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Encore Broadcast Episode Recap Featured News

Encore: Bob Mould and Delta Spirit

It’s amazing to think that the loosely defined umbrella “alternative rock” now stretches past the quarter century mark. In celebration of its endurance, this week Austin City Limits presents a veteran of the style and a fast-rising newcomer. Bob Mould pioneered the loud/fast guitar pop style with both his 80s punk band Hüsker Dü and his 90s power pop trio Sugar, while Delta Spirit carves its own path by blending Americana and indie rock. This episode will get your heart pumping and your air guitar flailing.

Joined by longtime bass foil Jason Narducy and Superchunk/Mountain Goats drummer Jon Wurster, Bob Mould wastes no time getting to the point, opening with the bludgeoning power chords of Sugar’s “The Act We Act.” It’s the start of a blazing career retrospective that ranges from the romping Sugary power pop of “Changes” and “If I Can’t Change Your Mind” to the raging power rock of “Star Machine,” the lead-off track from Mould’s highly acclaimed LP Silver Age. Hüsker Dü classics bring down the house, including the nuclear powered folk rock of “Celebrated Summer” and the irresistible hooks of “Makes No Sense at All.” While it’s hard to pick a highlight in a show packed with so many goodies, the epic, elegiac version of the rarely-performed Hüsker gem “Hardly Getting Over It” elevates the episode from simply excellent to truly magnificent.

From the intensity of the veteran we go to the enthusiasm of the newcomers, as Delta Spirit takes the stage. The Brooklyn-based quintet revs the energy up immediately with the rumbling “White Table,” before irrepressible singer Matt Vasquez sparks the crowd into overdrive with the anthemic “Money Saves.” The band brings things back down with “Vivian,” a lovely song about former Austinite Vasquez’s grandmother, performed with his own mama in the audience for a touching moment. Then it’s more palate-cleansing with the lilting, melodic “California,” before bringing the house down with the band’s explosive standard “Trashcan,” probably the only song in the ACL catalog that features a metal trashcan lid as a main instrument.

photo by Scott Newton

More details can be had on the episode page here. Don’t forget to check in with our Facebook and Twitter pages or sign up for our newsletter for more ACL news. Next week: Widespread Panic.

 

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News Taping Recap

Kacey Musgraves and Dale Watson: two sides of modern country music

For our final taping of our current season, ACL paid tribute to its roots, with country music both old-fashioned and new-fangled. First we welcomed Austin honky-tonk legend Dale Watson back to the ACL stage, and then CMA Best New Artist winner and Texas native Kacey Musgraves.

For Dale Watson’s set, the studio was transformed into a substitute for his regular haunt Ginny’s Little Longhorn, with a room full of dancers two-stepping in the time-honored manner. Indeed, Watson drove the point home with a shout-out to the eponymous founder of the Austin favorite as he delivered his Ginny’s tribute “Honkiest Tonkiest Beer Joint in Town.” Not that he needed to – he and his band the Lone Stars gave us plenty of danceable tunes. “Honkiest” and “Hey Brown Bottle” provided the prototypical Texas shuffles, while “My Baby Makes Me Gravy” and “Runaway Train” trucked in Johnny Cash’s chickaboom. The Lone Stars brought Western swing back to the ACL stage with “Give Me More Kisses” and lilted into a pretty waltz with “Your Love I’m Gonna Miss.” Classic honky-tonk reigned supreme on “Cowboy Boots” and “I Lie When I Drink,” while the set-ending “Exit 109” barreled down the highway with a classic trucking song. Watson soared over it all with his amazing voice that sounds genetically engineered to sing C&W. It was a gloriously fun set that celebrated old school country.

From the traditional to the contemporary: Kacey Musgraves took the stage with her talented band and a fresh sound that highlighted her Texas twang and original songs. “Stupid” and “Back On the Map” revolved around stomping beats and memorable guitar riffs, putting rock through a country wringer. The exceptionally melodic “Silver Lining” and “Merry Go ‘Round” incorporated as much folk and pop as C&W. The cheeky “The Trailer Song” and countrypolitan-flavored “High Time,” both new songs as yet unrecorded, proved the Golden, Texas native’s sure hand with the traditional stuff. Her self-described “depressing country music” gave the ballads “Keep It to Yourself” and “It Is What It Is” extra heart and soul. Best of all were her twin anthems: “Mama’s Broken Heart,” written by Musgraves but recorded by her friend and champion Miranda Lambert, and “Follow Your Arrow,” an empowerment anthem that, mark our words, will become her signature tune.

It was a lovely night of modern country music for our final taping of the 39th season. Look for this show to air on PBS early next year.

 

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Episode Recap Featured New Broadcast News

ACL Presents: Americana Music Festival 2013

Austin City Limits is taking a break from our fabulous season of new episodes, but never fear – that doesn’t mean new music isn’t up next. As we’ve been the past two years, we’re proud to present an ACL Presents special: Americana Music Festival 2013. Recorded at the Awards & Honors presentation in Nashville at the historic Ryman Auditorium, AMF 2013 gives us great performances by both veterans and newcomers across the spectrum of the music we know and love as Americana. From Dr. John walking through gilded splinters accompanied by the Black Keys’ Dan Auerbach, pioneering guitarist Duane Eddy proving himself still a “Rebel-Rouser” and Stephen Stills revisiting his classic composition “For What It’s Worth” to young songwriter John Fullbright ripping through “Jericho”, host Jim Lauderdale and bandleader Buddy Miller showing off their distinctive chemistry and Hank Williams’ daughter Holly reviving her father’s signature hit “I’m So Lonesome I Could Cry,” the special presents highlight after highlight. All this plus Shovels & Rope, Emmylou Harris & Rodney Crowell, The Milk Carton Kids, Kelly Willis & Bruce Robison, Old Crow Medicine Show and, during the finale, some surprise guests. It’s a feast of Americana.

Check out the episode page for a songlist and more details. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: an encore episode featuring Bob Mould and Delta Spirit.

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Featured Live Stream News

ACL to livestream Kacey Musgraves and Dale Watson on 11/25

ACL will live stream the highly-anticipated ACL debut of breakout country star Kacey Musgraves and Austin’s own country icon Dale Watson on Monday, November 25th at 8pmCT/9pm ET. The tapings will be live streamed directly from ACL’s stage via our YouTube Channel. The live stream will webcast the tapings in their entirety and the broadcast episode will air on PBS Stations during the legendary music series current Season 39.

Recently named New Artist of the Year at this year’s Country Music Awards, Kacey Musgraves is having a banner year with the release of her critically-acclaimed major label debut Same Trailer Different Park. Hailed as “one of the most fully-formed, arresting debuts Nashville’s seen in years” by American Songwriter, the release spawned the hit singles “Blowin’ Smoke” and “Merry Go ‘Round” garnering high praise from media outlets across-the-board including Rolling Stone, Entertainment Weekly, Country Weekly and The New York Times. The twenty-five year old Texas native started writing songs and playing instruments when she was just nine years old, eventually moving to Nashville and writing for major country stars including Miranda Lambert and Martina McBride and making her mark ever since.

photo by Jim Chapin

Taping the same night is Austin’s king of country music: Dale Watson. Called “the silver pompadoured, baritone beltin’, Lone Star beer drinkin’, honky-tonk hellraiser” by The Austin Chronicle, the hometown hero appeared on ACL back in 1997, as part of a songwriter showcase. Revered by a new generation of fans, Watson has flown the flag for classic honky-tonk for over two decades and 20 albums. His latest album, El Rancho Azul, continues his work as one of the world’s finest C&W singers and songwriters, and ACL is thrilled to present Austin’s favorite son once again for his first feature performance. A Dale Watson show is not complete without dancing, and for the first time in our new home at The Moody Theater, we will open the space in front of the stage for a dance floor.

 

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News

Giveaway: Kacey Musgraves and Dale Watson 11/25

*Giveaway is now over

Austin City Limits will be taping a performance by Kacey Musgraves and Dale Watson on Monday, November 25th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am November 22nd.

Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio.

Categories
Episode Recap Featured News

Jim James and The Black Angels get psychedelic for ACL’s new season

Austin City Limits explores new sonic directions in a double bill with Jim James and Austin’s own Black Angels.  My Morning Jacket leader Jim James plays songs from his acclaimed debut solo album Regions of Light and Sound of God while Texas psych-rockers The Black Angels highlight songs from their latest release Indigo Meadow.

The versatile Jim James commands a spellbinding set in his first-ever solo outing on ACL, marking his sixth appearance on the program—having performed twice with his main outfit My Morning Jacket, in addition to appearances with the Preservation Hall Jazz Band, Bright Eyes and Monsters of Folk.  Declaring his solo project a “new adventure”, James invites the Austin audience to come on the journey with him, and they are more than happy to oblige.  He reaches into new territory in an intimate and hypnotic performance that combines hints of old school R&B, flickers of hip hop, operatic pop and delicate instrumentation.  James and his four-piece band open with the 70s soul of “State of the Art” and “Know Til Now” and segue into the spiritual love song “A New Life” and the atmospheric “Actress”.  It’s a captivating and completely danceable set, with James himself getting in the groove while holding a bronze panda up and adding his own sliding dance steps.

“Jim James has found many ways to pursue his musical muse, and it’s amazing that this is his very first solo album,” notes ACL executive producer Terry Lickona. “What better way to bring it to his legions of fans than ACL?”

photo by Scott Newton

Carrying on the long Texas tradition of psychedelia, Austin’s Black Angels round out the episode, making their long-awaited ACL debut with their unique brand of psychedelic music for the 21st century.  It’s a fitting showcase for ACL, as the psych rock movement has its roots in the Lone Star State thanks to 60s acid-rock heroes the 13th Floor Elevators, who were the first band to apply the term psychedelic to rock & roll.  Named in tribute to the Velvet Underground number “The Black Angel’s Death Song,” The Black Angels found themselves the spearhead of a new psychedelic revival soon after their formation in 2004.  The band’s carefully crafted blend of melody and noise won over fans of both modern indie rock and old school acid rock, and established it as a major force in underground rock & roll, even starting its own festival in 2008, the still-running Austin Psych Fest.  Opening with the heavy duty headbanger “Evil Things”, the Angels create a dark, brooding mood with their trademark vocal reverb and fuzzy, distorted guitars on a stage complete with fun-house optic, psychedelic images swirling on projection screens.  The Black Angels take the Austin crowd into the psychedelic heart of darkness and back out into the light, proving why they have become one of the foremost acts in the psych and garage rock revival.

“Whether you remember 60’s acid-rock first-hand or this is your first ‘psych’ experience, The Black Angels have taken a classic rock form and turned it into their own,” Lickona says. “It’s got an other-worldly vibe but at the same time it’s totally accessible.”

Check out the episode page here and tune in this Saturday to see the show for yourself. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: Americana Music Festival 2013.