The return of the Avett Brothers

Last night we welcomed the The Avett Brothers back to the Austin City Limits stage in a triumphant return to the show. Fresh from their appearance at the ACL Music Festival, the band was greeted by enthusiastic fans eagerly waiting to hear them and sing along.  Since the band first appeared on the show in 2009, they have been busy writing and recording back-to-back Rick Rubin-produced albums The Carpenter (which received a Grammy nomination for Best Americana Album) and Magpie and the Dandelion.

As the band opened with the romantic folk rocker “Live and Die,” there was a clear difference between this band and the one that visited in Season 35, and not just because of the addition of a drummer, keyboardist and fiddler. The ragged, nervous energy of the first show has been replaced by a different vibe, one of confidence and the professionalism that comes from having played hundreds, if not thousands, of shows to people all over the world. The energy level was just as high as last time, but this time the band focused its power, giving the frisky folk tune “The Fall,” the piano anthem “Head Full of Doubt, Heart Full of Promise” and the giddy folk rocker “Satan Pulls the Strings” a blazing vitality that was infectious. Not that the audience needed much prodding – even lower key tunes like “Life” and “Rejects in the Attic” garnered cheers before they’d barely started.

As good as the band was with newer tunes, it was on older songs like “Slight Figure of Speech” and “Kick Drum Heart,” both transformed into rock anthems, that proved explosive. The band ended the show with an especially peppy take on George Jones’ “The Race is On,” on which the septet bounced all over the stage, before coming down with the lovely “November Blue” from their very first LP. The crowd went wild as their heroes left the stage, and we’re sure you’ll go wild as well when we broadcast this episode early next year on your PBS station.