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Encore Broadcast Episode Recap Featured News

Encore: Esperanza Spalding

Triple Grammy-winning artist Esperanza Spalding makes her return to Austin City Limits  this weekend with a mesmerizing performance that transcends jazz. In a touching tribute Spalding dedicates the episode to legendary guitarist Jef Lee Johnson, who passed away January 28, 2013. The appearance marks their final performance together.

Joined by a stellar 11-piece band, Spalding performs songs from her latest release Radio Music Society, which scored two 2013 Grammy Awards, including Best Jazz Vocal Album. The album represents a celebratory vision of the artists who helped cultivate and inspire Spalding’s career throughout the years. Radio Music Society has received high praise from critics, who hail the album’s “journey through soul, gospel, balladry and big-band swing” [The New York Times] and “torchy swaggers, world-jazzy guitar grooves propelling smoky saxes, and political songs with only a Hammond organ for company” [The Guardian].

Spalding made her ACL debut back in Season 35, performing tracks from her 2008 breakthrough Esperanza, and wowed an audience largely unfamiliar with her music. Her appearance continues to be one of ACL’s most popular encore episodes. She has since gone on to capture the attention of audiences around the globe, leading to her stunning 2011 Grammy win as the first jazz musician to win for Best New Artist. Spalding’s dynamic relationship with her acoustic double bass has cemented her presence in musical history as a modern jazz virtuoso with “a light, fizzy, optimistic drive that’s in her melodic bass playing and her elastic, small-voiced singing” [The Times].

photo by Scott Newton

“The first time Esperanza appeared on ACL, she was a best-kept secret,” admits ACL executive producer Terry Lickona. “But now the word is out, and the world is her stage. This time she also brings a stage full of incredible jazz musicians, and an hour full of new music. People will be writing about this show 50 years from now.”

Check out the episode page for more information. Don’t forget to keep up with ACL goings-on on our Facebook and Twitter pages, or via our newsletter. Next week: Nine Inch Nails.

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Encore Broadcast Episode Recap Featured News

Encore: B.B. King May 30th

Once again for the first time, welcome to the Austin City Limits stage: the King of the Blues, Mr. B.B. King.

B.B. King personified blues music for the whole world,” says ACL executive producer Terry Lickona, “but when he first appeared on Austin City Limits in 1983 it was rare for a blues artist to command a full hour on national television.” In honor of the late, undisputed King of the Blues, ACL is proud to bring that iconic hour out from the vault and back to television for the first time in 22 years.

The first of two legendary appearances on ACL, King’s debut episode was recorded in 1982 and originally broadcast in 1983 as part of Season 8. The 11-song set spans the length and breadth of his career to that point, from his then-new album Love Me Tender (including “Since I Met You, Baby” and the title track, a cover of the Elvis Presley classic) to his own standards “Everyday I Have the Blues” and “The Thrill is Gone.” In a powerhouse performance, King hits full-force with a voice that is neither harsh nor sweet, that bends, like his fingers, with each note.

“There was electricity in Studio 6A that night like no other,” says Lickona. “It was pure B.B. – just him, Lucille and one of the best road bands he ever toured with. He mixed up hardcore blues with Elvis ballads, and had the audience in the palm of his hand, following his every lead. It was historic!”

“He was larger than life, but a gentle man with a kind soul and big heart. His ACL performance ranks as one of my personal favorites, and I was never more proud than when he somehow slipped ‘Austin City Limits’ into the lyric of his classic rendition of Willie Nelson’s ‘Night Life.’  We’ve lost a giant.”

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: Bob Mould and Delta Spirit.

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Encore Broadcast Episode Recap Featured News

Encore: Bon Iver

In a few short years, the world watched Bon Iver’s progression from the “bare boned” yet profound debut For Emma, Forever Ago in 2007, to 2011’s lush self-titled LP. Justin Vernon came a long way from writing in total seclusion in a cabin in the mountains to collaborating with artists such as Kanye West and winning Grammys. When the group recorded this episode in April 2012, we were eager to see how this progression and critical acclaim would manifest in the performance. The result is a passionate, meticulously layered display of talent and musical tranquility.

In this episode, Bon Iver draws mostly from the eponymous album, starting with the opening track, “Perth,” and seamlessly leading into the next tune, “Minnesota, WI.” From there we get “Brackett, WI,” a beautifully-written track that appeared on the 2009 Dark Was the Night compilation album that raised funds and awareness about HIV and AIDS. Audience favorites included a more fleshed-out version of “Blood Bank,” complete with various horns, and of course the hits from For Emma, “Skinny Love” and “For Emma.”

photo by Scott Newton

Go here for more information on this episode, and check here to see where/when you can catch it. Be sure to follow our Facebook and Twitter pages for the latest ACL update, and subscribe to our newsletter for even more info. Next week: The Lumineers and Shovels & Rope.

 

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Encore Broadcast Episode Recap Featured News

Encore: Bonnie Raitt and Mavis Staples

This weekend, ACL brings you Mavis Staples and Bonnie Raitt, two legends and soul sisters with the perfect combination of soul, R&B, blues, and gospel. “We come this evening to bring you some joy, some happiness, inspiration and some positive vibrations,” declared Miss Staples back in June 2012 during the taping, and boy, did they deliver! This was a night full of smoky voices, sassy guitar playing, audience hooplah and ardent exhibition.

This episode marks Bonnie Raitt’s third appearance on Austin City Limits. The audience greets the nine-time Grammy Award-winner and bestselling artist with much love and admiration. She predominantly plays off of her 2012 album Slipstream, including “Down to You,” “Used to Rule the World” and a bluesy take on the Bob Dylan song “One Million Miles.” She finally exclaims, “Awww man! I love John Hiatt!” before ending with her Nick of Time hit “Thing Called Love.”

photo by Scott Newton

Mavis Staples is a clearly a legend. This lady has seen it all from singing songs on the forefront of the Civil Rights movement to being inducted in the Rock and Roll Hall of Fame. Joined onstage with three backup singers and a backing band, Mavis’ energy and famous low register voice charm the audience like we’ve never seen on classics like “Creep Along Moses” and “Freedom Highway.” At the end of the set, Mavis invites her lovingly coined “baby sister” Bonnie Raitt onstage for a couple of songs. On the emotional duet “Losing You,” dedicated to their fathers, Mavis and Bonnie share a moment where they hold hands and look at each other – it’s one of the incredibly touching moments of the evening. They end the night with a rendition of “Will the Circle Be Unbroken” that had the entire audience clapping and dancing.

photo by Scott Newton

Don’t miss this inspiring and heartfelt episode – you won’t regret it. To find out when and where you can catch this episode check here for local listings. Also, don’t forget to “Like” us on Facebook or follow us on Twitter, or sign up for our newsletter, for more ACL news and info. Next week: Bon Iver.

 

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Encore Broadcast Episode Recap News

Encore: Beck

This weekend, Beck rocks ACL with an epic, career-spanning full-hour performance. One of the most creative artists of his generation, Beck shines in an exceptionally entertaining hour, showcasing a mix of vintage fan favorites and more recent gems. Promoting his mightily acclaimed LP Morning Phase, Beck and his crack band of longtime friends and collaborators shift from quiet contemplation to rousing party jams with chameleonic skill and unabashed enthusiasm. The L.A. native goes into troubadour mode for the beautiful, emotional “Blue Moon,” “Waking Light” and “Let It Go,” showcasing his depth as a songwriter. But he also blows the doors off with the dynamic, houseshaking hits “Loser” and an epic blast through his anthem “Where It’s At.”

Tune in this Saturday for this soon to be classic episode, and, as always, check your local PBS listings for the broadcast time in your area. Click over to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Bonnie Raitt and Mavis Staples.

photo by Scott Newton

 

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Encore Broadcast Episode Recap News

Encore: Jack White

As a bandleader, Jack White has visited the Austin City Limits studio before, ripping it up with the Raconteurs back in 2006. Here White returns to our stage as a solo artist to demonstrate exactly why he’s one of today’s most exciting musicians.

Ever the risk-taker, White hits the stage bathed in blue light and accompanied by not one but two bands comprised of Nashville’s best musicians. Working without a net, White eschews a set list and draws from nearly every project of his prolific career. So this episode treats you to some White Stripes (“I’m Slowly Turning Into You,” “We’re Going to Be Friends,” “Dead Leaves and the Dirty Ground”), a little Raconteurs (“Top Yourself”), a pinch of Dead Weather (“Blue Blood Blues”), a blues cover (Blind Willie Johnson’s “John the Revelator”) and White’s contribution (“You Know That I Know”) to The Lost Notebooks of Hank Williams, a collection of Williams lyrics set to music by contemporary songwriters.

Of course, much of the show is dedicated to songs from Blunderbuss, White’s much-acclaimed solo debut. Watch him burn through “Freedom at 21” and “Missing Pieces” with his all-male group the Buzzards, then blaze through “Hypocritical Kiss” and “Love Interruption” with his all-female band the Peacocks. The mostly acoustic title tune serves as the transition point, as Buzzards give way to Peacocks before the guitars finish feeding back and “Love Interruption” begins.

photo by Scott Newtong

See more about the show here, then check your local PBS listings to find out when to tune in to see for yourself. Keep up with ACL news and happenings on our Facebook and Twitter feeds, as well as our news page, or sign up for our newsletter. Next week: Beck.