Austin City Limits has been privileged to host many music legends on our stage, and we were thrilled to welcome back another: blues titan Buddy Guy. The Chicago bluesman has headlined twice before, bringing his signature guitar style and bottomless catalog for a pair of landmark episodes. This evening Guy returned to one of his favorite cities to show off those strengths once again, including songs from his latest LP The Blues is Alive and Well with a taping we live streamed around the world.
Taking the stage in his trademark polkadots, signature drill-through-a-concrete-slab Strat tone and no setlist, Guy and his four-piece Damn Right Blues Band took the stage with the classic “Damn Right I’ve Got the Blues,” a statement of purpose if there ever was one. The 82-year-old then brought out “Hoochie Coochie Man,” from the repertoire of his old employer Muddy Waters, engaging in some playful call-and-response with both the audience and keyboardist Marty Sammon. He stayed with the Waters catalog by segueing into “She’s Nineteen Years Old,” adding a snippet of “Somebody Done Hoodooed the Hoodoo Man” at the end in tribute to his late partner Junior Wells. Clearly just warming up, Guy sampled his latest record with “Cognac,” a savage blues celebrating the titular beverage in lyric and the British blues rockers Guy inspired in music, calling out Keith Richards and Jeff Beck in particular. He revisited his Grammy-winning 2015 album Born to Play Guitar for the title track, before indulging in some more blues history with Sonny Boy Williamson’s “Nine Below Zero.”
That didn’t last long, however, as he jumped back into his own catalog for his modern blues classic “Somebody Else is Steppin’ Out (Slippin’ Out, Slippin’ In),” for which he took his traditional walk into the audience, mic and stinging guitar solos in hand. That would be a hard song for anyone to follow, but Guy knew what to do, going back to 1992 and the elegiac John Hiatt-penned title track to Feels Like Rain, joined by his 19-year-old six-string protegeé Quinn Sullivan. As with “Steppin’ Out,” Guy invited – nay, expected – the crowd to sing the chorus, even requesting the house lights come up so he could playfully keep the people in line. His mentor egging him on, Sullivan stayed onstage for covers of Cream’s “Strange Brew” and Jimi Hendrix’ “Voodoo Child (Slight Return),” the latter run straight into Cream’s “Sunshine of Your Love.” Guy then decided to survey the guitar players that influenced him, touching on B.B. King’s “Sweet Sixteen” and John Lee Hooker’s “Boom Boom,” thanking the audience and joining them to pass picks out while the Damn Right Blues Band vamped behind him. Guy retook the stage for a couple of verses of his own “Meet Me in Chicago,” before ceding it back to Sullivan and the band for a couple of instrumental choruses of “Black Magic Woman” – proof you never know what to expect with a veteran artist working without a net. But Buddy Guy has earned the right to follow his muse into whichever corner it wants to explore. We can’t wait for you to see this remarkable show when it airs early next year on your local PBS station.
Austin City Limits presents a thrilling hour of blues and hip-hop in a new installment featuring legendary bluesman Buddy Guy and August Greene, the all-star collaboration featuring Grammy-, Emmy- and Oscar-winning Common, and renowned modern jazz greats Robert Glasper and Karriem Riggins.
Blues-great Buddy Guy throws down in an entertaining performance of classics and new songs from his Grammy-nominated album The Blues Is Alive and Well. The living legend has played and sang the blues for over half a century, and he proudly flaunts his fretboard expertise and bottomless catalog during his fifth ACL appearance. Guy and his four-piece Damn Right Blues Band take the stage appropriately with the classic “Damn Right I’ve Got the Blues.” Working without a set list, Guy pays tribute to fellow Chicago bluesmen on the Junior Wells classic “Hoodoo Man Blues” and Sonny Boy Williamson’s “Nine Below Zero” then revisits his Grammy-winning 2015 album Born to Play Guitar for the blistering title track. He thrills the ACL audience with the roof-raising “Slippin’ In,” from his Grammy-winning 1994 album of the same name and takes a string-bending, guitar-solo-ing stroll through the captivated crowd as living proof that the blues is, indeed, alive and well.
The dynamic hip-hop collective known as August Greene take us for a beautiful ride, performing numbers from their acclaimed self-titled debut. This supergroup, featuring veteran rapper Common, four-time Grammy-winning keyboardist/producer Robert Glasper and celebrated jazz drummer/producer Karriem Riggins, lay down a sublime groove overlaid by Common’s socially conscious and empowering narrative. Joined by four backing musicians, the group opens with its hit “Black Kennedy,” a hard look at post-Obama America, deftly adding the chorus of Bon Jovi’s “Livin’ On A Prayer” to this celebration of black excellence. Backing vocalist Samora Pinderhughes delivers a spellbinding hook, joining Common at center stage for the urgent “Let Go,” as the rapper encourages the crowd to release any negative energy. The group segues directly into the buoyant “Geto Heaven,” from Common’s 2000 breakthrough classic Like Water For Chocolate, honoring many of the fallen from the civil rights era along with the black victims of contemporary gun violence. “I feel like you all let go right there,” smiles a beaming Common as he champions the excellence of all the musicians onstage and the set closes with dazzling solos from Riggins and Glasper.
photo by Scott Newton
“Buddy Guy is the last living blues legend, and he shows no sign of slowing down,” says ACL executive producer Terry Lickona. “He’s inspired generations of blues guitarists, and his live shows are always mesmerizing. Austin City Limits has a tradition of pushing the limits to showcase music you’ll probably never see anywhere else on TV. August Greene is an amazing collaboration of jazz, rap and soul that’s pure creative genius.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring the Americana Music Festival’s seventeenth annual honors and awards program.
Austin City Limits returns to Nashville for a special broadcast featuring performance highlights from the 21st Annual Americana Honors. For over two decades, the annual celebration of roots music has honored the leading lights of Americana music while showcasing unique performances and collaborations. The program is filled with musical highlights from many of the event’s award-winners and honorees, among them (in order of appearance): Phosphorescent, Brandi Carlile, Lucius, The Fairfield Four, James McMurtry, The War And Treaty, Lukas Nelson, JP Harris, Sierra Ferrell, Chris Isaak, Buddy Miller, Lyle Lovett, The Milk Carton Kids, Allison Russell, and The McCrary Sisters. The hourlong special premieres Saturday, April 1 at 7pm CT/8pm ET on PBS and varies by market (check local listings for times). Check PBS listings for local airtimes. The special will be available to music fans everywhere to stream online beginning Sunday, April 2 @10am ET at pbs.org/austincitylimits. Viewers can visit acltv.com for news regarding upcoming Season 49 tapings, episode schedules and select live stream updates. The program’s official hashtags are #acltv and #americanafest.
Recorded live at Nashville’s historic Ryman Auditorium in September 2022, The Americana Music Association’s 21st Annual Americana Honors & Awards ceremony is a celebration of the confluence of roots, blues, soul, folk and country music. For the eleventh year, the producers of Austin City Limits, in conjunction with producers Martin Fischer, Michelle Aquilato, and Jed Hilly for the Americana Music Association, proudly deliver a special ACL Presents.
One of the genre’s biggest stars, Song of the Year-winner Brandi Carlile, takes the stage joined by indie-folk duo Lucius for an exuberant performance of Carlile’s gem “You and Me On the Rock,” a triple 2022 Grammy nominee for Record of the Year, Best Americana Performance and Best American Roots Song, from her 2022 Grammy-winning Best Americana Album In These Silent Days. Husband and wife duo The War and Treaty, named Duo/Group of the Year, deliver an electrifying performance of their soulful duet “That’s How Love Is Made,” that brings the Ryman audience to its feet. Americana stalwart Sarah Jarosz introduces “one of her all-time favorites,” Texas songwriter James McMurtry, who sings a sterling rendition of his Song of the Year nominated “Canola Fields.” The Awards’ Emerging Act of the Year honoree Sierra Farrell makes a sparkling debut with her buoyant hot jazz number “At the End of the Rainbow.” Album of the Year winner, singer-songwriter Allison Russell, performs her empowering anthem “You’re Not Alone” from her celebrated debut solo record, Outside Child; she is joined by frequent collaborator Brandi Carlile backed by an all-female ensemble of musicians featuring cellist and Instrumentalist of the Year Larissa Maestro.
Lifetime achievement honorees showcase their incredible legacies: Fairfield Four, a harmony singing group that originated in the 1920s at Nashville’s Fairfield Baptist Church, are honored with the Legacy of Americana Award for preserving traditional Black a cappella gospel music; they perform a stirring a capella “Rock My Soul.” Americana great Lyle Lovett introduces Chris Isaak, lifetime achievement honoree for performance, calling him “a remarkable artist and remarkable human being” and Isaak delivers a spirited rendition of his classic “Somebody’s Crying.” Rock legend and Americana champion Robert Plant makes a surprise appearance to honor genre icon and long-standing Americana house band leader Buddy Miller with a Lifetime Achievement Award; Miller takes the stage to perform an emotional rendition of Americana forebear Levon Helm’s “Wide River to Cross,” a song Miller co-wrote. Lukas Nelson pays homage to an influential late country great, Don Williams, the gentle giant of country music, with a moving version of the Texas-born singer and songwriter’s “Lord, I Hope This Day is Good.”
The hour celebrates a trio of seminal American roots music albums marking their 50th anniversary: Phosphorescent, the stage name of singer-songwriter Matthew Houck, opens the hour in salute to Neil Young’s landmark Harvest with a rendition of Young’s classic “Are You Ready for the Country?” Lyle Lovett takes the stage to perform an acoustic version of the Little Feat ballad “Willin’” in tribute to the band’s Sailin’ Shoes, joined by Little Feat’s Bill Payne on piano; Americana’s dynamic acoustic duo The Milk Carton Kids salute Jackson Browne’s 1972 self-titled debut with a gorgeous rendition of the singer-songwriter legend’s “Something Fine.”
The special also pays tribute to Americana greats lost in 2022: Iconic gospel group The McCrary Sisters, longtime performers at the Americana Awards, honor their late sister and bandmate Deborah McCrary with the powerful elegy “Amazing Grace.” Luke Bell, a gone-too-soon cult favorite among indie country fans, is saluted by roadhouse country singer JP Harris. Harris performs Bell’s “The Bullfighter,” saying “Luke never got a chance to sing this song himself from this stage like he should’ve, so I’m going to do my damnedest in your stead, little brother.”
Broadcast setlist:
Phosphorescent “Are You Ready for the Country”
Brandi Carlile ft. Lucius “You and Me on the Rock”
The Fairfield Four “Rock My Soul”
James McMurtry “Canola Fields”
The War And Treaty “That’s How Love is Made”
Lukas Nelson “Lord I Hope This Day is Good”
JP Harris “Bullfighter”
Sierra Ferrell “At the End Of the Rainbow”
Chris Isaak “Somebody’s Crying”
Buddy Miller “Wide River To Cross”
Lyle Lovett “Willin’”
The Milk Carton Kids “Something Fine”
Allison Russell ft. Brandi Carlile “You’re Not Alone”
About the Americana Music Association:
The Americana Music Association is a professional not-for-profit trade organization whose mission is to advocate for the authentic voice of American roots music around the world. The Association produces events throughout the year; including AMERICANAFEST and the critically acclaimed Americana Honors & Awards program. The Americana Music Association receives enormous support from the Tennessee Department of Tourism, Nashville Convention & Visitors Corp, ASCAP, BMI, SESAC.
About AMERICANAFEST:
The 23rd annual AMERICANAFEST will take place September 19-23, 2023 in Nashville, Tenn., once again bringing together music industry professionals and fans alike for five days of discovery, insight and connections. Declared a “veritable juggernaut” by American Songwriter, AMERICANAFEST showcases hundreds of artists and bands throughout many notable venues in Nashville, TN. The destination event also features a first-rate industry conference, bringing together the top tier of the music business to discuss current industry topics and issues. Musical festivities are kicked off by the critically acclaimed Americana Honors & Awards, which celebrates luminaries and welcomes the next generation of trailblazers while offering one-of-a-kind performance pairings at Nashville’s famed Ryman Auditorium. For more information, please visit www.americanamusic.org.
About ACL Presents:
ACL Presents is music programming created by, or in association with, Austin PBS, the producers of Austin City Limits (ACL). ACL Presents programming includes television specials, live events, web series and recorded music presentations and is made in the spirit and standards of the legendary PBS series Austin City Limits, the longest-running live music series in television history. ACL Presents collaborations have included: Hardly Strictly Bluegrass with KQED and AMERICANAFEST with Nashville Public Television (NPT).
Brittany Howard performs on Austin City Limits, 2024. Photo by Scott Newton.
Powerhouse singer/songwriter Brittany Howard took the Austin City Limits stage for her fourth outing Monday night with an electric hour, showcasing latest album What Now, along with highlights from her acclaimed 2019 solo debut Jaime mixed into a dazzling set. Having formerly taped two episodes with her band Alabama Shakes, followed by a phenomenal solo Austin City Limits debut in 2021 for Season 47, the studio audience was buzzing with anticipation to experience new solo work from the ACL favorite.
“We’re so happy to be here,” smiled Howard, who emerged from backstage wearing a sparkling floor-length caftan dress that shone just as bright as her onstage presence.
Brittany and band enraptured the audience right out of the gate with What Now opening tracks “Earth Sign,” and “I Don’t.” Recorded during the pandemic, What Now is an affirming genre experimentation with existential lyrics that at times take a heady psychedelic turn. Mixing in some selects off Jaime, by the time Howard pulled out crowd favorite “Stay High,” the audience was ready to sing along. Howard let out a friendly laugh mid-song at the audience’s enthusiastic recognition of the hit.
Following new tunes “Red Flags” and “Samson,” the unstoppable frontwoman forayed into playing a suite of songs from Jaime, including “Baby,” “History Repeats,” “Georgia,” and a very moody “Goat Head,” with her stellar band and longtime backing vocalists Shanay Johnson and Karita Law fading in the meditative groove from a skillfully controlled almost-silence. Songs faded into each other, with trippy segues into meditative guitar by Alex Chakour and Brad Allan Williams piggybacked by a keys solo from Paul Horton to bookend “Georgia.” Howard let out an energetic scream in “History Repeats,” followed by a killer drum break in “13th Century Metal,” courtesy of drummer Nate Smith that inspired an audience clap-along.
The latter portion of the set became introspective and vulnerable, with new track “To Be Still” performed with just her ace backing vocalists and guitarist Brad Allan Williams accompanying Howard’s vocals. Her soaring voice in “Every Color in Blue,” further confirmed her status as one of music’s greatest vocalists.
“Live music is such an important thing, you know,” offered Howard as her remaining band members left her alone centerstage. Switching to an acoustic guitar, she shared, “I saw my first live band play when I was eleven years old, and it was from that moment that I decided that this was what I wanted to do. And I studied hard and I worked real hard, taught myself how to play, and I taught myself how to write songs, and now I get to be here with all of ya’ll.” With that she launched into a heartfelt “Short and Sweet,” ending the performance and walking offstage.
The audience rhythmically clapped Brittany and band back onstage for an encore featuring a trio of songs from What Now: “Interlude,” “Another Day” and the title track, a perfect end to a transformative set. We can’t wait for you to see it when it airs this fall on PBS as part of our golden anniversary Season 50.
Brittany Howard performs on Austin City Limits, April 29, 2024. Photos by Scott Newton.
Listen to the full set list from the Austin City Limits taping below:
From a number four album in his native U.K. to an opening slot on Mumford & Sons’ U.S. tour, Michael Kiwanuka has already quite a career arc. Now the 26-year-old singer/songwriter can add his first ACL taping to his resumé. “This is a real honor to do this show, to play Austin and do Austin City Limits,” he said at the top of the show, “So we’re gonna have as good a time as we can.”
Kiwanuka and his three-piece band opened with a new song, a breeze of 70s-style folky soul called “If You’d Dare.” From there he launched into the dazzling “Tell Me a Tale,” the groovy opening track of his debut album Home Again. Kiwanuka then went for a mellower vibe, essaying the countryish folk of “Always Waiting” and the Bill Withers-like “Worry Walks Beside Me,” the sweet folk pop of “I’m Getting Ready” and the mellow balladry of “Rest.” He shone a light on one of his other influences, Jimi Hendrix, with a perfect take on the pioneering guitarist’s pretty “May This Be Love.” Kiwanuka also stripped down to just himself and his guitar for the Tin Pan Alley pop of “Any Day Will Do Fine,” the brand new anthem-in-waiting “Running Through the Alleys” and the brooding darkness of Townes Van Zandt’s “Waiting ‘Round to Die.”
After bringing in the black clouds of Van Zandt, Kiwanuka brought the band back on for his radio hit “Home Again,” a jazzy pop tune that’s almost a lullaby. The quartet brought the house down with the funky pop/soul grooves of “I’ll Get Along,” waving to a crowd that definitely wanted more. Kiwanuka gave it to them, though not in the way he originally intended. Though the plan was for he and bassist Pete Randall to play the single “Lasan,” a call for “Bones” by an enthusiastic crowd member found Kiwanuka calling guitarist Miles James and drummer Graham Godfrey back onstage to acquiesce. The upbeat, jazzy groove ended up being the perfect way to end the evening.
Michael Kiwanuka made a striking debut on our stage. Tune in this fall to see the greatness for yourselves.
This weekend, Austin City Limits showcases a rising star, UK singer-songwriter Yola in a new installment. Performing songs from her 2020 Grammy-nominated Walk Through Fire, along with sparkling renditions of choice classics, the country-soul sensation delivers a 12-song tour-de-force in her ACL debut. Her show was taped in February at ACL’s studio home ACL Live at the Moody Theater in Austin, Texas, before a live audience – like every other show in ACL’s 45-year history. Shortly after, the COVID pandemic hit and ACL ceased all production, only recently resuming tapings – without a live audience. With live music still on pause, ACL continues to provide viewers a front-row seat to the best in live performance. The series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast.
Hailing from the English port city of Bristol, the single-named Americana artist Yola delivers a knockout performance in an hourlong set featuring highlights from her acclaimed debut Walk Through Fire, which earned her four 2020 Grammy nominations, including one for best new artist. She recorded the album with in demand producer (and ACL three-timer) Dan Auerbach of The Black Keys at his Nashville studio. Backed by a quartet, Yola performs almost the entirety of the record in her ACL debut, dazzling with her arresting vocals on an emotion-filled catalog of heartbreak songs that inhabit the sweet spot between 1970s Southern soul and country. Donning her acoustic guitar, she performs “Ride Out in the Country” and unleashes the full power of her magnificent voice for the slowburn “Faraway Look.” The chatty and cheery singer charms the crowd with the stories behind her songs, including the house fire that inspired the album’s title track, transformed into a smoldering love song.
Yola reveals her fondness for 1970s pop classics, captivating the crowd with a deeply soulful reading of the Hollies’ “The Air That I Breathe” and a powerhouse rendition of Elton John’s “Goodbye Yellow Brick Road.” Yola brings the house down for the closer, showcasing her gorgeous vocals on the Aretha Franklin gem “You’re All I Need to Get By.”
“Yola may well be the best pure singer on the pop music scene today,” according to ACL executive producer Terry Lickona. “She has such an incredible dynamic range, a certain mystical spirit about her, and a devilish sense of humor. What’s not to love?”
Episode setlist:
Lonely the Night
Ride Out in the Country
Shady Grove
Walk Through Fire
Air That I Breathe
Faraway Look
Love is Light
Still Gone
It Ain’t Easier
Goodbye Yellow Brick Road
I Don’t Wanna Lie
You’re All I Need to Get By
Tune-in, log on, and let ACL be a trusted sidekick for entertainment during these challenging days. The complete line-up for the full 13-week season will be announced at a later date. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG..Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.
About Austin City Limits
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 46th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic KLRU Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.
Austin City Limits is produced by Austin PBS, KLRU-TV and funding is provided in part by Dell Technologies, RigUp, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.
