Austin City Limits is thrilled to announce we will be live streaming the highly-anticipated debut taping of alternative rock legends Pavement on Oct. 10 at 8 pm CT. ACL offers fans worldwide the unique opportunity to watch this taping here in its entirety on our ACLTV YouTube Channel. The broadcast episode will air early 2023 on PBS as part of our new Season 48.
Among the most beloved acts to come out of the American underground in the 1990s, Pavement are Mark Ibold, Scott “Spiral Stairs” Kannberg, Stephen Malkmus, Bob Nastanovich and Steve West. Originally from Stockton, California, the band released five era-defining albums – Slanted And Enchanted (1992), Crooked Rain, Crooked Rain (1994), Wowee Zowee (1995), Brighten The Corners (1997) and Terror Twilight (1999) – before disbanding in 1999. With Terror Twilight receiving an expanded reissue, the band reunited this year for its first shows in more than a decade, including a 30th anniversary headline set at Primavera Sound. This fall they will tour throughout the US, EU, UK, and Japan. Pavement’s 2010 reunion saw them play four sold out shows in Central Park and top the bills of festivals worldwide including Coachella, Primavera Sound, and Pitchfork.
Join us hereOctober 10 at 8 p.m. CT for Pavement, and on PBS early next year for the broadcast episode. Tune in to your local PBS station on Saturday nights for brand new episodes of Austin City Limits; watch live on PBS or stream anytime at PBS.org.
Japanese Breakfast plays Austin City Limits, Season 48. Photo by Scott Newton.
Austin City Limits spotlights a pair of compelling acts making their ACL debuts: Japanese Breakfast, featuring acclaimed indie singer-songwriter Michelle Zauner and 21-year-old British singer-songwriter Arlo Parks. Philadelphia’s Japanese Breakfast play songs from their breakthrough Jubilee; while Parks performs numbers from her Mercury Prize-winning Collapsed in Sunbeams. These two celebrated acts both earned 2022 Grammy nods for Best New Artist and Best Alternative Album and both received raves for their deeply personal lyrics and powerful connection with audiences. The new hour-long installment premieres October 8 at 8pm CT/9pm ET. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.
Acclaimed pop-alternative act Japanese Breakfast performs highlights from Jubilee, their lauded 2021 album. Bandleader Michelle Zauner is also the New York Times bestselling author of Crying in H Mart, her powerful 2021 memoir about growing up Korean-American and dealing with the loss of her mother. The book paved the way for the band’s third release, Jubilee, an album about giving yourself permission to welcome joy back into your life after tragedy. Opening the set with the dreamlike “Paprika,” Zauner bangs a light-up gong at center stage to punctuate the lyrics. She smiles widely as she dances across the stage for the hit “Be Sweet,” a synthy, sparkly power-pop confection. The six-song set elicits a rush of feelings anchored by gorgeous song craft and probing lyrics, in an ultimate celebration of life and love. Zauner and her ace eight-piece band, augmented by horns and violin, provide sublime melodies for a radiant ACL debut.
Arlo Parks performs on Austin City Limits, 2022. Photo by Scott Newton.
Fast-rising West London singer-songwriter Arlo Parks showcases gems from her breakout debut Collapsed in Sunbeams. Parks blends poetic lyrics with music to create luscious vignettes via sweet, ruminative indie pop songs. Her thoughtful, relatable lyrics resonate emotionally with fans and foster connection and support. She captivates with her soft vocals and lush sonic palette in a magnetic ACL debut. Set opener “Caroline” sparks an audience singalong of the titular name throughout the chorus, and on the soul-pop “Eugene” the crowd belts the painful lyrics about unrequited love with collective emotion. “I guess my favorite songs that I’ve written come pouring out of me by accident…and this is one of them,” says Parks as she closes out with the electro-pop marvel “Softly,” a cathartic, upbeat anthem about bracing for impact in the face of a relationship’s inevitable demise.
“We’re especially proud this season to be showcasing so many emerging young female singer-songwriters,” said ACL executive producer Terry Lickona, “And there will be more to come. In the case of both Michelle and Arlo, the fact that Grammy voters considered them worthy of a Best New Artist nominee speaks volumes.”
Japanese Breakfast setlist:
Paprika
Be Sweet
Kokomo, IN
Savage Good Boy
Slide Tackle
Posing For Cars
Arlo Parks setlist:
Caroline
Eugene
Black Dog
Hurt
Too Good
Softly
Season 48 Broadcast Line-up (first half of season)
October 1 Brandi Carlile
October 8Japanese Breakfast/Arlo Parks
October 15 Sylvan Esso/Lucius
October 22Allison Russell/The Weather Station
October 29Parker McCollum/Robert Earl Keen
November 5Lyle Lovett and His Large Band
November 12Cimafunk and The Tribe
Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG.Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.
Austin City Limits
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.
Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.
Loretta Lynn on Austin City Limits, 1983. Photo by Scott Newton.
Loretta Lynn, the queen of country music, has died at the age of 90, passing peacefully at her home in Hurricane Mills, Tennessee. The hearts of all of us at Austin City Limits go out to her family, friends and fans.
The Butcher, Holler, Kentucky-born Lynn – Loretta Webb to her parents – was as iconic a figure in music as has ever been. The proud coal miner’s daughter went on to become one of the most influential women in the history of American music. Her plain-spoken, instantly relatable singing and sharp, smart songwriting put her in the rare echelon of boundary-busting trailblazers. Tunes like “Don’t Come Home a-Drinkin’” and “The Pill” made it clear that the women of country music, whether performers or the subjects of songs, could and would be as independent, assertive and self-confident as their male counterparts. Artists inside and outside C&W like Tammy Wynette, Tanya Tucker, Deanna Carter, Miranda Lambert, Kacey Musgraves, Maren Morris, Margo Price and Sheryl Crow point to Lynn as a north star. Longtime fan Jack White paid homage by producing her acclaimed 2004 album Van Lear Rose.
With over seventy chart hits, her list of indelible songs is staggering: “You Ain’t Woman Enough (To Take My Man),” “Love is the Foundation,” “You’re Lookin’ at Country,” “One’s On the Way,” “After the Fire” (with duet partner Conway Twitty), and, of course, the iconic, autobiographical “Coal Miner’s Daughter,” which became a bestselling memoir and a beloved film, are the tip of a substantial iceberg. Her incredible body of work led to Lynn being awarded the Presidential Medal of Freedom by President Barack Obama in 2013, and she also was the recipient of a GRAMMY Lifetime Achievement Award and a Kennedy Center Honor, among many other accolades. She may have slowed down in her later years, but she didn’t stop – she continued performing and releasing records, with her most recent album Still Woman Enough coming out in 2021.
“From the time she stepped onto the ACL stage in her shimmering full-length gown, there was no doubt that she was the Queen of Country Music,” our executive producer Terry Lickona says. “The power of that voice and those songs commanded the room like few others have through the 48 years of Austin City Limits. The girl from Butcher Holler had arrived, and ACL once again made history. She was the genuine article; there never was anyone quite like her, and never will be again.”
Lynn recorded two classic episodes of ACL – one in 1983 during Season 8 and the other in 1998 during Season 23. We at ACL were thrilled to induct her into the ACL Hall of Fame in 2015. So her loss is difficult for us to grasp. As did so many of her fans and supporters, we always thought Loretta Lynn, like Mount Rushmore, would endure; however, her legacy – all those great songs – is immortal.
Adia Victoria tapes Austin City Limits, Oct. 2022. Photo by Scott Newton.
Though wielding an acoustic guitar and a sultry voice, Adia Victoria isn’t just a singer/songwriter. The South Carolina native’s presence, charisma, expansive musical vision and willingness to confront difficult truths put her on a level beyond folky introspection and comfortable ambience, giving her the rocking sound as projected on her third album A Southern Gothic. Tonight the artist brought her socially conscious acid blues to the ACL stage for her taping debut, live streamed around the world.
“Good evening, Austin,” Victoria pronounced as she took the stage. “We’ve come all the way from Nashville to play these blues for you.” With a swampy, psychedelic sound, she and her three-piece band kicked the show off with the rumbling “Far From Dixie,” one of the jewels in Gothic’s crown. After commenting “I’m a bundle of butterflies and shaking in my red boots,” she launched into “Magnolia Blues,” a song of reminiscence that drew deeply from her region’s most influential musical export. Victoria really grabbed the blues by the conceptual horn on the slow-crawling “Mean Hearted Woman,” telling the “woman done me wrong” story from that woman’s point of view, and dedicating it to “every woman who’s ever been gaslit by a man in her life.” Victoria continued her guided tour of the South with “My Oh My,” another quietly intense slow burner. Incorporating a jangling strum akin to folk story songs, she explored the life of “lost” Southern girls in the evangelical church in the compelling “Whole World Knows.”
Victoria introduced “Sea of Sand” as one of the first songs she ever wrote, and the defiant folk rocker proved an audience favorite, especially during the coda of her acoustic guitar contrasting with Mason Hickman’s grunged-out power chords. The songwriter put down her guitar for “Troubled Mind,” a song that began as a prayer, and allowed her band to lay out the music while she stalked the stage, microphone in hand. As the musicians kicked into the next number, Victoria introduced them to the crowd, throwing the spotlight on Hickman, bassist Jason Harris and drummer Daniel Closser. “This is a song about getting dumped,” she noted, as the music evolved into the menacing rumble of “Different Kind of Love.” She then led her boys into paying tribute to a primary inspiration by covering “You Was Born to Die,” a thumping 1933 tune from the catalog of the great bluesman Blind Willie McTell. Closser’s drum pound shored up Hickman’s boogie riff for “Ain’t Killed Me Yet,” a celebration of life through the lens of pure defiance, as represented by the feral howl she unleashed during the breakdown.
Victoria re-donned her guitar for the final song, telling the crowd that she used to watch ACL with her grandmother, already knowing she would one day tread those boards herself. She then sang “South Gotta Change,” her only release during the year of the pandemic, a passionate protest song inspired by the deaths of George Floyd and Rep. John Lewis and dedicated to everyone who ever told her to shut up and sing. There was no way to follow that, so Victoria and her band took a bow and quit the stage. It was an excellent show, and we can’t wait for you to see when it airs early next year on your local PBS station.
Adia Victoria on Austin City Limits, Season 48. Photos by Scott Newton.
Brandi Carlile on Austin City Limits, 2022. Photo by Scott Newton.
Austin City Limits launches a historic new season spotlighting an unprecedented line-up of diverse and eclectic female artists with a season premiere featuring celebrated singer-songwriter and six-time Grammy Award winner Brandi Carlile. The acclaimed Americana artist, accompanied by a nine-piece band, shines in a breathtaking hour, delivering an eleven-song set with selections from her latest In These Silent Days alongside fan-favorite classics. The hourlong season premiere airs October 1 at 8pm CT/9pm ET as part of the esteemed broadcast’s fourteen episode season. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. .
There are few musicians in the current era more respected and beloved than Brandi Carlile, and this award-winning singer/songwriter/producer/author and activist makes her third appearance on the ACL stage with a stunning show centered around her seventh album In These Silent Days. Carlile first-appeared on Austin City Limits in 2010 and is now firmly established at the forefront of Americana music. A magnetic performer, she dazzles with numbers from her acclaimed album, including the hard-rocking set opener “Broken Horses,” and a joyful “You And Me On The Rock,” joined by a trio of guest vocalists. Carlile soars with a radiant take on the chart-topping “Right on Time,” a triple Grammy-nominated number named “Song of the Year” at the 2022 Americana Music Awards. Carlile pays tribute to her influences with inspired covers of choice classics, including David Bowie’s “Space Oddity,” Radiohead’s “Creep” and Joni Mitchell’s “Woodstock.” Carlile’s ace band features her longtime collaborators Tim and Phil Hanseroth, twin brothers on guitar, bass and harmonies, album co-producer Shooter Jennings joins on keyboards, along with a guest appearance from guitar ringer Celisse. Carlile’s remarkable showmanship is on full display throughout as she thrills with “The Joke,” the 2019 multiple Grammy-winning anthem of love and empowerment that’s become her signature tune, earning rapturous applause from the ACL audience. Accompanied by strings, piano, Hanseroth-brother harmonies and her own acoustic guitar, Carlile closes with the stripped-down benediction “Stay Gentle,” seguing beautifully into a potent solo rendition of the beloved standard “Somewhere Over the Rainbow.”
“All of us are so proud of Brandi’s incredible success story since her debut on the ACL stage 12 years ago,” said ACL Executive Producer Terry Lickona. “Her growth not only as a singer but as a superstar entertainer in every sense of the word is inspiring. She helped lead the way for a new generation of talented young female artists, many of whom will be showcased in future episodes.”
Episode setlist:
BROKEN HORSES
YOU AND ME ON THE ROCK
THIS TIME TOMORROW
MAMA WEREWOLF
SPACE ODDITY
CREEP
RIGHT ON TIME
THE JOKE
WOODSTOCK
STAY GENTLE
SOMEWHERE OVER THE RAINBOW
Season 48 Broadcast Line-up (first half of season)
October 1 Brandi Carlile
October 8Japanese Breakfast/Arlo Parks
October 15 Sylvan Esso/Lucius
October 22Allison Russell/The Weather Station
October 29Parker McCollum/Robert Earl Keen
November 5Lyle Lovett and His Large Band
November 12Cimafunk and The Tribe
Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG.Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.
Austin City Limits
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.
Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.
Austin City Limits is excited to announce we will be live streaming the debut taping of critically acclaimed singer/songwriter Adia Victoria on Oct. 3 at 8 pm CT. ACL offers fans worldwide the unique opportunity to watch this taping here in its entirety on our ACLTV YouTube Channel. The broadcast episode will air in early 2023 on PBS as part of our upcoming Season 48.
Adia Victoria is a daughter of the South, a born and bred South Carolinian who now makes her home in Nashville, Tennessee. It’s no surprise, then, that stories of the South find their way into her music, especially her latest, A Southern Gothic, her third full-length release. Sonically, the recordis equal parts historical montage and modern prophesy, dark and light, love and loathing. Put simply, it is the musical embodiment of the relationship that so many people, especially Black women, have with the South. Indeed, even as Victoria’s lyrics feel weighted by a Southern heaviness that is so often smothering, the music is also buoyed by rhythm and melody that illuminate the best of what this region has to offer. “You are getting that chill music, that vibe,” she explains, “but I wanted you to also get that ethereal feel of the South. I wanted you to get the humidity of it, the heat, the ways we reach to the pits of hell and the heights of heaven. I wanted this record to encapsulate the extremes of the South.” Much of the recording took place during the early days of the pandemic in Paris, France with Victoria and creative partner Mason Hickman becoming a two-person band of sorts until the world re-opened and they entered the studio with executive producer T-Bone Burnett. The result is a project that fits perfectly into Victoria’s catalogue and the rich legacy of Black Southern storytelling, even as it stands alone as a freshly innovative work. “With this project, I was so anchored in the past and the Black brilliance that came before me that it was kind of a road map,” says Victoria. “They said, ‘Sweetie, we’re gonna locate you, and we’re gonna allow you to move it forward.’”
Join us hereOctober 3 at 8 p.m. CT for Adia Victoria, and on PBS early next year for the broadcast episode. Tune in October 1 for the broadcast premiere of Austin City Limits new Season 48; watch live on PBS or stream anytime at PBS.org.
