Austin City Limits

When our good pals the Foo Fighters returned to Austin City Limits, it was not only as stage-conquering rock superstars-it was also as filmmakers of the much-acclaimed HBO series Sonic Highways, which chronicles the making of the band’s latest LP of the same name. Episode four of Sonic Highways, centered around that song and our town, was rapturously received, and on its heels we were thrilled to welcome them to our current studio in the Moody Theater for the band’s second ACLTV appearance.

The Foos opened with the moody, spacy epic “Aurora” before slamming into the raging “The Feast and the Famine.” Once the needle hit red it stayed there, as Dave Grohl and the band pumped out anthem after fan-favorite anthem: “Learn to Fly,” “Times Like These,” which featured the first of Grohl’s many trips into the audience, “Rope,” “The Pretender,” “My Hero,” “Monkey Wrench,” deep cuts “Arlandria” and “Hey, Johnny Park!” The Foos barrelled back down the Sonic Highways with the blazing “Congregation,” before launching into the album’s two part Austin-based song. The melodic “What Did I Do” garnered immediate audience approval, but that enthusiasm turned into fervor when album guest and ACL alumnus Gary Clark Jr. took the stage to perform his elegiac solo on the second half, “God As My Witness.” The fervor didn’t stop there, as not only did Clark stay for the next song, but Grohl welcomed ATX blues legend (and co-star of the Austin episode) Jimmie Vaughan for a spirited run through the Fabulous Thunderbirds’ “Tuff Enuff,” with Vaughan replicating his distinctive solos.

After that, the band could do no wrong, digging into its catalog for the rocking “Cold Day in the Sun,” sung by drummer Taylor Hawkins, before another series of back-to-back-to-back killers with “In the Clear,” “I’ll Stick Around,” “Walk,” “Outside” and the punky “All My Life.” Then things took an epic turn. Grohl took off his guitar and headed back into the audience with a bottle of champagne to share with the delirious crowd as the rest of the group launched into the Rolling Stones’ disco rock hybrid “Miss You,” sung by Hawkins (who admitted he didn’t know the words). Grohl then took over the kit so Hawkins could come up front for a punked-up take on Cheap Trick’s “Stiff Competition.” The Foos’ living jukebox didn’t stop there, though – next up was “Under Pressure,” the Queen/David Bowie classic done as a duet between Grohl and Hawkins, then Tom Petty’s “Breakdown,” with an extended electric piano solo from keyboardist Rami Jaffee, and finally a roaring bash through Van Halen’s “Ain’t Talkin’ Bout Love.”

“I guess we better play one more Foo Fighters song,” chuckled Grohl, cueing up “Best of You,” with its “whoa-ohs” taken over by the audience. The band ended the show with “Everlong,” another hit and crowd favorite, and then, almost three hours from when it started, the show was over. It was a monster of a performance, one that Grohl described as “the weirdest f-g show we’ve ever played.” We can’t wait for you to see it when it broadcasts early next year as a highlight of our milestone Season 40. Stay tuned.

Already huge stars in their native England, and one of the UK’s most-acclaimed live acts, headlining festival stages from Reading to Glastonbury to Coachella, and a rapturously received set at this year’s namesake Austin City Limits Music Festival, Foals brought their epic sound to our stage for their debut Austin City Limits taping.

Following taped intro music, the band started the show with “Snake Oil,” a galloping rocker from the Oxford quintet’s latest album What Went Down. Foals then reached back to its 2008 debut Antidotes for “Olympic Airways,” which rode a basstastic postpunk groove to glory. That tune segued directly into the similarly rhythm-heavy “My Number,” from the fivesome’s third LP Holy Fire. “Providence,” from the same record, flowed from a lush synth bed to a skittering funk rocker before erupting in guitar fury. “Give It All” followed, its brooding atmosphere bringing the energy to a simmer rather than boil. Then it was time for the song that introduced them to American audiences, the radio smash “Mountain At My Gates,” and it didn’t disappoint: the hit soared into the stratosphere and had the crowd jumping.

Taking a breather from WWD, Foals dug further back into its catalog for the dreamy “Spanish Sahara” and the jangly “Red Sox Pugie.” The band then went into the atmospheric “Late Night,” before diving into the ether with the psychedelic anthem “A Knife in the Ocean.” Foals finished the main set with the widescreen “Inhaler,” which ranged from a sort of ethereal disco to grinding guitar grunge and featured a surprise visit to the crowd from charismatic singer Yannis Philippakis. That wasn’t the end, of course; the band returned for a grand finale. The hugely anthemic title track of What Went Down killed as Philippakis once again mingled, and the audience showed their appreciation loud and long. This was one well-oiled, passionate rock machine, and we can’t wait for you see then when this show airs early next year as part of our Season 42 on your local PBS station.