Austin City Limits is excited to announce that we will be live streaming our upcoming Season 49 taping with Grammy-winning guitar duo Rodrigo y Gabriela in their first appearance in a decade, with a one-of-a-kind performancefeaturing the Austin Symphony Orchestra on July 7 at 8pm CT. This appearance marks the first time Austin City Limits/Austin PBS has collaborated with the Austin Symphony Orchestra, one of Austin’s oldest and most respected arts institutions. ACL offers fans worldwide the unique opportunity to watch this taping live in its entirety free here on our ACLTV YouTube Channel.
In an unprecedented performance, Rodrigo y Gabriela will be joined by over thirty musicians from the Austin Symphony Orchestra to bring to life their latest release In Between Thoughts…A New World on the ACL stage. For over two decades, the Mexico City-bred duo of Gabriela Quintero and Rodrigo Sanchez have created music that invites lasting transcendence, captivating audiences across the globe with their virtuosic and wildly inventive guitar playing. In Between Thoughts marks a sharp departure from the signature acoustic sound the acclaimed act first showcased on their 2006 self-titled studio debut, and finds the pair expanding their sound with an orchestra. Conceived during the pandemic, the duo worked remotely with Vienna-based composer Adam Ilyas Kuruc and The Bulgarian Symphony Orchestra, who ornamented their serpentine arrangements with lush strings and powerful percussion. Sparked from their study of Advaita Vedanta (a Hindu philosophy rooted in the concept of nondualism), In Between Thoughts…A New World arrives as one of Rodrigo y Gabriela’s most revelatory offerings to date: a spontaneously composed body of work primed to bring about the very expansion of consciousness that inspired its creation. As they delved further into the philosophy, the duo began channeling their sense of heightened awareness into song form. “The music just started flowing out, without any real intention,” says Rodrigo. “When we looked back we realized we’d come up with nine songs that told the story of our coming to understand the Advaita path, in the exact perfect order.” The album finds Rodrigo trading his acoustic guitar for electric, adding a mercurial new energy that’s elegantly amplified by the duo’s subtle use of analog synths, Mellotron, and other electronic instruments. Propelled by a fierce vitality hinting at their thrash-metal roots, the result is an album of relentless movement and endless fluidity, each moment charged with the pure thrill of discovery. “When the subject matter is something like spirituality or seeking meaning, that can very easily go along with music that’s calming or serene,” says Gabriela. “But we wanted to do something different — we wanted to bring a cinematic quality and a lot of action to the music, and make it feel as exciting as we find all this to be.”
Join us here on July 7 at 8 p.m. CT for Rodrigo y Gabriela featuring the Austin Symphony Orchestra; the broadcast episode will air on PBS this fall as part of our upcoming Season 49. Tune in to your local PBS station on Saturday nights for fan-favorite encore episodes of Austin City Limits; watch live on PBS, or stream anytime at PBS.org.
Photos by Danny Clinch, Derrek Kupish, and Anton Goiri.
Austin City Limits kicks off an exciting summer with a trio of new tapings for Season 49: the return of celebrated Americana superstars Jason Isbell and the 400 Unit on June 14 in their third headlining appearance; the long-awaited comeback, after nearly four decades, of country icon Tanya Tucker on July 10; and the debut of global music powerhouse Jorge Drexler, who swept the 2022 Latin Grammy Awards with a record seven awards, on July 31.
A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and, magically, to theirs, too. Weathervanes, Isbell and his GRAMMY®-winning band the 400 Unit’s eighth album, out June 9, carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. Isbell shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age—and carry a certain amount of scars. “There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.” Written and produced by Isbell, Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers. They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with his mighty band behind him he transforms, and there is a version of himself that can only exist in their presence. The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions. “It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise — and still listen to the other people in the room.”
Tanya Tucker, 2023. Photo by Derrek Kupish.
Edgy. Classic. Country. A defining voice of music and a modern-day legend, 2023 Country Music Hall of Fame Inductee and two-time GRAMMY® winner Tanya Tucker continues to inspire artists today. Born in Seminole, Texas, Tanya – who first appeared on ACL in 1986, during Season 11 – had her first country hit, the classic “Delta Dawn,” at the age of 13 in 1972. Since that auspicious beginning, she has become one of the most admired and influential artists in country music history, amassing 23 Top 40 albums and a stellar string of 56 Top 40 singles, ten of which reached the No. 1 spot on the Billboard country charts. Tanya’s indelible songs include some of country music’s biggest hits such as the aforementioned “Delta Dawn,” “Soon,” “Two Sparrows in a Hurricane,” “It’s a Little Too Late,” “Trouble,” “Texas (When I Die),” “If It Don’t Come Easy,” “Strong Enough To Bend” and many more. Tanya is also the recipient of numerous awards, including two CMAs, two ACMs and three CMT awards. In 2020, Tanya received two GRAMMY® Awards for Best Country Album: While I’m Livin’ and Best Country Song: “Bring My Flowers Now.” In the fall of 2020, Fantasy Records released Tanya Tucker – Live From The Troubadour on the one-year anniversary of Tanya’s historic, standing-room only set from which it originates. In October 2022, The Return of Tanya Tucker, Featuring Brandi Carlile, a documentary that chronicles the resurgence in Tucker’s career following the success of While I’m Livin’, hit theaters globally via Sony Pictures Classics. Lauded by The New York Times, the documentary raves that Tanya “hasn’t lost a step in terms of phrasing. The teardrop in her voice, strategically used in heartache songs, remains credible. [The doc] interweaves the contemporary sessions…better-than-competent piece of fan service.” In December 2022, Tanya made her acting debut in a lead role in Paramount’s A Nashville Country Christmas, starring alongside Academy Award® winner Keith Carradine. This June, Fantasy Records will release Tanya’s new album, Sweet Western Sound, which stands on her exquisitely warm and wizened vocals and a spectacular collection of cut-deep songs—an assertive and confident declaration of vitality and purpose from an irrepressible and irreplaceable country music icon. Produced once again by Brandi Carlile and Shooter Jennings, Sweet Western Sound reunites the award-winning trio. In October of 2023, Tanya will be inducted into the Country Music Hall of Fame – marking more than 50 years in the entertainment business.
Jorge Drexler, 2023. Photo by Anton Goiri.
Jorge Drexler is an Uruguayan musician and singer-songwriter with a storied professional career—over the course of three decades, he has recorded fourteen studio albums and has toured all over the world. The widely-acclaimed and decorated artist is the recipient of an Academy Award (2004) and thirteen Latin Grammys (2014, 2018, 2021, 2022). In 2022 Drexler released the acclaimed Tinta y Tiempo (Ink and Time), his fourteenth studio album, which earned an astonishing seven awards at 2022’s Latin Grammy Awards, including top honors of Song of the Year and Record of the Year for the album’s breakout single “Tocarte” (To Touch You). The sweeping and cinematic Tinta y Tiempo focuses on nature’s invention of love as a survival mechanism. “It was the thematic vector that informs the entire record, the kind of discourse that comes up when you emerge from a pandemic,” says Drexler. “Dealing with fear and the possibility of death makes you ponder the importance of life. Love as driving energy, life’s dynamo. This is why I believe the album is filled with color.” Anchored on his trademark poetic cosmovision and quirky wordplay, the collection is boosted by exquisite orchestral arrangements. Guest artists including Panamanian songwriter Rubén Blades, Spanish rapper C. Tangana, Israeli rapper/singer Noga Erez and Uruguayan singer Martín Buscaglia add color to a sophisticated songbook that finds Drexler’s voice—a wondrous instrument, capable of evoking vulnerability, hope and wistfulness within a single verse—in a state of grace. Rolling Stone calls the album “One of the most whimsical and free-spirited albums of his 30-year career.” The New York Times remarks that “Tinta y Tiempo is Drexler’s 14th studio album in a recording career filled with richly poetic, ingeniously constructed songs, delivered with amiable understatement.” This is an album of classic elegance and, at the same time, the overall sound vibrates in a very contemporary frequency, combining elements of candombe, pop, bossa nova, flamenco, bolero, Carioca funk, hip hop, trap, zamba, soul, Panamanian mejorana, or baguala, filtered through the sound of the orchestra, samples, percussive textures, female vocals, bass, drums, electric guitar and keyboards. The conceptual song cycle of Tinta y Tiempo sums up Drexler’s lush take on popular song, its ability to uplift and enlighten. “We have just emerged from a very difficult experience,” he adds. “Our capacity to love and our zest for life have been tested. The act of loving involves a certain sense of confusion, of losing control, and there’s nothing wrong with that. We should not lock ourselves in a world fueled by fear and self-oppression. We must keep our hearts thirsty for more, much more – against all odds.”
Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS this fall as part of our upcoming Season 49.
Austin City Limits announces an all-star slate of guest performers for the 2022 ACL Hall of Fame Inductions & Celebration on October 27, 2022 celebrating a pair of American originals: superstar singer-songwriter Sheryl Crow and legendary Texas music pioneer Joe Ely. Music greats Brandi Carlile, Jason Isbell, Mavis Staples, Brittney Spencer, Marcia Ball, Jimmie Dale Gilmore and Butch Hancock will take part in saluting the newest class of inductees with one-of-a-kind music performances and tributes. The inductees will be honored at the star-studded ceremony on October 27th, 2022 at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. More information about presenters and additional guest stars will be announced prior to the event. Musical highlights and inductions from the celebration will air as a special Austin City Limits on January 7, 2023 on PBS.
The event is open to the public and a limited number of tickets are on sale at acltv.com/hall-of-fame. Sponsor packages are available now at acltv.com/hall-of-fame. All proceeds benefit Austin PBS.
An all-star line-up of special guests will salute the honorees on this epic night: Americana great and six-time Grammy Award recipient Brandi Carlile, celebrated songwriter Jason Isbell, living legend Mavis Staples and country breakout Brittney Spencer will perform in tribute to nine-time Grammy Award winner Sheryl Crow. Texas music legend Joe Ely will be honored by Pulitzer Prize-winning author Lawrence Wright along with a musical salute from revered Lone Star musicians and Ely’s longtime collaborators in Texas supergroup The Flatlanders, Jimmie Dale Gilmore and Butch Hancock, along with blues legend and ACL Hall of Famer Marcia Ball. Inductees Sheryl Crow and Joe Ely will perform at the celebration. ACL Hall of Famer, renowned steel guitarist and producer Lloyd Maines, returns as Music Director, leading the ACL All-Stars house band featuring guitarist David Grissom, keyboardist Chris Gage, bassist Bill Whitbeck and drummer Tom Van Schaik.
The eighth class of inductees features two iconic acts: Celebrated singer-songwriter Sheryl Crow has made two classic hourlong appearances on ACL in her remarkable three-decade career, starting with her debut on Season 22 in 1997 and returning in 2004. She also co-hosted ACL’s 40th anniversary special in 2014, the same year the Hall of Fame was established. An icon of Texas music, Joe Ely has made 11 appearances on ACL: including as a headliner five times beginning with his 1980 ACL debut in Seasaon 5; also joining Los Super 7 in 1999, Texas supergroup The Flatlanders in 2002, and a Songwriters Special with Lyle Lovett, John Hiatt and Guy Clark in 2008. The influential artist has made guest appearances with multiple acts, including Kevin Welch in 1992, Ryan Bingham in 2009 and joined Steve Earle and the Dukes in 2019 for a tribute to Guy Clark.
Established in 2014, the Austin City Limits Hall of Fame celebrates the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable nearly half-century as a music institution. The Hall of Fame has inducted over twenty artists at seven previous ceremonies including Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin. The seventh annual Hall of Fame in 2021 welcomed Lucinda Williams, Wilco and Alejandro Escovedo to its ranks.
Austin City Limits and the Austin City Limits Hall of Fame are produced by Austin PBS. Austin PBS is a non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming.
Austin City Limits
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.
Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department and Cirrus Logic. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.
Austin City Limits is proud to announce new tapings for Season 48, showcasing a trio of originals. Renowned singer/songwriter and Texas icon Robert Earl Keen caps his remarkable musical journey with one last taping on April 27 before his planned retirement from live performance later this year. We’re also thrilled to showcase debut tapings by a pair of 2022 Grammy-nominated acts whose individuality and artistic reach create songs thrilling in their distinctive flavors. On May 9, we welcome North Carolina-bred electronic duo Sylvan Esso. On May 25, Nashville-based singer and songwriter Allison Russell takes the ACL stage as we reach a major milestone: our 1000th taping.
Robert Earl Keen debuted on Austin City Limits in 1989 as part of a Texas Showcase and has made four headlining appearances in addition to appearing as a guest of Lyle Lovett in 2000, returning for ACL’s milestone 40th Anniversary special in 2014 and hosting the ACL Hall of Fame in 2019. One of the most beloved songwriters and performers in Texas, the Houston native has lived his signature anthem “The Road Goes On Forever” as a road warrior performing over 180 dates in any given year, playing to his legions of fans at roadhouses, dance halls, theaters, and festival grounds. The legendary entertainer made the surprise announcement in March that he’ll wrap up a remarkable four decades of touring with one last tour in 2022 as his swan song: I’m Comin’ Home:41 Years On The Road. “I’ve been blessed with a lifetime of brilliant, talented, colorful, electrical, magical folks throughout my life,” says Keen. “This chorus of joy, this parade of passion, this bull rush of creativity, this colony of kindness and generosity are foremost in my thoughts…It’s with a mysterious concoction of joy and sadness that I want to tell you that as of September 4, 2022, I will no longer tour or perform publicly.” With a catalog of 21 albums, a band of stellar musicians, and many thousands of live shows under his belt, POLLSTAR ranked Keen in its Top 20 Global Concert Tours in 2021. Since releasing his debut album, No Kinda Dancer, in 1984, Keen has blazed a peer, critic, and fan-lauded trail that’s earned him living-legend status in the Americana music world. He’s received many accolades along the way, including 2015’s inaugural BMI Troubadour Award, celebrating songwriters who have made a lasting impact. His songs have been recorded by George Strait, Joe Ely, Nancy Griffith, Gillian Welch, The Highwaymen and more. Keen has been inducted into the Texas Heritage Songwriters Hall of Fame (alongside his longtime friend and Texas A&M classmate Lyle Lovett), the Texas Cowboy Hall of Fame, and the Distinguished Alumni Award from Texas A&M University. Keen was weaned on classic rock and Willie records and steered clear of the country mainstream, always taking the road less traveled throughout his storied career. His literate songcraft, razor wit and killer band stirred up a grassroots sensation not seen since the ’70s heyday of outlaw country. While Keen will be hanging up his hat on live shows, he’ll continue to write music and create, host his popular Americana Podcast, support young artists, and follow his artistic muse wherever it takes him. We’re thrilled to welcome Robert Earl Keen back to our stage for this very special performance.
Created with RNI Films app by Shervin Lainez.
Sitting in a Wisconsin deli in 2012, Amelia Meath told her new friend Nick Sanborn she wanted to start a pop band. She proposed a simple division of labor: She’d write and sing their emotionally multivalent songs, wrapped around seemingly effortless hooks. And he’d make the beats that drove them, slightly slippery instrumentals that winked at his abstract electronic inclinations. For a time, that was the premise of Sylvan Esso. But during the last decade, those responsibilities have morphed. Meath and Sanborn’s roles have become so intertwined that every moment of any new Sylvan Esso song feels rigorously conceptual but completely rapturous, their compelling central paradox. “Making music now looks like both of us sitting in a room together and having small arguments,” Meath quips. That dynamic thumps at the heart of Free Love, Sylvan Esso’s instantly endearing third album and a charming but provocative testament to the duo’s long-term tension. “We’re trying to make pop songs that aren’t on the radio, because they’re too weird,” says Meath. You could frame Free Love in a dozen different ways. You could, for instance, declare it their undeniable pop triumph, thanks to the summertime incandescence of “Ferris Wheel” or the handclap kinetics of “Train.” You might, on the other hand, call it their most delicate work yet, owing to Meath’s triptych of gently subversive anthems—“What If,” “Free,” and “Make It Easy”—that begin, end, and split the record into sides. You could label Free Love their modular synthesis album, since Sanborn’s explorations of those infinite systems shape so many of these daring songs. You might even call it their marriage record, as it’s the first LP Meath and Sanborn have made since trading vows. Instead, the thread that binds together every scintillating moment of Free Love may seem surprising for a duo that has already netted a 2022 Grammy nomination for Best Dance/Electronic Album for the record , made some of their generation’s sharpest pop daggers, and generally approached their work with an anything-goes esprit: Finding confidence. An album that implores us to consider that our assumptions about our world might be wrong, Free Love asks major questions about self-image, self-righteousness, friendship, romance, and environmental calamity with enough warmth, playfulness, and magnetism to make you consider an alternate reality. These are Sylvan Esso’s most nuanced and undeniable songs—bold enough to say how they feel, big enough to make you join in that feeling. The Durham, NC-based duo is currently on a U.S. headline tour with high-profile upcoming summer dates at Wilco’s Solid Sound and Rothbury’s Electric Forest Festival.
Photo by Marc Baptiste.
After years of collaborations with like-minded artists, Allison Russell’s first-ever solo project, Outside Child was released in 2021 to critical acclaim and earned a trio of 2022 Grammy nominations, including Best Americana Album. Russell, a self-taught singer, songwriter, multi-instrumentalist, and co-founder of folk collective Our Native Daughters and duo Birds of Chicago, unpacks her youth in searing detail. Rolling Stone raves, “Russell turned her brutally tough childhood into stunning art.” Raised in Montreal, Russell imbues her music with the colors of her city – the light, the landscape, the language – but also the trauma that she suffered there. It is a heartbreaking reflection on a childhood no one should have to endure, and at the same time a powerful reclamation – asserted from a place of healing, of motherhood, of partnership – and from a new home made in Nashville. The record features many of the artistic family members she has found there including Yola, Erin Rae, The McCrary Sisters, Ruth Moody, Jamie Dick, Dan Knobler and her partner JT Nero. Outside Child, says Russell “is about resilience, survival, transcendence, the redemptive power of art, community, connection, and chosen family.” Singing about this on the double Grammy-nominated “Nightflyer,” Russell ponders the healing power of motherhood, using the track’s wide-open expanse to convey the strength she didn’t know she had. Here, the line “I am the mother of the evening star / I am the love that conquers all” is “the most defiantly triumphant, hopeful line I’ve ever written,” says Russell. “That’s about the birth of my daughter and how that transformed me.” Though she endured a fraught relationship with her own mother, Russell remembers how she’d crawl underneath the piano and listen to her mother play. “I would hum along with her,” Russell recalls. “She said I was humming before I could talk. I was able to feel some kind of comfort or love or connection in a way that she couldn’t verbally or physically express – but I could feel in her music that there was love in her.” Ultimately, Outside Child is not only a radical reclamation of a traumatic childhood and lost home, it is a lantern light for survivors of all stripes – a fervent reminder of the eleventh hour, resuscitative power of art. Fellow songwriter and poet Joe Henry raves, “Outside Child draws water from the dark well of a violent past. The songs themselves ––though iron-hard in their concerns–– are exultant: exercising haunted dream-like clean bedsheets snapped and hung out into broad daylight, and with the romantic poet’s lust for living and audacity of endurance.” We’re thrilled to bring Russell to the ACL stage as we celebrate a landmark occasion with our milestone 1K taping moment.
Want to be part of our audience? We will post information on how to get free passes as we get a week out from each date. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air in late 2022 on PBS as part of our upcoming Season 48.
Please look for safety updates regarding entry to Austin City Limits tapings. Austin PBS will continue to monitor local COVID-19 trends and will meet or exceed protocols mandated by local governments.
NASHVILLE, TENNESSEE - SEPTEMBER 22: (L-R) Amanda Shires and Maren Morris of The Highwomen, Yola, Brandi Carlile of The Highwomen, Jason Isbell and Natalie Hemby of The Highwomen perform onstage at the 20th Annual Americana Honors & Awards at Ryman Auditorium on September 22, 2021 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music Association)
Austin City Limits returns to Nashville for a special broadcast featuring performance highlights from the 20th Annual Americana Honors. For two decades, the annual celebration of roots music has honored the best and brightest musicians in Americana music while showcasing one-of-a-kind performances and collaborations. The program is filled with musical highlights from many of the event’s award-winners and honorees, among them (in order of appearance): Fisk Jubilee Singers with Leon Timbo, Sarah Jarosz, Aoife O’Donovan & Joe Henry, Allison Russell, The Highwomen, featuring Brandi Carlile, Natalie Hemby, Maren Morris, Amanda Shires with Yola, Jason Isbell, Valerie June & Carla Thomas, Charley Crockett, Amythyst Kiah, Buddy Miller, Brandi Carlile & The Mavericks. The hourlong special premieres Saturday, April 2 at 7pm CT/8pm ET on PBS and varies by market (check local listings for times). Check PBS listings for local airtimes. The special will be available to music fans everywhere to stream online beginning Sunday, April 3 @10am ET at pbs.org/austincitylimits. Viewers can visit acltv.com for news regarding upcoming Season 48 tapings, episode schedules and select live stream updates.
Recorded live at Nashville’s historic Ryman Auditorium in 2021, The Americana Music Association’s 20th Annual Americana Honors & Awards ceremony is a celebration of the confluence of roots, blues, soul, folk and country music. For the tenth year, the producers of Austin City Limits, in conjunction with producers Martin Fischer, Michelle Aquilato, and Jed Hilly for the Americana Music Association, proudly deliver a special ACL Presents.
NASHVILLE, TENNESSEE – SEPTEMBER 22: Fisk Jubilee Singers perform onstage at the 20th Annual Americana Honors & Awards at Ryman Auditorium on September 22, 2021 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music Association)
Lifetime Achievement Award honorees Fisk Jubilee Singers, the award-winning choir formed at Nashville’s HBCU Fisk University, open the hour and raise the Ryman roof with the stirring spiritual “I Believe” joined by gospel great Leon Timbo. Americana’s Artist of the Year Brandi Carlile delivers a gorgeous solo performance of her 2022 triple Grammy-nominated song “Right On Time” and also performs with her bandmates Maren Morris, Natalie Hemby and Amanda Shires in country supergroup the Highwomen, joined by greats Yola and Jason Isbell for the occasion. Multiple Americana Album of the Year nominees showcase highlights: Americana stalwart Sarah Jarosz performs “I’ll Be Gone,” a gem from her celebrated World on the Ground, joined by John Leventhal; Valerie June performs her Song of the Year-nominated “Call Me A Fool” from her The Moon And Stars: Prescriptions for Dreamers, joined by Stax great and Lifetime Achievement honoree Carla Thomas; and one of the genre’s top stars, Jason Isbell, is joined by wife and collaborator Amanda Shires for “Letting You Go,” a poignant song written for their young daughter from his acclaimed Reunions.
NASHVILLE, TENNESSEE – SEPTEMBER 22: Valerie June performs onstage at the 20th Annual Americana Honors & Awards at Ryman Auditorium on September 22, 2021 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music Association)
The award’s Emerging Artist honorees take the stage to showcase their talents: the year’s Emerging Artist Award-winner and “the pride of San Benito, Texas,” Charley Crockett, makes a sparkling debut with his singular brand of Gulf & Western music, performing the two-stepping “Are We Lonesome Yet.” Fellow nominee, genre-bending artist Allison Russell, delivers her 2022 double Grammy-nominated “Nightflyer,” a soulful number from her critically-acclaimed solo record Outside Child, also a 2022 Grammy nominee for Best Americana Album. Breakout singer-songwriter Amythyst Kiah showcases her bonafides with a powerhouse “Fancy Drones (Fracture Me),” forecasting the future of the genre.
NASHVILLE, TENNESSEE – SEPTEMBER 22: Amythyst Kiah performs at the 20th Annual Americana Honors & Awards at Ryman Auditorium on September 22, 2021 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music Association)
The special pays tribute to a pair of Americana greats we lost in 2021: Country-folk legend Nanci Griffith, a trailblazer in the genre, is saluted with a gorgeous reading of her “Gulf Coast Highway,” performed by Aoife O’Donovan and Joe Henry; country great Tom T. Hall is honored by famed musician Buddy Miller, who performs a memorable rendition of Hall’s classic “That’s How I Got to Memphis.”
NASHVILLE, TENNESSEE – SEPTEMBER 22: Aoife O’Donovan and Joe Henry perform at the 20th Annual Americana Honors & Awards at Ryman Auditorium on September 22, 2021 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music Association)
The show closes with the eclectic rock-country-Latin band the Mavericks, recipients of the Lifetime Achievement Trailblazer Award, celebrating the diversity of the genre with “La Sitiera,” from their acclaimed Spanish-language album En Español.
NASHVILLE, TENNESSEE – SEPTEMBER 22: Raul Malo of The Mavericks performs at the 20th Annual Americana Honors & Awards at Ryman Auditorium on September 22, 2021 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music Association)
Broadcast setlist:
Fisk Jubilee Singers ft. Leon Timbo “I Believe”
Sarah Jarosz ft. John Leventhal “I’ll Be Gone”
Aiofe O’Donovan & Joe Henry “Gulf Coast Highway”
Allison Russell “Nightflyer”
The Highwomen (Brandi Carlile, Maren Morris, Amanda Shires, Natalie Hemby) ft. Yola & Jason Isbell
Jason Isbell ft. Amanda Shires “Letting You Go”
Valerie June ft. Carla Thomas “Call Me A Fool”
Charley Crockett ”Are We Lonesome Yet”
Amythyst Kiah “Fancy Drones (Fracture Me)”
Buddy Miller “That’s How I Got to Memphis”
Brandi Carlile “Right on Time”
The Mavericks “La Sitiera”
About AMERICANAFEST:
The 22nd annual AMERICANAFEST will take place September 13-17, 2022 in Nashville, Tenn., once again bringing together music industry professionals and fans alike for five days of discovery, insight and connections. Declared a “veritable juggernaut” by American Songwriter, AMERICANAFEST showcases hundreds of artists and bands throughout many notable venues in Nashville, TN. The destination event also features a first-rate industry conference, bringing together the top tier of the music business to discuss current industry topics and issues. Musical festivities are kicked off by the critically acclaimed Americana Honors & Awards, which celebrates luminaries and welcomes the next generation of trailblazers while offering one-of-a-kind performance pairings at Nashville’s famed Ryman Auditorium. For more information, please visit www.americanamusic.org.
About the Americana Music Association:
The Americana Music Association is a professional not-for-profit trade organization whose mission is to advocate for the authentic voice of American roots music around the world. The Association produces events throughout the year; including AMERICANAFEST and the critically acclaimed Americana Honors & Awards program. The Americana Music Association receives enormous support from the Tennessee Department of Tourism, Nashville Convention & Visitors Corp, ASCAP, BMI, SESAC.
About ACL Presents:
ACL Presents is music programming created by, or in association with, Austin PBS, the producers of Austin City Limits (ACL). ACL Presents programming includes television specials, live events, web series and recorded music presentations and is made in the spirit and standards of the legendary PBS series Austin City Limits, the longest-running live music series in television history. ACL Presents collaborations have included: Hardly Strictly Bluegrass with KQED and Americana Music Festival with Nashville Public Television (NPT).
Austin City Limits is proud to announce our final taping of Season 47, with a Texas legend making his highly-anticipated return to the ACL stage: maverick singer/songwriter Terry Allen returns for his first headline taping in over two decades on December 1. He will be joined by his longtime group the Panhandle Mystery Band—featuring Lloyd Maines, Charlie Sexton, Richard Bowden, Shannon McNally, Davis McLarty and sons Bukka and Bale Allen. The taping will also be live streamed, as ACL offers fans worldwide a unique opportunity to watch the taping live in its entirety at 8pm CT/ 9pm ET at this location. ACL’s public ticket giveaway, which had been suspended throughout Season 47 due to Covid restrictions, will resume with this taping and we are thrilled to welcome back the general public.
Iconic and iconoclastic Texan songwriter and visual artist Terry Allen returns to the ACL stage to showcase his highly lauded 2020 album Just Like Moby Dick. Raised in Lubbock, Texas, the cult favorite continues the remarkable artistic trajectory he began almost fifty years ago with influential classics including his cinematic debut Juarez (1975) and his 1979 masterstroke Lubbock (on everything). Just Like Moby Dick has earned widespread acclaim: “A remarkable late-career high point” (Austin American-Statesman); “One of outlaw country’s strongest and oddest talents” (Uncut); “…takes you on a journey through the brilliant mind of this ‘master lyricist’” (New York Times). Casting his net wide for wild stories, Just Like Moby Dick features, among many other things, Houdini in existential crisis, the death of the last stripper in town, the wars in Iraq and Afghanistan, mudslides and burning mobile homes, and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells. Alongside his iconic musicianship, Allen also is an accomplished, “flat-out inspiring” (LA Times) visual artist whose work has been shown throughout the United States and internationally, and is represented in major private and public collections. His work will be the subject of the upcoming exhibition MemWars at Austin’s Blanton Museum of Art beginning December 18 through July 2021. The New York Times notes, “There is just one person whose art has been seen in highbrow museums around the country and is an inductee of the Buddy Holly Walk of Fame in Lubbock. He is Terry Allen.” Allen is the subject of the recent documentary concert film, Scott Ballew’s Everything for All Reasons, featuring frequent collaborators including David Byrne, Kiki Smith, Joe Ely and Allen’s wife, actress writer Jo Harvey Allen. Allen has also collaborated with Guy Clark, Butch Hancock, Dave Alvin and Lucinda Williams, and his haunting and hilarious songs have been covered and championed by the likes of Bobby Bare, Ryan Bingham, Richard Buckner, Jason Isbell, Little Feat, Sturgill Simpson, and Kurt Vile.
Want to be part of our audience? We will post information on how to get free passes on November 22 at 10 a.m. CT. Follow us on Facebook and Twitter for notice of postings. The broadcast episode will air in early 2022 on PBS as part of our Season 47.
Austin PBS has adopted updated health & safety protocols for those in attendance at tapings until further notice, including the requirement of avnegative COVID test or proof of vaccination for entry. As public health conditions for live entertainment change, ACL will remain flexible and adapt to applicable health protocols. We appreciate your understanding and patience as we continue to respond to ever-changing conditions. Our top priority is bringing y’all great music and keeping everyone who attends ACL tapings safe.
