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Episode Recap Featured News

Robert Plant returns to Austin City Limits for Season 42

Austin City Limits presents a thrilling hour with Robert Plant in an unforgettable performance marking the legendary frontman’s return to the ACL stage for the first time in more than a decade. The career-spanning set features Led Zeppelin classics alongside more recent songs in an episode that will delight die-hard fans and music fans everywhere.  

From the opening riffs of Led Zeppelin staple “The Lemon Song,” Plant commands the stage with his dynamic presence and iconic vocals. Backed by his world-class six-piece band the Sensational Shape Shifters, the rock superstar performs Zeppelin classics, including “Black Dog,” and an electrifying version of “Babe I’m Gonna Leave You.” Plant artfully mixes new and old, captivating the audience with songs from throughout his fascinating musical journey, including the blissed-out reverie of early solo smash “In The Mood” and recent standout “Rainbow” from 2014’s acclaimed lullaby and…The Ceaseless Roar. With his multi-cultural, diverse band, the icon explores the connection between rock ‘n’ roll and traditional African music, revitalizing fan favorites with West African instruments to glorious effect. Closing out the set with an explosive performance of the face-melter “Whole Lotta Love,” Plant weaves blues standards “I Just Want to Make Love to You” and “Hey! Bo Diddley” into the classic, demonstrating the epic scope of his illustrious career.

“Robert Plant is one of the few artists from any generation who can stand the test of time while always exploring, experimenting, and expanding his musical horizons,” says ACL executive producer Terry Lickona. “Yet there’s a common thread of genius through all his music, from the earliest Zeppelin tunes to his newest work. Then there’s that voice! We are truly honored to have such a legend return to our stage for a second time.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of Florence + the Machine and the debut of Andra Day.

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Featured News

James Bay and Rhiannon Giddens debut in ACL Season 42

Austin City Limits features two breakout talents making their ACL debuts—James Bay and Rhiannon Giddens—in a highly-anticipated new installment.  

UK sensation James Bay opens the hour with a stunning, soulful performance featuring songs from his global chart-topping debut Chaos and the Calm.  The 26-year-old singer-songwriter-guitarist has had a banner year earning multiple 2016 Grammy nominations, a BRIT Award win for Best Male Solo Artist, and landing on festival stages including Glastonbury, Lollapalooza and namesake ACL Festival.  In his Austin City Limits debut Bay proves why he is one of today’s biggest live acts, delivering a stellar four-song set highlighted by a powerfully acoustic, stirring rendition of his standout “Let It Go,” and breakthough smash “Hold Back the River.”

Americana sensation Rhiannon Giddens gives a spellbinding performance in her ACL debut, with selections from her widely-acclaimed 2016 Grammy-nominated release Tomorrow Is My Turn.  The album marks Giddens’ solo debut after a decade as a founding member and leader of the award-winning string band the Carolina Chocolate Drops.   Taking the stage barefoot, Giddens dons a banjo to open her dazzling set with “Spanish Mary” (lyrics by Bob Dylan).  The North Carolina native’s canon includes songs that deal with the struggles of slaves in the 19th century, including the Odetta classic “Waterboy” and the chilling “At the Purchaser’s Option,” a Giddens-penned number inspired by a 19th century advertisement for a slave and her baby.  She then enlists guitarist and fellow Drops’ bandmate Hubby Jenkins to join her on vocals for the gospel classic “Children, Go Where I Send Thee,” before closing out the powerful set playfully with the romantic putdown “Louisiana Man.”

photo by Scott Newton

“Fans have been telling us for years they love to tune in to discover new talent they’ve never seen or heard before,” says ACL executive producer Terry Lickona.  “This show offers a double-bonus for fans of deeply personal, heartfelt songs and singers who possess a distinctive voice.  James and Rhiannon may come from cultures an ocean apart, but their music resonates with audiences worldwide.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of Robert Plant.

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Episode Recap Featured News

Paul Simon shines in first episode of ACL Season 42

Austin City Limits launches a new season of must-see performances from music’s finest with an icon of American popular music, Paul Simon, in his first-ever appearance on the ACL stage. The living legend shines in a sublime, career-spanning hour featuring beloved classics and new songs from his acclaimed recent album, Stranger to Stranger.

Making a rare television appearance, Simon sparkles in an irresistible performance filled with career highlights from his over five-decade strong musical legacy. Backed by a world-class nine-piece band, the music legend opens an eleven-song set with selections from Graceland, his landmark 1986 album that brought African rhythms to mainstream American radio. A lifelong sonic adventurer, Simon takes viewers to Louisiana Cajun country for a joyful performance of “That Was Your Mother.” Simon also showcases new classics from 2016’s acclaimed Stranger to Stranger, his 13th solo album, including standouts “Wristband” and “The Werewolf.” Simon’s showmanship is on full display throughout as he dazzles the ACL audience with non-stop gems from his extensive catalog, including early solo hit “Me and Julio Down by the Schoolyard” and a stripped-down, countrified “Homeward Bound.” He dips back into his Graceland songbook for “Diamonds On the Soles Of Her Shoes,” and a show-stopping “You Can Call Me Al,” engaging the crowd in hand-clapped rhythm. Simon closes with one last classic, “The Sound of Silence,” in a potent solo acoustic rendition of the Simon & Garfunkel standard that first introduced his immense talent to the world a half-century ago.

“Paul Simon is one of those rarities among the icons of contemporary music: he just keeps getting better,” says Austin City Limits executive producer Terry Lickona. “He continues to amaze with new songs that display his musical curiosity and sense of adventure, while bringing a fresh energy to songs that have been such a big part of the American songbook for so many decades. As an admitted long-time ACL fan, he was perfectly at home on our stage, and it shows!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring James Bay and Rhiannon Giddens.

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Episode Recap Featured New Broadcast News

Ms. Lauryn Hill’s ACL debut and a Season 42 preview

Austin City Limits presents a rare hour of television with hip-hop/R&B icon Ms. Lauryn Hill.  The special broadcast airs as a preview of the iconic PBS music series’ upcoming Season 42, which premieres October 1st with an hourlong episode featuring the legendary Paul Simon in his ACL debut. Ms. Lauryn Hill’s episode will encore in January during the second half of ACL’s new broadcast season.  

In a performance for the ages, the trailblazing Ms. Lauryn Hill dazzles the Austin crowd with a career-spanning  set culled from her landmark release The Miseducation of Lauryn Hill and her pioneering work with the Fugees, one of the best-selling hip-hop acts of all time. Opening the emotional set with her solo hit “Ex-Factor,” the multiple Grammy-winning singer and songwriter performs stunning versions of her biggest hits and fan favorites. One of the greatest MCs of all time, Hill has the crowd on their feet with the opening notes of “Fu-Gee-La” for an explosive take on the Fugees classic, weaving “Austin, I love you like no other before” into the lyric. Hill commands the stage, backed by a 12-piece band and performs a gorgeous cover of Nina Simone’s “Feeling Good” before closing out her unforgettable performance with the crowd-pleaser “Doo Wop (That Thing),” proving she’s still one of the most powerful artists in music today.  

“Every Lauryn Hill performance is special,” says ACL executive producer Terry Lickona, “and an hour of Ms. Hill on the ACL stage is nothing less than historic. She pours her heart and soul and every ounce of energy into every minute, and it shows. There’s nobody else quite her!”

photo by Scott Newton

The upcoming Season 42 is filled with musical highlights, including the first-ever appearance by punk icon Iggy Pop, ACL debuts from acclaimed singer-songwriters James Bay, Rhiannon Giddens, Andra Day and Latin Grammy-winner Natalia Lafourcade and highly-anticipated return appearances from music giant Robert Plant, My Morning Jacket, Florence + The Machine, Ben Harper and Latin funk orchestra Grupo Fantasma.  

Ms. Lauryn Hill Episode Setlist:

EX-FACTOR

FINAL HOUR

LOST ONES

FU-GEE-LA

HOW MANY MICS

READY OR NOT

KILLING ME SOFTLY

FEELING GOOD

DOO WOP (THAT THING)

 

Season 42 | 2016 Fall Broadcast Schedule (seven additional shows to be announced)

Oct. 1   Paul Simon

Oct. 8   James Bay / Rhiannon Giddens

Oct. 15    Robert Plant

Oct. 22   Florence + The Machine / Andra Day

Oct. 29    Iggy Pop

Nov. 5     Natalia Lafourcade / Grupo Fantasma

Nov. 12   My Morning Jacket / Ben Harper

The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2017, will be announced at a later date. Check the news section of acltv.com for additional episode updates.

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore featuring Los Lobos and Thao & the Get Down Stay Down.

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Encore Broadcast Episode Recap News

Encore: Jim James and The Black Angels

Austin City Limits explores new sonic directions in a double bill with Jim James and Austin’s own Black Angels. My Morning Jacket leader Jim James plays songs from his acclaimed debut solo album Regions of Light and Sound of God while Texas psych-rockers The Black Angels highlight songs from their latest release Indigo Meadow.

The versatile Jim James commands a spellbinding set in his first-ever solo outing on ACL, marking his sixth appearance on the program—having performed twice with his main outfit My Morning Jacket, in addition to appearances with the Preservation Hall Jazz Band, Bright Eyes and Monsters of Folk. Declaring his solo project a “new adventure,” James invites the Austin audience to come on the journey with him, and they are more than happy to oblige. He reaches into new territory in an intimate and hypnotic performance that combines hints of old school R&B, flickers of hip hop, operatic pop and delicate instrumentation. James and his four-piece band open with the 70s soul of “State of the Art” and “Know Til Now” and segue into the spiritual love song “A New Life” and the atmospheric “Actress.” It’s a captivating and completely danceable set, with James himself getting in the groove while holding a bronze panda up and adding his own sliding dance steps.

“Jim James has found many ways to pursue his musical muse, and it’s amazing that this is his very first solo album,” notes ACL executive producer Terry Lickona. “What better way to bring it to his legions of fans than ACL?”

photo by Scott Newton

Carrying on the long Texas tradition of psychedelia, Austin’s Black Angels round out the episode, making their long-awaited ACL debut with their unique brand of psychedelic music for the 21st century. It’s a fitting showcase for ACL, as the psych rock movement has its roots in the Lone Star State thanks to 60s acid-rock heroes the 13th Floor Elevators, who were the first band to apply the term psychedelic to rock & roll. Named in tribute to the Velvet Underground number “The Black Angel’s Death Song,” The Black Angels found themselves the spearhead of a new psychedelic revival soon after their formation in 2004. The band’s carefully crafted blend of melody and noise won over fans of both modern indie rock and old school acid rock, and established it as a major force in underground rock & roll, even starting its own festival in 2008, Austin Psych Fest (now known as Levitation). Opening with the heavy duty headbanger “Evil Things,” the Angels create a dark, brooding mood with their trademark vocal reverb and fuzzy, distorted guitars on a stage complete with fun-house optic, psychedelic images swirling on projection screens. The Black Angels take the Austin crowd into the psychedelic heart of darkness and back out into the light, proving why they have become one of the foremost acts in the psych and garage rock revival.

“Whether you remember 60’s acid-rock first-hand or this is your first ‘psych’ experience, The Black Angels have taken a classic rock form and turned it into their own,” Lickona says. “It’s got an other-worldly vibe but at the same time it’s totally accessible.”

Check out the episode page here and tune in this Saturday to see the show for yourself. Click over to our Facebook and Twitter pages or our newsletter for the latest ACL skinny. Next week: Vampire Weekend and Grizzly Bear.

 

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Encore Broadcast Episode Recap Featured News

Encore: Ed Sheeran and Valerie June

Austin City Limits presents two innovative singer-songwriters: UK sensation Ed Sheeran and rising star Valerie June. Ed Sheeran makes his ACL debut in a must-see episode that features the breakout star performing his entire set solo. Sheeran exudes the raw talent that has made him a worldwide superstar, with charged versions of hits from his landmark debut and new songs from the chart-topping follow-up release. Acclaimed Southern singer-songwriter Valerie June shares the bill, making a captivating ACL debut with her starry-eyed roots music.  

Ed Sheeran brings his A-game in his ACL debut, with a remarkable one-man solo performance that demonstrates why he’s one of music’s most popular live performers.  Clad in an ACL t-shirt, the 23 year-old three-time Grammy nominee performs his  breakthrough hits “The A Team,” “Lego House” and songs from his new release x.  With an acoustic guitar and a loop pedal as his only accompaniment, Sheeran creates a perfectly balanced mix of hip-hop and acoustic balladry. He showcases the honest songwriting and vocals that have earned him legions of fans across the globe.  Closing out the crowd-pleasing set, Sheeran leads the rapturous audience in an epic sing-along of his hit “Sing,” with the Austin crowd still chanting as Sheeran leaves the stage.

Striking Southern singer-songwriter Valerie June makes her first appearance on the ACL stage performing songs from her luminous debut Pushin’ Against a Stone. The Washington Post raves of the release: “Shades of Nina Simone, Dolly Parton and blueswomen of decades past flicker throughout; you can easily picture it crackling out from a timeworn record player.” The Tennessee native’s heartfelt sound and beautifully timeless voice have earned her critical raves and a 2014 Americana Awards nomination for emerging artist. With one foot in country blues, the other in mountain folk music and her head in the stars, June and her band conjure a distinctive brand of genre-blending that she calls “organic moonshine roots music” for a memorable ACL debut.

photo by Scott Newton

“In some ways, Ed Sheeran and Valerie June are as different as night and day,” says ACL Executive Producer Terry Lickona, “but they are both distinctly original in their music. Through their intimately personal songs and unique onstage personas, they represent everything that Austin City Limits is all about.”

Tune in this Saturday for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Jim James and The Black Angels.