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Featured News Taping Announcement

New taping: The Tedeschi Trucks Band

We’re proud to announce the final taping of Season 41, the Austin City Limits debut of the Tedeschi Trucks Band on December 14th.

Formed in 2010 by guitarist Derek Trucks and singer/guitarist Susan Tedeschi, who appeared twice on ACL under her own name, the 12-piece Tedeschi Trucks Band has quickly become the vanguard of modern roots music. Hailed as “a deeply skilled groove machine (Los Angeles Times) that “booms like a soul thunderclap” (Boston Herald), the band has cemented their reputation for thrilling audiences worldwide with its legendary live performances and award-winning albums. In just five years, Tedeschi Trucks Band has toured extensively throughout the U.S., Canada, Australia, Europe, and Japan, with headline performances at both The New Orleans Jazz and Heritage Festival and the venerable Newport Jazz Festival, co-headlining tours with B.B. King and The Black Crowes, and packed houses from Red Rocks Amphitheatre and NYC’s Beacon Theatre to the Hollywood Bowl and London’s Royal Albert Hall.

TTB’s debut release Revelator earned both a Grammy Award and multiple Blues Music Awards. 2011’s dynamic live follow-up, Everybody’s Talkin’, delivered a double-disc classic reminiscent of legendary concert recordings like The Allman Brothers Band’s At Fillmore East. Its sophomore studio effort, 2013’s Made Up Mind, bolstered the Jacksonville, Florida-based group’s growing reputation as the preeminent soul, rock and blues leader. The band’s highly anticipated third studio album Let Me Get By will be released in early 2016.

Sharing a level of respect and camaraderie rarely found in rock and roll, TTB has found a magical combination that delivers nightly an unforgettable, can’t-miss concert experience.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on

Facebook and Twitter for notice of postings.

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Episode Recap Featured New Broadcast News

ACL 41 welcomes the legendary James Taylor

Austin City Limits presents a Season 41 highlight: the first-ever appearance of legendary singer-songwriter James Taylor in a heartwarming, hourlong performance. The musical icon shines in a career-spanning set that features beloved classics and selections from his chart-topping, acclaimed new album Before This World, his first collection of original music in 13 years.  

As one of the best-selling singer-songwriters of all time, James Taylor’s warm baritone is among the most recognized voices in popular music. A masterful lyricist and celebrated performer, Taylor sings songs of love, family, recovery and everyday passions that resonate with listeners worldwide. “Finally on ACL — this is great,” says the personable musician, grinning throughout. He delights the ACL audience with a hit-laden 12-song set featuring vintage favorites such as his first #1 single, 1971’s “You’ve Got A Friend,” and new originals from Before This World, which debuted at #1 on Billboard’s Top 200.  

photo by Scott Newton

Taylor switches midset from acoustic to electric guitar for the slow-burn blues number “Steamroller” from his landmark 1970 album Sweet Baby James, giving his star-filled 10-piece band a chance to showcase their bona fides. He brings out Austin’s own Shawn Colvin for a beautiful duet version of “You Can Close Your Eyes” from his 1971 album Mudslide Slim. The ecstatic crowd is on its feet for the set-closing gems “Your Smiling Face,” and “How Sweet It Is,” with Taylor so energized he tips his trademark cap in response to the repeated ovations and powerful applause, singing “How sweet it is to be in Austin City tonight.”  

photo by Scott Newton

“Finally! How sweet it is indeed,” says ACL executive producer Terry Lickona. “There is nobody quite like James Taylor, and he is one of the most genuine persons and artists on the planet. He is universally loved and applauded, and it was inspiring to see fans from across the generations react so emotionally to his presence on the ACL stage.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for Americana Music Festival 2015.

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News Taping Recap

Ms. Lauryn Hill’s magnificent soul

Tonight Austin City Limits welcomed a musical trailblazer – Ms. Lauryn Hill.  In a rare television appearance, Hill dazzled the capacity crowd for almost two hours with a wide range of hits from her Grammy-winning, bestselling LP The Miseducation of Lauryn Hill as well as from her time with the Fugees. The crowd, on their feet for the entire show, cheered loudly and sang along to her unique arrangements of originals and classic songs by Bob Marley, Sade, Nina Simone and Stevie Wonder.

The evening began with a stirring set from DJ Rampage who got the audience on their feet and ready to welcome Ms. Hill.  Resplendent in a blue and yellow gown,  Ms. Hill took to the stage and sat down with her acoustic guitar and eased into “Conformed to Love,” which began softly but transformed into an anthem due to the power of the band and her own impassioned singing. She followed with “Peace of Mind,” another new tune with an intricate web of vocals, flamenco-colored lead guitar from Jordan Peters and an unexpected scat/instrumental reprise. She then dipped into her 2002 MTV Unplugged album for the groovy “Mr. Intentional,” before pulling out a surprising and heartfelt cover of Sade’s devotional “Love is Stronger Than Pride.” Ms. Hill and band kept the Unplugged groove going with “War in the Mind (Freedom Time)” and “Mystery of Iniquity,” mixing jazz, folk, soul and rap into a distinctive blend all her own.

By this time, the audience was on its feet, giving as much energy back as they were receiving and Ms. Hill put her acoustic guitar away and the ensemble launched into a re-imagined take on Hill’s hit “Ex-Factor,” the band jamming hard and Hill pushing her voice into new territory. The spotlight hit her trio of backup singers, as they danced to the Latin funk rhythm of “Final Hour,” with Ms. Hill expertly speed-rapping through her verses. The energy stayed on high for “Lost Ones,” following a similar vision with the added emphasis on DJ Rampage’s scratching punctuation and Hill’s call-and-response with her singers. She then turned back the clock to the mid-90s and her work with hip-hop superstars the Fugees, taking her skills to the next level with “How Many Mics,” proving she’s one of the greatest MCs of all time. That was just a warm-up for the trilogy of hits to follow, from the booty-shaking “Fu-Gee-La” to the singalong “Ready or Not” and the silky-smooth “Killing Me Softly.” By that time, the crowd couldn’t have been any more off the chain.

Ms. Hill then shifted gears, paying tribute to the Marley family into which her children were born with a cover of Bob Marley’s “Jammin’,” which segued smoothly into Stevie Wonder’s reggae nod “Master Blaster.” She wasn’t done with the Marley repertoire, going immediately into “Is This Love” and following with “Could You Be Loved,” the third time this song has been performed on our stage in the past few years. She went from reggae to jazz, overwhelming the audience with a powerhouse version of Nina Simone’s “Feeling Good,” which she produced and recorded for the recent Simone tribute album Nina Revisited.

After climbing that summit, Ms. Hill asked for well-deserved noise for her incredible band, and the crowd was happy to give it. Then she hit yet another peak with one of the 90s’ greatest singles. The brilliant, irresistible “Doo Wop (That Thing)” drew the band into new crescendoes and the audience into new heights of uninhibited dancing. Ms Hill left the stage in triumph, leaving everybody satiated. It was a magnificent show, and we can’t wait for you to see it when it airs on your local PBS station.  

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Episode Recap Featured New Broadcast News

TV On the Radio and The War On Drugs debut in ACL’s 41st season

Austin City Limits showcases left of the dial faves TV On The Radio and The War On Drugs, splitting the bill in a brand new installment. Two of today’s most critically-acclaimed indie rock bands, both acts make powerful debuts in their first-ever appearance on the ACL stage.  

First up is TV On The Radio, formed in Brooklyn in 2001 and considered one of the most influential bands of the decade. The quartet showcase tracks from their latest and widely-acclaimed album Seeds. TVOTR’s originality and eclectic musical spirit—encompassing psychedelia, soul, electronica and urgent punk rock—is evident in their masterful five-song set, opening with the hard-driving “Lazerray” and grappling with pain and loss in the soulful, emotional closer “Trouble.” Witness an act that continues to make music boldly on their own terms, always pushing forward to become one of the best bands of its generation.

Philadelphia band The War On Drugs perform songs from their 2014 breakthrough Lost in the Dream, which earned widespread praise and landed the top spot on many critics’ album-of-the-year lists. Kicking off a gorgeous set with “Under the Pressure”, the song Spin declared record of the year, the rock outfit build momentum creating lush soundscapes filled with musical craft and intricate instrumentation. Bandleader Adam Granduciel’s Dylanesque vocals, cathartic lyrics and grand-scale guitar solos unfold to reveal expansive, dreamy atmospherics for a memorable debut.

photo by Scott Newton

“Indie music has been an important part of ACL’s musical legacy over the past two decades, but it’s a big umbrella that covers a vast musical landscape,” says ACL executive producer Terry Lickona.“ Both TV On The Radio and The War On Drugs stand out as virtuoso live musicians, but their songs and vocals are what caught my ear. They are personal yet accessible to anyone who is a fan of great music.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Click over to our FacebookTwitter and newsletter pages for more ACL info. Tune in next week for the ACL debut of the legendary James Taylor.

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Featured News Taping Announcement

New taping: Ms. Lauryn Hill

Austin City Limits is proud to welcome hip-hop/R&B icon Ms. Lauryn Hill to the stage Nov. 7 for her debut taping, in a rare television appearance.

Acclaimed artist Ms. Lauryn Hill achieved astounding success as a member of hip-hop trio The Fugees, whose 1996 breakthrough The Score featured the multi-platinum hits “Ready or Not” and “Killing Me Softly,” won a pair of Grammys and remains one of the best-selling hip-hop records of all time.  She launched her solo career in 1998 with the release of the landmark album The Miseducation of Lauryn Hill, and became the first woman or hip-hop artist to earn a record-breaking five Grammy Awards.  The album has sold nearly 20 million records, is regarded as one of the most important releases of the last 25 years, and was entered into the Library of Congress this year as a timeless and classic recording that is the embodiment of who we are as a people and a nation.

Most recently, Ms. Hill executive produced and recorded six songs for the 2015 release Nina Revisited: A Tribute to Nina Simone, including a stunning take on Simone’s signature track “Feeling Good.”  We’re thrilled to welcome Ms. Hill to the Austin City Limits stage.

In  addition to performing at ACLTV Ms. Lauryn Hill will also headline the Fun Fun Fun Fest Orange Stage on Sunday, November 8th. Passes for the festival are available for purchase at funfunfunfest.com.

Want to be part of our audience? The ticket giveaway information is up now – please go to our website to enter.

 

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News

Giveaway: Ms. Lauryn Hill 11/7

UPDATE: Giveaway is now over.

Austin City Limits will be taping a performance by Ms. Lauryn Hill on Saturday, Nov. 7th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by noon on Wednesday, Nov. 4th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.  No photography, recording or cell phone use in the studio. No cameras or recording devices allowed in venue.