Category: Featured

Austin City Limits Announces Full Line-Up for 2023 ACL Hall of Fame

Post author By michael
Post date October 13, 2023

Austin City Limits proudly announces additional guest performers for the 2023 ACL Hall of Fame Inductions & Celebration on October 26, 2023. Acclaimed singer-songwriters Brandy Clark, Valerie June, Nathaniel Rateliff and Grammy-winning duo Brothers Osborne will join the previously announced line-up of music luminaries slated to perform: Tyler Childers, Ronnie Dunn, Don Henley, Jo Dee Messina, Tommy Prine, Allison Russell and Kurt Vile. The all-star line-up will salute a pair of American originals—country superstar Trisha Yearwood and late, beloved singer-songwriter John Prine—with one-of-a-kind music performances and intimate tributes as they are inducted into the ACL Hall of Fame. All-star guests will handle induction honors on this epic night: Don Henley will induct Trisha Yearwood; renowned actor and filmmaker Ethan Hawke will induct John Prine posthumously.

The inductees will be honored at a star-studded ceremony at ACL’s studio home, ACL Live at The Moody Theater in downtown Austin. Austin City Limits 9th Annual Hall of Fame is produced by Austin PBS. Musical highlights and inductions from the celebration will air as a pair of companion Austin City Limits Hall of Fame Honors installments dedicated to each inductee, set to air in January 2024 on PBS.

Co-founder of the Eagles Don Henley, will induct his longtime friend Trisha Yearwood and perform in tribute. Brandy Clark and Brothers Osborne join country greats Jo Dee Messina and Ronnie Dunn in saluting Yearwood; additionally, honoree Yearwood is slated to perform with Don Henley at the celebration. Actor and Austin native Ethan Hawke will induct John Prine, who passed away in 2020. Music great Nathaniel Rateliff and musician, artist, and bestselling author Valerie June join the musical salute as a stellar slate of guest artists take the stage to pay tribute to their friend, mentor and inspiration, including acclaimed singer-songwriter Tyler Childers, who performed with Prine during his final ACL taping in 2018 for Season 44, Americana great Allison Russell, and singer, songwriter and guitar ace Kurt Vile. John’s son, singer-songwriter Tommy Prine, will perform in honor of his father.

ACL Hall of Famer, renowned steel guitarist and producer Lloyd Maines, returns as Music Director, leading the ACL All-Stars house band featuring guitarist David Grissom, keyboardist Chris Gage, bassist Bill Whitbeck and drummer Tom Van Schaik.

The event is open to the public and a limited number of tickets are on sale at acltv.com/hall-of-fame. Sponsor packages are available at acltv.com/hall-of-fame. All proceeds benefit Austin PBS.

Austin City Limits celebrates 50 years as a live music beacon with a yearlong milestone celebration beginning in 2024: on October 17, 1974, Willie Nelson taped the pilot episode and the trailblazing series premiered in 1975. Stay tuned for news on special concerts, fan events and activations as Austin City Limits salutes an incredible legacy of 50 golden years of American musical history and iconic performances.

Since its inception in 2014, the annual ACL Hall of Fame celebration honors the legendary artists who helped to build the legacy of the trailblazing music series as it nears a remarkable half-century milestone as a music institution. The inaugural awards honored Willie Nelson and Stevie Ray Vaughan. The ninth class of inductees features two legendary acts: Multiple GRAMMY®, CMA® and ACM® Award-winner Trisha Yearwood debuted on the series in Season 17 in 1992. She went on to make two additional headlining appearances in 1996 and 2000 and returned in Season 41 in 2015 as a guest of Don Henley. The late singer-songwriter John Prine appeared regularly on ACL throughout his celebrated five-decade career. Prine made his first Austin City Limits appearance in 1978, in the third season of the nascent show, and returned for his eighth and final appearance forty years later in Season 44 in 2018. The influential artist appeared on a Songwriters Special in 1983 alongside peers including Guy Clark and Rodney Crowell, and made headlining appearances in 1988, 1992 and 1996; and in 2002 appeared as a special guest of Bonnie Raitt. Austin City Limits saluted Prine with a posthumous retrospective hour in 2020, which aired as the season premiere of Season 46 and highlighted classic gems from his catalog.

Established in 2014, the Austin City Limits Hall of Fame celebrates the legacy of legendary artists and key individuals who have played a vital part in the pioneering music series remarkable nearly half-century as a music institution. The Hall of Fame has inducted over twenty artists at eight previous ceremonies including Willie Nelson, Stevie Ray Vaughan & Double Trouble, Lloyd Maines, Asleep at the Wheel, Loretta Lynn, Guy Clark, Flaco Jiménez, Townes Van Zandt, Kris Kristofferson, Bonnie Raitt, B.B. King, Roy Orbison, Rosanne Cash, The Neville Brothers, Ray Charles, Marcia Ball, Los Lobos, Lyle Lovett, Buddy Guy, Shawn Colvin, Lucinda Williams, Wilco and Alejandro Escovedo. The eighth annual Hall of Fame in 2022 welcomed Sheryl Crow and Joe Ely to its ranks.

Austin City Limits 9th Annual Hall of Fame is produced by Austin PBS and funding is provided in part by AXS Ticketing.

Tags ACL Hall of Fame 2023, Allison Russell, Brandy Clark, Brothers Osborne, Don Henley, Ethan Hawke, Jo Dee Messina, John Prine, Kurt Vile, Nathaniel Rateliff, Ronnie Dunn, Tommy Prine, Trisha Yearwood, Tyler Childers, Valerie June

Episode Recap Featured New Broadcast News

Episode premiere: Jenny Lewis/MUNA

Post author By michael
Post date October 12, 2023

Jenny Lewis and MUNA on Austin City Limits. Photos by Scott Newton.

Austin City Limits (ACL) newly-launched Season 49 continues with a double-bill showcasing a pair of Los Angeles-based acts: acclaimed singer-songwriter Jenny Lewis returns to the ACL stage for her first appearance in a decade with selections from her latest Joy’All and breakthrough indie-pop band MUNA deliver a revelatory set in a radiant ACL debut. The new episode premieres October 14 at 7pm CT/8pm ET. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.

The program, produced by Austin PBS and recorded live at ACL’s studio home ACL Live in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 49 years as the music institution nears a remarkable half-century milestone. Austin City Limits celebrates 50 years as a live music beacon in 2024: on October 17, 1974, Willie Nelson taped the pilot episode and the trailblazing series premiered in 1975. Stay tuned for news on special concerts, fan events and activations as Austin City Limits salutes an incredible legacy of 50 golden years of American musical history and iconic performances.

Jenny Lewis on Austin City Limits, 2023. Photo by Scott Newton.

“What a joy to be back here at ACL,” says Jenny Lewis as she opens a joy-filled set in her second appearance as a solo artist on the ACL stage, two decades into a prolific career. Clad in a black leather jumpsuit, and fronting an all-female band of ringers, Lewis perches on a circular mini-stage for “Joy’All,” the irresistible title track of her acclaimed fifth album, produced by Nashville ace Dave Cobb. The clarion quality of Lewis’ voice soars as she switches between a guitar and a Wurlitzer. She sits at the keyboard for the soulful “Heads Gonna Roll,” from 2019’s On the Line, a tumultuous road trip anthem fueled by a fire of unrequited love. Revered by fans for her confessional, narrative lyrics, a set highlight is the country-rock kiss-off “Psychos,” featuring a lush melody, pedal steel arrangement and the fan-favorite line “I’m not a psycho, I’m just tryna get laid.” The set closes with the joyous rock tune “Love Feel,” earning rapturous cheers from the crowd as she namechecks forebears Waylon and Wilie, Marvin Gaye, Johnny Cash, Hank Williams and another ACL inspiration: “A little shout-out to John Prine there!” as Lewis closes out a sparkling set with a smile.

MUNA perform on Austin City Limits, April 25, 2023. Photo by Scott Newton.

In their ACL debut, LA trio MUNA perform a supercharged set showcasing gems from their self-titled third album. The group consists of lead singer and songwriter Katie Gavin, multi-instrumentalist Naomi McPherson and lead guitarist Josette Maskin. The trio are enjoying a meteoric rise and a banner year, becoming one of music’s must-see live acts, landing 2023 arena dates opening for Taylor Swift and boygenius, in addition to high-profile festival appearances at Coachella and Bonnaroo, and their own sold-out “Life’s So Fun” tour. MUNA have earned legions of fervent fans and widespread acclaim for their propulsive pop-rock melodies and hook-filled queer anthems. MUNA’s songwriting touches on the joys, longings and complexities of life in the LGBTQ community. The band radiates electric energy as their followers in the MUNAverse thrill to the empowering singalongs of “Kind of Girl” and “Anything But Me.” The performance reaches a fever pitch with “Home By Now,” a dancefloor banger, as Katie Gavin dances across the stage for a euphoric close.

“‘Joy’ is the operative word for this powerful combo,” said ACL executive producer Terry Lickona. “Jenny Lewis showcases a new chapter in her prolific career, proving that she continues to break musical boundaries, and MUNA’s anthemic songs prove that everything is possible when people connect to each other.”

Jenny Lewis setlist:

Joy’All

Heads Gonna Roll

Cherry Baby

Psychos

Puppy And A Truck

Love Feel

MUNA setlist:

Loose Garment

Winterbreak

Kind Of Girl

Taken

Anything But Me

Home By Now

Season 49 Broadcast Line-up (second half of season to be announced separately)

Oct. 7 Rodrigo y Gabriela featuring the Austin Symphony Orchestra

Oct. 14 Jenny Lewis / MUNA

Oct. 21 Lil Yachty / Sudan Archives

Oct. 28 Margo Price / Molly Tuttle & Golden Highway

Nov. 4 Jorge Drexler

Nov. 11 Jason Isbell and the 400 Unit

Nov. 18 Foo Fighters

Watch new episodes live, stream online, or download the PBS App. The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter, IG and TikTok. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 49th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Tags Jenny Lewis, MUNA, Season 49

Taping recap: Alanis Morissette

Post author By michael
Post date October 9, 2023

Alanis Morissette tapes her first Austin City Limits, Oct. 6, 2023. Photo by Scott Newton.

Nineties rock icon Alanis Morissette made history on the Austin City Limits stage bringing the nostalgic air of MTV Unplugged episodes and an obsession with alternative rock to a packed Moody Theater crowd. The show-stopping performance brought 1995’s landmark Jagged Little Pill album back to capture the hearts of 90’s rockers in combination with tracks from her classic albums including Supposed Former Infatuation Junkie, So-Called Chaos, Under Rug Swept, and Such Pretty Forks in the Road. Morissette’s magic, which comes from her unrivaled soul and authenticity in the presence of 90’s rock, continued to make waves. A musical trailblazer, Morissette’s Season 49 performance reflected a legacy that once compelled fans to cry, yell, and dance over the cords connected to their Sony CD players that continues to fuel audiences with a lust for life. More than an icon you oughta know, Morissette is the powerfully raw and introspective rock legend you oughta be.

The singer’s performance kicked off with a high energy entrance, as she ran onto stage to the familiar intro of the classic “All I Really Want,” signature harmonica in hand. Capturing the crowd in excitement, Morisette walked and leaped back and forth across the stage singing powerfully. Morissette’s free-spirited stage presence, combined with an “in your face” authenticity, transports concert-goers back to 1995. The performance continued into the uplifting “Hand in My Pocket,” a testament to the comforting relatability of the singer’s intimate lyricism that captured the heart of the audience. The enraptured crowd swayed back and forth before the beginning of “Head Over Feet,” the popular ballad for the hopeless romantics dedicated to finally surrendering to the consuming purity of healthy love. Around the theater, a group of patrons stood linked arm to arm, belting out “I couldn’t help it, it’s all your fault,” as couples exchanged long glances while listening to the heartwarming gem.

“Losing the Plot” from Morissette’s 2020 album Such Pretty Forks in the Road brings her familiar uplifting but confessional lyricism to the forefront as the singer explores the emotional exhaustion brought from the pursuit of relentless perseverance. Towards the end of the song Morissette bared all with a brightly, bedazzled electric guitar while singing “I am losing the plot, I am grieving the end of superwoman-ing.” The Canadian singer brought her performance to an end, bringing an already musically enamored crowd to jump on their feet to the angsty, tell-all, breakup anthem, “You Oughta Know.” A packed Moody Theater crowd passionately belted “And I am here to remind you of the mess you left when you went away” as fans headbanged and stretched their hands out in the signature rock and roll “horns” gesture while the band began “Uninvited.” The final anthem “Thank You” saw Morisette spinning in circles creating a passionately explosive end to a history-making performance. A trailblazer for female-fronted rock, Morissette’s originality continues to keep audiences head over feet.

Alanis Morissette on Austin City Limits, Oct. 2023. Photos by Scott Newton.

Setlist:

All I Really Want – Jagged Little Pill

Hand in My Pocket – Jagged Little Pill

Right Through You – Jagged Little Pill

You Learn – Jagged Little Pill

Segue 1 (Hands Clean) – Under Rug Swept

Forgiven – Jagged Little Pill

Segue 2 (Everything) – So-Called Chaos

Mary Jane – Jagged Little Pill

Segue 3 (Diagnosis) – Such Pretty Forks in the Road

Reasons I Drink – Such Pretty Forks in the Road

Head Over Feet – Jagged Little Pill

Segue 4 (So Unsexy) – Under Rug Swept

Ablaze – Such Pretty Forks in the Road

Segue 4 ½ (Nemesis) – Such Pretty Forks in the Road

Perfect – Jagged Little Pill

Segue 5 Mike (Losing the Plot) – Such Pretty Forks in the Road

Wake Up (acoustic) – Jagged Little Pill

Not the Doctor – Jagged Little Pill

Ironic – Jagged Little Pill

Segue 6 (Sympathetic Character) – Supposed Former Infatuation Junkie

Smiling – Such Pretty Forks in the Road

Segue 7 (I Remain) – Havoc and Bright Lights

You Oughta Know – Jagged Little Pill

Encore:

Uninvited – City of Angels soundtrack

Thank U – Supposed Former Infatuation Junkie

Musicians:

Alanis Morissette – vocals, harmonica, guitar

Michael Farrell – keyboards

Jason Orme – guitar

Cedric Lemoyne – bass

Julian Coryell – guitar

Victor Indrizzo – drums

Tags Alanis Morissette, Season 49

Taping recap: Brittney Spencer

Post author By michael
Post date October 6, 2023

Brittney Spencer tapes Austin City Limits, Oct. 6, 2023. Photo by Scott Newton.

The Brittney Spencer song “First Car Feeling” celebrates the exhilaration of new experiences, new moments when everything feels fresh and exciting. We’d like to think Ms. Spencer was feeling some of that as she took the stage for her debut taping on Austin City Limits. She was a standout at last year’s ACL Hall of Fame presentation as she put her stamp on Sheryl Crow’s “My Favorite Mistake,” so it was inevitable that she would come back to showcase her own tunes.

And what tunes they were. Drawn mostly from her forthcoming debut album My Stupid Life, out this January on Elektra Records, the songs bespoke a thoughtful songsmith unafraid to bare her soul while still paying attention to artistry. Fronting a seven-piece band of versatile musicians, Spencer smoothly blended country music with R&B, much like classic singers like Arthur Alexander and contemporary ones like Yola – a perfect fusion of craft and soul. She got the crowd dancing and singing along with “I Got Time,” smiling in recognition with “Night In,” and feeling her every emotion in the ballad “Deeper.” In a couple of special moments, Spencer paid tribute to her inspirations – Reba, Aretha, Janis, Dolly, Latifah and more – with “Bigger Than the Song” and a cover of Willie Nelson’s “On the Road Again” worked up especially for this show. She also marveled at her good fortune (augmented by hard work) in the title track of the upcoming record. A spectacular vocal performance on “My First Rodeo” brought the audience to their feet, leaving the singer fighting back tears. “I’ve been trying not to cry the whole show,” she remarked.

Most impressively, she stunned the crowd with the poignant “Sober & Skinny,” taking the surface humor of “If you get sober, I’ll get skinny” and using it to highlight the heartbreak of a mutually self-destructive relationship. That led into the even more emotional “Reaching Out,” an anthem for anyone who feels alone and unwanted – something anyone can identify with, as shown by the standing ovation Spencer received as she quit the stage. She rewarded the people’s persistent applause by returning with a raucous version of the Nancy Sinatra classic “These Boots Are Made For Walking.” Spencer looked giddy as she left the stage for the second time, as well she should: once it airs early next year as part of our Season 49, this episode will prove that Brittney Spencer is a star.

Brittney Spencer performs on Austin City Limits, Oct. 2023. Photos by Scott Newton.

Setlist:

First Car Feeling – My Stupid Life

Better As Friends – If I Ever Get There: A Day at Blackbird Studio EP

Night In – My Stupid Life

Bigger Than the Song – My Stupid Life

Deeper – My Stupid Life

On the Road Again – Willie Nelson cover

I Got Time – My Stupid Life

My Stupid Life – My Stupid Life

If You Say So – My Stupid Life

My First Rodeo – My Stupid Life

Sober & Skinny – single

Reaching Out – My Stupid Life

These Boots Were Made For Walking – Nancy Sinatra cover

Musicians:

Brittney Spencer – vocals, guitar

Abbey Cone – vocals

Alfred Carty – bass

Bobby Wesley – guitar

Harrison Finks – keyboards

John McNally – pedal steel, guitar

Matt Cummings – guitar

Megan Jane – drums

Tags Brittney Spencer, Season 49

Season premiere: Rodrigo y Gabriela featuring the Austin Symphony Orchestra

Post author By michael
Post date October 3, 2023

Photo by Scott Newton.

Austin City Limits launches a new slate of must-see performances from music’s finest with a singular highlight as its season premiere: famed guitar virtuoso duo Rodrigo y Gabriela take viewers on a sonic adventure with their super-charged instrumentals, accompanied by the Austin Symphony Orchestra. The Mexico City natives are joined by over 30 musicians from the world-class ensemble to bring to life their latest album In Between Thoughts…A New World. This groundbreaking performance marks the very first time the live music series has partnered with the esteemed orchestra, one of Austin’s leading arts institutions. The hourlong episode premieres October 7 at 7pm CT/8pm ET. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.

For over two decades, the duo of Gabriela Quintero and Rodrigo Sánchez have captivated audiences across the globe with their fast, rhythmic and wildly inventive guitar playing. In their first appearance on the ACL stage in a decade, they return with a one-of-a-kind collaboration featuring the Austin Symphony Orchestra. Rodrigo y Gabriela open the spellbinding hour with a furious clash of acoustic and electric guitar amid a maelstrom of distortion and flashing lights. Their latest album In Between Thoughts…A New World is a highpoint of their career and it serves as the centerpiece of this ACL performance. The work is designed to bring about an “expansion of consciousness” as the guitarists lead viewers on an exhilarating thrill ride showcasing their hypnotic, muscular blend of song which owes as much to rock and heavy metal as to the music of their native Mexico.

Renowned previously for their signature acoustic interplay, this latest outing introduces electric guitar, as Rodrigo’s blistering, intricate fretboard moves create an alchemy with Gabriela’s dazzling flamenco-based acoustic rhythms. Accompanied by the Austin Symphony Orchestra, led by conductor Peter Bay, the innovative duo explore new sonic horizons, expanding their sound from classical to metal in a stunning, high-energy hour. The orchestra soars with lush strings and powerful percussion on the magical “The Eye That Catches The Dream” and the guitar maestros receive a standing ovation as the powerful set-closer “Descending to Nowhere” reaches its epic climax.

“We’re always looking for new ways to make history, so after 49 years this is our first collaboration with a symphony, and we found one of the best in our own backyard,” said ACL executive producer Terry Lickona. “The Austin Symphony under Peter Bay’s baton provides a rich, lush accompaniment to the jarring, furious guitar riffs of Rodrigo y Gabriela. It’s pure magic.”

Episode setlist:

Astrium In Corpore

True Nature

The Eye That Catches the Dream

Egoland

Monster

Seeking Unreality

The Ride of the Mind

Broken Rage

Finding Myself Leads Me to You

In Between Thoughts…A New World

Descending to Nowhere

Season 49 Broadcast Line-up (second half of season to be announced separately)

Oct. 7 Rodrigo y Gabriela featuring the Austin Symphony Orchestra

Oct. 14 Jenny Lewis / MUNA

Oct. 21 Lil Yachty / Sudan Archives

Oct. 28 Margo Price / Molly Tuttle & Golden Highway

Nov. 4 Jorge Drexler

Nov. 11 Jason Isbell and the 400 Unit

Nov. 18 Foo Fighters

Austin City Limits

Tags Austin Symphony Orchestra, Rodrigo y Gabriela, Season 49, season premiere

Taping recap: Noah Kahan

Post author By michael
Post date September 26, 2023

Noah Kahan performs on Austin City Limits, Sept. 26, 2023. Photo by Scott Newton.

“Man, I’ve been watching these since I was a kid,” said Noah Kahan after the first song in his debut Austin City Limits taping. “I never thought I’d get a chance to be here.” Now that he was, the Vermont native made the most of it. Clad in a beige jumpsuit (“I don’t have the muscle definition for a tanktop, so what am I supposed to do?”) and backed by his five-piece band, Kahan played nearly every number from his breakthrough album Stick Season (We’ll All Be Here Forever). Clearly a devotee of both the quiet and the loud, Kahan shifted easily from the banjo-driven folk of “All My Love” and “Orange Juice” to the overt rock anthemry of “She Calls Me Back” and “Northern Attitude.” “Your Needs, My Needs” shifted from one to the other (and back). Though known for baring his soul in his songs, he was quick to lighten the mood with a playful quip or two – sometimes even during the song (“Put your hands up, Austin! Never mind, I don’t like it!”).

At other times Kahan took the opportunity to get real and go deeper with his fans. Left alone onstage, Kahan introduced his song “Growing Sideways” addressing his mental health struggles throughout his life, noting he entered therapy at eight years old and hit a moment of clarity years into adulthood. “I was 22 when I started telling the truth,” he admitted, “and I was much happier.” Honesty put the audience in the palm of his hand, prompting them to sing a key lyric – clearly Kahan’s not the only one who hears an artist speaking plainly about personal trials and feeling seen. Still wearing his heart on his sleeve, he even choked up during “The View Between Villages,” an ode to his hometown, during the encore.

That vulnerability and personal connection drove Kahan’s performance as much as his talent. “I’m coming down to say hi to this man and his family,” Kahan exclaimed, leaving the stage to shake hands with the entire front row as his band performed the build-up to “Northern Attitude,” during which the crowd sang an entire verse by themselves. He extended the same creative freedom to “Everywhere, Everything,” “Orange Juice,” and “False Confidence,” a fan favorite and the only tune from an album outside Stick Season. Fans and singer came together on “Dial Drunk,” the frisky country rocker that became his first hit and “Stick Season,” the song that “changed my life” and garnered the biggest crowd singalong yet. The show ended with the rocking “Homesick” and the audience jamming out, showcasing Kahan’s deft blend of cathartic blast and ardent earnestness to its fullest effect.

Noah Kahan – vocals, guitar, mandolin

Noah Levine – guitar, banjo, vocals

Dylan Jones – keyboards, banjo, mandolin, vocals

Alex Bachari – bass, vocals

Marcos Valles – drums, vocals