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Episode Recap Featured New Broadcast News

Kane Brown and Colter Wall: two sides of country music on ACL’s 45 season

Austin City Limits spotlights next-generation country representing the genre’s expansive range in a new installment featuring chart-topping sensation Kane Brown sharing the hour with breakout Country-and-Western artist Colter Wall

One of country music’s brightest new stars, boundary-pushing artist Kane Brown is having a banner year, dominating the charts with his low, soulful voice and earning multiple nominations for Country Artist of the Year. The 26-year-old hitmaker makes his ACL debut performing highlights from Experiment, his chart-topping sophomore album which debuted at No. 1 on the all-genre Billboard 200. Born and raised near the rural North Georgia-Tennessee border, the singer makes country music for a modern audience, blending elements of pop, rock, rap and R&B into a traditional country formula. Brown showcases his bona fides as the future of the genre, opening his seven-song set with his breakthrough “What Ifs,” the 4X Platinum love song from his self-titled 2016 debut. He details his personal challenges growing up biracial on “Learning” and tackles the topic of school shootings in the dark, powerful standout “American Bad Dream.” Brown closes out the crowd-pleasing set with a victory lap, performing the No. 1, platinum-selling come-hither smash “Lose It.”

Western Canadian folksinger Colter Wall draws on the stories of his native Saskatchewan for his ACL debut. The talented, 24-year-old artist possesses a rich, resonant baritone that belies his age. Accompanied by his four-piece band, Wall performs the modern-day Western numbers from his acclaimed sophomore release Songs of the Plains, produced by Nashville ace Dave Cobb. A set highlight is a pair of new, unrecorded numbers, “Happy Reunion” and the solo acoustic “Hoolihans at the Holiday Inn,” a 21st-century cowboy’s lament about roping practice in hotel parking lots. Wall delivers traditional classics that fit right into his wheelhouse: an inspired rendition of Marty Robbins’ gunfighter-ballad “Big Iron” and the ‘50’s yodel-spiked “Cowpoke,” before reaching back to his 2017 self-titled debut for the fan-favorite set-closer “Motorcycle.”

photo by Scott Newton

“Kane Brown is on the front line bringing country music into the 21st century,” said ACL executive producer Terry Lickona. “His personal story and the subjects he sings about set him apart from the mainstream, yet he’s very much a part of the tradition of country mavericks who aren’t afraid to break the mold.

“Colter Wall is the first artist in a generation to put the ‘western’ back in country-and-western music. His songs about wide-open spaces and the loneliness and isolation resonate with fans feeling the pressure of the modern world.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a special program, as ACL Presents: Americana 18th annual Awards and Honors, featuring Brandi Carlile, John Prine, Our Native Daughters, I’m With Her and more. 

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News

Giveaway: Tank and The Bangas 11/18

UPDATE giveaway is now over.

Austin City Limits will be taping a performance by Tank and The Bangas on Monday, November 18th at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of space available passes to this taping. Enter your name and email address on the below form by 2 p.m. on Thursday, November 14th.

Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified by email. Passes are not transferable and cannot be sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras computers or recording devices allowed in venue.

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Episode Recap Featured New Broadcast News

Vampire Weekend triumphantly returns in ACL’s 45th season

Austin City Limits spotlights Vampire Weekend in a must-see hour featuring the indie-rock band’s epic return showcasing their long-awaited new album Father of the Bride alongside classic gems from their catalog.  

Vampire Weekend performs a suite of songs off the celebrated, chart-topping Father of the Bride, their fourth album and first in six years. The seven-piece, led by frontman Ezra Koenig, unpack new gems: “Sympathy,” “Bambina,”“2021,” “My Mistake,” and “This Life,” showcasing their irresistible knack for melody and lyrics that capture the complexities of 21st-century life. The group perform select favorites from their catalog, including the breakthrough “A-Punk” from their 2008 debut and the rhythmic, Afrobeat “White Sky” from 2010’s landmark Contra. Koenig’s 2014 collaboration with EDM producer SBTRKT, “New Dorp. New York,” is here transformed into a Vampire Weekend funk-rock epic. A set highlight is an extended version of new classic “Harmony Hall,” a masterful, melodic wonder that opens with an iconic guitar riff and accelerates into a joyful piano sprint. The perfectly-paced set comes to a powerful close with Koenig’s stunning vocal on the hymnal, cathartic anthem “Jerusalem, New York, Berlin.” 

“There’s never been a better time to appreciate Vampire Weekend, given the world we live in today,” said ACL executive producer Terry Lickona. “I’ve always been a fan of Ezra Koenig’s voice and his new songs are more personal and inward-looking than ever. Vampire Weekend has remained tried-and-true – popular without ever becoming pop!”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring two sides of modern country music with Kane Brown and Colter Wall.

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Episode Recap Featured New Broadcast News

Patty Griffin and The Revivalists sing from their souls in ACL’s Season 45

Austin City Limits showcases American roots music with Texas singer-songwriter Patty Griffin and New Orleans rockers The Revivalists in a new installment as part of ACL’s milestone Season 45. Griffin performs an intimate, stripped-down set highlighting songs from her recent self-titled release and The Revivalists play crowd-pleasing anthems from their latest Take Good Care.

Patty Griffin delivers a powerful performance with songs from her new self-titled release, her tenth studio album — the first after a four-year hiatus. The Austin favorite first appeared on ACL in a songwriters’ special in 2000, and she returns for her sixth appearance on our stage, adding another extraordinary chapter to her storied two-decade career. Accompanied by guitarist David Pulkingham and percussionist/multi-instrumentalist Conrad Choucroun, Griffin performs highlights from her latest, including the new single “The Wheel”, along with “Luminous Places” and “Hourglass”. The Austin-based musician introduces “Boys From Tralee,” a Celtic-folk stunner that tells the story of her Irish ancestors’ emigration to the United States. Griffin dips back to 2004’s Impossible Dream for the bluesy gut-punch “Standing”, showcasing her rich vocals and love of gospel. 

“We take great pride in claiming Patty as one of our own here in Austin,” said ACL executive producer Terry Lickona, “ but the truth is that her songs have captured the hearts and souls of millions of fans the world over.”

Chart-topping New Orleans brass-rockers The Revivalists perform an irresistible set filled with get-up-and-dance gems from their acclaimed 2018 album Take Good Care. The road-tested band, who’ve perfected their energetic live show with over a decade of non-stop touring, take the crowd on an emotional rollercoaster with infectious slow-build numbers that escalate to anthems. The eight-piece outfit open with their platinum-selling 2015 breakthrough, “Wish I Knew You,” the nostalgic funk jam that became a Number One Billboard smash. Lead singer David Shaw strikes a chord with his signature soulful howl and the group showcase their love for old-school soul on set-closer “Got Love.”

photo by Scott Newton

“The Revivalists won me over the day I saw them play at New Orleans’ Jazzfest,” said ACL executive producer Terry Lickona. “They may not have that typical New Orleans sound that comes to mind, but they have the grit, the funk, and the spice to create their own special kind of musical gumbo.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, a special hour featuring the return of indie rock favorites Vampire Weekend

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Hall of Fame Taping Recap

Taping recap: ACL Hall of Fame 6th Annual Honors

Every year the Austin City Limits Hall of Fame Honors feels like a homecoming. This year was no exception, with so many friends and family with us to help celebrate. For this year’s sixth Hall of Fame class, we inducted singer/songwriter Shawn Colvin, blues giant Buddy Guy and Texas icon Lyle Lovett, the man who nearly holds the record for the most appearances on the ACL stage (he’s one behind Willie Nelson), and their pals came out to start the party. It was a night to remember. 

Austin drum corps Austin Samba set a festive mood to kick off the evening. KLRU-TV, Austin PBS, CEO & General Manager Bill Stotesbery welcomed the crowd and introduced ACL’s longtime executive producer Terry Lickona. He briefly recapped the show’s iconic history before ceding the stage to the evening’s host, Texas troubadour Robert Earl Keen and the ceremony was quickly underway. 

photo by Gary Miller

Keen introduced the evening’s first inductee – veteran Austinite Shawn Colvin. The legendary Jackson Browne inducted Colvin with a moving speech about her musical history and the genius that has marked it. “He’s my hero,” said Colvin, “and he just inducted me into the Austin City Limits Hall of Fame.” She accepted the honor with a heartfelt speech about what Austin and the show have meant to her, before she and Browne took up their acoustic guitars for the lovely “These Four Walls,” which she called a tribute to her town. Following that, Colvin welcomed Wimberley native Sarah Jarosz, who used her mandolin for the classic lick of Colvin’s Grammy-winning smash “Sunny Came Home.” After Jarosz left the stage, Colvin was joined by guitarist Steuart Smith and bassist Larry Klein, both of whom produced records for her, and formed a touring trio with her in the nineties. “This is the first time we’ve played together in 25 years,” she declared, before the threesome nailed a version of her later-period hit “Polaroids.” Jarosz joined the trio for “Diamond in the Rough,” Colvin’s radio breakthrough – which was also enhanced by fellow inductee Lyle Lovett’s surprise appearance on harmony vocals and a thrilling Smith guitar solo. The musicians quit the stage to grand applause. 

photo by Gary Miller

Keen came back onstage to introduce the next inductee: the one and only Buddy Guy. The blues legend was inducted by his old friend and Austin blues icon Jimmie Vaughan, who talked about discovering Guy as a kid from the album Folk Festival of the Blues, and how that put him on the path he’s followed since. “Better late than never!” exclaimed Guy as he accepted his award, garnering a big laugh. The Chicago axeman paid tribute to his own influences – Muddy Waters, Howlin’ Wolf, Lightnin’ Hopkins – before thanking the audience and his fellow artists for helping to keep the blues alive. Guy and Vaughan then joined the former’s band onstage, launching into “Damn Right I’ve Got the Blues,” one of many signature Buddy Guy tunes. Blues singer Shemekia Copeland came next, duetting with Guy on his latest hit “Cognac,” which made getting tipsy absolutely sensual. One of Guy’s recent mentees, Christone “Kingfish” Ingram then took the stage for a rip through “I Just Want to Make Love to You,” one of the classics from Guy’s own mentor Muddy Waters. Closing out his segment, Guy and Ingram welcomed back Copeland and Vaughan and Guy donned an electric sitar for “Skin Deep,” a deep soul ballad in the style of “Feels Like Rain” that reminded us all that we share more than we differ. 

photo by Gary Miller

After an intermission (which featured another performance from Austin Samba), Keen returned to introduce his old friend Lyle Lovett. Oscar-winning actor Sean Penn surprised the crowd with an unannounced appearance to induct his pal, calling him “a humble maestro,” “the storytelling heir to Faulkner, Rogers and Twain,” speaking eloquently and humorously about the impact his music and friendship has had on his life. After thanking Penn, Lovett delineated how long his history with Austin City Limits goes back, from watching the show since its first season to closing out Studio 6A in 2010, before thanking the show and his family – his mother was in attendance. Then Lovett announced seminal Texas songwriter, and key Lovett influence, Willis Alan Ramsey, who sang, with help from the large band, his friend’s anthem “If I Had a Boat.” Dallas native Edie Brickell was next, taking on Lovett’s tart country ballad “I Loved You Yesterday.” The maestro himself came back onstage, thanking his crew and the Large Band, before paring the latter down to fiddler Luke Bulla, mandolinist Keith Sewell and bassist Viktor Krauss for “12th of June,” inspired by his family past and present. The Large Band returned and Lovett welcomed Keen back to the stage to sing “This Old Porch,” a song the pair of them wrote nearly 40 years ago – a fitting tribute to enduring friendships and a long-running career. Keen then invited the other inductees and guests on stage for the final song. Lovett took the opportunity to introduce the large band, including his longtime backup singer Francine Reed, who garnered the biggest round of applause.

photo by Gary Miller

Then it was time for the closing number – “That’s Right, You’re Not From Texas,” one of Lovett’s most famous songs and one perfect for a chorus of famous backup singers. The audience went wild as streamers came down from the ceiling, as another successful Hall of Fame taping came to a close. We can’t wait for you to see it when it airs as a special New Year’s broadcast on your local PBS station. 

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Episode Recap Featured New Broadcast

H.E.R. sparkles on debut ACL episode

Austin City Limits spotlights R&B sensation H.E.R. in a powerhouse debut. The 2019 double Grammy Award-winning singer, songwriter and guitarist dazzles in a new hour. 

A rare talent, 22-year-old H.E.R. delivers a stunning performance in her ACL debut. Opening with the acoustic guitar-driven “Carried Away,” H.E.R. calls out “Austin — you want to lose your mind a little bit?” She commands the hour running through a medley of her hits while showcasing her musician skills, seamlessly switching between keyboards, drum pads, bass, acoustic and electric guitars throughout. With a remarkable demonstration of range, she folds her Grammy Award-winning double-platinum hit “Best Part” from her 2017 breakout debut H.E.R. between covers of Deniece Williams’ “Free” and Lauryn Hill’s “Nothing Really Matters”. She brings a rock ‘n’ roll bravado to her love crisis banger “Hard Place” enlisting the enthralled crowd to raise their voices “a little louder” for the soaring anthem. H.E.R. earns an extended standing ovation for her showstopping rendition of “Make It Rain”, adding her own stamp with a bluesy guitar solo and soulful vocals. She showcases her platinum smash “Focus” and gives nods to her inspirations along the way, leading the crowd in a full-throated singalong of Lauryn Hill’s “Ex-Factor”, and closing with a fiery guitar solo coda of Prince’s “Purple Rain” in a performance for the ages. 

“H.E.R. is a modern Renaissance Woman whose musical skills know no bounds,” said ACL executive producer Terry Lickona. “It’s inspiring and jaw-dropping to watch her morph and meld one style or genre on top of another. Her Grammy performance was a stand-out and her ACL performance really gives her the room to stretch out.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for another brand new episode, featuring veteran singer/songwriter Patty Griffin and New Orleans rockers The Revivalists.