Austin City Limits is thrilled to announce that we will be live streaming our highly-anticipated debut taping with country star Maren Morris on October 31. ACL offers fans worldwide the unique opportunity to watch this taping here in its entirety on our ACLTV YouTube Channel. The broadcast episode will air early 2023 on PBS as part of our new Season 48.
One of country music’s brightest stars, the multi-platinum, award-winning singer-songwriter makes her first-ever appearance showcasing songs from her latest Humble Quest, nominated for Album of the Year at this year’s upcoming CMA Awards. Maren comes to our stage from her current U.S. headlineHumble Quest Tour, which kicked off in June with high-profile stopsat Nashville’s Bridgestone Arena, New York’s Radio City Music Hall, Los Angeles’ Hollywood Bowl, the legendary Red Rocks Amphitheater and more.
The Nashville-based Texas native is one of the leading voices in music today, armed with incredible vocal stylings and songwriting chops, sheer talent, honest lyrics and an undeniable presence. Her third album Humble Quest was released earlier this year to widespread critical acclaim, with The New York Times praising her as “pocket-size but with alpha presence, like a country music Mighty Mouse.” Humble Quest is Maren’s most genuine collection of songs, tracing her journey to embrace the imperfections in her life through snapshots of her rises and falls, overshares, lullabies, wine-soaked conversations with one old friend and a final goodbye to another one. The album debuted at #2 on Billboard’s Top Country Albums chart, broke the record for most first day and first week streams globally on Amazon Music for a country album by a female artist and features the irresistible lead single “Circles Around This Town,” which was the most-added single at country radio upon impact and broke Amazon Music’s record for most streams for a country song debut by a female artist.
Maren and her musician husband Ryan Hurd were nominated for a 2022 Grammy and two 2021 CMA Awards for their chart-topping #1, Platinum-certified first official duet “Chasing After You.” A bonafide hitmaker, Maren’s quadruple Platinum single “The Bones” dominated 2020, catapulted into the Top 40 and topped the Billboard Hot Country Songs chart for 19 consecutive weeks, becoming the first solo female multi-week #1 at country radio since 2012. The single earned Maren Song of the Year and Female Artist of the Year at the 2021 ACM Awards, Female Vocalist of the Year, Single of the Year and Song of the Year at the 2020 CMA Awards, plus Female Artist of the year and Music Event of the Year at the 2020 ACM Awards and a 2021 Grammy nomination for Best Country Song.
Her 2019 sophomore album GIRL shattered the record for the largest ever debut streaming week for a country album by a woman and was named Album of the Year at the 2019 CMA Awards, where Maren was the most nominated artist. GIRL arrived three years after Maren’s breakout, Platinum-certified debut album HERO, for which she won a Grammy for Best Country Solo Performance, New Female Vocalist of the Year at the 2017 ACM Awards and New Artist of the Year at the 2016 CMA Awards. HERO features the much-lauded singles that launched Maren’s career into the stratosphere— the double Platinum “My Church,” Platinum “80s Mercedes” and “I Could Use A Love Song,” and Gold “Rich.” The genre-bending artist’s 2018 global smash hit collaboration “The Middle” with EDM DJ Zedd is officially six times Platinum-certified. We’re thrilled to welcome Maren Morris to the ACL stage.
Join us hereOctober 31 at 8 p.m. CT for Maren Morris, and on PBS early next year for the broadcast episode. Tune in to your local PBS station on Saturday nights for brand new episodes of Austin City Limits; watch live on PBS or stream anytime at PBS.org.
It goes without saying that an ACL Hall of Fame taping is something special. The combination of ACL greats being saluted by their peers and fans always makes for an emotional, exciting evening. For our eighth HOF show, we were privileged to honor Austin music icon Joe Ely and superstar singer/songwriter Sheryl Crow. This year’s Hall of Fame, honoring a pair of inductees, featured a deeper dive into each artist’s work, highlighted by extended tributes, allowing the guest performers to share personal stories about their connection for a very special night.
Following introductions from Austin PBS CEO Luis Patiño and Austin City Limits executive producer Terry Lickona, who introduced perennial bandleader Lloyd Maines and the ACL All-Stars house band, renowned Texas author Lawrence Wright arrived to induct hometown hero Joe Ely. “The driving beat of a Joe Ely anthem tells us right away where he’s coming from,” Wright noted. “He’s a honky-tonk poet, an outlaw country minstrel, a corrido balladeer, a rocker with a broken heart, all these traditions experienced, captured, and transformed into his own distinctive style. The traditions that shaped Joe have been shaped by him in turn. He absorbed the legends and became the legend, and because of his gifts to our culture, the emptiness is filled with understanding, with connection, with meaning.” Ely accepted his award graciously, encouraging the show to get back to the music, which roared to life at the piano bench of ACL Hall of Famer Marcia Ball. The Austin legend recalled with obvious pleasure how she was introduced to Ely’s music in the seventies, watching the Amarillo native move from Lubbock expatriate to Texas rock star. That led immediately into a joyous take on Ely’s rip-roaring piano tribute “Fingernails,” because what other song should be in Ball’s capable hands?
While the audio crew struck Ball’s piano, Lloyd Maines came to the front of the stage to introduce the ACL All-Stars: ace players David Grissom, Chris Gage, Bill Whitbeck and Tom Van Schaik, plus special guests Jimmy Pettit and Davis McLarty, both mainstays (along with Grissom) of Ely’s band in the 80s and 90s. Country great Rodney Crowell took the stage next to sing Ely’s rockabilly anthem “Cool Rockin’ Loretta,” including an improvised testimony in the midsection paying tribute to “cool rockin’ Joe Ely.” Then it was time to hear from the man himself, who returned to the stage, guitar in hand, turning in a spirited performance of his classic tune “All Just to Get to You” to loud applause.
The only way to follow that was for Ely to be joined by his decades-long pals and peers Butch Hancock and Jimmie Dale Gilmore – AKA the Flatlanders. Sitting in a row on stools, the trio jumped into a rollicking “I Had My Hopes Up High,” not only the first song on Ely’s 1977 debut album, but also the song that kicks off Ely’s debut ACL episode in 1980. “This is one of the most beautiful West Texas songs you’ll ever hear,” remarked Hancock, as Gilmore led them into Ely’s extraordinary ballad “Because of the Wind.” As another pair of mics were set up, Gilmore talked about what music means to humanity, and specifically to his old friend Joe. “One thing all of us had in our homes was Woody Guthrie,” he said, as Ball and Crowell returned for a round robin, Western swing-flavored take on the great American troubadour’s “Goin’ Down That Old Dusty Road,” a staple of Ely’s sets for many years. Leave it to Ely, at his own tribute, to insist on paying tribute to his own primary influence. “Thank you, Austin City Limits!” said Gilmore, as the crowd cheered and the Flatlanders took a grateful bow.
While the crew reset the stage for the next segment, the audience was treated to a pair of videos from the ACL archive, both featuring the late, great Loretta Lynn, in tribute to her passing earlier this month. Brandi Carlile took the stage to induct her friend Sheryl Crow. “She’s so charming and humble you almost forget that she’s Sheryl fucking Crow,” Carlile said about her mentor. “But we must never forget. When it comes to empowerment, Sheryl has always been on the right side of history.” A clearly moved Crow thanked Brandi and ACL, noting how many of her heroes performed on the show and how much it’s meant to her. Then her pal Jason Isbell took the stage, mentioning how Crow became the rock star she is while remaining a normal person – a rarity in this business. Joined by Crow’s longtime guitarist Peter Stroud, Isbell and the All-Stars then laid down a devastating version of Crow’s masterfully crafted ballad “Run Baby Run.”
The show then welcomed a very special guest: breakout country singer Brittney Spencer. She recounted first encountering Crow at her day job in a coffee shop, which became the root of a continuing friendship. It was also the spark that led to Spencer appearing on our stage to pay tribute to her hero with a soulful take on Crow’s soulful rocker “My Favorite Mistake.” Singer/songwriter Jess Wolfe from Lucius arrived to “literally sing the praises” of her friend. With Wolfe’s Lucius partner Holly Laessig sidelined by illness, Crow herself took Laessig’s place for a lovely version of her hit “Strong Enough” with Wolfe. The duo quit the stage to make way for the return of Carlile, who thrilled in getting to sing “the most fun Sheryl Crow song,” i.e. the Crow staple “If It Makes You Happy,” a tune perfect for Carlile’s lonesome wail. She didn’t leave, however, welcoming the inductee back onstage to duet on the massive hit and fan favorite “Every Day is a Winding Road.” The pair’s obvious joy in singing together translated to both the band and the audience, leading to a delightfully fun performance that earned enthusiastic applause.
With a Wurlitzer piano arriving onstage, Crow, Carlile, Isbell, Spencer and Wolfe returned for the grand finale. “It’s a huge honor to share a stage with Joe Ely,” Crow said, also praising the ACL All-Stars and her friends. With Carlile, Spencer and Wolfe acting as a gospel chorus and Isbell contributing guitar solos, Crow passionately sang “I Shall Believe,” turning the brokenhearted ballad into a rousing optimistic anthem. “Thank you, Terry Lickona! Thank you, Austin City Limits! I love you so much!” The audience gave that love back to her with huge applause. And it was over – a fantastic Hall of Fame show that we can’t wait for you to see when it airs January 7, 2023 as part of our Season 48 on your local PBS station.
Austin City Limits 8th Annual Hall of Fame induction ceremony, honoring Joe Ely and Sheryl Crow, Oct. 27, 2022. Photos courtesy Austin City Limits.
Parker McCollum performs on Austin City Limits in 2022. Photo by Scott Newton.
Austin City Limits presents a spectacular hour of country music, Texas-style, featuring rising star Parker McCollum and legendary singer-songwriter Robert Earl Keen. McCollum makes his ACL debut with songs from 2021’s Gold Chain Cowboy; and, in a special appearance, ACL veteran and Americana great Robert Earl Keen, who recently retired from touring, returns for a triumphant final bow showcasing beloved classics from his four-decade career. The new Season 48 installment premieres October 29 at 8pm CT/9pm ET. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.
Breakout country artist Parker McCollum is having a big year: he scored a best-selling album with his major label debut, Gold Chain Cowboy, won New Male Artist of the Year at the ACM Awards and received a coveted nomination for New Artist of the Year at this year’s upcoming CMA Awards. Raised in the East Texas town of Conroe, the charismatic performer wears his Lone Star roots proudly on his sleeve, and performs Gold Chain Cowboy highlights, including the album’s double-platinum single “Pretty Heart,” and the fan-favorite “To Be Loved By You.” With a smile as wide as Texas, McCollum thrills the crowd with a pair of new songs, “Handle on You,” and “Stoned,” then closes with the heartfelt power ballad “I Can’t Breathe.”
Robert Earl Keen during his final taping for Austin City Limits in 2022. Photo by Scott Newton.
A true Texas original, Robert Earl Keen first appeared on the ACL stage in 1989 as part of a Texas showcase. One of the Lone Star state’s most beloved songwriters and performers, the Houston native returns for his seventh appearance, accompanied by his longtime band and joined, for this occasion, by a special guest, pedal steel guitarist Lloyd Maines. A road warrior who has easily played over 180 dates in any given year, appearing at roadhouses, dance halls, theaters and fairgrounds, Keen caps his remarkable musical journey with this ACL swan song as he retires from live performance. He delivers gems from across his legendary career in an emotional set, opening with early highlights “Feelin’ Good Again” and “Gringo Honeymoon.” For the bittersweet send-off, Keen begins with his “I’m Comin’ Home,” which evolves into a full audience singalong; he then notes “You can take this one with ya,” before wrapping up with “I Gotta Go,” after which he sets down his guitar, tips his hat and waves goodbye to the emotional crowd.
“A Texas Country music legend meets the new face (and voice) of Texas Country music today,” said ACL executive producer Terry Lickona. “Both Robert Earl Keen and Parker McCollum are part of a long tradition of singer-songwriters, with their own take on what makes Texas Country different.”
Parker McCollum setlist:
TO BE LOVED BY YOU
HANDLE ON YOU
STONED
HELL OF A YEAR
PRETTY HEART
I CAN’T BREATHE
Robert Earl Keen setlist;
FEELIN’ GOOD AGAIN
GRINGO HONEYMOON
SHADES OF GRAY
I’M COMIN’ HOME
I GOTTA GO
Season 48 Broadcast Line-up (first half of season)
October 1 Brandi Carlile
October 8Japanese Breakfast/Arlo Parks
October 15 Sylvan Esso/Lucius
October 22Allison Russell/The Weather Station
October 29Parker McCollum/Robert Earl Keen
November 5Lyle Lovett and His Large Band
November 12Cimafunk and The Tribe
Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG.Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.
Austin City Limits
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.
Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.
UPDATE giveaway is now over. Austin City Limits will be taping a performance by Maren Morris on Monday, October 31st at 8 pm at ACL Live at The Moody Theater (310 W. 2nd Street, Willie Nelson Blvd). We will be giving away a limited number of passes to this taping. Enter your name and email address on the below form by Wednesday, October 26th at 2 pm.
Winners will be chosen at random and a photo ID will be required to pick up tickets. Winners will be notified via email. Duplicate entries for a single taping will be automatically voided. Tickets are not transferable and will be voided if sold. Standing may be required. No photography, recording or cell phone use in the studio. No cameras, computers or recording devices allowed in the venue.
Spoon on Austin City Limits, Oct. 2022. Photo by Scott Newton.
The deans of Austin alternative rock for over twenty-five years, Spoon hit another milestone in their impressive career: hitting the ACL stage for the fifth time. It may not seem like it, what with the Willies and Haggards and Lyles and Asleep at the Wheels, but the number of artists who visit that many times or more is pretty small. That it’s a band from our hometown makes it even more special – especially a band that’s hitting a new peak in its own career. The quintet’s tenth album Lucifer On the Sofa is one of their most acclaimed, and its songs formed the heart of their taping.
Driven by Jim Eno’s pounding kit, Spoon kicked off the show with the hard-rocking “Held,” the powerhouse opener from Sofa. Leader Britt Daniel’s famed pop sense took hold on follow-up “Feels Alright,” without losing the rock & roll fervor. Spoon next looked back a few years to their breakthrough Ga Ga Ga Ga Ga for “Don’t You Evah,” a choice that earned immediate cheers, before moving on to Transference for the brow-furrowing rock tune “The Mystery Zone.” Daniel took a moment to reminisce about the free beer that was available at tapings in the pre-Moody Theater days before digging into the grooving boogie of “The Hardest Cut,” on which the band essayed their own take on old school classic rock. Daniel and company then reached all the way back to 1998 for the popwise “Metal Detektor,” wasting no time before moving into the blazing, beat-heavy “Got Nuffin.”
Three saxophonists and a trombonist then joined Spoon onstage for the chunky rock of “The Devil & Mr. Jones” and the melody-rich title track to the new album, with splashes of reverb splitting the difference between the twentieth and twenty-first centuries. The horns stayed with the band for a spirited zip through the ultra-catchy “The Underdog,” which, as Spoon’s breakthrough radio hit, garnered the loudest, longest cheers yet. As the horn section exited the stage, Daniel kept the acoustic guitar he’d donned for “Underdog” and solicited requests, ending on the vibrant pop of “My Babe,” which just happened to be the next song on the setlist. “Inside Out” followed, its keyboard-heavy pop featuring Daniel singing on his back on the stage in one of his rare turns without a guitar – at least until the song’s outro. Back to his trusty Telecaster, Daniel ended the main set with the dynamic, danceable “Wild,” driving the audience, yes, wild.
Given the fans’ enthusiasm, Spoon had to come back for more. Keyboardist/guitarist Gerardo Larios arrived first, starting with a familiar piano melody, drawing out Daniel and the rest of the band for an impassioned performance of John Lennon’s Plastic Ono Band standout “Isolation.” “Do us a favor,” Daniel said after finishing, “act like we’re the Who for a second.” Then he led the band into “Utilitarian,” a song from the band’s second LP A Series of Sneaks. After a brief false start, Daniel and crew then took us to Gimme Fiction for the dramatic “My Mathematical Mind,” which built into a frenzy of noise rock and flashing strobes. Despite the Big Rock Ending, Eno went straight into the bashing garage rock of “Rent I Pay,” with a second BRE, and a crowd of fans proclaiming their appreciation for as loud and as long as possible. It was a great show, possibly our best Spoon taping yet, and we can’t wait for you to see it when it airs early next year on your local PBS station as part of our Season 48.
Spoon tapes Austin City Limits, Oct. 19, 2022. Photos by Scott Newton.
Allison Russell and band tape Austin City Limits, May 2022. Photo by Scott Newton.
Austin City Limits showcases a pair of breakthrough Canadian singer-songwriters: Montreal native Allison Russell shares the hour with The Weather Station, the performance name of Toronto’s indie-folk singer/songwriter Tamara Lindeman. Russell makes her show debut with a radiant set featuring songs from her 2022 Grammy-nominated solo debut album Outside Child; while The Weather Station presents a hypnotic set highlighting selections from Ignorance, an album that topped many 2021 year-end-best-of lists. The new Season 48 installment premieres October 22 at 8pm CT/9pm ET. The program, recorded live at ACL’s studio home in Austin, Texas, continues its extraordinary run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.
After years of collaborations with like-minded artists, Allison Russell released her debut solo effort Outside Child to much critical acclaim, earning a trio of 2022 Grammy nominations, including Best Americana Album; it was recently named 2022 Album of the Year by the Americana Music Association. The starkly beautiful breakthrough deals with the abuse Russell suffered as a child and her subsequent survival. Now based in Nashville, the singer/songwriter and multi instrumentalist begins a magnetic set with the folk rocker “The Runner,” joined by a six-piece all-female band; the number soars with exquisite backing vocals and strings. She picks up her banjo for the powerful “All of the Women,” an attempt to find survivor’s joy despite continued societal injustices and senseless tragedy. “We believe that music, shared like this, is creative communion, an essential service that helps build up our empathy,” Russell tells the crowd. A co-founder of the supergroup Our Native Daughters, Russell closes with the stunner “You’re Not Alone,” from the 2019 album Songs of Our Native Daughters.
Tamara Lindeman and her band The Weather Station perform on Austin City Limits, 2022. Photo by Scott Newton.
Tamara Lindeman, leader of the Toronto outfit The Weather Station, has earned critical acclaim for the thoughtful, soulful songcraft showcased on her 2021 breakthrough Ignorance, a commentary on climate change issues. Ignorance was named a Top 10 Album of 2021 by Pitchfork, The New Yorker, Spin, New York Times, Uncut, The Guardian, and several others. In a captivating set centered on the album and accompanied by her five-piece band, Lindeman opens kneeling for the riveting single “Robber,” as the tempo and urgency increase, amplified by saxophone and keyboards for dramatic, atmospheric effect. The musically inventive performance draws from elements of jazz, folk and indie-rock. A highlight is the mesmerizing “Stars,” the main track from her stripped-down companion album, 2022’s How Is It That I Should Look At the Stars. Backed only by keyboards, Lindeman’s voice rings out with pure grace, with the crowd remaining intensely hushed for the entire song.
“No artist can sing or express a song better than the writer, and Allison and Tamara are living proof of that,” said ACL executive producer Terry Lickona. “Their emotional evocations cover the deeply personal to the global, and their songs resonate with meaning as we try to navigate the world around us.”
Allison Russell:
THE RUNNER
ALL OF THE WOMEN
POISON ARROW
YOU’RE NOT ALONE
The Weather Station:
ROBBER
ATLANTIC
PARKING LOT
STARS
TRIED TO TELL YOU
BETTER NOW
Season 48 Broadcast Line-up (first half of season)
October 1 Brandi Carlile
October 8Japanese Breakfast/Arlo Parks
October 15 Sylvan Esso/Lucius
October 22Allison Russell/The Weather Station
October 29Parker McCollum/Robert Earl Keen
November 5Lyle Lovett and His Large Band
November 12Cimafunk and The Tribe
Watch live, stream anytime, The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules or by following ACL on Facebook, Twitter and IG.Fans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.
Austin City Limits
Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012. Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.