Austin City Limits

The Tom Waits episode of Austin City Limits is one of the most requested shows in our 39-year archive. Recorded in December 1978, the show features the iconoclastic singer/songwriter supporting his classic LP Blue Valentine and deep in the transitional phase of his career, evolving out of the jazzy beat poetry of his early work (“I Wish I Was in New Orleans”) and into the bluesier, more dissonant sounds (“Sweet Little Bullet From a Pretty Blue Gun”) for which he became known in the 80s and beyond. He acknowledged the season with the streetwise but lovely “Christmas Card From a Hooker in Minneapolis,” which incorporates a few bars of a better-known Xmas hymn. And he debuted “On the Nickel,” one of his greatest ballads, and which wouldn’t be released on record until Heartattack and Vine in 1980.

You can check out the episode page for pics, the set list and the original liner notes for the episode. Don’t forget to visit our Facebook and Twitter pages and/or sign up for our newsletter for the latest news on ACL happenings. Next week: Rodrigo y Gabriela with C.U.B.A.

Austin City Limits is proud to present the encore of an inspired double-bill featuring the experimental sounds of Edward Sharpe and the Magnetic Zeros and tUnE-yArDs.

The psychedelic folk troupe Edward Sharpe and the Magnetic Zeros bring their shared spirit to the ACL stage in their debut appearance on the show. Equipped with infectious melodies, catchy sing-a-longs and a free-spirited frontman, the 12-piece ensemble have gained fans all over the world. With two critically-acclaimed albums and a widespread reputation for energetic performances, the down-home outfit create what NPR calls a “gloriously uplifting ruckus.” The Los Angeles-based group draws inspiration from the communal musical communities that peppered Southern California with positive vibrations during the ’60s and early ’70s. The gang of animated musicians perform their bright music and homespun harmonies on ACL complete with spontaneous dancing, bare feet and bared souls.

“This is a band that loves to make music, pure and simple,” says ACL Executive Producer Terry Lickona. “They may look and sound like they came straight out of the 60’s, but there is a joy to their music that is infectious – onstage or off. In fact, frontman Alex Ebert had a hard time staying ON our stage during the show, and to everyone’s delight he plunged into the crowd more than once.”

Next up is the bold, uncompromising music of tUnE-yArDs, performing tracks from the critically-acclaimed opus whokill. The brainchild of indie singer-songwriter Merrill Garbus, tUnE-yArDs have fashioned an expansive sound incorporating layered ukulele, voice, electric bass and drum loops into an eclectic DIY aesthetic. Technology meets primal in the music of Garbus, who The New York Times describes as “somewhere between Aretha Franklin and Yoko Ono.” She showcases her striking sound for her first appearance on the ACL stage. With a bassist and two sax players joining Garbus’ frontline of drums, amplified ukelele and looping technology, tUnE-yArDs put on a show unlike any other.

“I don’t think we’ve ever had an act quite like Merrill Garbus and tUnE-yArDs on ACL,” says Lickona. “But don’t be fooled…just when her music seems to veer off in a strange direction, Merrill brings it all back home with the raw power of her voice and those loopy rhythms.”

Check out the episode page for more details on this remarkable show. We also hope you’ll visit us on Facebook and Twitter, or sign up for our newsletter. Next week: Tom Waits.

Widespread Panic has spent time on the ACL stage before, visiting us in Seasons 26 and 31. But we never had a show quite like this. Not only was the Georgia band on a tour celebrating its 25th anniversary, but this Season 37 gem was recorded on St. Patrick’s Day during Austin’s venerable South By Southwest Music Festival. In other words, this episode treats fans to a retrospective show recorded in a party atmosphere. The south’s most resilient jam band performs not only recent material like “Dirty Side Down,” “Up All Night” and the salutatory “May Your Glass Be Filled,” but also reaches deep into its sizeable catalog.  Highlights include the choogling “Pigeons,” from its 1991 self-titled second record, the Junior Kimbrough cover “Junior,” from its reputation-solidifying 1994 LP Ain’t Life Grand, and the concert staple “Chilly Water,” from all-the-way-back-in 1988’s debut Space Wrangler. Add a feisty take on Tom Waits’ “Goin’ Out West” to the party and we’ve got a special Widespread Panic show.

Check out the episode page for more pertinent info, and check your local listings for showtimes. Don’t forget to check in with our Facebook and Twitter pages and newsletter for ACL news. Next week: Edward Sharpe & the Magnetic Zeros and tUnE-yArDs.