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Giveaway: Kelsea Ballerini

*UPDATE: The giveaway is now closed. *Austin City Limits will tape a performance by Kelsea Ballerini on Thursday, July 10th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


With a revelatory album, an arena-headlining tour, and a 2025 nomination for the CMA Awards’ top honor of Entertainer of the Year, Kelsea Ballerini is having a moment. A beloved artist known for sparkling live performances, the country hitmaker has had a remarkable decade-long run since arriving on the Nashville scene with her 2015 debut album, The First Time. Ballerini had hit singles right out of the gate, becoming the only female country artist to hit #1 with the first three consecutive singles from a debut album. This history-making feat earned her a Best New Artist Grammy nomination. With seven #1 singles and 36 certifications from the RIAA to date, her catalog boasts a string of essential smashes. Ballerini’s fourth album, Subject To Change, arrived in 2022. The gold-certified first single, “Heartfirst,” earned her a Grammy nomination for “Best Country Solo Performance.” She went on to surprise fans five months later with the release of the intimate six-song Rolling Up the Welcome Mat, which resonated with audiences and earned her a Grammy nomination for Best Country Album. Rolling Up the Welcome Mat, along with an accompanying short film written and directed by Ballerini, marked the multi-platinum star’s most honest work to date and led to her Saturday Night Live debut, universal acclaim from critics including The New York Times, Variety, Rolling Stone, as well as the honor of gracing the cover of TIME Magazine. Her latest critically acclaimed Patterns, her fifth studio album, debuted in the fall of 2024 and topped the Country Albums chart and reached number four on the Billboard 200. The album found Ballerini purposefully surrounding herself with women, along with producer Alysa Vanderheym, and collaborators Jessie Jo Dillon, Karen Fairchild, and Hillary Lindsey. On the album she enlisted Best New Artist GRAMMY nominee Noah Kahan to appear on the tender and beautifully crafted RIAA certified-Gold, CMA Awards-nominated “Musical Event of the Year” and GRAMMY-nominated “Best Country Duo/Group Performance” – single “Cowboys Cry Too.” Most recently, she wrapped up her 35-date Kelsea Ballerini Live On Tour, performing in arenas across the country. Among dozens of accolades thus far, Ballerini has garnered five GRAMMY nominations, won two ACM Awards, picked up two CMA Awards, took home the iHeartRadio Music Awards honor for Best New Artist, and received multiple career nominations from the ACM Awards, American Music Awards, CMA Awards, CMT Awards and People’s Choice Awards. Ballerini was also inducted as a member of the famed Grand Ole Opry in 2019. At the time, she notably became the Opry’s youngest member in its nearly 100-year history. With these accolades, it is no wonder NPR proclaimed, “Kelsea Ballerini is definitely one of the most influential women in country right now… she’s defining the sound of the genre.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Featured News Ticket Giveaway Tickets Distributed

Giveaway: The Marías

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance by The Marías on Tuesday, July 8th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


The Marías are the psychedelic-soul lovechild of Puerto Rican-bred, Atlanta-raised María Zardoya and Los Angeles native, Josh Conway. The pair are joined by their closest friends Jesse Perlman on guitar and Edward James on keys. The Marías’ undeniably intuitive musical chemistry is evident in their smooth blend of jazz percussion, hypnotic guitar riffs, smoke-velvet vocals, and nostalgic horn solos. Since the 2021 release of their critically acclaimed debut, Cinema, which paid homage to their early days of writing for film and television, the Marías have earned countless accolades and collaborations with some of the biggest names in Latin music, including Bad Bunny and Tainy. Their highly anticipated follow-up, 2024’s Submarine, represents the next phase of their fascinating sonic journey. Stepping back into the psychedelic indie rock roots that defined their 2017 breakout EP, Superclean, the recent album delivers a sense that you’ve been here before but the geography has evolved. The cinematic swells of their debut have been traded for a sonically matured return to form for an album that Conway calls the “bookend to
their trilogy.” A study in aloneness, the evocative ache of Submarine feels, at times, inescapable, as one is faced with what it means to choose solitude and the pain and beauty so inextricably interwoven within it. It embodies the grief in something as innately human as separation. María’s hypnotic vocals transport listeners to a place of reflection and exploration. The detail that defines their cinematic style off-stage is brought to life during ethereal live performances as the group delivers striking visuals that beautifully complement their dreamy songs, creating an indisputably
unique experience. This bespoke live Submarine show was on full display to rapturous audiences in buzzed-about sets at 2024’s ACL Fest and their recent Coachella appearances. The Marías are currently on a sold-out extended U.S. headlining tour with festival dates including Lollapalooza, Shaky Knees, and All Things Go.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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News Ticket Giveaway Tickets Distributed

Giveaway: MJ Lenderman & The Wind

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance from MJ Lenderman & The Wind on Tuesday, July 1st at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


26-year-old singer-songwriter-guitarist MJ Lenderman makes his ACL debut after a busy couple of years. A rock-and-roll and basketball-obsessed kid growing up in the mountain town of Asheville, NC, he put out the breakthrough solo set Boat Songs in 2022. The sleeper hit piled offhanded, Southern-inflected rock on wry, laconic bangers like “Hangover Game,” “Six Flags” and “Tastes Just Like It Costs.” With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, the album became one of that year’s standouts, a ramshackle set of charms and chuckles. He followed with a stellar 2024, bookended by a memorable feature on Waxahatchee’s “Right Back To It,” a magnetic duet about romantic doubt that became one of the year’s biggest indie-rock anthems, and the release of his own highly anticipated solo album, Manning Fireworks. A laser-sharp study of misfits and the mistakes they make, where sympathy and sardonicism share the same ragged rock song, the acclaimed release features a number of thumbnail character studies. “She’s Leaving You” is a half-sneering portrait of a dad cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas. “On My Knees” finds Lenderman wondering what it means to have fun in a world where so many people seem full of shit while the standout “Wristwatch” muses on edgelords and alpha males. Manning Fireworks topped many critics’ year-end best lists, with Rolling Stone raving, “MJ Lenderman delivers a sad-guy indie-rock gem” and named him “a budding guitar great and ace storyteller.” The New York Times calls Lenderman “A young artist with an old soul and a keen eye for observational detail that makes his canted portraits of small-town life come alive.” NPR says, “He’s a homespun magical realist, always throwing in something off-kilter to elevate his tales of lovable losers,” while the Guardian concurs, “Far from being dude-centric, Manning Fireworks’ sad sack anthems tap into something devastatingly, purely human.”


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Featured News Taping Announcement

The Marías and Kelsea Ballerini to tape Austin City Limits in July

Austin City Limits is thrilled to announce a pair of July tapings for our Season 51: on July 8 we welcome the acclaimed, genre-blending indie pop band The Marías, making their ACL debut with songs from their sophomore release Submarine; and on July 10 celebrated country artist Kelsea Ballerini takes the ACL stage in her first-ever appearance with songs from her latest album Patterns.

Photo credit: Jaxon Whittington

The Marías are the psychedelic-soul lovechild of Puerto Rican-bred, Atlanta-raised María Zardoya and Los Angeles native, Josh Conway. The pair are joined by their closest friends, Jesse Perlman on guitar and Edward James on keys. The Marías’ undeniably intuitive musical chemistry is evident in their smooth blend of jazz percussion, hypnotic guitar riffs, smoke-velvet vocals and nostalgic horn solos. There’s something irresistibly sensual in their dreamlike fusion of jazz, psychedelia, funk and lounge. Since the 2021 release of their critically acclaimed debut, Cinema, which paid homage to their early days of writing for film and television, the Marías have earned countless accolades and collaborations with some of the biggest names in Latin music, including Bad Bunny and Tainy. Their highly anticipated follow-up, Submarine, represents the next phase of their fascinating sonic journey. Stepping back into the psychedelic indie rock roots that defined their 2017 breakout EP, Superclean, the recent album delivers on a feeling of nostalgia, a sense that you’ve been here before but the geography has evolved. The cinematic swells of their debut have been traded for a sonically matured return to form for an album that Josh calls the “bookend to their trilogy.”  A study in aloneness, the evocative ache of Submarine feels, at times, inescapable, as one is faced with what it means to choose solitude, and the pain and beauty so inextricably interwoven within it. It embodies the grief in something as innately human as separation. María’s hypnotic vocals transport listeners to a place of solitude and exploration. The detail that defines their cinematic style off-stage is brought to life during ethereal live performances as the group delivers striking visuals that beautifully complement their dreamy songs, creating an indisputably unique and transportive experience. This bespoke live Submarine show was on full display to rapturous audiences in buzzed-about sets at 2024’s ACL Fest and their recent Coachella appearances. The Marías are currently on a sold-out extended U.S. headlining tour with upcoming festival dates including Lollapalooza, Shaky Knees, and All Things Go.

Photo credit: Catherine Powell

With a revelatory album, an arena-headlining tour, and a 2025 nomination for the CMA Awards’ top honor of Entertainer of the Year, Kelsea Ballerini is having a moment. A beloved artist known for sparkling live performances, the country hitmaker has had a remarkable decade-long run since arriving on the Nashville scene with her 2015 debut album, The First Time. Ballerini had hit singles right out of the gate, becoming the only female country artist to hit #1 with the first three consecutive singles from a debut album. This history-making feat earned her a Best New Artist Grammy nomination. With seven #1 singles and 36 certifications from the RIAA to date, her catalog boasts a string of essential smashes. Ballerini’s fourth album, Subject To Change, arrived in 2022. The gold-certified first single, “Heartfirst,” earned her a Grammy nomination for “Best Country Solo Performance.” She went on to surprise fans five months later with the release of the intimate six-song Rolling Up the Welcome Mat, which resonated with audiences and earned her a Grammy nomination for Best Country Album. Rolling Up the Welcome Mat, along with an accompanying short film written and directed by Ballerini, marked the multi-platinum star’s most honest work to date and led to her Saturday Night Live debut, universal acclaim from critics including The New York Times, Variety, Rolling Stone, as well as the honor of gracing the cover of TIME Magazine. Her latest critically acclaimed Patterns, her fifth studio album, debuted in the fall of 2024 and topped the Country Albums chart and reached number four on the Billboard 200. The album found Ballerini purposefully surrounding herself with women, along with producer Alysa Vanderheym, and collaborators Jessie Jo Dillon, Karen Fairchild, and Hillary Lindsey. On the album she enlisted Best New Artist GRAMMY nominee Noah Kahan to appear on the tender and beautifully crafted RIAA certified-Gold, CMA Awards-nominated “Musical Event of the Year” and GRAMMY-nominated “Best Country Duo/Group Performance” – single “Cowboys Cry Too.” Most recently, she wrapped up her 35-date Kelsea Ballerini Live On Tour, performing in arenas across the country. Among dozens of accolades thus far, Ballerini has garnered five GRAMMY nominations, won two ACM Awards, picked up two CMA Awards, took home the iHeartRadio Music Awards honor for Best New Artist, and received multiple career nominations from the ACM Awards, American Music Awards, CMA Awards, CMT Awards and People’s Choice Awards. Ballerini was also inducted as a member of the famed Grand Ole Opry in 2019. At the time, she notably became the Opry’s youngest member in its nearly 100-year history. With these accolades, it is no wonder NPR proclaimed, “Kelsea Ballerini is definitely one of the most influential women in country right now… she’s defining the sound of the genre.”

Want to be part of our audience? We will post information on how to get free passes a week in advance of each taping. Follow us on IG and Facebook and X for notice of postings. The broadcast episodes will air this fall on PBS as part of our upcoming Season 51. 

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Giveaway: Cam

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance from Cam on Monday, June 2nd at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


In 2025, multi-platinum, GRAMMY-nominated artist and songwriter Cam’s voice resonates louder than ever, contributing songwriting, production, and backing vocals to Beyoncé’s genre-shattering album COWBOY CARTER. Her significant involvement on COWBOY CARTER secured Cam her first GRAMMY win as a songwriter for Album of The Year,

In addition to her big year with Beyonce, she was also a featured artist and songwriter on 070 Shake’s new album PETRICHOR (released late 2024) and is now preparing for the release of her new body of work with RCA Records in 2025.

Prolific and adored, Cam stepped into the spotlight in a big way with her critically acclaimed full-length debut, Untamed. The record not only bowed in the Top 15 of the Billboard Top 200 and registered at #2 on the Top Country Albums Chart, but it also yielded her the breakthrough smash “Burning House.” It went triple-platinum, notched GRAMMY®, ACM, and CMA award nominations, and remains one of the best-selling country songs by a female solo artist since its release.      

For her critically acclaimed sophomore release, The Otherside, she once again enlisted producers Tyler Johnson (Harry Styles, Miley Cyrus, SZA) and Jeff Bhasker (Kanye West, Alicia Keys). The record featured the international Jolene-in-reverse hit “Diane,” the undeniable jam “Till There’s Nothing Left,” plus songwriting from Avicii, Harry Styles, Jack Antonoff, and Sam Smith. In addition to penning five songs for Beyoncé’s Cowboy Carter album (“American Requiem,” “Protector,” “Daughter,” “Tyrant,” “Amen”), Cam has also lent her songwriting to superstars like Miley Cyrus, Diplo, and Sam Smith. 

She has consistently sold out shows across the globe, cementing her status as an international powerhouse on stage. From the coveted sunset slot at Stagecoach to top venues across five continents, in recent years, she has been one of the few country acts to play Lollapalooza, ACL Fest, and Outside Lands while also supporting acts like Harry Styles, George Strait, Sam Smith, Loretta Lynn, the Indigo Girls, Eric Church, Tim McGraw, and Faith Hill. 

A vivid storyteller, clever wordsmith, and committed visionary, fans have only just begun to scratch the surface of Cam’s many facets. As she bravely steps into her next era, she’s welcoming everyone into a space that’s inclusive, invigorating, and inspiring.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.

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Giveaway: Thee Sacred Souls

UPDATE: The giveaway is now closed. Austin City Limits will tape a performance from Thee Sacred Souls on Wednesday, May 28th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). Austin City Limits Taping Giveaways are presented by AXS Events.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue. While we do our best to accommodate all winners, we cannot guarantee admissionThese passes are based on space available therefore you will be filling in spots available on the floor or balcony depending on the tickets that are available when you arrive.


The highly anticipated follow-up to their breakout 2022 self-titled debut, Thee Sacred Soul’s Got A Story To Tell (Daptone Records) features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose own story grows bigger by the day. Millions of monthly listeners on Spotify. Celebrity fans like SZA, Alicia Keys, and Kylie Jenner. An NPR Tiny Desk performance that burned the house down. And all in the first two years of the band’s existence. Then came life on the road.

Since 2022, Thee Sacred Souls have toured North America and Europe, playing their sweet soul music at dozens and dozens of sold-out headlining shows, and in the process they went from young musicians to a tight-knit, stress-tested band who knew each other like family. All the great bands were made better by life on the road, and Thee Sacred Souls is ready to join that pantheon. Got A Story To Tell is in every way a tighter and emotionally richer record because of their journey.  

The challenges of touring resulted in a darker, more mature record, Alejandro Garcia (drums, guitar) says. Salvador Samano (bass, drums) agrees: “As we got busier, we were all dealing with things back home, trying to balance life and music and touring.” Heartbreak, family issues, finding ways to be creative when you’re leaving it all on the stage every night. Every member had their own experience, and no new development went undetected by their bandmates. “You can’t hide how you’re feeling,” Garcia says, of the intimacy of touring. “We know what’s going with each other.”

But it’s not as if the songs on Got A Story To Tell, which they began writing at the end of 2022, are accounts of a band on the run; there’s no “Turn the Page” here. Josh Lane (vocals) says all those emotions and personal stories from the three founders were sprinkled into the songwriting to create a potent blend of truth and imagination. In an age where pop stars have their albums treated like chapters in an ongoing memoir, Thee Sacred Souls hearken back to the more universal, relatable school of songwriting that made Hitsville U.S.A. and the Brill Building so successful and timeless.

Lead single and opening song “Lucid Girl” is Thee Sacred Souls’ entry into the canon of pop and R&B songwriting that champions independent women. (Stevie Wonder’s “Superwoman” is but one example.) It started as an instrumental that Garcia wrote one Christmas morning, during a moment of quiet heartache and solitude. Driving away from the studio to see family in the afternoon after cutting the track, the phrase popped into his head: “lucid girl.” It was perfect fodder for Lane to start his work.

“A good instrumental tells a story on its own,” says Lane, and what Garcia laid down that Christmas hit him instantly. It was heavy, with some of the toughest drums and bass of anything the band had recorded, and Garcia’s title conjured the image of a woman who wouldn’t be held down. Like someone lucid dreaming, this woman did what she wanted, how she wanted. “She chose herself and then she grew,” he sings in his pure tenor before the drums hit a stutter-step and the chorus kicks in. The album is full of characters and stories, and “Lucid Girl” sets the stage for what comes after.

Thee Sacred Souls recorded Got A Story To Tell at Penrose Recorders, in Riverside, CA, the studio built by producer and Daptone Records co-founder Gabriel Roth (aka Bosco Mann). It’s a simple space some 50 miles east of Los Angeles that offers an unadorned analogue experience. They filled it with immortal grooves, classic vocal harmonies, and sincere, heartfelt lyrics about love and loss—the persistent feelings.

A ballad of guilty feelings, “My Heart Is Drowning” draws on two pivotal wells of inspiration for the band: Jamaican rocksteady and ‘60s girl-group pop. The spectral slow tempo of rocksteady, with its thick bass lines and simple guitar riffs, is the instrumental basis upon which Lane sings about making his lover cry, eventually losing her. The chorus is beautifully accented with soft and affecting backing vocals that recall the great Motown siren Mary Wells. In its final moments, it takes an unexpected turn toward the sunny, even though the protagonist is still languishing in regret. The tension between the music and lyrics create one of the most beguiling moments on the record.

Listening to the beloved Brazilian artist Arthur Verocai unlocked melodic ideas for Lane while writing “On My Mind,” a breezy stand-out on Got A Story To Tell. The rhythmic shifts on the song evoke the dynamics described in Lane’s lyrics, as he sings about “the good and the bad together…the good and the bad that make this man.” The acknowledgement of life’s total complexity brings one of the most stirring performances out of Lane.

Any conversation with the band will inevitably turn into a music celebration; the sharing of classic tunes, as they point out specific records that proved important during recording. Mann, their producer, is something of an encyclopedia, and what knowledge he bequeathed to them they’re all too happy to share.  The little-known Philadelphia guy group the Fabulous Performers. The sweeping vocals of the Delfonics. The unreal falsetto of Alton Ellis. The beguiling arrangements from Jesse Boone and the Astros. In part, Thee Sacred Souls are able to make timeless music because they have a deep appreciation for history.

Got A Story To Tell proves that Thee Sacred Souls are here to stay; a vital force in contemporary music. Though it’s not a concept album, it creates a satisfying emotional arc for the listener, taking them through life’s ups and downs—but finding a happy ending when it counts. The final track “I’m So Glad I Found You, Baby” is the feeling of coming home from a long journey to find your love waiting for you. 

If the last two years tested the mettle of Thee Sacred Souls, Got A Story To Tell is all that hard work paying off.


For entry to Austin City Limits tapings, you agree to abide by the Taping Health & Safety Protocols based on the current COVID-19 Community Risk Stage in effect at the time of the event. By attending the ACL tapings, you agree to the Terms & Conditions.