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News Ticket Giveaway Tickets Distributed

Giveaway: Gracie Abrams

Gracie Abrams 2024
Photo Credit: Abby Weisler 2024

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Gracie Abrams on Tuesday, July 30th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admission. These passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.

Since making her debut in 2019, Gracie Abrams has emerged as one of the most compelling singer-songwriters of her generation, earning the admiration of artists such as Taylor Swift, Lorde, Billie Eilish and Olivia Rodrigo. Abrams penned her first song at age eight, then went on to amass a devoted following on the strength of her emotionally intimate lyrics and DIY sensibilities. With the arrival of her breakout debut project minor in summer 2020, she received glowing reviews from NME, who praised her “painfully honest tales of heartbreak draped in delicate melodies that carry much more intrigue than the usual run-of-the-mill singer-songwriter.” The seven-song effort features her beloved singles “21,” “I miss you, I’m sorry” and “Long Sleeves.” In 2021, Abrams returned with This Is What It Feels Like, a 12-track project exploring complex emotional experiences such as self-betrayal, insecurity and failed attempts at connection. Soon after completing her sold-out North American headline tour for This Is What It Feels Like, she set to work on her debut album. Abrams kicked off 2022 with a headline tour of North America followed by a support slot on Olivia Rodrigo’s tour and connected with her friend and frequent collaborator, The National’s Aaron Dessner to release two songs “Block me out” and “Difficult.” Gracie toured with Taylor Swift as the opening on select dates of her blockbuster Eras Tour and will continue as direct support when the Eras Tour returns to North America later this year.

Gracie Abrams’ sophomore album, The Secret of Us, is out now via Interscope Records. The critically acclaimed album has been met with an overwhelming amount of support and excitement from fans and publications alike, including Rolling Stone (4 stars), Billboard, Associated Press, Vogue and more. Gracie debuted in the top five in nine countries making it her best-performing album. The 24-year-old songwriter co-wrote the album with longtime friend Audrey Hobert and produced the new album alongside Dessner.  The Secret of Us comes nearly a year after her debut album, Good Riddance, which Gracie released in February 2023 and Rolling Stone hailed “one of 2023’s Best Debuts.” Good Riddance earned Gracie her first ever Grammy nod at the 66th Annual Grammy Awards with a nomination for Best New Artist. In September, Gracie will embark on her sold out headlining tour, kicking off September 5th in Portland, Oregon.

For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Featured Hall of Fame News

Austin City Limits kicks off 50th anniversary celebration with Garth Brooks

Iconic music series Austin City Limits (ACL) kicks off the 50th Anniversary celebrations by welcoming a new Austin City Limits Hall of Fame honoree into its ranks for this milestone: Garth Brooks. For the first time in the decade-long history of the ACL Hall of Fame, only one inductee will be honored at this epic 10th Anniversary Hall of Fame celebration taking place on September 5, 2024, at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. Brooks and his band will perform for the occasion. Brooks anchored ACL’s 25th Anniversary broadcast season with a pair of appearances and returns now for the Hall of Fame salute to launch the trailblazing television series’ record-making 50th season. Musical highlights and Brooks’ induction from the Hall of Fame ceremony will air as a special hourlong broadcast of Austin City Limits as a highlight of the program’s golden anniversary Season 50 which premieres on September 28, 2024, on PBS. 

“To be part of anything Austin City Limits is and always has been an honor,” Brooks said. “I am humbled and grateful to not only be a part of the 50th Anniversary, but to be inducted into the ACL Hall of Fame is over the top.”

The event is open to the public and a limited number of tickets will be on sale August 2 at acltv.com/hall-of-fame via AXS ticketing. Sponsor packages are available now. This event will be a phone-free experience. Upon arrival at the venue, tickets will be scanned and all phones will be secured in Yondr cases that will be unlocked at the end of the event. Austin City Limits 10th Annual Hall of Fame Honors is produced by Austin PBS and proceeds benefit the public television station. 

2024 marks the 50th Anniversary of the live music beacon Austin City Limits, which taped its debut pilot episode on October 17, 1974; the pioneering series then premiered on PBS in 1975. ACL celebrates its remarkable legacy with a yearlong celebration through 2025. Since its inception in 2014, the ACL Hall of Fame has honored legendary artists who have played a pivotal role in the trailblazing music series’ outstanding half-century as a music institution. The inaugural awards in 2014 honored Willie Nelson and Stevie Ray Vaughan. Garth Brooks has longtime ties to ACL, with three legendary Austin City Limits performances. He first appeared on the program in 1990, during Season 15, at the beginning of his career. The celebrated artist returned a decade later to both open and close ACL’s milestone Season 25 with two hourlong episodes.

Brooks returned to ACL in 2021 for a memorable pair of intimate, non-broadcast events to close Studio 6A on the University of Texas campus, the fabled soundstage where the program first started recording in 1974. Brooks carved his name into ACL’s history with the final performances in the historic studio that was the show’s home from 1974 to 2010, before a move to downtown Austin. The singular artist performed the special benefit shows solo acoustic to a sold-out audience of 200 fans per night, as a fundraiser for Austin PBS, sharing stories, taking song requests, and answering questions from the audience.  

“Garth is a special friend—there’s no one else quite like him,” said longtime ACL executive producer Terry Lickona. “He never forgets his roots, or the people who were there for him in those early days. He hit the ACL stage just as his career was taking off, kicked off our 25th anniversary season, and now almost 25 years later, it’s our turn to honor him.”

Austin City Limits Hall of Fame celebrates the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series’ remarkable half-century as a music institution. The Hall of Fame has inducted over twenty artists at nine previous ceremonies including Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin, Lucinda Williams, Wilco, Alejandro Escovedo, Sheryl Crow and Joe Ely. The ninth annual Hall of Fame in 2023 welcomed John Prine and Trisha Yearwood to its ranks.

About Garth Brooks:

Garth Brooks just opened his brand new bar on Lower Broadway in Nashville, Friends in Low Places Bar & Honky-Tonk. The opening was celebrated with a Dive Bar concert on Black Friday that streamed exclusively on Amazon. He also just released a new boxed set, “The Limited Series,” which is the third and final in the series and contains Garth’s 14th studio album, Time Traveler. The boxed set is on sale exclusively at Bass Pro Shops. Garth has returned to radio with the SEVENS Radio Network on TuneIn. So far, the announced stations include The BIG 615 with Storme Warren, Tailgate Radio with Maria Taylor and The Garth Channel. He currently has a residency, Garth Brooks/Plus ONE at The Colosseum at Caesars Palace. 2023 completely sold out, dates for 2024 are currently on sale. In 2022, Garth completed the three and a half year long Stadium Tour. It drew an average of more than 95 thousand people in each city it played and was seen by a cumulative audience of nearly three-million people. The tour ended that September when Garth played the fifth sold-out concert at Dublin, Ireland’s Croke Park. The five concerts were seen by over 400-thousand people. Garth has received every accolade you can bestow on an artist. Garth has received The Kennedy Center Honor, the Library of Congress Gershwin Prize for Popular Song, seven CMA Entertainer of the Year honors and nine Diamond Awards. He remains the #1-selling solo artist in U.S. history, certified by the RIAA with 162 million album sales.​

Austin City Limits and the Austin City Limits Hall of Fame are produced by Austin PBS. Austin PBS is a non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming. 

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now launching its 50th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012. ACL celebrates 50 years as an American music institution in 2024-2025.

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News Taping Recap

Taping Recap: Hurray For The Riff Raff

“This is a dream come true to finally have the honor of taping an [episode of] Austin City Limits,” said singer/songwriter Alynda Segarra of Hurray for the Riff Raff Tuesday night. In their debut appearance on the show, Segarra took the stage humbly, waving at the studio audience, dressed in chaps and a leather vest with a scorpion and the bold lettering of ”Colossus” on the back. Backed by a four-piece band, Segarra made the hour a dusky, nostalgic venture through Hurray’s acclaimed latest release and ninth studio album, The Past Is Still Alive, drifting through personal stories of their past and heavily influenced by the proverbial and literal “ride” life can take you on. 

Hurray kicked off the set following the album sequencing with “Alibi,” “Buffalo” and “Hawkmoon,” which Segarra declared a trans song and dedicated to “Miss Jonathan, wherever you are,” a muse of theirs whom they met in their early travels as a young runaway. Next up was a trip back in time to 2022 album LIFE ON EARTH with “RHODODENDRON,” Segarra taking pause to regard the studio audience and speak about their latest album. Next up was “Dynamo,” “Snake Plant,” and “Colossus of the Roads,” which Segarra wrote for queer people and fringe communities shortly after the Club Q shooting in Colorado. 

“The next song is over ten years old,” said Segarra as an introduction to “The Body Electric” off 2014 album Small Town Heroes. By the time the band arrived at “Vetiver,” “Hourglass,” and “The World is Dangerous” off the latest album, it truly felt like a journey had been taken across America, exposing its dark underbelly but at times managing to bring out flashes of silver linings laced with perspective only time can achieve. It comes as no surprise elements of the album were lifted from Segarra’s phase of cross-country train travel inspired by Woody Guthrie songs and a poet’s sensibility. 

Ending the evening with an encore performance of “Ogallala,” named after a city in Nebraska, Segarra soaked in the audience’s applause, bowing deeply and once again waving with gratitude to the live audience. We sure hope Hurray for the Riff Raff’s travels bring them back through Austin again one day soon. You can catch Hurray For The Riff Raff’s Austin City Limits episode when it airs on PBS later this year as part of our anniversary Season 50. 

Hurray For The Riff Raff performs on Austin City Limits, July 2, 2024. Photos by Scott Newton.

Listen to the full set list from the Austin City Limits taping below:

BAND CREDITS:

Alynda Segarra – Singer/Songwriter

Nnamdi Ogbonnaya – Bass, Backup Vocals 

Parker Grogan – Guitar, Backup Vocals

Marcus Drake – Drums 

Lynn Ligammari – Saxophone

Categories
Taping Recap

Taping Recap: The War And Treaty

The War And Treaty perform on Austin City Limits

Backed by an incredible seven-piece band, Nashville-based husband and wife duo Michael and Tanya Trotter, AKA The War And Treaty, dazzled Austin City Limits last week for a second time. Their first performance on ACL was during the pandemic, so the Grammy-nominated duo unfortunately taped their debut episode to a limited audience. This time around, the dynamic pair took the stage to a high-energy, captivated live audience who hung on their every lyric, offering multiple standing ovations throughout the night. 

“Can we take you to church tonight?” asked Michael Trotter Jr. of the audience early in their set, kicking off the hour with “Till the Walls Fall,” and new track “Tunnel Vision,” to be released on their forthcoming album (set for a 2025 release). After a soulful, “Are you Ready to Love Me,” the duo took a breath, a crew member running out to blot the sweat from powerhouse singer Michael Trotter Jr. He then introduced “Blank Page” as the song that garnered he and Tanya  “a couple of firsts in our lives. “It got us our first Academy of Country Music Award nomination, our first Country Music Association award nomination, and first Grammy nomination…” continued Trotter Jr. As The War And Treaty continued into highlights “That’s How Love is Made,” “Yesterday’s Burn,” and “Reminisce,” it was more than apparent, from their otherworldly vocal harmonies to their onstage chemistry, that the duo is sonically synced in a way that’s deeply rooted with love for each other and for what they do. They held hands during a few of their songs. Taking a moment before “Stealin’ A Kiss” to describe their first date and how they came to fall in love, the stories the duo told behind some of their songs were equally as entertaining as the songs themselves. 

The set took a turn to introspection, as U.S. War Veteran Michael Trotter Jr. prefaced “Skyscraper” with some background on his two tours in Iraq, and the decisions in his life that led him there. Shouting out his “battle buddies,” Trotter Jr. said, “I want to dedicate this song to everyone here.” From there, the talented pair  closed out their set with the upbeat “Called You by Your Name,” featuring spirited violin from Chelsey Green, followed by “Leads Me Home.” 

“Happy 50th Anniversary, Austin City Limits,” shouted Trotter Jr. as he recognized each band member, cuing the audience for applause for each talented person. As The War And Treaty left the stage to an audience on their feet, applauding, one thing was certain: bringing them back to the Austin City Limits stage for a proper live taping was the best decision we could have made. The War And Treaty’s taping will air this fall as part of Austin City Limits’ golden 50th anniversary season. 

The War And Treaty performs on Austin City Limits, June 28, 2024. Photos by Scott Newton.

Listen to the full set list from the Austin City Limits taping below: (Note that “Till the Walls Fall,” “Tunnel Vision,” “Reminisce,” and “Skyscraper” were performed but are not currently available on Spotify.)

BAND CREDITS:

Michael Trotter, Jr. – Piano, Vocals 

Tanya Blount Trotter – Vocals 

Max Brown – Lead Guitar 

Jonathan “Bam” Holmes – Drums

Tom Davis – Bass

Terrance “Slim” Holmes – Hammond Organ 

Ben Murray – Pedal Steel Joe 

Jordan – Trumpet 

Chelsey Green – Violin

Categories
News

Kinky Friedman 1944-2024

Kinky Friedman records Austin City Limits, 1975. Photo courtesy Austin City Limits/Austin PBS.

Novelist, columnist, gubernatorial candidate, raconteur, cigar aficionado, and, of course, singer/songwriter Kinky Friedman left this earth on June 27, 2024 at the age of 79. According to the Texas Tribune, the cause was Parkinson’s disease.

Kinky Friedman sings “Amelia Earhart’s Last Flight,” from an unbroadcast episode produced in 1975.

After stints with the Peace Corps and in Nashville, Kinky (who, like his pal Willie Nelson, is on a first-name basis with the universe) became the quick-witted provocateur of seventies outlaw country, writing or covering songs (“Get Your Biscuits in the Oven and Your Buns in the Bed,” “Sold American,” “They Ain’t Making Jews Like Jesus Anymore,” the notorious “Okie From Muskogee” lampoon “Asshole From El Paso”) that raised the hackles of the satire-impaired and restricting his audience to connoisseurs with a certain sense of humor. He reached a bigger crowd in the eighties when he began writing bestselling novels, many of them starring himself as a hard-boiled private detective, as well as contributing a long-standing column to Texas Monthly. Kinky became a national icon when he ran for governor of Texas in 2006, earning 12% of the vote – not nearly enough to win, of course, but not too shabby, either. Following a second, equally unsuccessful campaign, he returned to writing books and songs, as well as founding the Utopia Animal Rescue Ranch in 1998. 

Kinky Friedman sings “Wild Man From Borneo,” 1975, for an episode of Austin City Limits that was never broadcast.

Kinky also recorded an episode of Austin City Limits in 1975 for Season 1, but it famously never aired. There’ve been many reflections on why – in the press at the time, in one of Kinky’s memoirs, and in Clifford Endres’ 1987 history of ACL. Suffice to say that PBS executives of the time previewed the episode and decided it would be best for it to stay in the can, even when Austin PBS (then KLRN) offered to let it be a “soft feed,” i.e. a free program to be used at individual stations’ discretion. Fortunately, while it was never broadcast, the show was released in 2007 by New West Records. 

Kinky Friedman records ACL, 1975. Photo courtesy of Austin City Limits/Austin PBS.

Of course, any story like this only serves to make the life in question even larger, as Kinky himself acknowledged. “In any case, when the producers of ACL, in their infinite wisdom, decided not to air the show, the legend only grew,” he wrote in his TMT column. “Had they gone ahead and run it, I’d undoubtedly be playing a beer joint tonight on the backside of Buttocks, Texas. I’d never have had the chance to become a best-selling novelist, a friend of presidents, and a candidate for governor. The truth is I wouldn’t even be writing this column, which would be a real shame, since it’s the only job I’ve ever had in my life. So God bless Austin City Limits.”

We’ll miss you, Kinky. You kept Austin – and Texas – weird before the phrase was ever coined.  Rest in peace.

Categories
News Ticket Giveaway

Giveaway: Hurray for the Riff Raff

Hurray for the Riff Raff 2024
Photo Credit: Tommy Kha 2024

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by Hurray for the Riff Raff on Tuesday, July 2nd at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admission. These passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.

Hurray for the Riff Raff’s latest release, The Past Is Still Alive, finds bandleader Alynda Segarra (they/them) being called “one of America’s best songwriters” (Vulture). Recently released on Nonesuch Records, The Past Is Still Alive is the record of Segarra’s life so far. Finding fans in everyone from Elton John to poet Eileen Myles, it has been hailed as “the next great American road album” (The Atlantic), through which Hurray for the Riff Raff is “etching their own story into the American songbook, and asserting that they belong there” (The New York Times). Pitchfork named it Best New Music, NPR Music‘s Ann Powers drew comparisons to Joni Mitchell’s Hejira and Lucinda Williams’ Car Wheels On a Gravel Road, and in a sweeping cover story, Paste declared it “the most important album of the 2020s so far.” Produced by Brad Cook (Bon Iver, Indigo Girls, Waxahatchee), The Past Is Still Alive is both a memoir and a roadmap to America’s fringes, as Segarra uses portraits of their radical, itinerant experiences to deliver profound reflections on time, memory and loss. Segarra is 36, or a little less than halfway through the average American lifespan. In that comparatively brief time, though, the Hurray for the Riff Raff founder has been something of a modern Huck Finn, an itinerant traveler whose adventures prompt art that reminds us there are always other ways to live. Segarra’s poetic power proves why they have become a pan-everything fixture of the modern folk movement, illustrating inequality and independence, and navigating chaos and trauma with a sense of wonder and want. With The Past Is Still Alive, their ninth studio album, Segarra finally tells the story themselves, speckling stirring reflections on love, loss, and the end or evolution of the United States with foundational scenes from their own life. “It felt like a trust fall, or a letting go of this idea of proving something to the music industry—how I can be more digestible, modifiable, sellable,” Segarra says. “I feel like I’m closer to what I actually have to share.”

For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.