ACL is happy to announce a new taping on October 30 with indie rock act Portugal. The Man. The ultra-melodic quartet formed in Alaska, moving to the more rock-friendly environs of Portland and releasing its debut LP Waiter: “You Vultures!” in 2006. The prolific group proceeded to release five more records on various indie labels, including 2009’s companion albums The Satanic Satanist and The Majestic Majesty, before signing to Atlantic for 2011’s In the Mountain in the Cloud. Tours and performances at Bonnaroo and Lollapalooza led up to the band’s latest record Evil Friends, produced by Danger Mouse (Norah Jones, the Black Keys, Gnarls Barkley). The album has been called “ the most quintessentially Portugal. The Man album the band has released” by Paste and “proof that some bands get big by being good, nothing else” by the Austin Chronicle.
We’re thrilled to welcome Portugal. The Man to its debut ACL taping. Keep an eye on our taping page, Facebook and Twitter for notification as to when passes will be available.
Summer may be pounding Austin with triple-degree temperatures, but we’re still excited to have new ACL tapings to announce. First up is Dawes on August 25. Currently touring in support of their recently released third album, the acclaimed Stories Don’t End, Dawes are evolving into one of America’s most beloved young bands working today. Having already toured with the likes of Bob Dylan, Jackson Browne and Mumford & Sons, among others, and gracing the stages of the country’s most prestigious festivals, Dawes’ appeal crosses all age barriers and has no boundaries. To make Stories Don’t End, the band traveled to North Carolina and worked with producer Jacquire King (Tom Waits, Kings of Leon, Norah Jones), resulting in their most diverse and accomplished record yet. Both Relix and American Songwriterput the band on their recent covers and Rolling Stone called the album “quietly gripping,” and “deceptively gleaming.” Paste noted that it’s full of “their most intricate music to date, full of colorful detours and surprising instrumental flavors” and the NY Daily News declared that it “both recalls a classic era and speaks to any.”
photo by Lindsey Byrnes
On Sept. 13 we welcome fun. The New York trio had a whirlwind year last year, releasing an inescapable brace of singles, the success of which contrasts with the band’s humble beginnings. Singer Nate Ruess formed fun. after the demise of his previous band, the well-regarded but commercially unsuccessful The Format, inviting Andrew Dost of Anathallo and Jack Antonoff of Steel Train to join him. Aim & Ignite, fun.’s first LP, received critical nods, but it was their second album that put the band over the top. Some Nights boasts the massive hits “Some Nights,” “Carry On” and the monster “We Are Young,” singalongs that ably demonstrate what The New York Times called “grandiose pop tunes with complex structures, soaring hooks, and pensive verses.” The group also won its first Grammys, for Best New Artist and Song of the Year for “We Are Young,” earlier this year.
Two great artists, two great tapings – we hope you can join us.
We’re thrilled to announce a new pair of tapings for Austin City Limits: Jason Isbell on August 19 and the Black Angels on August 28.
Called “one of the greatest young songwriters we’ve got” by Blurt, Alabama native Jason Isbell first came to music fans’ notice in 2001 as a member of the Drive-By Truckers, acting as a major songwriting force on their acclaimed albums Decoration Day, The Dirty South and A Blessing and a Curse. He departed the Truckers and released his first solo album Sirens in the Ditch in 2007. Forming his own roots-rocking backing band the 400 Unit, Isbell garnered more huzzahs and fans with his next pair of LPs, Jason Isbell and the 400 Unit and Here We Rest. His new record Southeastern is his most personal and fulsomely praised yet. “Southeastern is pretty serious business,” notes The A.V. Club. “Then again, so is life and the one that Isbell has lived thus far is certainly worth documenting, especially when the songs supporting it are this stunning.”
photo by Courtney Chavanell
Named in tribute to the Velvet Underground number “The Black Angel’s Death Song,” Austin’s Black Angels found themselves the spearhead of a new psychedelic revival soon after its formation in 2004. The band’s carefully crafted blend of melody and noise won over fans of both modern indie rock and old-school acid rock, and its LPs Passover and Directions to See a Ghost on the hip Light in the Attic label established it as a major force in underground rock & roll. 2008 found the band not only backing its spiritual godhead Roky Erickson for a pair of gigs, but also starting its own festival, the still-running Austin Psych Fest. Signing to the revived legendary label Blue Horizon, the Black Angels signaled a poppier direction with Phosphene Dream and its latest Indigo Meadow. NPR recently said of the band, “The music slunk through the crowd like an iridescent snake wrapping itself around each and every fan in the crowd, rattling its tail and hissing a slew of bittersweet, psychedelic nothings in the process.”
We’re excited to bring these artists to the ACL audience. Ticket details will be forthcoming – watch this space.
Michael Kiwanuka may not be a household name – yet. But we predict that, following his debut taping on June 10 for Austin City Limits, the British singer/songwriter will become a fast favorite. He’s bringing his distinctively lush folk/soul/pop sound to our stage for a taping that will also be streamed live. Make sure you subscribe to our YouTube channel – http://www.youtube.com/austincitylimitstv so you’ll be notified not only when we schedule this stream, but also whenever we post anything. Watch online, wherever you are.
Growing up in London, Kiwanuka was exposed to a huge variety of music, becoming a fan of everyone from Radiohead to Nirvana to Jimi Hendrix. But it was his discovery of Bob Dylan and Otis Redding’s “Sitting On the Dock of the Bay” that put him on the path to his true voice, one comparable to soulful folk visionaries Bill Withers, Terry Callier and John Martyn. Starting as a session guitarist when he was just a teenager, Kiwanuka began writing songs at home for his own entertainment, eventually passing demos around in hopes of convincing someone to record them. But it was his voice that listeners connected with, which encouraged him to play shows, and eventually led him to a record contract and the Isle of Wight studio owned by British pop band the Bees. His debut LP Home Again reached #4 on the British charts and went top 10 around the world, earning him a gig opening for Adele’s 2011 tour and a slot at the 2012 ACL Fest.
On June 4, we welcome Juanes back to the ACL stage. The Colombian superstar last appeared on the ACL stage in 2005, when he packed 6A – the original ACL studio – at 11:00 in the morning. Now the awards-laden singer and songwriter is back in support of his Grammy-winning album Juanes: MTV Unplugged and new memoir Chasing the Sun for what is sure to be another memorable episode.
We’re also pleased to announce the ACL debut of Emeli Sandé. Of Zambian and English descent, the Scotland-based singer/songwriter’s debut album Our Version of Events was the bestselling LP in the U.K. for 2012, as well as the new record-holder for the most consecutive weeks in the top 10 of the U.K. charts, and she performed at both the opening and closing ceremonies for the 2012 Olympics. Having already garnered critical acclaim and appeared on late-night TV, Sandé now hits the ACL stage on July 7.
Information about passes is forthcoming. Stay tuned!
We’re excited to announce a pair of new tapings for June, both from duos – one featuring music veterans and the other by fast-rising newcomers.
Back in the mid-70s, Emmylou Harris was a rising star in country music and Rodney Crowell was a up-and-coming young songwriter who played rhythm guitar in Harris’ Hot Band. Nearly four decades later, each has become an Americana icon, and the pair reunites for the acclaimed duet album Old Yellow Moon. ACL vets both, the duo brings their tour in support of the record to our stage on June 14 for what is sure to be a landmark taping.
On June 17, we welcome, for the first time, Jesse & Joy. The award-winning brother and sister duo from Mexico was a hit with Latin audiences practically right from the start, climbing up the Mexican and U.S. charts starting in 2006 and culminating in the triple platinum LP ¿Con Quién Se Queda El Perro?. The twosome also boasts five Latin Grammy awards, including Song and Record of the Year for the hit “¡Corre!” We’re excited to host these international rising superstars.
photo by Francis Bertrand
We’ll be announcing the ticket giveaways for these incredible shows as we get closer to the taping dates. Keep up with the latest by following us on Facebook and Twitter. More to come – stay tuned!
