Austin City Limits

Austin City Limits presents the contemporary Latin sounds of two of music’s best in show, Natalia Lafourcade and Grupo Fantasma. Mexican superstar Lafourcade performs songs from her Grammy-winning album Hasta la Raíz and powerhouse Latin funk orchestra Grupo Fantasma deliver show-stopping grooves.  

As one of Mexico’s biggest music stars, Natalia Lafourcade’s infectious mix of pop, rock, folk and bossa nova has earned the singer-songwriter multiple international chart-topping albums.  In her Austin City Limits debut, Lafourcade and her backing quintet perform selections from her sixth studio album, the acclaimed Hasta La Raíz, which won universal accolades, culminating in four 2015 Latin Grammys, including top honors of song and record of the year for the title track, and a 2016 Grammy Award (her first) for Best Latin Rock album.  Opening with the title track, an intimate, melodic anthem about holding on to one’s roots, the set showcases her sweet, airy vocals.  Lafourcade reaches back to the catchy “En El 2000,” her 2003 breakthrough radio hit and a song she explained that she’d come to hate due to constant requests for it, but now “we’re friends again.”  She closes out the captivating set with the pretty, bossa nova-influenced gem “Para Qué Sufrir,” a clear fan favorite.   

“I was hooked as a fan when I saw Natalia Lafourcade perform at the Latin Grammys,” says ACL executive producer Terry Lickona.  “She may seem an unlikely Latin superstar, but her sweet voice and personal songs have a way of connecting with her fans and the world around her.”

Austin originals Grupo Fantasma deliver a white-hot, delirious blend of big-band samba, merengue and Latin jams in a powerhouse five-song set.  Formed in 2000, the 9-piece funk outfit first-appeared on ACL in Season 33.  The Grammy-winning funksters continue their decade and a half of magic with danceable, irresistible songs from their new, acclaimed album Problemas, produced by Los Lobos’ Steve Berlin.  Opening with the slow-burning cumbia “Nada,” the crowd is on its feet.  The band is joined by special guests Steve Berlin and renowned saxophonist Karl Denson for “Cayuco,” a sultry mambo torn from the horns and heat of Cuban dance halls.  The group welcomes Los Texmaniacs accordionist Josh Baca and former Grupo founding member Adrian Quesada for the conjunto-flavored “Esa Negra.”  Performing the title track of Problemas, Grupo’s charismatic bandleader Jose Galeano gives dance instructions to the front row.  For the final song, a tribute to the band’s late friend and champion Prince, the 9-piece orchestra swells to 17-pieces. Galeano, at a momentary loss for words, simply remarks “There’s not much we can say.  We’re just gonna play.”  And so they do, 17-strong across the stage, lighting the room aflame with the Purple One’s disco-fied early hit “Controversy.”

“Kick-ass Latin funk might not be a music genre, but it defines what Grupo Fantasma does,” says Lickona.  “There were 20 musicians blasting and riffing their way through the night, shaking the stage if not the balcony high above! Austin is not usually known for its Latin grooves, but Grupo could change that!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of longtime ACL friends My Morning Jacket and Ben Harper & the Innocent Criminals.

Get your lighters out for one of the most riotous, epic, joyous episodes in the four-decade history of Austin City Limits as the Foo Fighters return for the head-banging blowout of ACL’s milestone anniversary season. In an installment destined to be a future classic, this superstar-caliber performance serves as a colossal closeout to the program’s celebratory Season 40. Dave Grohl & company bring the rock in a non-stop, incredible hour of music that will have viewers on their feet and pledging allegiance to the Foo.

2015 marks the Foo Fighters’ 20th Anniversary, and while the 25-million-record-selling, eleven-time GRAMMY-winning band play sold-out arenas and stadiums across the globe, the modern rock superstars return to ACL’s humble stage on this special occasion. The Foos first appeared during Season 34 in 2008 and recently immortalized Austin and ACL’s executive producer Terry Lickona in an installment of their HBO series Sonic Highways, even recording a song in ACL’s historic, original Studio 6A for the companion audio release.

“Here’s what I think we should do,” says Foo leader Dave Grohl at the outset. “We should play some old songs, we should play some new songs, we should have some guests.” The band stays true to their word, launching into a blistering nine-song attack, performing fan favorites and standout tracks from their acclaimed new release Sonic Highways. The crowd goes wild when Austin guitar great Gary Clark Jr. joins the band for “What Did I Do?/God As My Witness,” the song originally recorded in the Austin episode of the HBO series. Hometown hero and blues guitar legend Jimmie Vaughan joins Clark Jr. and the band onstage for “Tuff Enuff,” the signature song of Vaughan’s Fabulous Thunderbirds, with Grohl on vocals and Vaughan adding his distinctive guitar riffs. The audience is on their feet for the entire hour, pumping their fists in the air and singing along as Foo Fighters make a believer out of everyone, in one of the most entertaining hours of music in ACL history. On the closing anthem “Best of You” Grohl sings, “I’ve got another confession to make/I’m your fool.” So is the Austin audience in a performance that is the ultimate highlight of ACL’s 40th season.

ACL executive producer Terry Lickona says, “We love us some Foo Fighters!! They are one of the biggest rock bands on the planet right now, and Dave Grohl is a renaissance rock and roll man. He showed us their love on the HBO Sonic Highways series, and this ACL episode is the first major TV showcase for their new music. Ours is a unique relationship, to say the least!”