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for a remarkable 47 years. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.  

Acclaimed singer-songwriter-guitarist Jade Bird performs highlights from her recent album Different Kinds of Light, recorded in Nashville with red-hot producer Dave Cobb. The Welsh native and recent Austin transplant cut her teeth in London pubs and open-mic nights in her teens and has been earning acclaim in the U.S. since 2018, winning top honors at SXSW and scoring a nomination for the Americana Awards “Emerging Artist of the Year.” The seasoned, charismatic 23-year-old lights up the ACL stage in a magnetic debut. Opening the set with the melodic “Headstart,” Bird soars with irresistible new songs including “Now is the Time” and “Candidate” alongside early career gems including her 2018 breakthrough hit “Lottery,” a kiss-off to an ex set to a catchy rock melody, and the fiery “I Get No Joy,” which she cheekily dedicates to the year 2020. Bird pays tribute to an American musical hero, Dolly Parton, with a luminous rendition of her classic “Do I Ever Cross Your Mind?” joined by Nashville singer Savannah Conley and guitarist Luke Prosser in gorgeous three-part harmony. 

Dayglow on Austin City Limits, Season 47. Photo by Scott Newton.

21-year-old Sloan Struble, who records music as Dayglow, brings all the feels in an exuberant ACL debut that will have viewers smiling ear to ear. The genial pop wunderkind shines in an upbeat set filled with his sunny, smart indie-pop. His 2021 sophomore album, Harmony House, is earning critical raves, with the Austin American-Statesman calling it “one of the best albums of the year, an effervescent and wise-before-his-time collection of songs that will leave you crying on the dancefloor.” “Let’s freakin’ rock” enthuses Struble as he happily bounces around the stage for the set opener “Something,” then delivers a dose of pure ‘70s groove with the infectious “Medicine.” Struble got his start making music in his teenage bedroom and he delights with tunes from his 2018 debut album Fuzzybrain, including the viral single that launched his runaway career, “Can I Call You Tonight?” A set highlight is the smooth rock banger “Crying on the Dancefloor,” complete with sweet soprano saxophone and a heart-swelling melody. Dayglow’s love of new wave and ‘80s pop anthems is evident on the dreamy synthpop breakthrough single “Close to You,” and he displays the modern/nostalgic dichotomy that is a hallmark of his music with a feel-good cover of the Tear For Fears classic “Everybody Wants To Rule The World” that merges with his own, “Run the World!!!” for a memorable close.

“Jade Bird and Dayglow are two of the brightest stars in the pop firmament right now, and we’re proud that Austin is home base for both of them,” says ACL executive producer Terry Lickona. “They bring a fresh sensibility to classic songwriting, with a little bit of edge and plenty of catchy hooks.”

Jade Bird setlist:

Headstart

Prototype

Now is the Time

Candidate

I Get No Joy 

Do I Ever Cross Your Mind?

Lottery

Going Gone

Dayglow setlist:

Something

Medicine

Crying on the Dancefloor

Can I Call You Tonight?

Close To You

Everybody Wants To Rule The World

Run the World!!!

Season 47 Broadcast Line-up (second half of season to be announced separately):

October 2 Miranda Lambert with Jack Ingram & Jon Randall

October 9 Jade Bird / Dayglow

October 16 Jon Batiste

October 23 Sarah Jarosz / Billy Strings

October 30 Brandy Clark / Charley Crockett

November 6 Leon Bridges / Khruangbin

November 13 Jackson Browne

November 20 Brittany Howard

Watch live, stream anytime, and let ACL be a trusted sidekick for entertainment during these challenging days. The complete line-up for the full 13-week season, including five new episodes to air beginning January 2022, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

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Featured New Broadcast News

ACL announces Season 47 broadcast schedule

Iconic television series Austin City Limits proudly announces the fall return of the program and the initial Season 47 broadcast line-up with eight all-new installments to begin airing October 2 at 8pm CT/9pm ET as part of the blue-chip broadcast’s thirteen-episode season. ACL brings fans a full season, packed with a stellar slate of ACL legends and highly-anticipated debuts from some of today’s most talked-about live acts. Despite the challenges facing live music during the last year, ACL is proud to deliver brand new performances for fans, all recorded at ACL’s studio home in Austin, Texas in 2021, in front of limited live audiences. The program continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for a remarkable 47 years. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.

Austin City Limits returns this fall with a singular highlight as the season opener: country superstar Miranda Lambert joined by songwriting partners Jack Ingram and Jon Randall, showcase their acclaimed The Marfa Tapes, an album recorded in the West Texas desert town of Marfa. This dazzling acoustic hour spotlights the three longtime friends and co-writers, and offers a fascinating look at the trio’s collaborative and creative process, filled with the stories behind the songs and late night tales behind the recording. 

The season continues with highly-anticipated debut appearances: New Orleans bandleader Jon Batiste, a Grammy and Oscar-winning musician, delivers a high-energy tour-de-force backed by an 18-piece band, performing selections from his soulful album WE ARE in a must-see hour. ACL spotlights next-generation standouts: acclaimed young British singer-songwriter Jade Bird brings songs from her new album Different Kinds of Light; she shares an hour with Austin indie-pop breakout artist Dayglow, who performs songs from his Harmony House. A pair of country sensations shine in a captivating double-bill with CMA Award-winner and eight-time Grammy nominee Brandy Clark showcasing her 2021 Grammy-nominated Your Life is a Record; while rising star Texas country singer Charley Crockett debuts songs from his new Music City USA. Grammy-winning bluegrass stars share a spell-binding hour that forecasts the genre’s future: Sarah Jarosz makes her third appearance on the ACL stage with selections from World On the Ground, the 2021 Grammy-winner for Best Americana Album; while fan favorite Billy Strings delivers an electrifying debut with songs from Home, his 2021 Grammy Award-winning Best Bluegrass Album and debuts new numbers from his upcoming Renewal. Two Texas originals share a highly-anticipated hour: Grammy-winning Fort Worth R&B artist and songwriter Leon Bridges makes his second ACL appearance with highlights from his latest, Gold-Diggers Sound, and Houston eclectic groove trio Khruangbin make their ACL debut with standouts from their global sensation Mordechai

A season highpoint is the ACL return of legendary singer-songwriter Jackson Browne for the first time in nearly 20 years, as he showcases a chart-topping new collection of songs, Downhill From Everywhere, alongside career highlights from his five decade career. Celebrated singer and multiple Grammy recipient Brittany Howard rounds out the first half of Season 47, returning to the ACL stage for a long-awaited solo debut with songs from her 2021 Grammy-winning gem Jaime

“The world is still fighting its way out of this pandemic, but Austin City Limits is back – without missing a beat,” says longtime executive producer Terry Lickona. “As always, we love to mix things up with some remarkable new talent as well as fan favorites, along with a few surprises. ACL celebrates the return of live music!”

Season 47 Broadcast Line-up (second half of season to be announced separately):

October 2 Miranda Lambert, Jack Ingram & Jon Randall: The Marfa 

Tapes

October 9 Jade Bird / Dayglow

October 16 Jon Batiste

October 23 Sarah Jarosz / Billy Strings

October 30 Brandy Clark / Charley Crockett

November 6 Leon Bridges / Khruangbin

November 13 Jackson Browne

November 20 Brittany Howard

Watch live, stream anytime, and let ACL be a trusted sidekick for entertainment during these challenging days. The complete line-up for the full 13-week season, including five new episodes to air beginning January 2022, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 47th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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Featured News Taping Recap

Dayglow tapes an effervescent ACL

Sloan Struble, AKA Dayglow, may only be twenty-one, but as his brand new album Harmony House proves, he writes expert pop tunes like a pro. He’s also moved easily from solo auteur to confident bandleader, as his debut ACL taping (live streamed around the world) can attest. 

After a typically rousing Terry Lickona introduction, the stage remained empty, as an electronic pulse teased the imminent arrival of the musicians. The band came on one by one, with Struble himself taking the stage last and bouncing around to the happy energy of album opener “Something.” Struble took a moment to introduce the band, before displaying the modern/nostalgic dichotomy that makes his music sound so fresh: “Medicine” opens with a noisy burst of electronica before settling into a warmly organic 70s pop groove. “This is actually our biggest show ever,” noted Struble. “I know it’s limited capacity, but this is the biggest crowd we’ve ever played for.” The band then revisited the first Dayglow album Fuzzybrain for the Latin-feeling “Nicknames,” complete with ending cowbell solo. Struble noted how cool it was that he first visited the original ACL studio as a University of Texas freshman, and now he found himself onstage at ACL Live recording his own episode. Powered by that giddy joy, there was no choice but to go into the bubbly, danceable “Hot Rod,” frosted with harmony leads from Struble and guitarist Colin Crawford. Saxophonist Marshall Lowry then joined the quintet onstage, adding some deliciously 80s pop saxophone to the melancholy “December.” Struble took to his even more-80s styled keyboard for the song’s coda, segueing directly into the upbeat “Moving Out.” 

Donning an acoustic 12-string guitar, Struble explained how he makes his records in his bedroom and how he first got his music noticed through the music-sharing platform Tunecore. That music was from Fuzzybrain, the beautifully tuneful title track of which came next. Shouting out longtime ACL makeup artist Glenda Facemire, Struble, acting on a tip from her, good-naturedly patted away the perspiration while introducing the next acoustic guitar-driven song, Harmony House’s “Woah Man.” He went back to his Strat for the peppy, sweetly melodic “Listerine,” before going into the breakout song that launched his career:  “Can I Call You Tonight?,” as perfect a pop song as has hit the airwaves in some time. Unless, of course, you count the next song, the groovy but melody-rich “Crying on the Dancefloor,” also from Fuzzybrain, and featuring Lowry on soprano sax. After two songs in a row from the first album, though, it was time to revisit the new one with the lovely, old-fashioned ballad “Into Blue.” “Thank you for being here – this is awesome!” Struble declared, whose frequent declarations of “Let’s rock” punctuated his enthusiasm. “Definitely a bucket list moment!” The band then closed the main set with the latest Dayglow pop sensation, the effortlessly effervescent “Close to You,” during which the smiling, dancing Struble nearly had more fun than is allowed by law.

Struble bounced happily off the stage, but it wasn’t over yet. The band returned with a delightful surprise: a faithful, heartfelt cover of Tears For Fears’ “Everybody Wants to Rule the World,” a song just right for them. Right as it ended, however, Dayglow kicked into an original, the first album-bopper “Run the World!!!!” “I want to run the world!” Struble asserted, and while he may not get his exact wish, as long as he keeps making music this catchy and fun, the music world may well be within his grasp. It was a great show, and we can’t wait for you to see it when it airs this fall as part of our Season 47 on your local PBS station.

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Featured Live Stream News Taping Announcement

ACL to live stream Dayglow taping on 5/25

Austin City Limits is excited to announce we will live stream the upcoming debut of Austin’s own fast-rising pop phenom Dayglow on May 25 at 8 p.m. CT. ACL offers fans worldwide a unique opportunity to watch the ACL taping live in its entirety at this location

21-year-old Sloan Struble, who records music as Dayglow, makes his ACL debut on the heels of the release of his forthcoming sophomore album Harmony House, out this week on May 21. When Dayglow released his runaway debut album Fuzzybrain, featuring its Gold-certified single “Can I Call You Tonight,” from his UT dorm room back in 2018 he had one goal: to make music that made people happy. Now three years later, Dayglow has connected with fans around the world, creating a community that uplifts and makes people feel good. As he did on his debut, he writes, produces, records, and mixes all of his music himself—in his bedroom, no less. 

Dayglow launched 2021 with the breakout single “Close To You,” a song reminiscent of the iconic whimsy of 80’s pop anthems, drawing heavily on some unlikely influences such as Whitney Houston, Patti Labelle and Michael McDonald. The song has already been streamed almost 20 million times, alongside having a viral moment on TikTok and continues to steadily climb the radio charts. 

Struble reveals that Harmony House began life as an imaginary sitcom. He’d begun writing new music and found himself drawn to piano-driven soft rock from the late ‘70s and early ‘80s. He was also watching a lot of Cheers, the long-running sitcom that took the viewer to a place where, as the theme song goes, “everybody knows your name.” “At the very beginning, I was writing a soundtrack to a sitcom that doesn’t exist,” he says. “The music would generate a kind of impossible nostalgia for something that had never been real.” “I tried to compose these songs in a way that you could just sit down at a piano and play them. That’s the sign of a good song, when it can live on its own musically.” That sort of sturdiness he strives for in his writing makes for timeless music, and with Harmony House he has created a finely calibrated, carefully fussed-over expression of encouragement for anyone who needs it. 

Join us here on May 25 at 8 p.m. CT for this performance by Dayglow. The broadcast episode will air early next year as part of our upcoming Season 47, on PBS.

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Featured News Taping Announcement

New tapings: Dayglow, Sarah Jarosz, Jade Bird and Billy Strings

Austin City Limits is excited to announce the dates for a stellar slate of new tapings: Austin indie sensation Dayglow on May 25, four-time Grammy Award-winning singer-songwriter Sarah Jarosz on June 2, rising singer-songwriter Jade Bird on June 14, and acclaimed Grammy Award-winning bluegrass musician Billy Strings on July 7. 

photo by Pooneh Ghana

21-year-old Sloan Struble, who records music as Dayglow, makes his ACL debut on the heels of the release of his forthcoming sophomore album Harmony House, out May 21. When Dayglow released his runaway debut album Fuzzybrain, featuring its Gold-certified single “Can I Call You Tonight,” from his UT dorm room back in 2018 he had one goal: to make music that made people happy. Now three years later, Dayglow has connected with fans around the world, creating a community that uplifts and makes people feel good. As he did on his debut, he writes, produces, records, and mixes all of his music himself—in his bedroom, no less. Dayglow launched 2021 with the breakout single “Close To You,” a song reminiscent of the iconic whimsy of 80’s pop anthems, drawing heavily on some unlikely influences such as Whitney Houston, Patti Labelle and Michael McDonald. The song has already been streamed almost 20 million times, alongside having a viral moment on TikTok and continues to steadily climb the radio charts. Struble reveals that Harmony House began life as an imaginary sitcom. He’d begun writing new music and found himself drawn to piano-driven soft rock from the late ‘70s and early ‘80s. He was also watching a lot of Cheers, the long-running sitcom that took the viewer to a place where, as the theme song goes, “everybody knows your name.” “At the very beginning, I was writing a soundtrack to a sitcom that doesn’t exist,” he says. The music would generate a kind of impossible nostalgia for something that had never been real.” “I tried to compose these songs in a way that you could just sit down at a piano and play them. That’s the sign of a good song, when it can live on its own musically.” That sort of sturdiness he strives for in his writing makes for timeless music, and with Harmony House he has created a finely calibrated, carefully fussed-over expression of encouragement for anyone who needs it. 

With World On the Ground, the 2021 Grammy Award-winner for Best Americana Album, and her first solo album in four years, Sarah Jarosz shares a collection of stories of her Central Texas hometown of Wimberley, each song lit up in her captivating voice and richly detailed songwriting. Produced by renowned producer/songwriter John Leventhal (who will be joining Jarosz for her taping), World on the Ground finds wisdom being passed down through song by a bird observing the world below: “When the world on the ground is gonna swallow you down, sometimes you’ve got to pay it no mind.” As the now four-time Grammy Award-winner inhabits characters both real and imagined, Jarosz reveals her remarkable gift for slipping into the interior lives of others and patiently uncovering so much indelible insight. In the making of World On the Ground, Jarosz – who already has two ACL appearances under her belt (in 2010 and 2014) – ultimately moved undeniably closer to one of her greatest ambitions as an artist: to create an emotionally honest body of work that continually reveals new meaning for the listener. “My favorite records are the ones I just want to play over and over again because of all the details that are there to discover,” she says. “As I was writing this record, it was the deepest I’d ever gone in terms of getting down to the very specific details in the way I told each story. The details are what make people feel something and connect the story to their own lives, and that’s really all I want for my music.” A prolific artist, this spring she released Blue Heron Suite, a song cycle inspired by the frequent trips Jarosz and her parents made to Port Aransas, a small town on the Gulf Coast of Texas that had been devastated by Hurricane Harvey in 2017. “I like to think of the song cycle as a quiet acknowledgment of life’s many uncertainties,” she says. “You never know what will be thrown your way, but you can always work to try to face the highs and the lows with grace and strength.” 

photo by Charlotte Patmore

British native and recent Austin transplant Jade Bird has been earning acclaim in the U.S. since 2018, winning SXSW’s coveted Grulke Prize for developing non-U.S. act and scoring a nomination for the Americana Awards emerging artist of the year. The 23-year-old singer-songwriter has been writing and performing live since her teens and released her self-titled full-length debut in 2019 to critical raves. Following a yearlong U.S. tour playing on bills with artists including Jason Isbell, Sheryl Crow and Bird’s friend and champion, Brandi Carlile, the young artist discovered kindred spirits and became part of a nurturing community of American songwriters and career artists. In 2020 she headed to Nashville’s RCA Studios to record with mega-producer Dave Cobb (Brandi Carlile, Chris Stapleton) for her highly-anticipated sophomore album, due this summer. Bird recently dropped her first new music in over a year, a trio of celebrated new singles, including “Headstart,” which the NY Times raves: “shows off the distinct, raspy twang of her vocals — which somehow find common ground between Lucinda Williams and Alanis Morissette” and Rolling Stone hailed as “electrifying.” 

photo by Jesse Faatz

Michigan-born and now Nashville-based, Billy Strings is a Grammy Award-winning singer, songwriter and musician, who arrived on the scene as “one of string music’s most dynamic young stars” (Rolling Stone). Strings is in the midst of a triumphant year after winning Best Bluegrass Album at the 2021 Grammy Awards for his critically acclaimed record, Home. Produced by Glenn Brown, the record also led Strings to top Billboard’s 2020 year-end charts in both Bluegrass categories—Top Bluegrass Artists and Top Bluegrass Albums—and continues to receive widespread critical acclaim. Of the release, Associated Press proclaims, “it is his creative musical storytelling, paired with solid vocals on Home that should seal the deal, pleasing fans of the genre and creating some new ones…the perfect blend of pure talent and pluck,” while The Wall Street Journal declares, “Billy Strings has clearly emerged as a premier guitar flatpicker of this era.” Since his debut, Strings has been awarded Guitar Player of the Year and New Artist of the Year at the 2019 International Bluegrass Music Awards, selected as one of Rolling Stone’s “New Country Artists to Know” and performed on Jimmy Kimmel Live! and PBS’ Bluegrass Underground. Known for his electric live shows, Strings has continued to perform throughout the past year—both virtually and in-person—and has raised over $100,000 for charity through a variety of livestream and socially distanced concerts.

Due to implemented safety measures and the ongoing uncertainty from COVID-19, there will be no giveaway for access to attend upcoming ACL tapings. With the safety of the artists, crew and guests top of mind, the limited studio audience will be prioritized to our donors who make Austin City Limits possible and who have continued to support the show during this challenging time and beyond. We will expand the audience as safety measures allow and will post giveaway opportunities on ACLTV.com as available. Thank you for your patience as we work to reopen safely. We can’t wait to get back to the music with our supporters and fans. We have more exciting tapings coming up this year, and nore information on those shows will be forthcoming.  

About Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 47th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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Featured News Taping Announcement

ACL announces Season 47 tapings

Austin City Limits proudly announces Season 47 will return in spades this year with a stellar slate of artists onboard to record new appearances, including a number of 2021 Grammy Award nominees.

ACL is thrilled to announce the first taping of Season 47, on April 28, will feature Miranda Lambert, Jack Ingram and Jon Randall debuting their just-announced, highly-anticipated album The Marfa Tapes. The country superstar and her celebrated songwriting partners open the new season showcasing the new release, out May 7, a collection of beautifully intimate and raw songs written and recorded together in Marfa, Texas. 

Season 47 will feature five-time 2021 Grammy nominee and four-time Grammy Award-winner Brittany Howard making her solo ACL debut; and multiple 2021 double Grammy nominees including singer-songwriter Sarah Jarosz, in her third headlining appearance, and the ACL debuts of jazz/soul maverick (and recent Golden Globe award-winner) Jon Batiste and acclaimed country standout Brandy Clark. Music great Jackson Browne returns for his first taping in two decades (showcasing his first new album in six years); Grammy-winning (and four-time nominated) R&B phenom Leon Bridges makes a highly-anticipated return to the ACL stage; Austin indie sensation Dayglow makes his ACL debut, and a Texas icon, singer/songwriter Terry Allen returns for the first time in almost 25 years. Taping dates will be announced at a later date and may be subject to change as we navigate the new landscape.

“Austin City Limits is excited to bring live music back (with a live audience!),” says executive producer Terry Lickona. “Along with the rest of the world, we hope to slowly but surely (and safely) get back to normal this year, and it’s obvious many artists do, too. We have a diverse mix of headliners, up-and-comers, and groundbreaking singers, songwriters and musicians ready to take the stage.”

Jon Batiste. Courtesy UMG.

ACL is uniquely thrilled to launch the new season with a trio of Texas natives: Miranda Lambert (in her third ACL appearance) alongside her longtime songwriting partners Jack Ingram (who last appeared 25 years ago in Season 22) and Jon Randall (in his ACL debut), showcasing The Marfa Tapes, a stripped-down project conceived in the Texas high desert. A tiny, middle-of-nowhere town with an outsized grip on the American imagination, Marfa is an eccentric outpost in the midst of a vast expanse of nothingness, the perfect place to lose – or find – yourself. For Lambert, Randall, and Ingram, it’s both. Over the past several years, the desolate location has become a songwriting haven for the trio, yielding both massive hits and profound personal growth. When they returned for five days this past November though, they came not to write, but to record, capturing a captivating new album inspired by the stark beauty of west Texas and the deep, lasting bonds the three have forged there. Recorded raw and loose with just a pair of microphones and an acoustic guitar, The Marfa Tapes is a stunning work of audio verité; an intimate, unadorned snapshot of a moment in time fueled by love, trust, and friendship.

The trio recorded much of the album outdoors, inviting the ambient sounds of the desert to seep into their live, bare bones performances, and the atmosphere is utterly transportive. While a couple of the tracks may already be familiar to listeners – ACM Song of the Year “Tin Man” as well as fan favorite “Tequila Does” – the vast majority of these songs have never been heard outside of Marfa. The result is a rare glimpse inside the creative process of three of the genre’s most accomplished writers and performers; a candid, unvarnished look at Lambert, Randall, and Ingram’s undeniable chemistry in its purest, most honest form.

“There’s something singular that happens in that moment of collaboration and creation, something you can never really recreate in the studio,” says Ingram. “Our hope with this album was to share a little bit of that magic with people.”

ACL is excited to share the magic of our upcoming Season 47 with our loyal fans and viewers. Stay tuned to acltv for further details on upcoming tapings.