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Episode Premiere: Kacey Musgraves Leads Off Austin City Limits Season 50

Kacey Musgraves on Austin City Limits, 2024. Photo by Scott Newton.

Live music beacon Austin City Limits (ACL) kicks off a celebratory Season 50 with an unforgettable hour from an American original, seven-time Grammy-winning singer-songwriter Kacey Musgraves. The celebrated artist is newly nominated for a trio of awards from the Country Music Association for the upcoming CMA Awards (on November 20), including top honors of Album of the Year and Female Vocalist of the Year. The season premiere airs on Saturday, September 28th at 7pm CT/8pm ET. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast. 2024 marks the 50th Anniversary of the revered music institution, which continues its extraordinary run as the longest-running music series in television history, providing viewers a front-row seat to the best in live performance for an incredible half-century.

Kacey Musgraves on Austin City Limits, 2024. Photo by Scott Newton.

“It’s such an honor to be kicking off the 50th Season of ACL,” says Kacey Musgraves from the famed ACL stage. The Golden, Texas native returns for Austin City Limits golden anniversary season in her third series appearance; Musgraves made her ACL debut in 2014 and returned in 2018 for Season 44. The songstress shines in a radiant hour, with a new collection of songs from her latest album Deeper Well as the centerpiece, alongside career highlights and songwriting tales. With an easy rapport and exquisite singing, Musgraves delivers a captivating 13-song set joined by her seven-piece band. She opens with the delicate, soaring “Cardinal,” which pays homage to her late friend and mentor John Prine. Musgraves performs a suite of album highlights including “Deeper Well,” “Sway” and “Too Good To Be True,” weaving soft melodies around sparkling songs in a tender performance.

“ACL! Should we throw it back a little bit?” asks Musgraves before launching into the irresistible “Butterflies” from 2018’s Grammy-winning album Slow Burn. Musgraves performs a moving solo rendition of “Rainbow” with piano accompaniment, inviting the audience to sing-along. She reaches back to her 2013 breakthrough for “Follow Your Arrow,” letting the crowd take over on the final verse. A barefoot Musgraves thrills with lush vocals and harmonies on her fan-favorite anthem “Slow Burn.” “We’re gonna leave each other with good vibes,” smiles the free-spirited artist as she closes with the ACL audience joining in for her set staple “Three Little Birds.”

“Kacey Musgraves represents what Austin City Limits is all about – past, present, and hopefully future,” said longtime executive producer Terry Lickona. “There’s a through line from that very first ACL, from Willie to Kacey 50 years later: groundbreaking artists pushing boundaries, with powerful songs, and powerful performances. She sets the perfect tone for the 50th anniversary!”

Kacey Musgraves on Austin City Limits, 2024. Photo by Scott Newton.

Episode setlist:

  • Cardinal
  • Deeper Well
  • Sway
  • Too Good To Be True
  • Butterflies
  • Giver-Taker
  • Follow Your Arrow
  • The Architect
  • Heaven Is
  • Rainbow
  • Justified
  • Slow BurnThree Little Birds/Easier Said

Season 50 Broadcast Line-Up (second half of season to be announced separately):

September 28 – Kacey Musgraves

October 5 – Gary Clark Jr. | Black Pumas

October 12 – Maggie Rogers | Gracie Abrams

October 19 – Jacob Collier | Nickel Creek

October 26 – Brittany Howard

November 2 – Jelly Roll | The War And Treaty

November 9 – Chris Stapleton

November 16 – Juanes

Watch new episodes live, stream online, or download the PBS App. Viewers can visit acltv.com for news regarding upcoming Season 50 tapings, live streams and episode schedules or by following ACL on Facebook, Twitter, IG and TikTok. Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits:

A monument to music, Austin City Limits has showcased iconic performances from legends and innovators in every genre of popular song for a remarkable five decades. The series is the flagship of the popular Austin City Limits Music Festival and has earned countless accolades for its quality presentation of live music performances, including a Peabody Award, a Rock & Roll Hall of Fame designation and it remains the only TV series awarded the National Medal of Arts.

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

About Austin PBS:

Since 1962, Austin PBS has been a part of Central Texas, delivering programs that educate, entertain and inspire. As the only locally owned and operated nonprofit public television station in Central Texas, Austin PBS uses its unique position to serve as a bridge to the community and provide essential services to 3 million potential viewers in more than 20 counties across the region.

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Episode Recap Featured New Broadcast News

Kacey Musgraves & Dale Watson two-step through ACL’s new season

Austin City Limits closes out Season 39 with a spectacular hour of country music, Texas-style, featuring the ACL debuts of Grammy Award-winning Texas native Kacey Musgraves and Austin’s own country icon Dale Watson.

Breakout country artist Kacey Musgraves walked away with two trophies for Best Country Album and Best Country Song at this year’s Grammy Awards for her critically-acclaimed major label debut Same Trailer Different Park. The release produced the hit singles “Follow Your Arrow” and the Grammy-winning “Merry Go ‘Round” and topped many critics’ 2013 year-end best lists including Entertainment Weekly, NPR, Country Weekly, Spin and The New York Times, with Rolling Stone calling her “the gen aught Loretta Lynn…ballsy, unsentimental, thoroughly pop and yet totally in the (country) tradition.” Viewers will want to pull up a chair for a front row seat to one of the most arresting ACL debuts of the season. “Welcome to our little trailer park,” says the twenty-five year old singer-songwriter, kicking off her radiant performance surrounded by a white picket fence and porch lights. Musgrave’s honest, effortless vocals shine on songs that demonstrate her witty knack for storytelling in a bold, irresistible ACL set.

“If you didn’t know much about Kacey Musgraves before her triumph at the Grammys, you’ll really know what the buzz is all about after seeing her ACL performance,” says executive producer Terry Lickona. “She’s a remarkable songwriter and all-around talent who is blazing new trails for women in country music.”

Next up is Austin’s king of country music: Dale Watson. Called “the silver pompadoured, baritone beltin’, Lone Star beer drinkin’, honky-tonk hellraiser” by The Austin Chronicle, the hometown hero has flown the flag for classic honky-tonk for over two decades and twenty albums. His latest album, El Rancho Azul, continues his work as one of the world’s finest C&W singers and songwriters, and ACL is thrilled to present Austin’s favorite son in his first feature performance. For Watson’s set, the ACL studio is transformed into a substitute for his regular Austin haunt Ginny’s Little Longhorn, with a room full of dancers two-stepping in the time-honored manner and he gets the ATX audience fired up with “Honkiest, Tonkiest Beer Joint,” his paean to the legendary saloon. Watson turns on the Texas charm as he performs a career-spanning, crowd-pleasing set, turning ACL into a full-on honky-tonk complete with Texas shuffles, closing out the season in good fun on a glorious high note.

“Dale is the real deal. Nobody else is making country music like this today,” Lickona says. “It’s time for the rest of the world to discover why he’s so special to us in Austin.”

Check out the episode page for more details. Be sure and visit our Facebook and Twitter pages or sign up for our newsletter for more ACL news and happenings. Next week: Arcade Fire.

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News Taping Recap

Kacey Musgraves and Dale Watson: two sides of modern country music

For our final taping of our current season, ACL paid tribute to its roots, with country music both old-fashioned and new-fangled. First we welcomed Austin honky-tonk legend Dale Watson back to the ACL stage, and then CMA Best New Artist winner and Texas native Kacey Musgraves.

For Dale Watson’s set, the studio was transformed into a substitute for his regular haunt Ginny’s Little Longhorn, with a room full of dancers two-stepping in the time-honored manner. Indeed, Watson drove the point home with a shout-out to the eponymous founder of the Austin favorite as he delivered his Ginny’s tribute “Honkiest Tonkiest Beer Joint in Town.” Not that he needed to – he and his band the Lone Stars gave us plenty of danceable tunes. “Honkiest” and “Hey Brown Bottle” provided the prototypical Texas shuffles, while “My Baby Makes Me Gravy” and “Runaway Train” trucked in Johnny Cash’s chickaboom. The Lone Stars brought Western swing back to the ACL stage with “Give Me More Kisses” and lilted into a pretty waltz with “Your Love I’m Gonna Miss.” Classic honky-tonk reigned supreme on “Cowboy Boots” and “I Lie When I Drink,” while the set-ending “Exit 109” barreled down the highway with a classic trucking song. Watson soared over it all with his amazing voice that sounds genetically engineered to sing C&W. It was a gloriously fun set that celebrated old school country.

From the traditional to the contemporary: Kacey Musgraves took the stage with her talented band and a fresh sound that highlighted her Texas twang and original songs. “Stupid” and “Back On the Map” revolved around stomping beats and memorable guitar riffs, putting rock through a country wringer. The exceptionally melodic “Silver Lining” and “Merry Go ‘Round” incorporated as much folk and pop as C&W. The cheeky “The Trailer Song” and countrypolitan-flavored “High Time,” both new songs as yet unrecorded, proved the Golden, Texas native’s sure hand with the traditional stuff. Her self-described “depressing country music” gave the ballads “Keep It to Yourself” and “It Is What It Is” extra heart and soul. Best of all were her twin anthems: “Mama’s Broken Heart,” written by Musgraves but recorded by her friend and champion Miranda Lambert, and “Follow Your Arrow,” an empowerment anthem that, mark our words, will become her signature tune.

It was a lovely night of modern country music for our final taping of the 39th season. Look for this show to air on PBS early next year.

 

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News

Kacey Musgrave and Dale Watson 11/25

Austin City Limits is getting back to the country on November 25 with a double-header featuring fast-rising newcomer Kacey Musgraves and Austin honky-tonker Dale Watson. learn more

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Featured News

K.T. Oslin R.I.P.

photo by Scott Newton

The Austin City Limits crew is sad to hear of the death of singer, songwriter and country hitmaker K.T. Oslin at the age of 78. The three-time Grammy-winning artist suffered from Parkinson’s disease for many years, and had been diagnosed with Covid-19 last week. 

Raised in Houston, Texas, Oslin majored in drama at Lon Morris and sang in a folk trio with Guy Clark as a young adult in her hometown. She found success appearing in musical stage productions in New York City and starting writing songs in her NY apartment. Her first country singles came out on Elektra Records in the early 80s, but failed to make much of a dent in the charts. It wasn’t until 1987 when, at the age of 45, she hit with her self-penned “80’s Ladies,” her first top-ten, CMA- and Grammy award-winning single, which pushed the album of the same name to the top of the C&W charts. She continued having hits through the early nineties, including her #1 singles “Hold Me” (which won her two further Grammys), “I’ll Always Come Back,” “Come Next Monday” and “Do Ya.” She also wrote songs for the Judds and Gail Davies. 

“K.T. brought an edge and an attitude that was missing in Country music in the 80’s and 90’s – especially among female singers,” said ACL executive producer Terry Lickona. “There weren’t many singers of any gender singing lyrics like ‘We were stoned rock and rollers in the 60’s.’ She helped pave the way for the new generation of women in Country to come.”

For the rest of her career Oslin alternated between acting and music, releasing six LPs in total, including 2001’s Live Close By, Visit Often, produced by the Mavericks’ Raul Malo, and her final album Simply in 2015. She appeared on Austin City Limits twice, in 1989 and 1992. Here she is with her closing number from the latter year, singing “Do Ya.” 

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Featured News Taping Announcement

June taping announcements: Bonnie Raitt, Dr. Dog and Mavis Staples

June may be vacation time for most folks, but here at Austin City Limits we’re happy to come to work. Why? Because we have not one, not two but three great artists visiting us: Dr. Dog on June 25 and Bonnie Raitt and Mavis Staples on June 27.

Hailing from Philadelphia, Pennsylvania, Dr. Dog has had the virtue of developing far away from the music industry. Grown organically through practice and experimentation, the band’s quirky, catchy pop draws equally from the psychedelic 60s and the indie rock 00s. Dr. Dog earned its national break in 2004 after going on the road with ACL veterans My Morning Jacket. The band has since become a well-traveled touring outfit, releasing half a dozen albums and appearing on the late night TV shows of David Letterman, Jimmy Fallon, Conan O’Brien and Craig Ferguson. Armed with its acclaimed seventh LP Be the Void, Dr. Dog records their first episode of Austin City Limits on June 25.

Bonnie Raitt needs no introduction to ACL fans, having appeared on the show twice before, in Seasons 9 and 28.  The veteran musician’s remarkable talents are back in the public eye this year with Slipstream, the first release on her own Redwing Records label and her first since 2005’s Souls Alike. NPR praised Slipstream as “vital and fresh… beautiful,” Rolling Stone gave it a 4-star review, and Entertainment Weekly wrote “Superb… she slips her purring voice into every song like a letter going into an envelope addressed just to you.” The album debuted at #6 on the Billboard 200, marking the nine time Grammy-winner’s highest charting album and best sales week in nearly two decades. We welcome Bonnie Raitt back to the ACL stage on June 27.

But Ms. Raitt is not coming alone. Joining her will be gospel/R&B legend Mavis Staples. The Chicago native began her career in 1950 with the Staple Singers, who became one of the most successful family gospel bands in America with pop hits “Respect Yourself” and “I’ll Take You There.” The Staple Singers represented the musical voice of the Civil Rights movement due in part to their friendship with Martin Luther King and also to their willingness to record material as topical as it was inspirational. Mavis first tested the solo waters in the late 60s, recording sporadically for the next 40 years. Currently signed to hip label Anti-, Mavis is still riding high on the success of 2010’s You’re Not Alone, produced by pal Jeff Tweedy from Wilco. Now she’s bringing her venerated pipes, whose “otherworldly power comes…from a masterful command of phrasing and deep-seated sensuality” (All Music), to the Moody Theater for her Austin City Limits debut.

Stay with us on Facebook, Twitter and this very blog for more news about upcoming tapings, and check out our Tumblr page for blasts from the past.