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Taping Recap

Sturgill Simpson’s forward-thinking tradition

Country singer Sturgill Simpson is exactly the kind of artist we like on Austin City Limits: mindful of tradition but with a forward-thinking attitude. Inspired equally by Waylon Jennings and Carl Sagan, the Nashville-based Kentucky native makes hardcore country that comes from another place, as his acclaimed breakthrough LP Metamodern Sounds in Country Music proves.  Aaron Taylor, one of our live stream viewers on YouTube, remarked, “No boots like a fake cowboy, no cowboy hat, just pure country.” So we were thrilled to welcome the recent Atlantic Records signee to his debut ACL.

Simpson and his four-piece band wasted no time once they hit the stage, launching into “Sitting Here Without You,” a high-speed burner with plenty of room for skillet-licking guitarist Laur Joamets to shine. Indeed, Simpson often featured Joamets’ picking, letting the Estonian native rip through the trucking “Long White Line,” the hot-rocking “Life of Sin” and the bluegrass-blazing Ralph Stanley cover “Poor Rambler,” on which Simpson traded licks with his lead guitarist. “Found myself stomping my floorboard,” exclaimed theoskeewhoat on our YouTube live stream. As happy as he was to showcase his band, though, Simpson ultimately is about songs, and he has plenty of good ones. From the philosophical “Time After All” and “Water in a Well” and the angry “Some Days” to the romantic cover of synthpop band When in Rome’s “The Promise” and the pitch-black “Living the Dream,” Simpson gave a masterful performance. He and his band closed the main set with the back-to-back killers “Turtles (All the Way Down” and “It Ain’t All Flowers,” which started honkytonkin’ and ended rockin’.

Of course, it wasn’t quite over, as the audience didn’t want the band to leave. Simpson paid tribute to the outlaw country scene that inspires him with a cover of “I’d Have to Be Crazy” by Austin cosmic cowboy Steven Fromholz, before digging into the repertoire of his old band Sunday Valley for a ripping take on the Osborne Brothers’ “Listening to the Rain,” which incorporated T.Rex’s “The Motivator.” With that, Simpson brought down the house, leaving the crowd wanting more. “Hard to believe how absolutely great Sturgill is!” enthused Chris Durand on our Facebook page. It was a great show and a strong debut, and we can’t wait for you to see it when it airs on PBS this Fall.

 

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News

Giveaway: The War on Drugs 4/6

* The giveaway is now over

Austin City Limits will be taping a performance by The War on Drugs on Monday, April 6th, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on April 3rd. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.

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Encore Broadcast Episode Recap Featured News

Encore: Edward Sharpe and the Magnetic Zeros/tUnE-yArDs

Austin City Limits is proud to present the encore of an inspired double-bill featuring the experimental sounds of Edward Sharpe and the Magnetic Zeros and tUnE-yArDs.

The psychedelic folk troupe Edward Sharpe and the Magnetic Zeros bring their shared spirit to the ACL stage in their debut appearance on the show. Equipped with infectious melodies, catchy sing-a-longs and a free-spirited frontman, the 12-piece ensemble have gained fans all over the world. With two critically-acclaimed albums and a widespread reputation for energetic performances, the down-home outfit create what NPR calls a “gloriously uplifting ruckus.” The Los Angeles-based group draws inspiration from the communal musical communities that peppered Southern California with positive vibrations during the ’60s and early ’70s. The gang of animated musicians perform their bright music and homespun harmonies on ACL complete with spontaneous dancing, bare feet and bared souls.

“This is a band that loves to make music, pure and simple,” says ACL Executive Producer Terry Lickona. “They may look and sound like they came straight out of the 60’s, but there is a joy to their music that is infectious – onstage or off. In fact, frontman Alex Ebert had a hard time staying ON our stage during the show, and to everyone’s delight he plunged into the crowd more than once.”

Next up is the bold, uncompromising music of tUnE-yArDs, performing tracks from the critically-acclaimed opus whokill. The brainchild of indie singer-songwriter Merrill Garbus, tUnE-yArDs have fashioned an expansive sound incorporating layered ukulele, voice, electric bass and drum loops into an eclectic DIY aesthetic. Technology meets primal in the music of Garbus, who The New York Times describes as “somewhere between Aretha Franklin and Yoko Ono.” She showcases her striking sound for her first appearance on the ACL stage. With a bassist and two sax players joining Garbus’ frontline of drums, amplified ukelele and looping technology, tUnE-yArDs put on a show unlike any other.

photo by Scott Newton

“I don’t think we’ve ever had an act quite like Merrill Garbus and tUnE-yArDs on ACL,” says Lickona. “But don’t be fooled…just when her music seems to veer off in a strange direction, Merrill brings it all back home with the raw power of her voice and those loopy rhythms.”

Check out the episode page for more details on this remarkable show. We also hope you’ll visit us on Facebook and Twitter, or sign up for our newsletter. Next week: Ed Sheeran and Valerie June.

 

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Featured Live Stream News

Stream our taping with Sturgill Simpson live on Apr. 1

Austin City Limits is pleased to announce that we will be streaming our debut taping with Sturgill Simpson live on Wednesday, April 1, 8pm CT/9pm ET. The taping will webcast in its entirety via our YouTube channel and powered by Dell.

The Kentucky native released his first album High Top Mountain in 2013, establishing his philosophical brand of outlaw country. He broke out with his second LP Metamodern Sounds in Country Music, which earned Simpson national press coverage and the Emerging Artist of the Year Award at the 2014 Americana Music Awards & Honors. We’re proud to welcome Simpson for his ACL debut.

The broadcast version of this show will air this fall on PBS.  Join us for this live webcast of the Austin City Limits debut of Sturgill Simpson.

 

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News

Austin City Limits Hall of Fame ceremony 6/18

Be a part of the audience for the 2015 Austin City Limits Hall of Fame ceremony on June 18th!  Hosted by 21-time nominated, multiple GRAMMY Award-winning country star Dwight Yoakam, this musical celebration will take place at 7 pm at ACL Live at The Moody Theater. The ceremony inducts five trailblazing artists who have contributed to the iconic series legacy as a music institution — Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jimenez and Townes Van Zandt — and will feature music performances and tributes from a star-studded line-up of special guests to be announced.

Tickets for the second Austin City Limits Hall of Fame Induction Ceremony and concert will go on sale April 2nd at 10 am. Prices start at $75 and all proceeds benefit KLRU-TV, Austin PBS. Tickets can be purchased at acltv.com/hall-of-fame

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News

Giveaway: Sturgill Simpson

*** UPDATE: Giveaway is now over. If you did not receive an email about passes, you can watch the taping live as it happens on our Youtube channel.

Austin City Limits will be taping a performance by Sturgill Simpson on Wednesday, April 1st, at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd).  We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 9 am on March 30th. Winners will be chosen at random and a photo ID will be required to pickup tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required.

No photography, recording or cell phone use in the studio. No cameras allowed in venue.