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Featured Live Stream News

Cassandra Wilson taping to stream live on Apr. 28

Austin City Limits is pleased to announce that we will be streaming our taping with Cassandra Wilson live on Tuesday, April 28, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel.

 Grammy-winning American jazz musician, vocalist, songwriter, and producer Cassandra Wilson makes her ACL debut, armed with her acclaimed new LP Coming Forth by Day (Legacy Recordings), an homage dedicated to the beauty, power, and genius of Billie Holiday. The album boasts a surprising cast of characters: produced by Nick Launay (Nick Cave’s producer), string arrangements by Van Dyke Parks, guitar from T Bone Burnett and the Yeah Yeah Yeahs’ Nick Zinner, and rhythm section from The Bad Seeds (drummer Thomas Wydler and bassist Martyn P. Casey).  Critic Gary Giddins describes Wilson as “a singer blessed with an unmistakable timbre and attack who has expanded the playing field” by incorporating blues, country and folk music into her work.  A native of Jackson, Mississippi, Wilson moved to New York City in the early 80s, met saxophonist Steve Coleman and became one of the founding members of the M-Base Collective. She signed with Blue Note Records in 1992 and released the landmark album Blue Light ‘Til Dawn, which paved the way for a new generation of jazz singers seeking an approach and repertoire that challenged the supremacy of the American Standard songbook.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of Cassandra Wilson.

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Featured News

Services set for Bill Arhos

KLRU-TV, Austin PBS and the family of Bill Arhos announce visitation and service to celebrate his life.

  • There will be a visitation on Thursday, April 16 from 6 to 8 pm at Weed-Corley at 3125 N Lamar Boulevard.
  • On Saturday, April 18 at 3 pm there will be a Celebration of the Life of Bill Arhos at ACL Live at The Moody Theater, 310 Willie Nelson Boulevard.  Both events are open to the public.

Arhos, a longtime KLRU station executive and father of Austin City Limits, died Saturday, April 11th, at the age of 80. His life’s work was devoted to KLRU, public media and music. He served in many positions during his nearly 40-year career at KLRU, joining in 1961 to help launch the public television station. Over the years, Arhos served as Producer, Program Director, Vice President of Programming, Executive Producer of Austin City Limits (1975-1999), and President/General Manager from 1986 until his retirement in 1999.  He also served on the boards of PBS and the Country Music Association.  Arhos was a proud graduate of Rice University, graduating in 1957. Rice honored Arhos in 2007 with the Association of Rice Alumni’s Distinguished Alumni Award.

Arhos will be buried in a private ceremony at the Texas State Cemetery alongside other Texas legends.

The family requests donations to the Bill Arhos Fund at KLRU in lieu of flowers.

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Featured

Bill Arhos, 1934-2015

LONGTIME KLRU STATION EXECUTIVE AND AUSTIN CITY LIMITS FOUNDER BILL ARHOS DIES
November 3, 1934 – April 11, 2015

KLRU-­‐TV, Austin PBS and the family of Bill Arhos are sad to announce the passing of the longtime station executive, who most regard as the father of Austin City Limits. Arhos died Saturday, April 11th, at the age of 80. His life’s work was devoted to KLRU, public media and music. He served in many positions during his nearly 40-­‐year career at KLRU, joining in 1961 to help launch the public television station. Over the years, Arhos served as Producer, Program Director, Vice President of Programming, Executive Producer of Austin City Limits (1975-­‐1999), and President/General Manager from 1986 until his retirement in 1999. He also served on the boards of PBS and the Country Music Association. Arhos was a proud graduate of Rice University, graduating in 1957. Rice honored Arhos in 2007 with the Association of Rice Alumni’s Distinguished Alumni Award.Arhos will always be remembered best for his vision and passion that drove Austin City Limits to become the longest-­‐running music series in American television history.  In 1974, KLRU (then KLRN) hatched the idea to create a music performance show. The pilot was shot on October 14, 1974, starring up and coming singer-­‐songwriter Willie Nelson and the rest is history.

“I’ve never met anyone like Bill Arhos,” says ACL Executive Producer and longtime colleague Terry Lickona. “He was a real character, known and loved not just in Austin but throughout the PBS system. The idea for Austin City Limits was not just his alone, but he brought it to life, and he kept the show going and growing through some difficult times. Whether they know it or not, millions of music fans, artists and PBS viewers owe a debt to him for his enormous contribution to what’s become a cultural institution.”

Called the “spirit” of the show, Arhos was inducted into the Austin City Limits Inaugural Hall of Fame last year, honored for his vision, passion and dedication. In accepting the award Arhos’ trademark wit was evident when he said: “It’s a little intimidating to be in a class of the first inductees, and three of the four have bronze statues around town.”

KLRU’s current general manager Bill Stotesbery says, “Bill Arhos was a legend in public media, respected for his creativity, energy, and persistence. From day one, he dedicated himself to building a station that was a national leader in production, and he set a standard that others seek to achieve. He will be missed greatly.”Arhos will be buried in a private ceremony at the Texas State Cemetery alongside other Texas legends. Details about his service and a celebration of his life will be forthcoming.

The family requests donations to the Bill Arhos Fund at KLRU in lieu of flowers.

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Featured New Broadcast News Taping Announcement

New taping: Courtney Barnett

Austin City Limits is happy to announce the ACL taping debut of Australian singer/songwriter Courtney Barnett on June 4th.

Mixing witty, often hilarious, occasionally even heartbreaking observations with devastating self-assessment, Courtney Barnett’s debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling new voices in indie rock. After leaving art-school in Hobart, Tasmania, Barnett moved to Melbourne and became a mainstay of the local scene. She paid her dues and honed her chops in short-lived garage outfits before playing lead guitar in the twang-psych band Immigrant Union. When she went solo, Barnett launched her own label, which she dubbed Milk! Records, to release her own material as well as music by some of Melbourne’s finest singers and songwriters. With the 2013 release of The Double EP: A Sea of Split Peas (which combined her first two self-released EPs), she embarked on an almost never-ending tour that took her to North America and Europe, barely stopping long enough to record her first true album. Sometimes I Sit and Think is a beguiling collection of songs that reveals her as an ambitious writer with an ear for clever turns of phrase and an eye for story-song details that are literate without being pretentious – Barnett even did the artwork and hand lettering for the liner notes. The Guardian calls the record “fun, intelligent and sets up Barnett as a voice who can tread between both high and low culture and treat them the same.”

“There’s something about the way she sings where I feel like I know that person,” says Britt Daniel of Spoon, who have invited her to play a show with them and the Decemberists at Red Rocks. “Her songs are fairly simple in their construction, and they’re carried by her lyrics, the way she finds humor in the mundane.” We’re thrilled to host this rocking singer and songwriter. Please join us in welcoming for the first time: Courtney Barnett.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

 

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Encore Broadcast Episode Recap Featured News

Encore: Edward Sharpe and the Magnetic Zeros/tUnE-yArDs

Austin City Limits is proud to present the encore of an inspired double-bill featuring the experimental sounds of Edward Sharpe and the Magnetic Zeros and tUnE-yArDs.

The psychedelic folk troupe Edward Sharpe and the Magnetic Zeros bring their shared spirit to the ACL stage in their debut appearance on the show. Equipped with infectious melodies, catchy sing-a-longs and a free-spirited frontman, the 12-piece ensemble have gained fans all over the world. With two critically-acclaimed albums and a widespread reputation for energetic performances, the down-home outfit create what NPR calls a “gloriously uplifting ruckus.” The Los Angeles-based group draws inspiration from the communal musical communities that peppered Southern California with positive vibrations during the ’60s and early ’70s. The gang of animated musicians perform their bright music and homespun harmonies on ACL complete with spontaneous dancing, bare feet and bared souls.

“This is a band that loves to make music, pure and simple,” says ACL Executive Producer Terry Lickona. “They may look and sound like they came straight out of the 60’s, but there is a joy to their music that is infectious – onstage or off. In fact, frontman Alex Ebert had a hard time staying ON our stage during the show, and to everyone’s delight he plunged into the crowd more than once.”

Next up is the bold, uncompromising music of tUnE-yArDs, performing tracks from the critically-acclaimed opus whokill. The brainchild of indie singer-songwriter Merrill Garbus, tUnE-yArDs have fashioned an expansive sound incorporating layered ukulele, voice, electric bass and drum loops into an eclectic DIY aesthetic. Technology meets primal in the music of Garbus, who The New York Times describes as “somewhere between Aretha Franklin and Yoko Ono.” She showcases her striking sound for her first appearance on the ACL stage. With a bassist and two sax players joining Garbus’ frontline of drums, amplified ukelele and looping technology, tUnE-yArDs put on a show unlike any other.

photo by Scott Newton

“I don’t think we’ve ever had an act quite like Merrill Garbus and tUnE-yArDs on ACL,” says Lickona. “But don’t be fooled…just when her music seems to veer off in a strange direction, Merrill brings it all back home with the raw power of her voice and those loopy rhythms.”

Check out the episode page for more details on this remarkable show. We also hope you’ll visit us on Facebook and Twitter, or sign up for our newsletter. Next week: Ed Sheeran and Valerie June.

 

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Featured Live Stream News

Stream our taping with Sturgill Simpson live on Apr. 1

Austin City Limits is pleased to announce that we will be streaming our debut taping with Sturgill Simpson live on Wednesday, April 1, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel and powered by Dell.

The Kentucky native released his first album High Top Mountain in 2013, establishing his philosophical brand of outlaw country. He broke out with his second LP Metamodern Sounds in Country Music, which earned Simpson national press coverage and the Emerging Artist of the Year Award at the 2014 Americana Music Awards & Honors. We’re proud to welcome Simpson for his ACL debut.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of Sturgill Simpson.