UPDATE – the giveaway is now closed. Austin City Limits will tape a performance by DOMi and JD Beck on Saturday, July 8th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Thursday, July 6th at 2pm.
Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.
UPDATE giveaway is now over. Austin City Limits will tape a performance by Rodrigo y Gabriela featuring the Austin Symphony Orchestra on Friday, July 7th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Wednesday, July 5th at 2pm.
Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.
Austin City Limits is excited to announce that we will be live streaming our upcoming Season 49 taping with Grammy-winning guitar duo Rodrigo y Gabriela in their first appearance in a decade, with a one-of-a-kind performancefeaturing the Austin Symphony Orchestra on July 7 at 8pm CT. This appearance marks the first time Austin City Limits/Austin PBS has collaborated with the Austin Symphony Orchestra, one of Austin’s oldest and most respected arts institutions. ACL offers fans worldwide the unique opportunity to watch this taping live in its entirety free here on our ACLTV YouTube Channel.
In an unprecedented performance, Rodrigo y Gabriela will be joined by over thirty musicians from the Austin Symphony Orchestra to bring to life their latest release In Between Thoughts…A New World on the ACL stage. For over two decades, the Mexico City-bred duo of Gabriela Quintero and Rodrigo Sanchez have created music that invites lasting transcendence, captivating audiences across the globe with their virtuosic and wildly inventive guitar playing. In Between Thoughts marks a sharp departure from the signature acoustic sound the acclaimed act first showcased on their 2006 self-titled studio debut, and finds the pair expanding their sound with an orchestra. Conceived during the pandemic, the duo worked remotely with Vienna-based composer Adam Ilyas Kuruc and The Bulgarian Symphony Orchestra, who ornamented their serpentine arrangements with lush strings and powerful percussion. Sparked from their study of Advaita Vedanta (a Hindu philosophy rooted in the concept of nondualism), In Between Thoughts…A New World arrives as one of Rodrigo y Gabriela’s most revelatory offerings to date: a spontaneously composed body of work primed to bring about the very expansion of consciousness that inspired its creation. As they delved further into the philosophy, the duo began channeling their sense of heightened awareness into song form. “The music just started flowing out, without any real intention,” says Rodrigo. “When we looked back we realized we’d come up with nine songs that told the story of our coming to understand the Advaita path, in the exact perfect order.” The album finds Rodrigo trading his acoustic guitar for electric, adding a mercurial new energy that’s elegantly amplified by the duo’s subtle use of analog synths, Mellotron, and other electronic instruments. Propelled by a fierce vitality hinting at their thrash-metal roots, the result is an album of relentless movement and endless fluidity, each moment charged with the pure thrill of discovery. “When the subject matter is something like spirituality or seeking meaning, that can very easily go along with music that’s calming or serene,” says Gabriela. “But we wanted to do something different — we wanted to bring a cinematic quality and a lot of action to the music, and make it feel as exciting as we find all this to be.”
Join us here on July 7 at 8 p.m. CT for Rodrigo y Gabriela featuring the Austin Symphony Orchestra; the broadcast episode will air on PBS this fall as part of our upcoming Season 49. Tune in to your local PBS station on Saturday nights for fan-favorite encore episodes of Austin City Limits; watch live on PBS, or stream anytime at PBS.org.
UPDATE giveaway is now over. Austin City Limits will tape a performance by Lil Yachty on Wednesday, June 28th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We are giving away a limited number of passes to this taping. Enter your name and email address on the below form by Monday, June 26th at 2pm.
Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.
Clockwise, from upper left: Lil Yachty, Rodrigo y Gabriela, Jenny Lewis, DOMi & JD BECK.
Austin City Limits is thrilled to announce a stellar slate of summer tapings for our upcoming Season 49: On June 28, we’ll present the highly-anticipated ACL debut of innovative rap star Lil Yachty, currently riding a career high following what Rolling Stone calls “one of 2023’s boldest left turns.” On July 7, we welcome back Grammy-winning guitar duo Rodrigo y Gabriela in their first appearance in a decade, with a one-of-a-kind performance featuring the Austin Symphony Orchestra. This appearance marks the first time Austin City Limits/Austin PBS has collaborated with the Austin Symphony Orchestra, one of Austin’s oldest and most respected arts organizations. Eclectic, Gen-Z jazz duo DOMi & JD BECK, nominated for a 2023 Best New Artist Grammy, make their debut appearance on July 8; and acclaimed singer-songwriter Jenny Lewis returns to the ACL stage for the first time since Season 40 on July 26.
Photo by Tom Harrison.
Lil Yachty kicked off 2023 on a high note with the release of his sonically divergent fifth album Let’s Start Here., a monumental psychedelic alternative rock album thatreceived widespread acclaim from critics and musical peers alike. Recorded in Brooklyn and a Texas border town, Let’s Start Here is an imaginative, immersive exploration of psychedelic rock, rap, and soul inspired by Pink Floyd’s The Dark Side of the Moon, Frank Ocean and Tame Impala, among others, and features all live instrumentation and co-writers as varied as Mac DeMarco, Nick Hakim, Alex G and members of MGMT, Unknown Mortal Orchestra and Chairlift. “I did what I really wanted to do, which was create a body of work that reflected me,” explains Yachty in a recent Billboard cover feature. “My idea was for this album to be a journey: Press play and fall into a void.” The Source raves, “Let’s Start Here. continues to further the star’s reputation as an innovative savant,” and Rolling Stone hails, “The rapper and musician’s ambitious left-turn incorporates experimental rock and jazz with near-flawless execution, arriving at something that feels genuinely brand-new.” The 25-year-old Georgia native became a teenage breakout sensation when his Soundcloud-released song “One Night” was featured in a viral comedy video. In 2016, after collaborating with rapper DRAM on the Top 5 hit “Broccoli,” Yachty signed a joint deal with Quality Control Music and the legendary Motown Records, releasing his debut solo album Teenage Emotions in 2017. His 2018 album Lil Boat 2 debuted at No. 2 on the Billboard 200 chart. After having all of his major label albums and mixtapes chart in the Billboard Top 200 and scoring seventeen hits in the Top 40, Yachty’s Let’s Start Here. debuted atop three genre charts that prove his crossover appeal: Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums. Highlights include the album’s trippy opener, “the BLACK seminole.” a seven-minute opus that Yachty performed on his recent buzzed-about Saturday Night Live musical debut. Along with a coveted slot on 2023’s ACL Festival, Yachty embarks on his own extensive headlining The Field Trip Tour this fall with stops across North America and Europe.
Photo by Ebru Yildiz.
In an unprecedented performance, Rodrigo y Gabriela will be joined by over thirty musicians from the Austin Symphony Orchestra to bring to life their latest release In Between Thoughts…A New World on the ACL stage. For over two decades, the Mexico City-bred duo of Gabriela Quintero and Rodrigo Sanchez have created music that invites lasting transcendence, captivating audiences across the globe with their virtuosic and wildly inventive guitar playing. In Between Thoughts marks a sharp departure from the signature acoustic sound the acclaimed act first showcased on their 2006 self-titled studio debut, and finds the pair expanding their sound with an orchestra. Conceived during the pandemic, the duo worked remotely with Vienna-based composer Adam Ilyas Kuruc and The Bulgarian Symphony Orchestra, who ornamented their serpentine arrangements with lush strings and powerful percussion. Sparked from their study of Advaita Vedanta (a Hindu philosophy rooted in the concept of nondualism), In Between Thoughts…A New World arrives as one of Rodrigo y Gabriela’s most revelatory offerings to date: a spontaneously composed body of work primed to bring about the very expansion of consciousness that inspired its creation. As they delved further into the philosophy, the duo began channeling their sense of heightened awareness into song form. “The music just started flowing out, without any real intention,” says Rodrigo. “When we looked back we realized we’d come up with nine songs that told the story of our coming to understand the Advaita path, in the exact perfect order.” The album finds Rodrigo trading his acoustic guitar for electric, adding a mercurial new energy that’s elegantly amplified by the duo’s subtle use of analog synths, Mellotron, and other electronic instruments. Propelled by a fierce vitality hinting at their thrash-metal roots, the result is an album of relentless movement and endless fluidity, each moment charged with the pure thrill of discovery. “When the subject matter is something like spirituality or seeking meaning, that can very easily go along with music that’s calming or serene,” says Gabriela. “But we wanted to do something different — we wanted to bring a cinematic quality and a lot of action to the music, and make it feel as exciting as we find all this to be.”
Photo by Tehillah De Castro.
“My philosophy of life is don’t take shit too seriously,” says keyboard savant DOMi Louna, born Domitille Degalle. And that’s fair. But the vibrant world she and her drum ace collaborator JD BECK have given us demands exploration. The astoundingly virtuosic jazz duo’s music finds both humor and greatness in harmonic complexity, rhythmic shiftiness, and speed. She favors sounds that evoke ‘70s jazz fusion and the colorful blips of 2000s Pokémon soundtracks, while he tunes and plays his snare in ways that can sound electronic, channeling IDM and boom bap. Sometimes they’re stuffed into a bathroom and sometimes the drums are muffled by pretzels stacked on the hi-hat, or toilet paper tossed on the snare. Their acclaimed debut album—NOT TiGHT, released by Anderson .Paak’s new label APESHIT in partnership with the legendary jazz label Blue Note Records—is an attempt to bottle their goofy magic. They offer winking breaks and gleeful pivots, but the album is more composed than anything they’ve done before, toying with pop structures and pretty restraint. “Since they first started breaking the internet with their hyperarticulate strain of beat music, DOMi and JD BECK have gradually burrowed their way into the jazz mainstream,” raves NPR Music. “Or maybe it’s that the mainstream has sidled up to them?” The duo first played together in a room full of blaring demos at a trade show, but they bonded over gauche keyboard effects and mom jokes. Over the next year and a half, they wrote and recorded much of NOT TiGHT at JD’s house in a Dallas suburb on drums and a 49-key MIDI board with just a few mics. The album—which earned them two GRAMMY nominations including Best New Artist—features the likes of Thundercat, whose deadpan funk is their closest antecedent, Herbie Hancock, Snoop Dogg, Busta Rhymes, Mac DeMarco, Kurt Rosenwinkel, and .Paak himself. The duo has been featured in the line-ups of music festivals across the globe from Coachella to the North Sea Jazz Festival. Neither can believe what’s happening, but leave it to them to skewer the moment. When JD suggests people might hate NOT TiGHT, DOMi Louna says, “That would be sick! Booo. They suck!”
Photo by Bobbi Rich.
Having appeared on ACL twice before (with Rilo Kiley in Season 31, and leading her own band in Season 40), Jenny Lewis returns to the ACL stage showcasing her upcoming fifth solo album, Joy’All, out June 9th. Produced by Dave Cobb and recorded at the historic RCA Studio A in Nashville, Joy’All sees the highly anticipated return of one of the most compelling singer-songwriters of the 21st century embarking on a new era, in a new town—Nashville—and on a new label, as she joins the iconic roster of Blue Note/Capitol Records. Heralded by the “strummy, beach bummy” (VULTURE) first offering “Puppy and a Truck,” as well as the subsequent singles “Psychos”– declared as “easily, one of Lewis’ greatest creations” (PASTE) and “a cosmic country kiss-off” (ROLLING STONE)–“Giddy Up,” and “Cherry Baby,” Joy’All has already garnered a rapturous reception of critical acclaim: “four years on from her career-best On The Line, she’s sounding better than ever.” (PAPER). A culmination of Lewis’ prolific 20+ year career, Joy’All follows her four previous solo albums —2019’s On The Line, 2014’s The Voyager , 2008’s Acid Tongue and her 2006 solo debut Rabbit Fur Coat—as well as her universally-loved work in Rilo Kiley and side projects Nice As Fuck, Jenny & Johnny, and The Postal Service. With no signs of slowing down for 2023, Jenny is ready to hit the road for an epic itinerary that includes both the upcoming 20th anniversary Postal Service and Death Cab for Cutie co-headline tour as well as supporting dates for the Beck and Phoenix co-headline Summer Odyssey Tour, in addition to her own headlining dates in support of Joy’All.
Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. Austin City Limits also previously announced summer tapings with celebrated Americana superstars Jason Isbell and the 400 Unit on June 14; country icon Tanya Tucker on July 10; and global music powerhouse Jorge Drexler on July 31. The broadcast episodes will air on PBS this fall as part of our upcoming Season 49.
Photos by Danny Clinch, Derrek Kupish, and Anton Goiri.
Austin City Limits kicks off an exciting summer with a trio of new tapings for Season 49: the return of celebrated Americana superstars Jason Isbell and the 400 Unit on June 14 in their third headlining appearance; the long-awaited comeback, after nearly four decades, of country icon Tanya Tucker on July 10; and the debut of global music powerhouse Jorge Drexler, who swept the 2022 Latin Grammy Awards with a record seven awards, on July 31.
A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and, magically, to theirs, too. Weathervanes, Isbell and his GRAMMY®-winning band the 400 Unit’s eighth album, out June 9, carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. Isbell shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age—and carry a certain amount of scars. “There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.” Written and produced by Isbell, Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers. They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with his mighty band behind him he transforms, and there is a version of himself that can only exist in their presence. The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions. “It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise — and still listen to the other people in the room.”
Tanya Tucker, 2023. Photo by Derrek Kupish.
Edgy. Classic. Country. A defining voice of music and a modern-day legend, 2023 Country Music Hall of Fame Inductee and two-time GRAMMY® winner Tanya Tucker continues to inspire artists today. Born in Seminole, Texas, Tanya – who first appeared on ACL in 1986, during Season 11 – had her first country hit, the classic “Delta Dawn,” at the age of 13 in 1972. Since that auspicious beginning, she has become one of the most admired and influential artists in country music history, amassing 23 Top 40 albums and a stellar string of 56 Top 40 singles, ten of which reached the No. 1 spot on the Billboard country charts. Tanya’s indelible songs include some of country music’s biggest hits such as the aforementioned “Delta Dawn,” “Soon,” “Two Sparrows in a Hurricane,” “It’s a Little Too Late,” “Trouble,” “Texas (When I Die),” “If It Don’t Come Easy,” “Strong Enough To Bend” and many more. Tanya is also the recipient of numerous awards, including two CMAs, two ACMs and three CMT awards. In 2020, Tanya received two GRAMMY® Awards for Best Country Album: While I’m Livin’ and Best Country Song: “Bring My Flowers Now.” In the fall of 2020, Fantasy Records released Tanya Tucker – Live From The Troubadour on the one-year anniversary of Tanya’s historic, standing-room only set from which it originates. In October 2022, The Return of Tanya Tucker, Featuring Brandi Carlile, a documentary that chronicles the resurgence in Tucker’s career following the success of While I’m Livin’, hit theaters globally via Sony Pictures Classics. Lauded by The New York Times, the documentary raves that Tanya “hasn’t lost a step in terms of phrasing. The teardrop in her voice, strategically used in heartache songs, remains credible. [The doc] interweaves the contemporary sessions…better-than-competent piece of fan service.” In December 2022, Tanya made her acting debut in a lead role in Paramount’s A Nashville Country Christmas, starring alongside Academy Award® winner Keith Carradine. This June, Fantasy Records will release Tanya’s new album, Sweet Western Sound, which stands on her exquisitely warm and wizened vocals and a spectacular collection of cut-deep songs—an assertive and confident declaration of vitality and purpose from an irrepressible and irreplaceable country music icon. Produced once again by Brandi Carlile and Shooter Jennings, Sweet Western Sound reunites the award-winning trio. In October of 2023, Tanya will be inducted into the Country Music Hall of Fame – marking more than 50 years in the entertainment business.
Jorge Drexler, 2023. Photo by Anton Goiri.
Jorge Drexler is an Uruguayan musician and singer-songwriter with a storied professional career—over the course of three decades, he has recorded fourteen studio albums and has toured all over the world. The widely-acclaimed and decorated artist is the recipient of an Academy Award (2004) and thirteen Latin Grammys (2014, 2018, 2021, 2022). In 2022 Drexler released the acclaimed Tinta y Tiempo (Ink and Time), his fourteenth studio album, which earned an astonishing seven awards at 2022’s Latin Grammy Awards, including top honors of Song of the Year and Record of the Year for the album’s breakout single “Tocarte” (To Touch You). The sweeping and cinematic Tinta y Tiempo focuses on nature’s invention of love as a survival mechanism. “It was the thematic vector that informs the entire record, the kind of discourse that comes up when you emerge from a pandemic,” says Drexler. “Dealing with fear and the possibility of death makes you ponder the importance of life. Love as driving energy, life’s dynamo. This is why I believe the album is filled with color.” Anchored on his trademark poetic cosmovision and quirky wordplay, the collection is boosted by exquisite orchestral arrangements. Guest artists including Panamanian songwriter Rubén Blades, Spanish rapper C. Tangana, Israeli rapper/singer Noga Erez and Uruguayan singer Martín Buscaglia add color to a sophisticated songbook that finds Drexler’s voice—a wondrous instrument, capable of evoking vulnerability, hope and wistfulness within a single verse—in a state of grace. Rolling Stone calls the album “One of the most whimsical and free-spirited albums of his 30-year career.” The New York Times remarks that “Tinta y Tiempo is Drexler’s 14th studio album in a recording career filled with richly poetic, ingeniously constructed songs, delivered with amiable understatement.” This is an album of classic elegance and, at the same time, the overall sound vibrates in a very contemporary frequency, combining elements of candombe, pop, bossa nova, flamenco, bolero, Carioca funk, hip hop, trap, zamba, soul, Panamanian mejorana, or baguala, filtered through the sound of the orchestra, samples, percussive textures, female vocals, bass, drums, electric guitar and keyboards. The conceptual song cycle of Tinta y Tiempo sums up Drexler’s lush take on popular song, its ability to uplift and enlighten. “We have just emerged from a very difficult experience,” he adds. “Our capacity to love and our zest for life have been tested. The act of loving involves a certain sense of confusion, of losing control, and there’s nothing wrong with that. We should not lock ourselves in a world fueled by fear and self-oppression. We must keep our hearts thirsty for more, much more – against all odds.”
Want to be part of our audience? We will post information on how to get free passes a week in advance of the taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS this fall as part of our upcoming Season 49.
