Austin City Limits is pleased to announce a new taping with Alabama Shakes on Oct. 2.
We are thrilled to welcome back Alabama Shakes for their third appearance on the ACL stage. The Athens, AL quartet has been tearing up festival stages this year including Coachella, Bonnaroo, Glastonbury and Lollapalooza in support of Sound & Color, the chart-topping follow-up to their Grammy-nominated debut Boys & Girls. The album’s twelve songs reveal a band honed by years on the road, and drawing from a wide range of influences, from the bluesy groove of “Shoegaze” and the garage-rock freak-out on “The Greatest” to the psychedelic space jam “Gemini” and the urgent, tightly-coiled funk of “Don’t Wanna Fight.” Long instrumental intros and passages create hazy atmosphere, while the intensity of Howard’s vocals snaps everything back into riveting focus. Expanding on the soulful blues-rock base that made their name, the Shakes defy predictable expectations and map an exciting, surprising, and innovative new direction. We’ll join them on this new journey on Oct. 2.
Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.
Austin City Limits is happy to announce a new taping with Grammy Award-winning songwriter, vocalist & virtuoso guitarist Gary Clark Jr. on Aug. 24.
Austin native Gary Clark Jr. has a long history with ACL, going back to his debut in Season 33 as part of the Tribute to Bluesman Jimmy Reed, through his Season 38 solo episode and his appearance as part of our 40th anniversary celebration and a show-stopping guest spot with the Foo Fighters that same year. He arrives on our stage for his second headline performance at the top of his game and in advance of his homegrown new record The Story of Sonny Boy Slim, set for release on Sept. 11. Self-produced at Austin’s Arlyn Studios, Clark’s latest LP reflects his singular visionary landscape as an ever-evolving artist. Relying on the simple tools of his trade – voice, guitar, rhythm and song – Clark firmly establishes himself as a sonic expressionist who has absorbed classic forms of the past while forging his own path. Baked from a batter of blues, R&B and rock, The Story of Sonny Boy Slim is music aimed for the heart, soul and guts, that defies categorization. Join us on Aug. 24 to experience it for yourself.
Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.
Join us this weekend as we present Americana music originals Sarah Jarosz and The Milk Carton Kids in a brand new episode. Both artists showcase their bona fides in an all acoustic hour with roots/folk singer-songwriter Jarosz making a return appearance on the ACL stage and newcomers The Milk Carton Kids in their ACL debut. The episode showcases the young folk acts who were both nominated for Best Folk Album at this year’s Grammy Awards.
Pushing the limits of Americana with her own distinctive style, multi-instrumentalist Sarah Jarosz takes the ACL stage for her second appearance performing highlights from her recent album Build Me Up From Bones. The incredibly talented Jarosz has already released three albums at the age of 22. With her two-piece band featuring a fiddle player and cello, Jarosz begins a stellar set with the Grammy-nominated title track in an acoustic performance that showcases her musicianship and songwriting. Switching between mandolin and banjo, Jarosz also dips into the songbooks of others, treating the audience to an accessible take on Joanna Newsom’s “The Book of Right On” and a solo rendition of Simon & Garfunkel’s “Kathy’s Song”. She invites The Milk Carton Kids out to join her and the band for “Annabelle Lee” (based on an Edgar Allen Poe poem), displaying their complementary visions of contemporary folk music.
“We are so proud of Sarah, we feel like she’s part of the family,” says ACL executive producer Terry Lickona. “The last time she graced our stage she was on her way to college, now she’s graduated with honors and her remarkable talent has grown exponentially. We couldn’t resist having her back!”
photo by Scott Newton
The Milk Carton Kids, the L.A. acoustic folk duo consisting of Kenneth Pattengale and Joey Ryan, make their ACL debut playing songs from their critically-acclaimed new album The Ash & Clay. The besuited pair “play a sweetly dazzling variation on close-harmony vocals, part Simon and Garfunkel and part Everly Brothers” (LA Times) for a sound NPR calls “gorgeous contemporary folk.” With flat-picking harmonies and a touch of twisted humor, the duo play purely acoustically on the ACL stage—no guitar amplification and one vocal mic—to beautiful effect. In a skillful performance infused with their signature wit, the Kids charm the Austin crowd with their playful, deadpan banter, exquisite guitar work, rich harmonies and timeless folk.
“I first saw Kenneth and Joey perform on the stage of the Ryman Auditorium last September, and it was obvious that they are world-class entertainers beyond their years,” says Lickona. “They are traditionalists with a modern spin and a mischievous sense of humor.”
Austin City Limits proudly presents an hour with country sensationEric Church. Church has blazed his own trail to superstardom and now makes his ACL debut with his signature brand of no-holds-barred country music.
Famous for a game-changing live show, Church performs songs from his critically-acclaimed, chart-topping 2014 album The Outsiders in his ACL debut. The music rebel’s distinctively hard-rocking spin on country, influenced as much by AC/DC and Metallica as Merle Haggard and Waylon Jennings, has earned him a huge audience outside the confines of country radio. Church appeared on the cover of Rolling Stone this year and was named one of their “50 Greatest Live Acts Right Now.” NPR raves, “Eric Church is working on a level that few other country artists of his generation can touch.”
“This is gonna be fun,” says the North Carolina native, clearly enjoying his first visit to the ACL stage. Church’s appearance is a twelve-song tour-de-force that presents the performer at the top of his game. Delivering a host of hits in his trademark aviators, Church’s crowd-pleasing set is filled with anthems about youth, family and outliers that ignite through songwriting skill, powerful riffs and energetic vocals. Highlights include the rebellious “The Outsiders”, the autobiographical title track “Sinners Like Me” from his 2006 debut and the Grammy-nominated anthem “Springsteen” from his 2011 breakthrough Chief, with the Austin audience providing the “whoa-ohs” of the chorus. Church brings it all home solo, showcasing his softer side with the heartfelt set-closing ballad “A Man Who Was Gonna Die Young.”
photo by Scott Newton
“Eric and his band know how to rock harder than many rock ‘n roll bands,” says ACL executive producer Terry Lickona, “and his music and the words behind it have a way of reaching fans way beyond the usual borders of country music. He’s a perfect fit for ACL.”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Next week: Emmylou Harris & Rodney Crowell.
Austin City Limits presents a Season 40 highlight—the return of ACL veteran Jeff Tweedy for a very special hour of music. The Wilco leader showcases his new solo project Tweedy, joined by son Spencer and their special guests, as they perform a mix of new songs and Wilco classics.
As a longtime favorite son of ACL, it’s only fitting that Jeff Tweedy returns to the ACL stage with his own son for the show’s milestone 40th anniversary season. The esteemed singer-songwriter has appeared on ACL four times previously with his main outfit Wilco, starting back in Season 25. This new installment marks his first-ever solo outing for ACL, accompanied by his 18-year-old son Spencer Tweedy on drums, with lush harmonies from Holly Laessig and Jess Wolfe of the band Lucius.
“It took me 18 years to have a solo record because I had to grow a drummer,” jokes Tweedy to the ACL audience, as the father-son team begin the strikingly intimate hour with songs from the critically-acclaimed 2014 release Sukierae. In a recent four-star review, Rolling Stone hails the debut as “another tour de force from a guy who’s made a few.” Closing the five-song band set of new material with the new folk-rocker “Nobody Dies Anymore”, the Grammy-winning frontman treats the Austin crowd to a solo acoustic set of fan favorites from Wilco’s vast catalog including “Via Chicago” and “I Am Trying to Break Your Heart”. Tweedy also performs a spirited version of Austin songwriter Doug Sahm’s classic “Give Back the Key to My Heart”, a song he recorded more than twenty years ago as a member of the legendary Uncle Tupelo. The episode comes to a captivating close with Jeff Tweedy taking the stage solo for a powerful rendition of Wilco’s “Misunderstood”.
photo by Scott Newton
“This show has special meaning for all of us at ACL,” says ACL executive producer Terry Lickona. “A few years ago I introduced Wilco from the stage as the band that best sums up everything that Austin City Limits is all about. Jeff Tweedy continues to be one of the most creative voices in modern music, and together with his son they continue to build on two incredible legacies – his and ours!”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Next week: Eric Church.
Austin City Limits presents true American originals—the legendary Los Lobos and folk rock wonders Thao & The Get Down Stay Down. Los Lobos return to the ACL stage for their fifth appearance, while innovator Thao Nguyen and her band The Get Down Stay Down make their ACL debut. Music mavericks with far-reaching influences, both acts exemplify ACL’s outstanding legacy of “Great Music, No Limits.”
More than forty years into their run, Los Lobos are one of America’s great rock ‘n roll bands. The influential and enduring East L.A. band return to the ACL stage celebrating their recent 40th anniversary alongside ACL’s. “Los Lobos are still one of America’s best, bravest, and most satisfying bands, and their skills and their instincts remain razor-sharp,” raves AllMusic. After four decades together the beloved band continue to create music that resonates with audiences around the world, and the three-time GRAMMY winning group will be honored this year with a Lifetime Achievement Award by the Latin Recording Academy. Opening their ACL set with the fan favorite “La Pistola y el Corazon”, the group perform highlights from their vast catalog. The crowd-pleasing performance displays their world-class musicianship, as the veteran rockers perform their signature style of “Chicano rock” with an eclectic set of rock ‘n roll, country, folk, R&B, blues and norteño music. The group close out the masterful set with “Mas y Mas”, joined by Austin’s own Grupo Fantasma on horns, showing great music is universal.
“Los Lobos and ACL have always felt like kindred spirits,” says ACL executive producer Terry Lickona. “We share the same impulse towards originality, experimentation and fun with music. They’re still one of the best rock ‘n’ roll bands in America!”
photo by Scott Newton
Led by enigmatic singer-songwriter Thao Nguyen, the San Francisco-based Thao & the Get Down Stay Down have built a devoted following based on their spirited live shows and their catalog of smart, genre-blending indie rock. The band’s ACL debut features them performing songs from their 2013 release We the Common. The group’s blend of rhythms and Thao’s folk-influenced fingerpicking give the band a distinctive sound that truly makes it stand out from the pack. Bandleader Thao’s natural exuberance and wide-ranging songwriting acumen make for a joyful, must-see ACL appearance. The band close out the scorching set with the singalong folk pop of “We the Common,” with the Austin crowd happy to oblige.
“Thao is a true artist for the 21st century,” says Lickona. “Her influences are wide-ranging, and her live performances are mesmerizing and infectious!”
Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Next week: Tweedy.
