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Featured News

Loretta Lynn 1932-2022

Loretta Lynn, the queen of country music, has died at the age of 90, passing peacefully at her home in Hurricane Mills, Tennessee. The hearts of all of us at Austin City Limits go out to her family, friends and fans. 

The Butcher, Holler, Kentucky-born Lynn – Loretta Webb to her parents – was as iconic a figure in music as has ever been. The proud coal miner’s daughter went on to become one of the most influential women in the history of American music. Her plain-spoken, instantly relatable singing and sharp, smart songwriting put her in the rare echelon of boundary-busting trailblazers. Tunes like “Don’t Come Home a-Drinkin’” and “The Pill” made it clear that the women of country music, whether performers or the subjects of songs, could and would be as independent, assertive and self-confident as their male counterparts. Artists inside and outside C&W like Tammy Wynette, Tanya Tucker, Deanna Carter, Miranda Lambert, Kacey Musgraves, Maren Morris, Margo Price and Sheryl Crow point to Lynn as a north star. Longtime fan Jack White paid homage by producing her acclaimed 2004 album Van Lear Rose

With over seventy chart hits, her list of indelible songs is staggering: “You Ain’t Woman Enough (To Take My Man),” “Love is the Foundation,” “You’re Lookin’ at Country,” “One’s On the Way,” “After the Fire” (with duet partner Conway Twitty), and, of course, the iconic, autobiographical “Coal Miner’s Daughter,” which became a bestselling memoir and a beloved film, are the tip of a substantial iceberg. Her incredible body of work led to Lynn being awarded the Presidential Medal of Freedom by President Barack Obama in 2013, and she also was the recipient of a GRAMMY Lifetime Achievement Award and a Kennedy Center Honor, among many other accolades. She may have slowed down in her later years, but she didn’t stop – she continued performing and releasing records, with her most recent album Still Woman Enough coming out in 2021. 

“From the time she stepped onto the ACL stage in her shimmering full-length gown, there was no doubt that she was the Queen of Country Music,” our executive producer Terry Lickona says. “The power of that voice and those songs commanded the room like few others have through the 48 years of Austin City Limits. The girl from Butcher Holler had arrived, and ACL once again made history. She was the genuine article; there never was anyone quite like her, and never will be again.”

Lynn recorded two classic episodes of ACL – one in 1983 during Season 8 and the other in 1998 during Season 23. We at ACL were thrilled to induct her into the ACL Hall of Fame in 2015. So her loss is difficult for us to grasp. As did so many of her fans and supporters, we always thought Loretta Lynn, like Mount Rushmore, would endure; however, her legacy – all those great songs – is immortal. 

Good night, coal miner’s daughter. 

Categories
Featured News Taping Recap

Taping recap: Adia Victoria

Though wielding an acoustic guitar and a sultry voice, Adia Victoria isn’t just a singer/songwriter. The South Carolina native’s presence, charisma, expansive musical vision and willingness to confront difficult truths put her on a level beyond folky introspection and comfortable ambience, giving her the rocking sound as projected on her third album A Southern Gothic. Tonight the artist brought her socially conscious acid blues to the ACL stage for her taping debut, live streamed around the world. 

“Good evening, Austin,” Victoria pronounced as she took the stage. “We’ve come all the way from Nashville to play these blues for you.” With a swampy, psychedelic sound, she and her three-piece band kicked the show off with the rumbling “Far From Dixie,” one of the jewels in Gothic’s crown. After commenting “I’m a bundle of butterflies and shaking in my red boots,” she launched into “Magnolia Blues,” a song of reminiscence that drew deeply from her region’s most influential musical export. Victoria really grabbed the blues by the conceptual horn on the slow-crawling “Mean Hearted Woman,” telling the “woman done me wrong” story from that woman’s point of view, and dedicating it to “every woman who’s ever been gaslit by a man in her life.” Victoria continued her guided tour of the South with “My Oh My,” another quietly intense slow burner. Incorporating a jangling strum akin to folk story songs, she explored the life of “lost” Southern girls in the evangelical church in the compelling “Whole World Knows.” 

Victoria introduced “Sea of Sand” as one of the first songs she ever wrote, and the defiant folk rocker proved an audience favorite, especially during the coda of her acoustic guitar contrasting with Mason Hickman’s grunged-out power chords. The songwriter put down her guitar for “Troubled Mind,” a song that began as a prayer, and allowed her band to lay out the music while she stalked the stage, microphone in hand. As the musicians kicked into the next number, Victoria introduced them to the crowd, throwing the spotlight on Hickman, bassist Jason Harris and drummer Daniel Closser. “This is a song about getting dumped,” she noted, as the music evolved into the menacing rumble of “Different Kind of Love.” She then led her boys into paying tribute to a primary inspiration by covering “You Was Born to Die,” a thumping 1933 tune from the catalog of the great bluesman Blind Willie McTell. Closser’s drum pound shored up Hickman’s boogie riff for “Ain’t Killed Me Yet,” a celebration of life through the lens of pure defiance, as represented by the feral howl she unleashed during the breakdown. 

Victoria re-donned her guitar for the final song, telling the crowd that she used to watch ACL with her grandmother, already knowing she would one day tread those boards herself. She then sang “South Gotta Change,” her only release during the year of the pandemic, a passionate protest song inspired by the deaths of George Floyd and Rep. John Lewis and dedicated to everyone who ever told her to shut up and sing. There was no way to follow that, so Victoria and her band took a bow and quit the stage. It was an excellent show, and we can’t wait for you to see when it airs early next year on your local PBS station. 

Adia Victoria on Austin City Limits, Season 48. Photos by Scott Newton.

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Episode Recap Featured New Broadcast News

Season 48 premiere episode recap: Brandi Carlile

Austin City Limits launches a historic new season spotlighting an unprecedented line-up of diverse and eclectic female artists with a season premiere featuring celebrated singer-songwriter and six-time Grammy Award winner Brandi Carlile. The acclaimed Americana artist, accompanied by a nine-piece band, shines in a breathtaking hour, delivering an eleven-song set with selections from her latest In These Silent Days alongside fan-favorite classics. The hourlong season premiere airs October 1 at 8pm CT/9pm ET as part of the esteemed broadcast’s fourteen episode season. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. . 

There are few musicians in the current era more respected and beloved than Brandi Carlile, and this award-winning singer/songwriter/producer/author and activist makes her third appearance on the ACL stage with a stunning show centered around her seventh album In These Silent Days. Carlile first-appeared on Austin City Limits in 2010 and is now firmly established at the forefront of Americana music. A magnetic performer, she dazzles with numbers from her acclaimed album, including the hard-rocking set opener “Broken Horses,” and a joyful “You And Me On The Rock,” joined by a trio of guest vocalists. Carlile soars with a radiant take on the chart-topping “Right on Time,” a triple Grammy-nominated number named “Song of the Year” at the 2022 Americana Music Awards. Carlile pays tribute to her influences with inspired covers of choice classics, including David Bowie’s “Space Oddity,” Radiohead’s “Creep” and Joni Mitchell’s “Woodstock.” Carlile’s ace band features her longtime collaborators Tim and Phil Hanseroth, twin brothers on guitar, bass and harmonies, album co-producer Shooter Jennings joins on keyboards, along with a guest appearance from guitar ringer Celisse. Carlile’s remarkable showmanship is on full display throughout as she thrills with “The Joke,” the 2019 multiple Grammy-winning anthem of love and empowerment that’s become her signature tune, earning rapturous applause from the ACL audience. Accompanied by strings, piano, Hanseroth-brother harmonies and her own acoustic guitar, Carlile closes with the stripped-down benediction “Stay Gentle,” seguing beautifully into a potent solo rendition of the beloved standard “Somewhere Over the Rainbow.”

“All of us are so proud of Brandi’s incredible success story since her debut on the ACL stage 12 years ago,” said ACL Executive Producer Terry Lickona. “Her growth not only as a singer but as a superstar entertainer in every sense of the word is inspiring. She helped lead the way for a new generation of talented young female artists, many of whom will be showcased in future episodes.”

Episode setlist:

BROKEN HORSES

YOU AND ME ON THE ROCK

THIS TIME TOMORROW

MAMA WEREWOLF

SPACE ODDITY

CREEP

RIGHT ON TIME

THE JOKE

WOODSTOCK

STAY GENTLE

SOMEWHERE OVER THE RAINBOW

Season 48 Broadcast Line-up (first half of season)

October 1 Brandi Carlile

October 8 Japanese Breakfast/Arlo Parks

October 15 Sylvan Esso/Lucius

October 22 Allison Russell/The Weather Station

October 29 Parker McCollum/Robert Earl Keen

November 5 Lyle Lovett and His Large Band

November 12 Cimafunk and The Tribe

Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

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Featured News Taping Announcement

New taping: Maren Morris

Austin City Limits is thrilled to announce a highly-anticipated debut taping with country superstar Maren Morris on October 31 as part of our Season 48. One of country music’s brightest stars, the multi-platinum, award-winning singer-songwriter makes her first-ever appearance showcasing songs from her latest Humble Quest, nominated for Album of the Year at this year’s upcoming CMA Awards. Maren comes to our stage from her current U.S. headline Humble Quest Tour, which kicked off in June with high-profile stops at Nashville’s Bridgestone Arena, New York’s Radio City Music Hall, Los Angeles’ Hollywood Bowl, the legendary Red Rocks Amphitheater and more. 

The Nashville-based Texas native is one of the leading voices in music today, armed with incredible vocal stylings and songwriting chops, sheer talent, honest lyrics and an undeniable presence. Her third album Humble Quest was released earlier this year to widespread critical acclaim, with The New York Times praising her as “pocket-size but with alpha presence, like a country music Mighty Mouse.” Humble Quest is Maren’s most genuine collection of songs, tracing her journey to embrace the imperfections in her life through snapshots of her rises and falls, overshares, lullabies, wine-soaked conversations with one old friend and a final goodbye to another one. The album debuted at #2 on Billboard’s Top Country Albums chart, broke the record for most first day and first week streams globally on Amazon Music for a country album by a female artist and features the irresistible lead single “Circles Around This Town,” which was the most-added single at country radio upon impact and broke Amazon Music’s record for most streams for a country song debut by a female artist. 

Maren and her musician husband Ryan Hurd were nominated for a 2022 Grammy and two 2021 CMA Awards for their chart-topping #1, Platinum-certified first official duet “Chasing After You.” A bonafide hitmaker, Maren’s quadruple Platinum single “The Bones” dominated 2020, catapulted into the Top 40 and topped the Billboard Hot Country Songs chart for 19 consecutive weeks, becoming the first solo female multi-week #1 at country radio since 2012. The single earned Maren Song of the Year and Female Artist of the Year at the 2021 ACM Awards, Female Vocalist of the Year, Single of the Year and Song of the Year at the 2020 CMA Awards, plus Female Artist of the year and Music Event of the Year at the 2020 ACM Awards and a 2021 Grammy nomination for Best Country Song. 

Her 2019 sophomore album GIRL shattered the record for the largest ever debut streaming week for a country album by a woman and was named Album of the Year at the 2019 CMA Awards, where Maren was the most nominated artist. GIRL arrived three years after Maren’s breakout, Platinum-certified debut album HERO, for which she won a Grammy for Best Country Solo Performance, New Female Vocalist of the Year at the 2017 ACM Awards and New Artist of the Year at the 2016 CMA Awards. HERO features the much-lauded singles that launched Maren’s career into the stratosphere— the double Platinum “My Church,” Platinum “80s Mercedes” and “I Could Use A Love Song,” and Gold “Rich.” The genre-bending artist’s 2018 global smash hit collaboration “The Middle” with EDM DJ Zedd is officially six times Platinum-certified. We’re thrilled to welcome Maren Morris to the ACL stage. 

Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episode will air early next year on PBS as part of our upcoming Season 48.

Please look for safety updates regarding entry to Austin City Limits tapings. Austin PBS will continue to monitor local COVID-19 trends and will meet or exceed protocols mandated by local governments.

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Featured Hall of Fame News Uncategorized

ACL Hall of Fame 2022 guest talent announced

Austin City Limits announces an all-star slate of guest performers for the 2022 ACL Hall of Fame Inductions & Celebration on October 27, 2022 celebrating a pair of American originals: superstar singer-songwriter Sheryl Crow and legendary Texas music pioneer Joe Ely. Music greats Brandi Carlile, Jason Isbell, Mavis Staples, Brittney Spencer, Marcia Ball, Jimmie Dale Gilmore and Butch Hancock will take part in saluting the newest class of inductees with one-of-a-kind music performances and tributes. The inductees will be honored at the star-studded ceremony on October 27th, 2022 at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. More information about presenters and additional guest stars will be announced prior to the event. Musical highlights and inductions from the celebration will air as a special Austin City Limits on January 7, 2023 on PBS.

The event is open to the public and a limited number of tickets are on sale at acltv.com/hall-of-fame. Sponsor packages are available now at acltv.com/hall-of-fame. All proceeds benefit Austin PBS. 

An all-star line-up of special guests will salute the honorees on this epic night: Americana great and six-time Grammy Award recipient Brandi Carlile, celebrated songwriter Jason Isbell, living legend Mavis Staples and country breakout Brittney Spencer will perform in tribute to nine-time Grammy Award winner Sheryl Crow. Texas music legend Joe Ely will be honored by Pulitzer Prize-winning author Lawrence Wright along with a musical salute from revered Lone Star musicians and Ely’s longtime collaborators in Texas supergroup The Flatlanders, Jimmie Dale Gilmore and Butch Hancock, along with blues legend and ACL Hall of Famer Marcia Ball. Inductees Sheryl Crow and Joe Ely will perform at the celebration. ACL Hall of Famer, renowned steel guitarist and producer Lloyd Maines, returns as Music Director, leading the ACL All-Stars house band featuring guitarist David Grissom, keyboardist Chris Gage, bassist Bill Whitbeck and drummer Tom Van Schaik.

The eighth class of inductees features two iconic acts: Celebrated singer-songwriter Sheryl Crow has made two classic hourlong appearances on ACL in her remarkable three-decade career, starting with her debut on Season 22 in 1997 and returning in 2004. She also co-hosted ACL’s 40th anniversary special in 2014, the same year the Hall of Fame was established. An icon of Texas music, Joe Ely has made 11 appearances on ACL: including as a headliner five times beginning with his 1980 ACL debut in Seasaon 5; also joining Los Super 7 in 1999, Texas supergroup The Flatlanders in 2002, and a Songwriters Special with Lyle Lovett, John Hiatt and Guy Clark in 2008. The influential artist has made guest appearances with multiple acts, including Kevin Welch in 1992, Ryan Bingham in 2009 and joined Steve Earle and the Dukes in 2019 for a tribute to Guy Clark.

Established in 2014, the Austin City Limits Hall of Fame celebrates the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable nearly half-century as a music institution. The Hall of Fame has inducted over twenty artists at seven previous ceremonies including Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin. The seventh annual Hall of Fame in 2021 welcomed Lucinda Williams, Wilco and Alejandro Escovedo to its ranks. 

Austin City Limits and the Austin City Limits Hall of Fame are produced by Austin PBS. Austin PBS is a non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming. 

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.  

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Categories
Featured News Taping Recap

Taping recap: Parker McCollum

It’s only a slight exaggeration to say that Texas music is synonymous with singer/songwriters. Not only that, but a certain special breed of singers and tunesmiths, whose ears are wide open to different sounds and whose Lone Star roots are deeply embedded within their music. Raised in the East Texas town of Conroe and seasoned at Austin’s own Saxon Pub, Parker McCollum is the fastest rising country star in the new generation, with a major label contract, a best-selling album in Gold Chain Cowboy, a just-announced nomination for  New Artist of the Year at this year’s upcoming Country Music Awards, and, now, his debut on Austin City Limits, which we live streamed around the world.  

“It’s the first time I get to say it,”  said the baseball-capped singer as he took his position at center stage. “What’s goin’ on, Austin City Limits?” He and his ace six-piece band then launched into the heartland rock of “Young Man’s Blues,” a cut from his 2020 Hollywood Gold EP that introduced McCollum to the wider world. The musicians wasted no time, going straight into the rocking but romantic “Wait Outside,” from his breakthrough  Gold Chain Cowboy. “I don’t know how many bands started out at the Saxon and then did a live Austin City Limits taping, but we’re certainly one of ‘em,” remarked McCollum wryly before singing “Stoned,” a new song destined for the next record. Strumming his acoustic with swagger, McCollum led the band into the anthemic, celebratory “To Be Loved By You.” The singer then went back to his debut album The Limestone Kid for “Meet You in the Middle,” a frisky country rocker with spitfire guitar solos from Brady Beal and Alex Weeden. 

“I hope the gratitude is just radiating off of us tonight,” McCollum smiled, acknowledging his family, introducing his band and singing the ballad “Like a Cowboy” with all the heart in his body. Then he introduced a just released single, the catchy “Handle On You,” which felt like an immediate audience favorite. The open-hearted McCollum mentioned how he had to delay the taping twice, first due to a broken finger and then illness, and he waited to be in top form to get this ACL moment right, and the singer aptly introduced the introspective folk rocker “Rest of My Life” to cheers from the crowd. The band launched into the brash rocker “Fallin’ Apart,” which McCollum noted was co-written by his producer Jon Randall and Miranda Lambert (both last seen on our stage in 2021 memorably debuting their The Marfa Tapes collaboration), along with fellow Texas songwriter Randy Rogers. After that blazer, it was only appropriate to go back to the honky-tonk for the brokenhearted boozer’s ballad “Drinkin’.” That tune segued directly into “Love You Like That,” a lighter-waver both uncertain and hopeful. 

McCollum then monologued about the writing of the next song “Hell of a Year,” explaining how he choked up singing it during soundcheck when he remembered writing it in the drive-thru of an Austin Whataburger, finally feeling like he’d written a good song. He balanced the heart-on-sleeve poignancy of the tune by drolly noting that the song was written about 2017, but gained new resonance in 2020 – “It’s every songwriter’s dream, for a song to be relevant twice.” McCollum returned to the heartland for the widescreen rocker “Why Indiana,” and the already fired-up audience showed their love for the penultimate “Pretty Heart,” the double-platinum first single from Gold Chain Cowboy. McCollum once again expressed his gratitude to his family (many of whom were present in the audience) and to ACL before ending the show with the heartfelt power ballad “I Can’t Breathe,” once again to the crowd’s great delight. The band returned to the stage with “Happy New Year,” a tune from The Limestone Kid that represented not only where he came from but where he’s headed. The music ended, but McCollum didn’t leave the stage – he couldn’t, as he was surrounded by legions of fans and autograph seekers, who he was happy to indulge. It was a hell of a debut show, and we can’t wait for you to see it when it airs this fall on October 29 as part of our upcoming Season 48. 

Parker McCollum tapes Austin City Limits for the first time, Sept. 7, 2022. Photos by Scott Newton.