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Encore Broadcast Episode Recap Featured News

Encore: Tom Waits

The Tom Waits episode of Austin City Limits is one of the most requested shows in our 39-year archive. Recorded in December 1978, the show features the iconoclastic singer/songwriter supporting his classic LP Blue Valentine and deep in the transitional phase of his career, evolving out of the jazzy beat poetry of his early work (“I Wish I Was in New Orleans”) and into the bluesier, more dissonant sounds (“Sweet Little Bullet From a Pretty Blue Gun”) for which he became known in the 80s and beyond. He acknowledged the season with the streetwise but lovely “Christmas Card From a Hooker in Minneapolis,” which incorporates a few bars of a better-known Xmas hymn. And he debuted “On the Nickel,” one of his greatest ballads, and which wouldn’t be released on record until Heartattack and Vine in 1980.

You can check out the episode page for pics, the set list and the original liner notes for the episode. Don’t forget to visit our Facebook and Twitter pages and/or sign up for our newsletter for the latest news on ACL happenings. Next week: Rodrigo y Gabriela with C.U.B.A.

 

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Encore Broadcast Episode Recap Featured News

Encore: Widespread Panic

Widespread Panic has spent time on the ACL stage before, visiting us in Seasons 26 and 31. But we never had a show quite like this. Not only was the Georgia band on a tour celebrating its 25th anniversary, but this Season 37 gem was recorded on St. Patrick’s Day during Austin’s venerable South By Southwest Music Festival. In other words, this episode treats fans to a retrospective show recorded in a party atmosphere. The south’s most resilient jam band performs not only recent material like “Dirty Side Down,” “Up All Night” and the salutatory “May Your Glass Be Filled,” but also reaches deep into its sizeable catalog.  Highlights include the choogling “Pigeons,” from its 1991 self-titled second record, the Junior Kimbrough cover “Junior,” from its reputation-solidifying 1994 LP Ain’t Life Grand, and the concert staple “Chilly Water,” from all-the-way-back-in 1988’s debut Space Wrangler. Add a feisty take on Tom Waits’ “Goin’ Out West” to the party and we’ve got a special Widespread Panic show.

Check out the episode page for more pertinent info, and check your local listings for showtimes. Don’t forget to check in with our Facebook and Twitter pages and newsletter for ACL news. Next week: Edward Sharpe & the Magnetic Zeros and tUnE-yArDs.

 

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Encore Broadcast Featured News

Encore: Mumford & Sons and Flogging Molly

Mumford & Sons are featured in this weekend’s encore presentation of  Austin City Limits, airing November 17 on PBS. The British folk band with a huge stateside following are riding high with the bestselling Babel, one of the biggest releases of 2012. The episode, which originally aired in October 2011, finds Mumford & Sons making their ACL debut and is a must-see for fans and a primer for those new to the band’s cathartic live shows. Highlights include a performance of their current single “Lover of the Light,” which at the time had not been recorded. Viewers are treated to a high-octane night of contemporary music’s best folk rock practitioners, including a set by Celtic folk-punkers Flogging Molly.

Blending acoustic instrumentation, vocal harmonies and a tireless work ethic, Mumford & Sons have earned an international reputation as one of the best live bands, winning over audiences with their masterful, melancholy voices and musical skills. Mumford & Sons’ inspired set features tracks from their career-making debut Sigh No More, and the blockbuster follow-up Babel. The energy on the night of the taping vibrated the walls at The Moody Theater, and it translates directly to the screen. The band perform fan favorites “The Cave” and “Roll Away Your Stone” and poignant ballads “Timshel” and “Awake My Soul.” A highlight is an early televised performance of “Lover of the Light,” previously unrecorded, and now featured on Babel.

“The first time this show aired, Mumford & Sons did not have the biggest-selling record in the world (like they do now),” says ACL Executive Producer Terry Lickona. “But today they still capture the hearts and souls of young music fans better than anybody else around – and this amazing performance shows why. They do it the old-fashioned way, with authentic songs that speak to real life, and they play their asses off!”

Speaking of energy, Flogging Molly doesn’t disappoint in their ACL debut. The band storms the stage with tuneful melodies and puts on a magnificent show with their unique brand of Celtic folk/punk.  Tune in for lively renditions of “Requiem For A Dying Song,” “Tobacco Island,” and “Devil’s Dance Floor.”  Bandleader Dave King called their ACL taping “the most important live performance they’ve ever done.”

“A live Flogging Molly show is an experience as much as it is a show,” hints ACL’s Terry Lickona.  “When you’re watching, crank up the volume and buckle up for the ride!”

Check the episode page for more info, photos and clips. Click over to our Facebook and Twitter pages or sign up for our newsletter for up-to-date news on all things Austin City Limits. Next week: jazz bassist/singer/composer Esperanza Spalding.

 

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Encore Broadcast Featured News

Encore: Wilco

“When people ask what kind of music Austin City Limits stands for,” executive producer Terry Lickona says, “there’s one band that sums it up better than any other – Wilco!” Encoring this weekend, our fourth episode featuring this veteran modern rock band shows exactly why ACL holds Jeff Tweedy and company in such high esteem. Concentrating on its latest release The Whole Love, the Chicago sextet puts such stellar tracks as “Art of Almost,” “One Wing” and “Dawned On Me” through their paces with near-perfect poise. It’s not all the new album, of course, as the band also drops a few deep cuts like “Bull Black Nova” and “War On War” into the set. And as the icing on an already delicious cake, Wilco tour mate Nick Lowe drops by with his classic “Cruel to Be Kind,” backed by the boys themselves.

Tune in this Saturday, August 24, to catch all the Wilco action for yourself. Hit the episode page  for more info, and your local listings for exact airtimes. Keep up with your favorite music television show with Facebook and Twitter, and don’t forget to sign up for our newsletter. Next week: Mumford & Sons and Flogging Molly.

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Encore Broadcast Featured News

Encore: Fleet Foxes and Joanna Newsom

Folk music has long been a staple of Austin City Limits. That said, to call either Fleet Foxes or Joanna Newsom simply “folk” is to do them a disservice. As you’ll see when these iconoclasts’ joint episode airs this weekend, there’s much more to these artists than just acoustic instruments.

The first half of this weekend’s episode spotlights the strong songcraft and delicate instrumental interplay of Fleet Foxes. The Seattle sextet interweaves lush vocal harmonies and arrangements that feature everything from 12-string guitar to mandolin to bass clarinet. The band emphasizes its latest record Helplessness Blues, with inspired performances of “Sim Sala Bim” and “The Shrine/An Argument.” But the Foxes’ popular first LP represents with “Your Protector” and the fan-favorite “Blue Ridge Mountains.” It’s a tight set that proves Fleet Foxes has earned their acclaim.

The second half showcases the daring experimentalism and uncommon musicality of Joanna Newsom. Wielding her harp like a paintbrush and singing like a delirious angel, Newsom leads her unique ensemble (strings, trombone, tamboura, kaval, banjo) through a set drawn mostly from her latest album Have One On Me, including the title track and the mesmerizing “Good Intentions Paving Company.” While you could throw words like “psychedelic” and “folk” and “classical” around when talking about Joanna Newsom, it’s better to simply experience her special sound and vision for yourself.

photo by Scott Newton

The Fleet Foxes/Joanna Newsom show hits the airwaves this weekend – check your local PBS listings for showtimes. Head over to the episode page for more goodies – pics, setlists, bio info. Don’t forget to check out our Facebook and Twitter regularly, or to sign up for our e-newsletter. Next week: Rosanne Cash and Brandi Carlile.

 

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Encore Broadcast Featured News

Encore: The Head and the Heart & Gomez

The wide (wild?) world of indie rock has so many disparate roads to travel it’s dizzying. But the best indie rock artists, like the best musicians in any genre, have one thing in common: good songs. And on this weekend’s encore you can see two of the best song-centric indie rock bands on Austin City Limits: The Head and the Heart and Gomez.

Seattle sextet The Head and the Heart exploded out of the Pacific Northwest with an eponymous debut that sold 10,000 copies as a self-released disk before being picked up by indie label giant Sub Pop. The group’s upbeat, harmony-rich folk pop has garnered a large, deeply dedicated fan base in a surprisingly short amount of time. Come hear why as the band plays fan favorites “Down in the Valley” and “Lost in My Mind,” among others.

U.K. quintet Gomez have fifteen years of experience behind them and show no signs of slowing down. The band’s eclectic mix of roots rock, pop, psychedelia, electronica and whatever else crosses the members’ radar has gained them a loyal worldwide audience of discerning music fans. Gomez’ seventh LP Whatever’s On Your Mind received the near-universal acclaim all their records earn, and the band shows why with performances of “I Will Take You There” and “Just As Lost As You,” as well as old favorites “Get Miles” and “In Our Gun.”

photo by Scott Newton

Want more details? Head over to the episode page for photos, setlists and biographical info. Don’t forget to visit – and visit often – our Facebook and Twitter pages for tidbits on ACL, or to sign up for our e-newsletter. Next week on Austin City Limits: Fleet Foxes and Joanna Newsom.