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Episode Recap Featured New Broadcast News

Jack White kicks off Season 38’s second half

As a bandleader, Jack White has visited the Austin City Limits studio before, ripping it up with the Raconteurs back in 2006. Now Jack White returns to our stage as a solo artist to demonstrate exactly why he’s one of today’s most exciting musicians.

Ever the risk-taker, White hits the stage bathed in blue light and accompanied by not one but two bands. Working without a net, White eschews a set list and draws from nearly every project of his prolific career. So this episode treats you to some White Stripes (“I’m Slowly Turning Into You,” “We’re Going to Be Friends,” “Dead Leaves and the Dirty Ground”), a little Raconteurs (“Top Yourself”), a pinch of Dead Weather (“Blue Blood Blues”), a blues cover (Blind Willie Johnson’s “John the Revelator”) and White’s contribution (“You Know That I Know”) to The Lost Notebooks of Hank Williams, a collection of Williams lyrics set to music by contemporary songwriters.

Of course, much of the show is dedicated to songs from Blunderbuss, White’s much-acclaimed solo debut. Watch him burn through “Freedom at 21” and “Missing Pieces” with his all-male group the Buzzards, then blaze through “Hypocritical Kiss” and “Love Interruption” with his all-female band the Peacocks. The mostly acoustic title tune serves as the transition point, as Buzzards give way to Peacocks before the guitars finish feeding back and “Love Interruption” begins.

Jack White “Blunderbuss” from Austin City Limits on Vimeo.

White is already riding high, as Blunderbuss garners Grammy nods and appears on numerous year-end top 10 lists. Now he’s got one more reason to celebrate: a landmark episode of Austin City Limits. See more about the show here, then check your local PBS listings to find out when to tune in to see for yourself. Next week: the ACL debut of Rodrigo y Gabriela.

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Encore Broadcast Featured News

Encore: Tom Waits

The Tom Waits episode of Austin City Limits is one of the most requested shows in our 37-year archive. In the spirit of the holiday season, we’ve put this Season 4 delight back on the air for the first time in over a decade. Tune in this Saturday 12/22 to see this classic episode once again.

Recorded in December 1978, the show came in through the back door, so to speak. Terry Lickona, who became producer that year, was trying to book singer Leon Redbone. Redbone and Waits shared a manager, who promptly requested that Terry book his other client as well. In order to make sure the Redbone show happened, Terry agreed, even though he was nervous that the roots-oriented audience ACL had already built in its previous three seasons might think that Waits’ avant-garde gutter poetry was too radical for the show.

The rest is, well, you know the cliche. Supporting his classic LP Blue Valentine (but aren’t they all classics?), Waits was deep in the transitional phase of his career, evolving out of the jazzy beat poetry of his early work (“I Wish I Was in New Orleans”) and into the bluesier, more dissonant sounds (“Sweet Little Bullet From a Pretty Blue Gun”) for which he became known in the 80s and beyond. He acknowledged the season with the streetwise but lovely “Christmas Card From a Hooker in Minneapolis,” which incorporates a few bars of a better-known Xmas hymn. And he debuted “On the Nickel,” one of his greatest ballads, and which wouldn’t be released on record until Heartattack and Vine in 1980.

You can check out the episode page for pics, the set list and the original liner notes for the episode. Don’t forget to visit our Facebook and Twitter pages and/or sign up for our newsletter for the latest news on ACL happenings, or to go to our Tumblr blog for a look back at ACL’s photographic past. Next week: Sonic Youth and the Black Keys.

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Encore Broadcast News

Encore: Monsters of Folk

The term “supergroup” has been beaten into the ground with sledgehammers wielded by ill-conceived musical conglomerates motivated by profit and/or whimsy rather than compatibility. But that’s not the case at all with Monsters of Folk, and you can catch their Season 36 episode of Austin City Limits rebroadcasting this Saturday on your local PBS station.

Yim Yames of My Morning Jacket, Conor Oberst AKA Bright Eyes, and M. Ward have been touring buddies for years, even appearing together on ACL once before during the Bright Eyes episode in Season 30. Along with Will Johnson from Centro-matic and Bright Eyes producer Mike Mogis (who indie rock obsessives might also remember from the 90s cult band Lullaby For the Working Class), they revisited our stage in 2010 as Monsters of Folk in support of the LP of the same name. And we were thrilled to have them back.

Looking for a taste before Saturday’s meal? Click over to the episode page for clips, pics and more info. And don’t forget to visit our Facebook, Twitter and Tumblr pages or to sign up for our newsletter to keep up with ACL’s comings and goings. We’re bringing you more great encores over the holidays, but don’t worry: new episodes return in January.

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Encore Broadcast News

Encore: Steve Martin & the Steep Canyon Rangers and Sarah Jarosz

Here at Austin City Limits, bluegrass is no stranger to the stage, but rarely do we see it performed by two diverse and equally talented singer/songwriters: the one and only, banjo-picking Steve Martin and the young rising star Sarah Jarosz. Tune in this encore episode on Saturday to experience the old-time tradition performed in a way that you’ve never seen.

“It has been a longtime dream of mine to play bluegrass on Austin City Limits…and tonight I feel I am one step closer to that goal,”  joked comedian/author/actor Steve Martin after opening with the instrumental and fast-paced “Pitkin County Turnaround.” Joined onstage by current Grammy nominees the Steep Canyon Rangers, the supremely talented quintet from North Carolina that’s joined Martin for various festival performances and on record, Martin mainly plays tracks off the 2009 Grammy winning album, The Crow. But he features a song exclusively for atheists –  “Atheists Don’t Have No Songs” is a funny bone-tickling tune that adds to the fictitious Atheist Hymnal and was included on Martin’s latest release Rare Bird Alert. We guarantee that you’ll love it, regardless where you stand on matters of faith.

It was just a matter of time before Sarah Jarosz, described by many as being a “contemporary-bluegrass prodigy,” made her debut here at ACL. With a Grammy nomination under her belt for Best Country Instrumental for her song “Mansinneedof,” it’s safe to say that we can expect great things from this young multi-instrumentalist. You’ll hear tracks from her 2009 debut album, Song Up In Her Head and the beautifully-written track, “My Muse,” from her 2011 release Follow Me Down. Although her original songs were greeted with warm applause and praise, the culmination of the night occurred when Jarosz shared her take on Tim O’Brien’s, “Lands End / Chasin’ Talon,” and Tom Wait’s “Come On Up to the House.”

photo by Scott Newton

Be prepared to laugh at Martin’s humor and be blown away by Jarosz’s young yet uncommonly wise talent. Check your local listings for showtimes to see this episode and be sure to follow us on Facebook and Twitter, or sign up for our newsletter to keep up with updates on tapings and airings. Tune in next week for alternative rock supergroup, Monsters of Folk!

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Encore Broadcast News

Encore: Steve Miller Band and Preservation Hall Jazz Band

We love to present new music and show off current artists hitting their prime. But we’re happy to honor the veterans and the lifers – the folks whose work has stood the test of time. In that light, we welcome the Steve Miller Band and Preservation Hall Jazz Band to the ACL stage this weekend.

The Steve Miller Band needs no introduction – lauded rock guitarist Steve Miller and his various partners-in-crime have been knocking around since the late 60s, leaving a string of indelible hits in their wake. Remember “Abracadabra?” “Fly Like An Eagle?” “Space Cowboy?” Of course you do, and you’ll hear them all on Saturday in front of an enthusiastic crowd in what was the very first taping of ACL at the Moody Theater. And if you love the show, you can purchase it on DVD, including an extended interview and songs that didn’t make the final edit, here.

The Preservation Hall Jazz Band has been around even longer than Miller – the group’s genesis coincides with the founding of the Hall itself back in 1961, and the style of New Orleans jazz the band plays goes back even further – history lives on in PHJB’s performances. But don’t think that means that the group is preserved in amber. Joining the band onstage are Yim Yames from My Morning Jacket, James Petralli from White Denim and the ever-elegant Del McCoury Band to add their inimitable contemporary mojo. Once you hear “St. James Infirmary” sung by a high-voiced indie rock frontdude, you’ll realize it’s what you’ve always wanted.

photo by Scott Newton

Tune in this Saturday for your classic rock ‘n’ jazz fix – as always, check your local PBS listings for the broadcast time in your area. Toggle over to the episode page for more info, and don’t forget to sign up for our newsletter or to click over to our Facebook, Twitter and News pages for more ACL goodies. Next week: Steve Martin and Sarah Jarosz.

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Encore Broadcast News

Encore: Jimmy Cliff

When it comes to reggae, Jimmy Cliff, whose ACL episode encores this weekend, is indisputably one of the greats. He first found fame as a teenager, with a string of hit singles in his native Jamaica. By the late 60s, reggae was spreading beyond the borders of his birthplace and Cliff became one of its first international stars with “Wonderful World, Beautiful People” and “Vietnam,” which Bob Dylan called “the best protest song I’ve ever heard.” In 1972 Cliff starred in the acclaimed film The Harder They Come, writing and singing the hit title song. Other Cliff compositions like “Many Rivers to Cross” and “You Can Get It If You Really Want” have also become often-covered, much-loved reggae standards. Cliff continues to record and tour all over the world, collaborating with Sting, the Clash’s Joe Strummer, Kool & the Gang, Wyclef Jean and the Rolling Stones along the way. As popular now as he ever was, Jimmy Cliff is the face of reggae, as you’ll see for yourself this Saturday – check your local PBS listings for the broadcast time and channel.

photo by Scott Newton

Check out the episode page for more details, and drop in on our Facebook and Twitter pages for more ACL info. Next week: Steve Miller Band and Preservation Hall Jazz Band.